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#the numero uno
bubtans · 1 year
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"How was that!? Were ya s c a r e d ?"
Arataki Itto in "Version 3.3 - All Senses Clear, All Existence Void" Trailer
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ackee · 4 months
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everytime a female character has a hint of muscle or is vaguely gnc, all yall talk abt is pegging and violence and being thrown around like did you ever think masc/muscular women want to be treated kindly also. just a thought
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chrisgeneering624 · 2 years
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😍😍😍😍 🧍‍♂️
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bigcatbulges · 8 months
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Source - AmonSyd
(Artist's Patreon and Telegram Channel)
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visenyaism · 5 months
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love the dead three’s constantly recurring group projects despite their inability to get anything done ever due to their wildly disparate goals because like. where are we going with this
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hhhhleb · 1 month
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i saw this on twt and it made me think of your kid!jake au 😭😭
https://twitter.com/buckycharms_/status/1777708437536665938?s=19
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I laughed so hard I cried. I'm serious. and my wife just finished me off when wrote about the cart thing.....
ps Marc lengthened their life by laughing for so long they don’t need Khonsu anymore
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angstics · 1 year
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5 songs i wish my chem played on the swarm tour ZINE | kofi
"top 5" is a classiccc zine prompt - make your own!
none of photos/art mine. src: public domain, mags, diversion zine
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ac1dhao · 10 months
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lee seokmin, you’ll always be THAT pretty mf.
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comradekatara · 1 month
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I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33
YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?
toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.
it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.
toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.
that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.
so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.
toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.
however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.
toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.
toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.
femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)
i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.
toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.
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beebopurr · 5 months
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As a break from the sad I think if Casey jr tried pulling the parent trap it would almost work ONCE and just end up like this
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And like 20 minutes later
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bentosandbox · 10 months
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oh yeah the other day i had an epic epiphany
'but swire is rich and marisa is a thief it doesnt cohere!!!'
you ⑨ its the ever-present power gap and them trying to cross the invisible barrier to the other person despite their girlfailing with whatever they have at their disposal..!!
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jayrockin · 2 years
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Inktober number 4, a stream of consciousness comic about makeup. No pencils no erasers no mercy, but light digital editing to make the reading flow more obvious. Will continue it if I feel like it.
This kind of takes place outside of story continuum time, but Shyam and Talita are an item here.
PATREON | STORE | Runaway to the Stars
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visenyaism · 2 months
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I thought that last comment you got about Ned enabling Robert was really interesting and well-put! I was wondering, do you think after basically painting himself into a corner allowing Roberts behavior for years did Ned have any “good” options to deal with the information that Joffrey was illegitimate? Or like do you think because the “royal bloodline” thing is bullshit anyway Ned would’ve done better to just never tell anybody (since he’s clearly willing to take that kind of secret to the grave anyway)
as the only other person in the whole realm who is hiding a succession-disrupting bastard from robert I really think Ned is kind of talking to himself in a way during his conversation with cersei. it’s why he gets so frustrated at her for not having been a better wife to Robert, because NED was a pretty good wife to Robert, and yet neither of them can stop him from killing their children if he finds out the truth. There’s this direct parallel between being the hands of the king and dealing with an abusive monarch and being the queen and dealing with an abusive husband that I think is pretty interesting to explore.
Ned knows that Robert will just kill Cersei’s kids if he finds out the truth, because Ned knows he would not hesitate to kill Jon. Obviously, he would counsel against it, but Robert would do it, and Ned would disassociate and then go home. He’s trained himself to be a very passive figure in Roberts life while Robert just destroys everything around him so not think there’s anything he can do to stop that act of violence. in his head, he is doing the absolute most that he can by warning her to run. There is no situation in which Ned takes this to his grave. he is too loyal to robert and too society-brained. he copes with the Robert situation by blaming Cersei for Robert’s behavior.
ultimately, I think the commonality between Cersei and Joffrey, and Ned and Jon makes Ned sympathize with Cersei a bit but he’s never empathizing with her at any point. he would sell her out if Robert had lived.
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mikaikaika · 7 months
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Cellbit on day 1 : I will not fall in love and plan to kill people
Roier : Hola
Cellbit *clutching his (ender)pearls* : Okay maybe the murders can wait
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br3adtoasty · 9 days
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⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
UNIQUE MAGIC
This section is empty…
🦋 That drunkard butterfly has made its way to your window once again…
“Once upon a time-“ A tale was told, As the land and seas Was it age-old The mystical unicorns, it spoke of Of great triumphs, valor, and love The young colt sat and listened, spirit stirred To fly the nest, its wings spurred So set off, the fledgling did To adventure and bright future promised it glided around in circles, then abruptly stopped Alas, Its mirth did not last For the crane was netted Caught like a bass! By merry men, outlaws And bandits alike That wished for its fall That delighted in its plight Earthly, it planted its feet on the floor Disheartened, it’s forgotten its splendor Never again shall the crane soar Days spent gazing at the stars, body, heart, surrendered
It flew away… And what a dreary song! You should probably find some fun and uplifting activities to do after all that to clear your mind. Like painting, cooking, playing games… Ah! Of course, not in the presence of a certain killjoy of a classmate.
My OC for @marcoritasdorm !
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melchiordommik · 2 months
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team work makes the dream work
(they hate eachother)
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