#the only jerk for no reason character I have is an original character and his two boyfriends help him stop being an asshole

[afterartist]

Me: we don’t have enough asshole for no reason sanses, I can fix that

Also me: accidentally gives him a tragic backstory and reason to be an asshole* dang it

#please I genuinely love jerk characters #like #give me someone to hate and be annoyed at (/aff) #but I keep giving them reasons for it #the only jerk for no reason character I have is an original character and his two boyfriends help him stop being an asshole #just let me write jerks #OH WAIT NO I DO HAVE ONE #but I hate him he’s not fun so he doesn’t count

[reallyromealone]

Title: fate

Fandom: jjk

Characters: Gojo, original character for plot purposes

Fic type: story

Pairings: Gojo x reader

Warnings: male reader, reader insert, omegaverse, angst, soulmate, Gojo is a jerk, slow burn

Notes:

🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸

There was no space for weakness amongst sorcerer's, no space for mistakes and no space to be anything less than perfect.

He had always heard of his fiance, Gojo Satoru... The god amongst sorcerer's...

Though he never met the Alpha, the high and mighty sorcerer never bothered meeting the diamond of the (lastname) clan and did everything he wanted and everyone he wanted while (name) was expected to wait.

The only reason they were fiance's is because of stupid blood work, the two having extreme compatibility and thus an engagement... The Alpha apparently became a teacher.

(Name) Always stood out with people, clothes traditional and expensive as students gawked at the Royal looking omega with two S rank sorcerer's beside him as security and a calm yet serious expression on his face, he was rarely called here... Hell he wasn't even allowed to attend due to being the fiance of Gojo, the Alpha barring it.

That always made (name) laugh, couldn't meet his omega even once and downright ignored him but controlled every aspect.

"You will be expected to marry within the next month, you're both 19 and twenty and after the wedding we expect pups within the first year" Gojo sat beside him, legs spread out and sitting casual as if he didn't make them wait an hour for him to arrive. (Name) Didn't know what to do with the Alpha beside him, (name) expected to wear scent patches at all times and a collar but Gojo had his scent out and proud, it was almost suffocating.

The concept of marrying such an asshole... (Name) Didn't want that.

He didn't want to live a life being this fuckers baby machine.

So, a week after... He left.

Took the jewelry gifted to him by people wanting his hand or favor, once people learned who he was it was like floodgates opened and (name) just kept the expensive jewelry in a box... Now they served a purpose.

That was one year ago, now 20 and across the country away from Tokyo and away from... Him.

(Name) Lived in a farm house on a coastal village, trading his traditional clothes for t-shirts and cardigans, simple trousers and sneakers, all things he never wore before living on his own. The two was nice, the Omega had more money than god with the jewels he sold and worked part time at the small hobby shop in town, the elderly alpha woman introducing him to many hobbies.

For the first time, (name) felt calm.

His shoulders never tensed anymore.

But he knew to never eat his guard down.

(Name) Didn't keep much tech, he didn't really use it back in Tokyo so it didn't appeal to him but he did keep a radio and a small tv in the corner, his boss giving him her old dvd player and (name) would borrow movies from the library, catching up on things he missed.

Currently he was watching a drama as he crocheted another blanket for his nest, humming softly to himself as rain patterned outside against his roof and the smell of his food cooking in the oven.

Knock knock knock.

(Name) Was confused as he stood up, walking to the door and carefully he cracked the door open just a sliver when he smelt it... Pine and peppermint. The smell of Gojo Satoru.

"You are a very hard person to find, surprisingly" Gojo said as he pushed the door open, the smell of distress and anxiety filling the small space as the sorcerer walked in "cute place, not what I would have expected from the (last name)s clans little gem" his voice condescending as he looked around at the little decorations and such.

"I'm not going back" (name) hissed as he stepped away whenever Gojo got closer "im not being some daycare for your pups while you go sleep around japan!" Gojo wore his eye mask though even with that he could feel the glare, the man was done with this.

"So you're going to play farm boy here? We both know you're not even remotely cut out for that" Gojo taunted and (name) glared at him "you know nothing about me! I know you never opened that stupid packet about me! I was expected to give everything to you but you couldn't even muster up talking to me! You treated me like I didn't exist!" (Name) Yelled angrily, all the years of anger and resentment boiling over "you don't get to want me now, I don't care if we are fated or whatever! You are a jackass!" (Name) Felt the air knocked out of him as he was pushed against a wall, the infinity making him feel like the other was pressing against him as he realized that gojos mask was no longer present, piercing blue eyes staring down at him.

"Do you think I was happy with the elders deciding that I was going to marry some prissy Omega? That suddenly I was expected to play house with someone I didn't know!" He growled and (name) wasn't backing down despite the pharamones and pressure "you didn't even try and get to know me! You didn't want me!"

"Well I'm here now, aren't I !"

" A little late, don't you think!"

"God you're annoying!"

"Back at you"

This was not the Omega Gojo remembered, the poised and refined Omega who poured tea and wore pretty clothes was replaced by an angry man in comfy clothes and a heated glare and an attitude "we are literally bound by fate and we can't even hold a conversation without arguing" Gojo found the situation weirdly funny as (name) looked at him with a mix of annoyance and disgust as the sound of his timer went off and (name) managed to get away to go take his food out the oven.

Gojo followed the other and looked at the food, it looked really good "you know how to cook?"

"I was literally trained to be the perfect house wife" (name) said bluntly as the sound of a stomach growling caught both of their attention and Gojo looked at the other and (name) sighed "I literally can't make you leave" he hissed as he grabbed another plate.

Dinner was tense as (name) ate, reading his book as he did so as Gojo took the time to inspect his surroundings "it's like an old persons house, do you even have a computer?"

"Don't know how to use one, don't need it" (name) said as he took a bite of his food and Gojo looked surprised at his words "you grew up with cast wealth, how do you not?" He didn't believe it at all as (name) set his book down "an Omega and an alpha live different lives, you were given more freedoms then myself... You got to attend school and make friends and I was raised to be the perfect mate and technology wasn't deemed important to know compared to the art of tea pouring" he said simply as he looked into the others eyes "I have spent this year learning everything i was deprived of, I lived in Tokyo yet I had never seen it outside my escape"

If it was tense before then it was suffocating now, Gojo never considered these things.

He never once considered the life his fiance was living, having always been told he was living the perfect life of luxury and frankly assumed he was some spoiled Omega.

"I would have shown you..." Gojo started, guilt bubbling in him, "oh? You would have spared me time? Between your whores?" (Name) Tilted his head curiously and Gojo felt a headache form "I hear everything you know? From my maids... They always told me I should be lucky that I'm fated to you" (name) looked away and continued eating, book abandoned beside him as the smell of fury radiated from the Omega, Gojo sighing as he took a bite of his food. The food was phenomenal, seasoned perfectly and not one thing not amazing about it but he didn't comment "we can sort these things out when we go home" Gojo said finally, they would get everything in order when they returned home.

"I am home, I have no intentions of going anywhere with you" (name) said stiffly as he stood with an empty plate.

"Well, tough" Gojo said tired as he followed the Omega around the small farm house, cozy and warm "you're my Omega and I'm tired of this"

"Was I your omega when you screwed across the land?" (Name) Glared at him, he didn't care who he was or what strength he possessed... He was tired of everyone making choices for him! "You can go back to whatever life you had before, say I died or something... I know that there's countless omegas dying for a chance to be your fiance"

"Well if you're not going with me, in not going anywhere" Gojo said simply as he walked to the small couch and plopped down "you're like a child" (name) glared, wasn't even like he could go out, the rain so heavy.

"I'm going to bed" (name) grumbled as he went to his bedroom, Gojo getting up to follow but (name) slammed the door in his face.

This was going to be annoying, Gojo could feel it.

Come morning, (name) wore a loose shirt and sweatpants as he made himself his morning drink and stared at his mug sleepily as Gojo watched from the livingroom curiously, the other rubbed his eyes sleepily as calm and sweet pharamones filled the space. Gojo realized that this was the first time he could smell the others pharamones and not smell distress.

He never smelt anything so wonderful.

(Name) Set a mug of tea, brewed perfectly "how did..." "We were both given packets about one another, you pretended I didn't exist remember?"

Gojo had a feeling (name) wasn't going to let go of that anytime soon.

Gojo followed (name) around all day, when the Omega walked down the path towards the village "you really live out in the middle of nowhere" Gojo commented as they walked along the tree lined path, (name) holding a few bags "you know in Tokyo, I could have food delivered to us right?" Gojo remarked and (name) just ignored him, at least the Alpha had the sense to wear sunglasses instead of his mask so he didn't look insane "there's barely a connection out here" the Alpha remarked, (name) knew what he was doing and it wasn't working.

The villagers looked confused as (name) had a towering alpha follow him, the omega shopping as if he wasn't even there "(name)!" A couple kids ran up to the Omega who looked down curiously "what is it little ones?" (Name) Asked softly as the youngest clung to his leg, a little pup with wide eyes and a sweet smile "play with us!" One of the kids said excitedly and (name) smiled "maybe later little ones, I have errands I have to do" (name) ushered the children towards the small park area, Gojo watching the scene curiously.

"So why did you come looking for me? I thought you would have been elated at my sudden leaving" (name) asked as they walked home, Gojo forcing the other to let him hold the bags "my alpha... It practically destroyed half the estate when it found out you left... Geto ripped me a new one"

"So you had an epiphany and came here acting like everything would be fine" (name) said with a sigh and Gojo shrugged "I mean yeah" "and what? Expect me to be like 'oh thank you alpha! You're so kind and didn't make me feel worthless and your actions didn't cause me verbal and emotional abuse from my family!' been going to therapy and the therapist says you suck" (name) was way snarkier than Gojo thought he would be, he liked that his omega wasn't weak "I spent a year being on my own and doing what makes me happy, I don't want you messing that up"

"What do you even do out here?" Gojo asked and (name) shrugged "I have a part time job and I'm an active member of the community, no stress of either of our families... Everything is good"

"What would it take for you to come back?" Gojo asked "money? I can make sure you have everything you need"

"I don't want money, I don't want that stuff... I'm not marrying someone who doesn't love me and I don't love in turn"

Gojo spent the night thinking about it, while his omega slept peacefully in the other room and pulled out his phone to text Geto... He wasn't sure what to do.

#jjk x male reader #jjk x reader #jujutsu kaisen x male reader #jujutsu kaisen x reader #gojo satoru x male reader #gojo satoro x reader #Omegaverse #omega male reader #male reader

[writerquil]

Spoilers!

TW! A rant. Mentions of S@ and Abuse

AHEM! Alastor apologist (and apparently now partial defender) to the rescue!

This post is for anyone switching up on my guy after the newest episode. And the switch up originates from that one scene, you know, the scene below.

(EDIT: Sorry for the random censoring lol, I don't feel like going back to edit it and its an old habit of mine).

Yeah, we all know this scene. Basically the one where Alastor lashes out at Husk.

Immediately after seeing this scene I had TWO different reactions, in which consisted of “wow that was cool” and “people are going to twist this, aren’t they?”

And people did! So here I am!

I’m basically going to show a bunch of reactions and concerns to said scene that I disagree with and then I’ll say why!

1. “Alastor is like Valentino!”

Don’t even say that. PLEASE NO.

I like to think that I’m pretty good at letting my liking for characters go the moment that I realize they’re wretched in specific ways, but this never occurred for Alastor.

You wanna know why? Because he is NOTHING like Valentino apart from the fact that they’re both overlords who carry soul contracts. I don’t think I really need to pick apart their personalities because we can already tell how different they are.

The only reason why the two were “grouped” together was because Husk and Angel were stuck in situations both caused by soul contracts and an overlord which caused the two to be mentioned alongside each other.

2. “Husk’s relationship to Alastor is EXACTLY the same as Angel and Valentino’s!”

Nope. Both relationships, admittedly suck, trust me, I’m not discounting either relationship or saying “ok well one has it worse than the other”.

But come on guys, the relationships are not the same. Alastor sucks to Husk, obviously, considering he is forced to do his bidding for who knows how long? But there’s obviously a fine line between the two relationships.

There’s parallels of course, with the chains and the soul dealing. The situations aren’t completely the same but they have similar sources so parallels are bound to occur.

Valentino is an abusive ass whom frequently physically and emotionally abused Angel and Alastor (from what we’ve all seen) can be a jerk who drags Husk into clearly many “favours” such as working at the hotel and possibly many more considering he’s clearly met more of Alastor’s colleagues and friends before.

They’re both forced into things and with their souls under contract, they can’t do much about it. But the things they’re forced to do are significantly different. Once again, this isn’t me saying anyone has it better, because it’s not a competition.

But the relationships are not the same. The two are brought in for significantly different things. Do you really think Alastor is s3Xua!!y abusing Husk whenever he’s brought in? Yeah, no, me neither.

Do you think he’s mentally abusing him too, or that a situation like what was displayed occurs often whenever Husk does come in? Because no. Didn’t you see how startled Husk was? This clearly wasn’t just an average event that happened between the two frequently and the fact that Husk was willing to push Alastor’s buttons a bunch in the first place just shows that he wasn’t expecting it to happen either.

And for the people so insistent on Alastor abusing him like that. I suggest you hide your weird k!nks better.

3. “Alastor tortures Husk frequently!”

Okay and what gave you that idea? Was it the way that Alastor lashed out? Because he didn’t lash out of the blue as you may think.

Husk pushed his buttons and Alastor got angry. Trust me, I love Husk but he played a stupid game and got surprised when he won a stupid prize.

Considering Alastor abusive after pulling Husk to the floor is strange. Trust me, if he was supposed to be abusive, it would be explicitly showed throughout the episodes. And before you say “well it was implied”, I really don’t think so.

And once again, Husk was clearly extremely startled, which means this probably doesn’t happen very often. Which also discounts you all considering him to be similar to Valentino, who displayed hurting behaviour frequently.

Like the most we’d even seen interaction between the two was in the pilot and the recent episode. I think we’d get more display if there was more violence occurring in the relationship.

4. “I used to like Alastor before…”

Then what? You realized he was evil and did evil things? YEAH, he’s bound to threaten someone here and there.

Like if you don’t like him after witnessing his literal evilness then sorry to say, you never liked him in the first place.

I’m sorry for this guys but seriously. You can’t switch up on an evil character for doing evil things. He’s going to threaten people. Just know that when he does, it doesn’t signify he’s abusive or assaults Husk on a daily basis.

#hazbin hotel episode 5 #alastor hazbin hotel #hazbin hotel #alastor haters are gonna make me cry #hazbin hotel husk #hazbin alastor #rant #angel dust #hazbin hotel angel dust #hazbin husk

[thedomesticanthropologist]

You know how we all kind of collectively agreed that astarian is jealous if you sleep with someone who isn't him and I just kept on rolling that around in my head because in the very beginning he doesn't like you

And he wants to secure a safe place in the group, but if you listen to the dialogue he tries with every companion before you, and he gets rejected.

Oddly enough, he also tries with Alfira, who can objectively offer him nothing and I wanted to expand on my thoughts about that.

I think it all ties into him believing that he has nothing to offer except for his body, except for sex. It's the number one way that he feels he can communicate with others positively, it's the only way he knows how to make a connection because he doesn't actually know how to make meaningful connections.

And most importantly above and beyond all else, he says it's his instinct. And when he says it's his instinct he scoffs and makes a disgusted face and looks upward and away. It's a knee-jerk reaction for him. And he's not a very good planner, we know that. But I think there's a lot to be said for the fact that he does this not only because he thinks it's going to serve him (get him safety, loyalty) but also because he has been so thoroughly trained to initiate these types of encounters that when he feels neutral towards someone or even slightly positive or they are attractive or any sort of thing that would have been a cue for him in his past to go after attempting Target - he just sort of automatically goes for it.

Let me backtrack to my original point about the jealousy. Since he thinks that sex is all that he is good for which he specifically States in his confession if you pick certain dialogue options, then at the point in the game where you haven't an initiated a romance with anyone else he is trying to give you, the player, the only thing he has that he believes has any value. Even if you have an unsuccessful relationship with him he later on says that he believes that it was worth it for you because you got to have sex with a world-endingly beautiful vampire so he does believe that he is giving you something of value.

No imagine him offering up to the player the only thing he thinks has any value at all, his only bargaining chip, literally the only thing that he thinks would make him have or provide worth, and then he's rejected. Not only that, but he's rejected in favor of another companion that he can already most likely identify has more to give than he does.

I don't think he was jealous at all. I think that this was a huge blow to his self-worth or what little is left of it. And please don't take that as a reason to make yourself romance him I'm trying to do a character analysis here, based on his personal motivations. By not taking him up on his offer, he can't use his only "chip" in the bedding pool and is immediately forced to figure out different tactics to survive.

So yeah, I don't think it had anything to do with jealousy in the very beginning. I think it was just the beginning of him figuring out that he's no longer playing the game that he's always played or rather that he can't.

#baldurs gate 3 #bg3 #astarion #astarion ancunin #astarion bg3 #astarion romance

[literallysatanofficial]

Alright, I'm going to attempt to hopefully clear up a few misconceptions and assuage some worries about this Disco Elysium sequel and the general situation at za/um right now.

I see the shitshow that is unfolding on social media, and as someone who has known about this whole disaster for over half a year now I'd like to weigh in on it and provide some context for everyone who may not know the full story.

First off, Robert Kurvitz was fired at the end of last year. December 2021. As is strongly implied on Martin Luiga's twitter, the reason for this is greed (calling them "money men" and "crooks" and other similar statements for like, months now), and the executive producers, Tõnis Haavel (who has previously been tried for fraud) and Kaur Kender (who has previously been tried for... other things.) screwed everyone over. Kender provided funding for the game, as the majority of the original za/um cultural association did not have the financial means to.

The original za/um cultural association consisted of Robert Kurvitz, Jüri Saks, Martin Luiga, and Aleksander Rostov, originally founded in in 2009. The group, along with Argo Tuulik, played many different ttrpg campaigns over the years, several of them set in Revachol (centred around Precinct 41), and slowly built the world up from there. Kurvitz released the book The Sacred and Terrible Air, set 20 years after Disco Elysium, back in 2013* but the novel flopped, and it was decided that they would make a video game. Rostov has always been more than just an artist for Disco Elysium, as you can see from the dev threads he frequently updated promoting the game, as well as on his personal instagram, tumblr sketch blog, and several other accounts he used while the game was first gaining traction.

*The most notable credits for TSaTA are as follows:

Author: Robert Kurvitz, Editor: Martin Luiga, Cover Design: Aleksander Rostov, Worldbuilding: Robert Kurvitz, Martin Luiga, Kaspar Kalvet, Argo Tuulik. Helen Hindpere and Kaur Kender also appear in the credits.

I say this because some of the staff at za/um are now accusing fans of being unable to overcome the "auteur theory" of it all (ie. seeing Kurvitz as the singular creative mind behind it all) but the fact is that they have now lost not only the original ttrpg campaign's game master, The Sacred and Terrible Air's author, and Disco Elysium's lead writer/director (Kurvitz) but also their lead writer for the Final Cut's political vision quests (Hindpere) as well as their "co-founder" and art director/designer (Rostov). They are all CREATIVE LEADS, and not just well known only for their reputations/titles.

Luiga himself (who originally broke the news) was an Elysium world builder and provided much of the pale and innocence-related lore. He was also a part of the original tabletop campaigns (Chester McLaine is his player character!), but left midway through Disco Elysium's development due to creative differences (or as he says, "bad vibes" at the company). He is credited as an editor, but claims to have written a good chunk of the text in the game, including much of Joyce's dialogue about the pale. I have seen people discredit him due to his early departure, but Rostov also tweeted out confirming that he, along with Hindpere and Kurvitz were no longer at the company, with no additional comments. Rostov also posted a drawing on his twitter several months back depicting a man jerking off over an NDA, so take that as you will.

So what does this mean for the future?

Luiga has said that he has hope for the sequel, which could either mean that the script was finished or nearing completion before Kurvitz was fired (likely, and fits a pattern in the industry) and it's just a matter of finishing the actual game development aspect, or it may be that he has hope for the original za/um creatives to be able to re-acquire the IP.

I think it's worth pointing out that the original pitch for "Disco Elysium" was actually "The Return", and Disco Elysium was meant to be the smaller-scale prequel to introduce players to the world. Considering that the team was planning on this sequel all along, I think it's possible that a large amount of the "original" game was written years ago, so it's not all that far fetched to believe that the basic outline may be finished, or even that a large portion of the script already exists. Keep in mind that there are a large number of writers for both Disco Elysium and The Final Cut, and it may still be possible to work with a base that the others provided. We have no idea how far into development the sequel may be. Of course, proceeding without three key members of the original team is kind of a kick in the balls, and imo really quite disgusting, especially with how long the company has been keeping their departures secret (dishonesty is not a good look lmao), but it may still be canon, true to the authors' vision, and genuinely a good game in the end.

Argo Tuulik, original Elysium world builder and part of the old ttrpg campaigns, as well as a main writer on Disco Elysium, is still working at za/um. Justin Keenan, former writer on The Final Cut who wrote the political vision quests alongside Helen Hindpere, still works at za/um (and has been promoted to lead writer, according to his LinkedIn), as does Kaspar Tamsalu, who painted several character portraits, (René and Gaston) and worked as a concept artist on the original game. Plenty of the original creatives still remain. The sequel could very well still be in good hands at the development level, even if the higher ups are "crooked".

So, in conclusion... If this game comes out and they still haven't worked things out with Kurvitz, Rostov and Hindpere? Honestly... fuckin' pirate it. But it is very likely it could still be a great game that plays out as it was meant to! All that being said, FUCK za/um as a company, don't support them through Atelier or their merch store. I wish everyone luck if they do attempt to get the IP back, and I sincerely hope this fan pressure will help get things moving for them.

#disco elysium #ada speaks #if anyone would like sources i can supply them #i just didnt want to bog down the post with links just in case it doesnt show in the tag #im leaving out a lot of shit for Reasons but i hate to see people upset because i do genuinely have hope for the future of elysium #but i will vouch for the quality of the sequel myself. #some minor updates as i accidentally stated argo was part of og za/um

[ratridingaskateboard]

Always See Your Face

Chapter Two

Link to Chapter One here

Summary: Eddie is beginning to find solace in an unfamiliar face.

Warnings: Sexual innuendos, mentions of drugs, Y/N is described!

Tag list: @daisyridleyyyy @silky-luxe @bl00d-puppy @ttsbaby01 @kennedy-brooke @sadbitchfangirl @abzzz3 @josephquinnschesthair @aislinnclifton

A/N: OMG I was not expecting the amount of feedback I got from Chapter 1 thank you so so much!! Like in Chapter 1, different character perspectives will be marked with: --. I know y'all will like this chapter since Eddie's pov is in it :)

--

The days have seemed to be dragging out longer these past weeks for Eddie. He couldn’t sleep, couldn’t jerk off, couldn’t play his guitar. Even the campaign had several hiccups because he couldn’t focus. He would think about possible reasons for this feeling: repeating senior year, not having a girlfriend, and not being able to secure a job. Out of all the reasons he had conjured in his head he seemed to find that the best definition for this feeling was loneliness. His parents were not in the picture and his uncle Wayne wasn’t exactly the best company. Don’t get him wrong he was a great guy and a better man than Eddie’s father ever was but Eddie wouldn’t consider him close to Wayne by any means.

‘86 was supposed to be Eddie’s year and he had begun to lose hope. 

Today was no different than any other day. Eddie had found himself stuck in trying to figure out tricks for his Hellfire campaign that would be able to mess up friends. His mind still couldn’t focus and he noticed himself repeating familiar tactics that he had done in the past. He rubbed his palms against his face, trying to drown out the laughter and conversation of his friends around him. 

“You okay, Eddie?” Dustin asked.

Suddenly, there was silence. Eddie placed his hands down and looked over at Dustin until a voice rang out.

“Hey, I know you showed me around and I might be asking for too much but is it alright if I sit with you?”

It was such a sweet voice. Not an inkling of insincerity, pity, or ill intent. It seemed so warm. He had been wanting to hear a voice like that for a long time. 

He looked up to see her. Was he in a dream? Had he been looking at that picture of Demi Moore in the swimsuit he had cut out and pasted in his makeshift porn mag for too long? She looked so similar to her yet she adorned the clothes Eddie would wear except for the skirt, of course. Her hair was a dark brown, long and straight which went down to her mid-back. Her bangs were whispy and thinner than many of the other girls who had teased theirs beyond recognition. Her big brown eyes stared so kindly at Dustin as if she was seeing an old friend again. 

Eddie went stiff. His friends around him looked to her then back at Eddie then back at her. They were amazed to see their lord and savior Eddie Munson be so frigid around a girl. Normally, he was as boisterous as usual with a touch of chivalry for the ladies. But he was never noticeably nervous like he was now. 

Eddie wondered to himself; Was some divine being sending him this girl so he could get through his last senior year? Was she an angel? He needed to take advantage of her sitting at their table before she left. This could be his only chance to speak to his dream girl.

She had looked over at Eddie and he gulped. Her lips were so plump and red they were practically begging him to kiss her. Stop it, Eddie! Fuck, He needed to get laid. She seemed to be analyzing his face and he let her. He would let her do anything as long as he got to keep staring at those eyes. Her eyes quickly shifted over to Mike once he entered the table. He felt his body relax once her gaze had changed.

"Jesus, that line was long!"

Mike's exclamation had broken the silence and Hellfire erupted into an uproar of questions.

"What's your name?"

"So where are you from originally?"

"How are you liking it here?"

"Are you single?"

Eddie was silent, watching her like a hawk to see what information his friends could attain from her. But she didn't answer any of the questions, she just started to laugh.

"I'm sorry! I laugh when I'm overwhelmed." She smiled. "All of you are so sweet for wondering about me."

Well, Eddie wasn't expecting that response but he had a feeling she would continue to surprise him. Dustin's once bewildered face began to soften as everyone spoke. He still seemed to be uncharacteristically quiet but at ease nonetheless. Eddie could tell he was plotting something since Dustin was not one to stay silent at the lunch table.

"Oh!" Gareth seemed to remember something as he reached into his bag. He pulled out a Geometry textbook and began to flip through the pages until he found what he was looking for.

"Do any of you guys- Oh, sorry, I mean guys and lady- understand how to do this? I can't figure any of this out and if I fail another test, I'll fail the class."

"Hey man, I don't know anything about Geometry. I barely passed Geometry when I took it."

"Yeah dude, no one at this table would be the right person to ask."

"Can I see?"

Gareth stared wide-eyed at Y/N as she began to walk over to him, leaning over his shoulder to look at the question. Eddie had sat right beside Gareth and he couldn't be happier with their current seating arrangements.

She was so close to Gareth and he could tell that Gareth had stopped breathing the second he felt her warmth. They could both smell her; She smelled like clove cigarettes and vanilla. Suddenly, Eddie started to care about Geometry.

"Alright, lemme see here..." She leaned further into Gareth, her breasts accidentally touching his shoulder. Gareth's face began to turn bright red. Eddie swiftly moved the book over to his side of the table.

"Oh Gareth, this is super easy!" Eddie exclaimed. "All you have to do is- uh... umm..." Eddie flipped through the pages trying to understand the math his mind was beginning to read as a foreign language. His friends began to laugh at his confusion.

She put her hand on Eddie's shoulder and he felt a bolt of lightning crawl down his spine.

"Hey, you guys didn't know how to do it either." She scolded. Eddie's hands still rested on the book and she put one of her hands over his left hand. Her other hand she used to flip through the pages.

Eddie had to stop every muscle in his body from kissing her at that moment. He barely knew this girl, yet, he felt as if she was doing these things to get a rise out of him. Whether innocent or guilty of this, it was working. He imagined turning her face with his hand on her chin to face him. Tucking the piece of hair out of her face and feeling the softness of her lips. What did she taste like? Vanilla like her perfume? Clove like her cigarettes? Whatever it was he wanted to taste her, every inch of her.

He silently adjusted himself in his pants, trying to make sure no one had noticed. Thankfully, no one had. Eddie's presence had been upstaged by the girl, bending over the table to look at Gareth's Geometry book.

"Fuck baby, why don't you tutor me after school?"

A football player's voice rang out as he passed behind her. Before Eddie had the chance to get up and teach this douchebag a lesson, he heard a loud thud behind him. He turned to see her standing above said football player, Eddie couldn't give two shits about remembering the guy's name, her knuckles bruised and a red imprint forming on his face.

"What the fuck, bitch!"

She surprised him again.

--

A/N: sorry this was kinda short but I felt like this was a good place to end. Please lemme know if you have any suggestions and I will keep you guys updated on new chapters :)

#eddie munson x reader #eddie munson fanfic #eddie munson x fem!reader #eddie munson #stranger things

[sleepingdeath-hellaverse]

dominant male s/o smut headcanons ; 18+

requested by : anonymous [14/03/24]

original request : ‘There is clearly a lack of x male reader in the Hazbin Hotel fandom, so maybe I could request Lucifer and Adam with a soft dom male reader. (Im not sure If I can request more that one character tho)’

pairing : submissive!adam x dominant!male!reader insert

content : dom/sub dynamic between characters, brat!adam, public sex acts, praise kink, body worship, oral sex (adam receiving)

warnings : sexually explicit content

masterlists : sfw nsfw

minors and ageless blogs will be blocked

adam, being the first man in existence, has developed something of a complex over the many millennia of his existence that makes it incredibly difficult (nigh on impossible, even) for him to be convinced to let a partner dominate him in any sense of the word — after all, he’s the first fucking man, the original dick, the patriarch of mankind, so to him the only ‘natural’ role to take on was the dominant in all of his sexual encounters

… and then you came around and he started to (quietly, internally, and whilst outwardly denying it with his whole chest) consider letting you dominate him for a change

it takes a lot of time, and a hell of a lot of patience on your end, for adam to become openly receptive to even discussing shifting the dynamic between the two of you — and from there it takes even longer and a whole lot of bailed attempts before he’s finally comfortable enough to completely hand over control to you in the bedroom — but once you reach that point of trust and openness with him you’ll find the end result to be more than worth it

of course he’s still not going to make it easy on you and will make you earn his submission pretty much whenever you’re intimate (unless he’s especially needy for whatever reason) — it’s not always a case of him being a brat outright, sometimes it’s just a standard fight for dominance that he’ll occasionally win, but most of the time it’s because he’s bratting out for whatever reason and really needs to be (lovingly) put in his place

despite all of his bravado, adam absolutely thrives under your attention and praise and can get extremely needy and desperate if you deny or tease him for long enough — bonus points if you call him ‘my good boy’ or ‘handsome’ or ‘good’ because, though he’ll brush it off outwardly, it’s clear as day just how much that praise effects him by the reddening of his cheeks, the wavering of his voice, and the throbbing of his cock in your hand

his most common bratty behaviours include: huffing and rolling his eyes when you scold him, insulting you when you deny him or try to get him to behave (usually combined with him flaunting/bragging about his rank in heaven as ‘the first fucking man’ to try and earn your respect), cussing you out when you slow down or deny him what he really wants in order to make him play nice or use his words, and being extremely physical and extremely flirty with you whenever you’re too busy/distracted to give him the attention he craves

(he’s not above groping/fondling you in public or straight up talking about all the things he wants to do to you when you get home — he has literally zero shame — and the only people that can get him to behave are you, as his partner and dom, and sera, as his direct superior)

typically a stern look and a low and authoratative ‘adam.’ is enough to get him to shut up and start behaving himself in front of others, but when you’re in the bedroom you’ll usually have to resort to some more elaborate methods of brat taming — like a mixture of edging and overstimulation, using very strict rules to get him back in good habits (e.g. not using bondage gear but instructing him not to touch you when you’re jerking him off — stopping and tutting at him whenever he fails to follow your rules), and using a mixture of punishment and positive reinforcement to try and keep him on the straight and narrow (so to speak)

some examples of positive reinforcement that work with adam are: body worship (especially if you show particular attention to the parts of himself that have changed since his time in eden, like his softer stomach and bushier hair), praise (let him know that his good behaviour is seen and appreciated, reaffirm how attractive you find him, assure him that you love him and you’re not going anywhere anytime soon, promise that he can trust you and that you’ll always take care of him), and oral sex (he loves seeing you knelt between his thighs, or kneeling before him, as you eagerly, messily, and expertly take his cock between your lips and as far into your throat as you can manage — bonus points if you comment on how ‘big’ and ‘thick’ his dick is, and if you insist on swallowing his cum afterwards because both are things that he finds extremely fucking hot)

he loves it when you’re gentle and slow with him (it’s a nice change to be so loved by a partner after everything his exes put him through), but he also has like zero patience and will inevitably start bratting out and alternating between goading and begging you to go faster and let him cum already — he can take some roughness and overstimulation, after all, and has on many occasions insisted that you stop treating him like he’s fragile when you’re having sex (again, he does appreciate the gentleness and soft dominance that you bring, but sometimes he just wants to have his brains fucked out so he can stop thinking about everything for a while)

#sleepingdeath #ageless blogs dni #ageless blogs will be blocked #minors will be blocked #minors dni #hazbin hotel x reader #hazbin hotel smut #hazbin hotel adam x reader #hazbin hotel adam smut #male reader #smut #smut hcs #smut headcanons #male reader smut

[maevearcher]

...um, okay, so, @pennyblossom-meta, here is part one of my two cents. I...I actually decided to peruse the manga again, so I'd pay more attention to specific things instead of...just living it over and over again, and beyond... So, I've decided to split things into parts, so it doesn't get insanely long either. This first part covers up to the point where Misa introduces herself to Light.

…I never know how or where to start these things….

First things first, I want to be clear on the fact that this, everything that I’m going to say, comes from the perspective that I’ve held true to my core values over as many years as I remember, ever since I learned how to read, namely that the book is better and truer that the movie. That the original written word is the baseline truth on which I must build any interpretation that will not result in me falsifying the very essence of what I’m trying to understand.

On that assumption, in any analysis of the character of L, I always, but always refer back to the manga, with the anime serving as completion of details here and there, with the anime giving me the absolutely exquisite feel of actually hearing him (and for me, the English dub is the best, I love Alessandro Juliani’s low, vocal fry-ish rendition, I love his harsh tones here and there, which I find most fitting for the particular manga scenes they are constructed upon.

It is true that anime and musical and whatnot paint a much more….humanized, softened picture of L A rounder, more sympathetic, more socially palatable picture. An image of this lonely autistic genious, locked inside the confines of his ways, waiting for the right person to come along and save him from the banes of his solitary existence…until he meets Light and realizes there’s someone out there who he can relate to, for understanding and stuff. I personally don’t buy too much into that.

I am not going to debate too much whether or not he’s autistic, because I cannot presume to understand that kind of a mind, that kind of an IQ, and the emotional development losses that come with it (because nature doesn’t make presents, almost always a high IQ comes with a lower EQ, grain of salt added). However, I can see neurodivergent traits, such as preference for low-stimulation environments, perhaps sensory sensitivity (such as preference for one particular type of fabric or comfort in clothing style…. – or perhaps he simply can’t be bothered with style choices and all, and tee and jeans seem like a safe perpetual go-to option)….but these have been analyzed to death.

As for the Ryuzaki persona theory….from what I’ve read and from what evidence I can put together, I find it only partially correct. Excluding the autorial intent (or rather, lack of) from the equation, going completely in-universe and treating fiction as reality….it is true that he acts differently when he is alone, prior to meeting the task force. He stands up straight and sits differently, he even does yoga and meditation to think. But later he slips into this total weirdo of a person…but I think this is highly intentional. I mean, he doesn’t fake his personality when interacting with the task force, he blatantly exaggerates some behaviors, with the purpose of being underestimated, as well as to cover some of his tracks, which people can chalk off to him just being a weirdo. Another thing….I think he has a waaay better understanding of social norms and regulations than people usually give him credit for. I mean, he is not socially awkward, that would amount to making involuntary mistakes out of genuine ignorance of social norms, because one cannot figure out the appropriate response. However, I cannot see him doing that. He is blunt and sarcastic and mean because he’s sort of a jerk when he wants to be… and he has little reason to be otherwise in the little slice of his life we are shown.  

What I believe he truly struggles with is an understanding of emotions  apart from their motivational aspect. We always see him having a very fine understanding of behavior, but he’s always, always asking “why? what are they hoping to achieve? what are they after? what is their purpose?....”  I don’t think he has ever been confronted with the possibility of having someone be kind, nice, affectionate towards him for the simple enjoyment of his company, without being out to get him, or get something from him. He sees people either as neutral entities, or as people who either will hurt him or will use him.  (And I would soo much like to see more of his life outside this particular situation when adrenaline is through the roof both from the chase, the thrill of the game, and from the fact that he is , in fact, in very real mortal danger, much more so than the relatively risk-less situations he has been in in his previous cases.)

What he comes across at first is…extremely self assured, to the point of egomaniac from the point of view of a normal person. But…he HAS to be this way in order to do what he does, he has to over-believe in himself because if he were to second guess himself and waver, he would have self destructed years ago.  At first, he acts  from this higher ground vantage point, allowing himself to even show Light that he was unsure about the action plan, during the initial televised confrontation (how he was like “I…I don’t believe it…I couldn’t believe it until I saw it with my own eyes…”) Then, his choice of words, how he is always using his pronouns well (“Listen to me” instead of just “Listen”, “I want you to…” instead of “Please do…”) he is very assertive about his position of authority.

What I also love is that he’s sooo expressive through body language, especially frustration (fist slam to the floor, clenching fist, gritting his teeth in frustration, throws the stack of papers on the floor, especially before meeting the task force, when he can actually afford such transparency). That fades a little bit later, and is only apparent in him gripping his knees a little more forcefully and (what I imagine, with the help of the voice dub in the anime) slightly colder and more distinnctly pronounced words, these being the ways of conveying. frustration and anger.

However, that’s not the only emotion he is expressing. He is caring and considerate. He refers to the FBI agents as “precious lives”. He acknowledges the integrity of Soichiro Yagami (a man who earns L’s respect and keeps it throughout….)  and allows him the privacy of secrecy over the surveillance footage from his home (and again, as my only concession to the anime, the warmth in his tone when he allowed him this privacy…). He repays transparency with  sincerity - he tells Soichiro that the surveillance period of seven days will not be extended secretly, telling him that he has his word on this…. And you can feel the honesty radiating from him at this point, he's never being a jerk for the sheer hell of it, in a completely undeserved fashion. One can argue about the way he belittles Matsuda, but let’s not forget Matsuda screwed up majorly a few times, and I for one would have been harsher on him than L was, so…. Besides, I do think, as  I said in a previous post, that L actually came to like Matsuda  and was affectionately cruel towards him the way you make life hell for a younger sibling. Which in turn proves (a manner of) attachment from L, he certainly does not see them as pawns.

I love it how he proves himself to be soo far from the image of the recluse genius, working only from behind the comfortable shield of his computer, unable or afraid to face the world outside……no, guys, he is aggressive and decisive, both in his opinions and in his actions, he is dead set from the beginning on having Kira commit a murder in front of him so he’d find out how exactly Kira kills, therefore, being pushy and (almost) reckless in some decisions, he takes the step of actually meeting Light and forcing him to make his next moves….He’s being force-of-nature aggressive….while having this…strange duality between cynicism and idealism where he almost wants to believe in the normalcy of Kira’s psyche, how no one can be so absolutely cruel as to kill someone without batting an eyelash…..

Somehow, I don’t believe for a second that he’s as listless and apathetic as he sometimes wants to appear. There are all these emotions brewing under the surface, barely masked by the “please” politeness, almost like I can see the “go fuck yourself” underneath haha. But there are times when he breaks that stance, for instance when he is confronted with the possibility of the shinigami being real, which disrupts his whole thinking system. That’s what he’s reacting to, to the internal earthquake (which he quickly tries to rationalize away), not out of fear of the supernatural... Also, I love his instinctive spasm of a reaction in the manga, compared to the long-drawn panic mode in the anime (completely out of character and unjustified imo)....

Aand...the reason I fell in love with him oh so many years ago. I mean, not The reason, but the moment where admiration morphed into love. The moment where he basically bled right there, emotionally, for Ukita. Now, I don't see it for one lousy second how Aizawa was abusive in his touch (he was just...having a normal emotional reaction using normal male tools), AND I don't interpret it as aversion to be touched, on L's part, as he is shown to shake hands with Light and such normal human interactions. What's happening here is his desperate attempt to remain in some semblance of control, to not let this whole situation unravel into tragedy (as he actually says, in so many words), not to break down emotionally under the weight of the guilt....for a man whose blood is directly on his hands, as well as the "precious lives" of the FBI agents. He is basically shaking with guilt and sorrow, and, of course, a little fear (he's human after all).

To be continued...

#l lawliet #death note #l death note #death note l #death note analysis #death note meta

[writingquestionsanswered]

I plan to write a story about heists, often from the point of view of the investigators' side, but I don't know where to start (or at least, my brain cannot make anything as interesting as I see in the media). Is there any advice on how I can plan it? Thank you very much!

Writing a Heist Story

A Worthwhile Score - The most important thing you need for a good heist story is a worthwhile score. What is the object/thing they're after and why is it important/valuable? How can everyone in the crew get a cut of this object/thing? What makes this thing valuable enough that it's so protected/hard to get in the first place?

Stakes - The second most important thing you have to establish is why the heist is taking place and why it matters. What does the heist crew stand to gain if they're successful, and/or what do they stand to lose if they're not? In Ocean's Eleven, Danny stood to win back his wife's affection while ruining the man who stole her from him. If he failed, not only did he not achieve either of those things, he also risked losing everything by going back to prison.

Sympathetic Motivation - If you want the reader to root for the heist crew, you need to make sure they have a sympathetic motivation--or at least one the reader wouldn't disapprove of. For example, in Ocean's Eleven, the heist motive is revenge against the guy who stole Danny's wife, so not the most sympathetic cause, but not a despicable one. And when we see that Benedict is a jerk who doesn't even treat Tess well, and that there's still something between Danny and Tess, we're able to root for him.

A Solid Crew - Another important element of good heist stories is a solid crew, meaning each member of the crew has to have a solid reason for being there. That means they need to play a vital role in the heist by providing a vital skill no one else can provide. They also need to have a believable motive for wanting to be part of the heist, especially if they're not being hired or rewarded with a large sum of money. And finally, it's nice to give each crew member a compelling personality, interesting characteristics, and unique relationships with other crew members.

A Complex Scheme - If your characters are trying to steal a piece of art from a museum, they can't roll up on the museum, break a window, knock out a guard, disable the alarm, obscure a camera, take the piece of art and off they go. That's too easy. Anyone could do that. There needs to be big, seemingly insurmountable obstacles that only the skills of the unique crew can overcome. Like, instead of breaking a window, one crew member's unique knowledge of the tunnels beneath the museum could get them in--but only if they can avoid detection from the night crews who work in the tunnels. And instead of knocking out a guard, there are several guards, and only the super stealthy wraith-like martial arts expert can do it without being caught.

A Backup Scheme - The one thing that's true about complex schemes is they almost always go awry. That said, you need to figure out what goes wrong, why, how it affects the original scheme, and how they re-route in the moment to get things back on track. Really good heist masterminds will have a Plan B and Plan C, but even these won't be without their kinks. All of these unforeseen pitfalls, unexpected obstacles, and potential failures keep the tension high and make things interesting. Watching the crew deal with things when they go off track is part of the fun of heist stories.

I hope that helps! ♥ •••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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#writing tips #writing help #writing advice #wqaadvice

[pianokantzart]

This is not really an ask, but regarding that anon fishing for easy bait for some odd reason, Mario being a bit short tempered is an interesting flaw for his character to have, but ofc we gotta have someone bring the "he's a terrible brother" AGAIN because he has to tip toe with literally any and everything he says or does around Luigi. If not, he's "abusive" or a "bad brother". Mario can just breathe wrong and they'll still say he's terrible to Luigi, yet ignore like 99% of content that shows that Mario is an amazing brother. The whole Tennis bs too just seems like he's more overcompetitive to me, not a terrible brother. It's sibling rivalry shenanigans that they both participate in. Bro can't catch a break 😭

It's probably because Mario's the cheerful face of a major franchise. Those sorts of characters are almost always targets for grimdark "theories." The idea that a beloved pop culture hero is actually "not what they seem" is appealing in a very juvenile, surface-level way. I, too, am a sucker for Mario being a tad bit grumpy. Yelling at Luigi for breaking a mug might have been a bit much, but it is nice seeing him make mistakes and lose his temper at times.

You pointed it out in the original post, but Mario's not the only one who had little asshat moments in those books:

Look at his face :( don't laugh at him, he's doing his best!! And this wouldn't be the only time Luigi is a bit of a jerk regarding his sibling...

But you don't see anyone making youtube essays about how Luigi is a bad person and that Mario deserves a better brother.

Sometimes it's nice to just let these characters be characters, y'know? Let Luigi have little moments of insecurity that result in actual negative behaviors rather than just being a "shy uwu sweet bean who can do no wrong." Let Mario have bursts of anger that he regrets and needs to apologize for. It's interesting, so long as at the end of the day they stay true to that overall healthy sibling relationship.

#super mario brothers #mario #Luigi #mario analysis #a little bit of a ramble but you got me thinking #askbox #cometrises

[blue-grama]

A little Film/Jam requeim

Upon the news that these two are not planning any projects together in the future, I was pondering Thai actor pairings and why I liked this particular one. First let me say I'm very in favor of actors not getting joined at the hip forever -- I doubt that's why anyone gets into acting, and while I get the financial reasons this happens in Thai entertainment, I'm generally in agreement that it tends to limit creativity, since the brand often has to come before the story. My only gripe is that now they're off doing lakorns that will never get subbed in English and it's not fair and look, I need to see The Empress of Ayodhaya ok?? I don't think it's a bad thing to have actors with great chemistry appear together in multiple shows, however, and I wanna say that I think these two used that opportunity right. Look, we have Tian:

Utter cinammon roll, too pure for this world, total sweetheart. He's a little scared and a lot beaten down, but he still has a burning spark of respect for himself that he doesn't let extinguish. He spends 73% of this show in the throes of a mental breakdown but still manages to take control of his narrative in the end. It's actively insane that the murder glitter show has such fantastic characters.

And then you have Charn, who is...

... also beaten down by this world, but evil about it. It's all manipulation, manwhoring, and complicated smiles belaying his real feelings with this guy. Refreshingly, he only has to reform himself a little bit to get his happy ending.

Meanwhile, Jiu. Assassin, kind of a tsundere. Marshmallow center, obviously. I'll never be over how after he and Tian first had sex (under the influence of a beetle fungus, OBVIOUSLY), he got deeply hurt that Tian said it was a mistake and accused Tian of doing this to all the boys. Possibly my favorite Jiu moment. ANYWAY.

There isn't as much distance between Jiu and Tinn as there is between Tian and Charn (from what I've seen, Jam maybe doesn't have quite as much range as Film, or at least hasn't been asked to demonstrate it). But Tinn is a more open and straightforward character, the moral center of Laws of Attraction versus a guy who assassinates several people with scissors without remorse in Khun Chai.

Point is, we don't always get this with repeated actor pairings. A lot of the time, you have an underlying dynamic that comes through in all the pair's shows, and it can't wander too far from its origins - I was thinking about this specifically with regards to Only Friends after listening to this excellent debut of the Part 5 (of 4) podcast, which talks about the way Force's Top turned into a completely flat character, possibly because "interesting" would conflict with the whole True Love ForceBook dynamic that GMMTV needs to sell. An appealing dynamic can be great -- hey, I read fanfic, I get the joy of putting the same guy in situations -- but I really liked how Film and Jam went with/were given quite different characters in their two projects together. This could be a lakorn vs. BL thing, but it'd be cool to see more paired actors take on more disparate roles together!

My disappointment over no more shows from these two comes down to wishing I could see what else they might pull off. Jam as the rich jerk instead of Film? Both of them playing morally grey? It could have been fun.

Oh well; I'll just be over here lighting candles for English subs from One31, because at least this hot murderous royalty nonsense looks exquisite.

And if you've read this far, please feel free to drop me recs in the tags or comments of other pairs that have played really different roles or dynamics with each other. I love seeing actors show their range!

#jamfilm #jam rachata #film thanapat #laws of attraction #khun chai #to sir with love #the empress of ayodhaya #thai actors

[ninadove]

Hi Nina! Why transmask Felix and not transfem? Or you are fine with transfem too?

Hi Anon! Hope you’re having a wonderful day! 💖

I do like transfem Felix! In fact, I originally leaned more towards this option. The Senti-lore is extremely queer by nature, and I think it’s wonderful so many people can see themselves in the kids.

Really, it comes down to personal interpretation. Some notes below:

1. Colt Fathom is a massive douchebag.

Nothing groundbreaking here. We been knew. At first glance, you’d assume he would want a male heir for Toxic Masculinity Reasons™; but I think he would prefer a daughter, also for Toxic Masculinity Reasons™.

Colt is the kind of person who wants to elevate his own status in the world, and the solution he resorted to is marriage. This kind of alliances is frequent in the spheres he navigates, as seen in S5 with the Adrigami plot: as such, he would likely see his child not as an heir, like the GDV lineage would, but rather as something he could trade for even more power. A daughter of noble pedigree and born into considerable wealth would undoubtedly be a catch, and give him a leg up in his race against other rich jerks.

Additionally, we’ve seen how he acts around Felix — how he perceives him as a threat and a reminder of his own mortality. Peacock curse or not, asking for a son would have forced him to face the prospect of eventually being overpowered by his own progeniture every single day; but a little girl? Surely, there’s no threat there, right?

2. Felix’s first appearance gives us lots to think about.

Firstly, when it comes to Adrien’s reaction. When Amelie explains that she decided to drop by “so [they] could all be together” on the anniversary of Emilie’s fridging, this is the (adorable) face he makes:

Because he understands! If his aunt is here, surely his cousin must be here too. “All together” means all together.

Yet, when Felix actually appears, draped in dramatic lighting like the theatre kid he is, Adrien still looks strangely surprised:

Which Amelie immediately follows up by highlighting that they look “just like twins”. The characters should not need this comment — they were here the whole time the kids were growing up! Of course, there’s a doylist explanation to this line: we, the public, must understand that Identity Shenanigans Will Ensue (and they did). But what could this mean in-world?

I propose that the cousins did not always look exactly like each other — that they were perfect twins as young kids, but became more and more different as time went by. Perhaps one developed more feminine features, while the other grew up to look more masculine. If the Agrestes did not witness the early stages of Felix’s transition (probably started right after Colt’s death, so only a few months before canon), it makes sense they would be taken aback by the newly recovered resemblance between the kids.

And, of course, it adds some depth to the Identity Shenanigans. Especially if you read Adrien as genderqueer or transfem.

3. Felix exhibits stereotypically masculine behaviours every chance he gets.

This goes from wearing what is basically the Official Rich Boy Uniform (waistcoat, tie, black and white palette):

To certain mannerisms, like putting his feet on Gabriel’s desk to assert dominance against the guy who could literally snap him out of existence:

To the way he perceives himself: a cursed prince from a twisted fairytale, who systematically places himself in the role of the protector (even if it’s not always appreciated by the people in his life).

To me, this sliiightly over-the-top behaviour is very reminiscent of a child who just figured out something huge about their identity and is exploring it to the fullest — to find out what it truly means to them, and which aspects they want to incorporate into their life.

Which leads me to the most important point:

4. The Peacock Miraculous! 💜🦚

Deeply associated with Felix’s reclamation of his safety, freedom and bodily autonomy. And when we think about peacocks, what do we think about?

Colourful feathers. Panache. Ostentation (this is literally what groups of peafowls are called). A conception of masculinity that is different from social standards in most of the Western world, but is there and bold and unapologetic.

We don’t get to see Felix using the brooch for the first time — even his mum, who he trusts with everything, is absent. He needs this privacy to come to terms with his powers and make them his.

But then, when we do get to see him transform — everybody else witnesses it too. Felix goes from hiding behind Adrien’s face, ergo disguising as someone he is not, to revealing his identity to both the audience and the entirety of Paris.

This is Argos embracing who he truly is, even if the world might call him monstrous.

And finally, one more point:

5. Why would Tomoe prefer a model over a quasi-prince as a potential match for her daughter?

I get it — she has a partnership going on with Gabriel. But the woman is leagues smarter than him (What? Like it’s hard?) and could most likely find another way to turn the world into her own little dystopian dream, should she want to. Not to mention, even if Adrien is a catch by most people’s standards, he is still the bane of the GDV lineage.

Felix is the heir. Felix is just as wealthy, if not wealthier than the Agrestes. Felix is the best at everything he does (chess, horse-riding, karate) and as such should be a perfect fit for Kagami, even by Tomoe’s insanely high standards.

Yet, she keeps referring to him as this corrupting influence: not because he is a supervillain (she hangs out with them on the regular), but because he might whisper dangerous ideas about ✨ freedom ✨ and ✨ bodily autonomy ✨ in her sweet daughter’s ear while they make out dressed as Adrien’s parents. We know how important femininity is to the Tsurugi lineage: Duusu forbid this monster talks Kagami into rejecting it in any form.

So, there you have it, Anon. I’m sure there’s a lot of evidence to support other interpretations, but this is the one that resonates most with my brain! 💜🦚🏳️‍⚧️

Can’t believe I almost forgot:

“Felix” literally means happiness and luck: a weird choice from Colt, and it’s unlikely Amelie had any say in the matter. So when Argos says:

“Isn’t it great? We have everything we need to be happy!”

It very much sounds like his first name could be a conscious reclamation on his end!

#miraculous ladybug #felix graham de vanily #argos #flairmidable #feligami #senticousins #graham de family #random ramblings #Transmasc Felix Propaganda

[lazytitans-world]

Wish re watch thoughts

Having not watched Wish since it came out in theaters in November of 2023 and going down the rabbit hole of abandoned concepts and re-writes in the months leading up to Wish dropping on Disney+ I can now give Wish a re watch and share my thoughts on it. Now keep in mind I am coming at this movie from many angles. On one hand, I want to watch this with a new frame of mind to give it a chance to see if any of my thoughts on the movie have changed. On the other side is my inner "WE COULD HAVE HAD A STARBOY!" fandom side of me looking to see if any of the scrapped concepts could have worked in the movie we got and to see if any traces of those concepts were left behind. But no more waitng, no more writing fanfics, its time to re-watch Wish

• Starting off with the classic story book opening I felt was a great touch as it harkens back to classic Disney animated movies like Snow White, Pinnochio and Sword in the Stone.

• So why was Asha being so secretive to her family about her interview for Magnifico's apprenticeship? That feels like something major to tell your family. Even Asha's friends know about it. It could be Asha wanted to surprise them, I guess.

• Hot take: Welcome to Rosas is not that bad of a song, it's got a catchy beat and introduces us to the kingdom, Magnifico, and the wishes.

• The scene where Asha and her friends discuss her interview does have Asha doing typical "quirky Disney girl" behavior but at the same time she is a teen about to have an interview for what may be one of the most sought-after jobs in the kingdom, I'd be acting weird to if I was her age and in her position.

• We get some hints of Magnifico's jerk personality as he somewhat dismisses Asha's drawings when she shows it to him. The line is "Do we call that a talent?"

• Magnifico mentioning how he knew of Asha's father and how her dad talked about the stars is an interesting given how everything turns out but for one, this is NEVER BROUGHT UP AGAIN and two, this feels like a leftover of one of the deleted scenes from Wish where Magnifico wanted to harness a stars power but was never powerful enough to do so.

• Oh "At All Costs", how you sparked a fandom when you had no intention of doing so.

• In context of the movie, At All Costs does work as it shows that Magnifico's and Asha's feelings on the wishes. Magnifico holding on too his past trauma and feeling that HE and only HE can protect these sacred things while Asha is more drawn to the person AND their wishes, notably her Saba's wish.

• Opinion time: If we were to have Starboy and a romance, the demo version of At All Costs should have been a reprise, just with the word love instead of promise, showing how Star and Asha's relationship has grown and deepened. It would be a lot like "I See the Light" from Tangled, taking place before the climax.

• It makes a little sense why Magnifico rejected Asha's application since after singing "At All Costs" he sees her drawn to the Wishes and some even being drawn to her as the wish orbs now have a purple hew instead of blue hew like the color of Magnifico's cape to them to match Asha's dress. Magnifico has worries that someone will use the power for personal, and in his mind "selfish" reasons, plus his trauma from his village being destroyed makes him warry of who to trust.

• So what happens to a person's wish if they die? Does it just disappear?

• So that whole opinion of "Asha wants Magnifico to grant everyone's wish" WRONG! Asha wants Magnifico to give wishes back to those who have given theirs away long ago and let the people pursue their own wishes.

• Magnifico's tease that he might grant Sabino's wish is petty and I like it as he starts by saying a name starting with Sa before saying another person's name. That is petty stuff right there.

•If you are aware of the original concept art and the many changes Wish went through during production, it is obvious that Amaya, Star and Sabino got their characters changed, and in the case of some, completely neutered.

• I like Ariana Deboise and Chris Pine as Asha and Magnifico respectively.

• "This Wish" is ok and is mostly carried by Araina's strong vocal range.

• Star's arrival has where my inner fandom is screaming "honey get ready, you've got a big storm coming"

• "Can light be loving?" according to the many re-writes I've read, yes Asha, yes it can.

• Opinion time, again: I am in favor of the Starboy design seen in the concept art. Letting you know now since from this point on is about Star.

• I can totally see the human design of Star working in the introduction they have with Asha.

• I get why the creative team wanted Star to look that way, they wanted to do something different and that design screams "marketable plush"

• Once Valentino started talking and we go into "You're a Star", it all came back to me, that bad feeling. THIS IS WHAT I DID NOT LIKE ABOUT WISH. This part feels specifically aimed at children or at most feels too "cutesy". This, in my opinion, where people turned on Wish.

• Getting back to the Star Boy design, "You're a Star" could have worked as a way of Star showing off their powers, as well as them crushing on Asha. "You know you're a work of art" - Imagine Star Boy blushing as that is being said while looking at Asha, this writes itself.

• Look, I like Alan Tudyk, he can be funny if given witty and sarcastic dialogue and I know he has been a fixture in Disney movies for a while, but they gave him nothing to work with for this. This is not an obligation, more like a reward gone wrong. I am glad that Alan got a more prominent role, but I just thought it should have been something better.

• Another major criticism I've seen is that Magnifico's down fall is just him being controlled by a book when really it is more complicated than that. I akin it to Anakin Skywalker falling to the dark side as in it's not just the teachings that cause someone to go down the path of darkness, it's the feelings and desires of the one learning. Magnifico, at the point of the movie is paranoid and afraid that someone or something is here to take away his powers, threaten his power status, and destroy his kingdom that he works hard to protect in his own way. So it is not just the book doing it but the powers of the book mixed with his own fear, anger, trauma and other negative emotions that cause him to fall to darkness. Hate leads to anger, anger leads to

fear, fear leads to suffering.

•I totally forgot the Simon actually sees and interacts with Star before his betrayal. Star hands him a heart after he says he has forgotten what we wished for and when I first saw this I thought it meant that he had a crush on someone, maybe Asha but after seeing the movie it was just Star trying to be nice to Simon. Which in turn makes Simon's turn even more strange.

•I understand why people would think Asha was selfish in going for her family's wishes first when freeing them but my head cannon is that freeing all of them at once would be too big of scene and she wants to prove to Sabino that his wish is worth granting. However, Magnifico would notice that some wishes are missing and would put two and two together so this plan was not thought out to much but hey she is only 18 and she just met a magic star that can help her so I think her thinking clearly is not to much of an issue.

• "This is Thanks I Get" starts off odd as no one brought up the mirror thing in the scene where the citizens question Magnifico. But the song itself is to show that though Magnifico shows that he cares about the citizens of Rosas and their safety, he would rather have someone else help them then get involved himself and still wanting praise even though he does not really do much for the kingdom outside of granting wishes. The song also is to show that Magnifico is now going down the path of darkness due to his own insecurities and ego. Chris Pine does a great job with the song as he becomes more unhinged in every chorus.

• THERE IS NO SCENE WHERE SAKINA AND SABINO MEET STAR AND TALKING VALENTINO WTH!!! It jumps right to Asha giving Sabino his wish back, no lead in or setup.

•Then we go right to Magnifico breaking into Asha's house after being told she brought down the star. Again, there was no setup or lead in, it just happened.

•We don't even get to see Asha's mom's wish before Magnifico crushes it. It would have added more to the emotion of the scene to see what her wish was just as Magnifico destroyed it. This also shown to be the first time Magnifico has ever destroyed a wish. I chalk this up to his new powers influencing him to destroy it.

• Sabino mentions as they escape that Asha's father would be disheartened to see what Magnifico has done, implying that the father was a believer of Magnifico.

• Star holding Asha's chin as she blames herself for everything again makes me yearn for the Star Boy design.

• Magnifico having a hidden evil lair beneath his royal study is symbolism 101 but nice to see.

• Fun detail: When Magnifico grants Simon's wish, he uses the spear he made from forbidden magic and that in turns corrupts Simon's wish and thus Simon himself. We see instead of the usual blue, pink or other colors used to represent Magnifico's magic its is now the green evil magic, symbolizing that Simon's wish, though granted, is now corrupted as well.

• Simon turning on his friends is shown more as an effect of the forbidden magic Magnifico used.

• How do you have a wanted poster of Asha and not make a "they got my nose wrong" joke from Tangled.

• "My butt found it" - see this is why a lot of people thought this movie was written by AI.

•"Introverts need sanctuary too" - Hell yeah Bazeema

•"What I Know Now" is another decent song as I am a sucker for drum breaks and enjoy the revolutionary feel behind it.

• Apparently, to avoid corruption by the book of forbidden magic you have to wash your hands with obsidian oil before using the book. So to avoiding evil basically comes down to washing your hands, gee you think this movie was made during a pandemic or something. Overall, pretty lame way to defeat evil.

•The rule is "embrace forbidden magic once and you commit to it for eternity". I find it hard to believe that no one has tried to save someone corrupted by this forbidden magic before this.

• I notice that the more obvious Disney call backs happen at the last third of the movie. Before it was subtle but now it is super obvious.

• If we were not going to get a reprise of "At All Costs" then "This Wish" would make sense as it shows the kingdom getting behind Asha and standing up to Magnifico themselves. It is a decent song for what it needs to be.

•Again, I can't help thinking about Star's human design as they are sucked into Magnifico's staff. Imagine them taking one last glance at Asha before being sucked in to the staff, some good romantic build there.

• Simon's betrayal came down to him wanting to feel whole again after giving up his wish and essentially making a deal with the devil to make that happen. I get that people saw him differently and he would want to change that but how he acted with Asha and the others before Magnifico told the kingdom about the light and its apparent danger still made his turn feel off, we needed to see Simon struggle with how he feels and how others see him for it to make sense.

•So Star did not go back to the sky at the end, which does leave the door open for other adventures with Asha and others. Maybe star could turn human at the end (LOOK LET ME DREAM!)

Overall my thoughts on Wish have not really changed since I first viewed it. The movie is passable, a 6 or seven out of 10, a C+ to B grade. The animation is good, the story is fine and the characters do not bother me too much.

But for a movie that is supposed to represent 100 years of Disney animation, one of the most influential studios of all time, it is not wrong to say that we should have gotten more. This movie is missing one thing, that special sauce to put it over the top. It could've been a romance with a human looking Star, it could have been Amaya and Magnifico being a villainous couple, it could have been anything. Wish just needed that extra something to push past some of the pacing and story beats that drag it down such as the bad jokes and odd pacing. Maybe a better relationship between Asha and Star would be glue that held the movie together as most previous Disney film always had that main duo that kept you interested but Asha and this version of Star just don't click like a Moana and Maui or Anna and Elsa did.

I would give it a recommendation now that it is on streaming for an affordable price plus it does come with the deleted scenes and bonus materials. It's also clear to see that the team behind it was passionate about making this the best it could be and I applaud the team for that idea. I know others are going after them for not going through with certain concepts, but I think they did an okay job with what they had.

So yes I like Wish, it's not my favorite Disney movie but it's one I would not mind watching again and understand if it's someone's favorite. Hopefully the initial negativity towards the movie dies down and people actually give it a chance.

#disney wish #disney #wish #starboy #wish 2023 #disney star #asha x star #fandom #wish rewrite #wish disney #wish star #wish movie #king magnifico #queen amaya #valentino

[hrodvitnon]

Lately, I've been noticing that people are comparing MV Godzilla to Doomguy and a cat. It's funny because there's one thing all three of them got in common: people misunderstanding them as violent and angry jerks who hate everything, when that just isn't the case at all.

It's also an unfortunate trend I've been noticing, and now Godzilla's getting mischaracterized to hell and back as a dumb, angry, and violent brute by these people after GvK and GxK, especially on Twitter. In worst cases, I've even seen them say that Godzilla shouldn't be a sympathetic character at all, and that he doesn't need to be because Kong's already there, and as everyone knows, mammals are supposedly "more" sympathetic and relatable than reptiles are. Even though these are all fictional characters at the end of the day, and if so many works can make you sympathize with dragons, non-humanoid robots, and even a literal talking tree-man, among many other non-human and non-mammalian characters, then what's stopping you from doing the same thing to a big nuke lizard?

Also, they act as if Godzilla has never been sympathetic in any of his previous movies before. As if the original Gojira movie, most Showa era movies, Return of Godzilla and Heisei era as a whole, Kiryu Saga (though that applies more to Kiryu himself), and even MV Godzilla's own solo movies and in Legacy of Monsters magically don't exist to these people.

(Apologies for the sorta rant there, but this is really disheartening to see. Even Matt Frank himself has joined in with saying that MV Godzilla is a jerkface and that's all what he should be.)

As if we need another reason to avoid the Wretched Hive of Media Illiteracy and Bad Takes! But if it's any consolation, this house/blog is a MV Godzilla Support Zone: We know why Godzilla behaves the way he does, and he's just as sympathetic as Kong is. Have I made the Doomguy comparison myself? Yes, but only in jest and in response to a meme that also compares Kong and Suko to Kratos and Atreus. (Y'know, from that franchise about a guy who gets angry and kills gods; the guy who, according to old memes, would see stale bread as grounds for deicide; there's a lot more to the guy than that, but not to anyone who thinks "Kratos having nuance is boring" and are so allergic to water that they won't even touch the surface of an iceberg video.) I know how to make a joke and have the required media literacy to understand there's more to these characters than surface-level dumbfuckery.

Godzilla is like Doomguy in the sense that he loves something soft and fluffy (Daisy/Mothra) and will go through bloody hell to save the world; they both harbor scars physical and mental. He is also like cats in that he may bite and scratch, but he is subtle in showing his trust. His story may not have the found family angle like Kong, but Godzilla is still a big grumpy lizard with soulful emotional eyes who saves the world and loves his moth wife very much. Anyone says otherwise, I've got a bridge to sell them.

(Matt Frank, you better be trolling or I will be very disappointed and not reblog any of your art for a while.)

#alteringworldscapes #godzilla #monsterverse

[blond-jerk-tourney]

Strawberry Bracket: Round 3, Poll 2

Propaganda from submitters Under Cut

Beelzebumon

Beelzebumon sold out for power in exchange for destroying his friends. Even in teamwork situations, he tends to lone wolf and do his own thing rather than coordinate efforts.

Tends to lone wolf and do his own thing rather than teamwork. Standoffish and headstrong Betrayed people who cared about him

HE MADE THE ORIGINAL DOUGHNUT!!!!!! VOTE FOR BEELZEBUMON!!!!

Nanami Kiryuu

She's the mean girl of the show, and a pretty interesting take on the "bitchy vain school rival of the protagonist" trope. She spends most of her early screentime being a bully and most of her later screentime being both the biggest loser imaginable and deeply sad/troubled (which still does not erase how much of an asshole she can be). She even laughs like your stereotypical mean rich girl. Nanami has so many problems and sucks so so bad. I adore her.

Shes a psychotic bully who seeks to ruin the lives and reputations of any girl who gets more of her brothers attention than she does. Reasons Nanami Kiryuu deserves to win: - she has made many attempts at physical and psychological terrorism against Anthy Himemiya (including a plotted wardrobe malfunction at a crowded social gathering) simply for drawing more of her brother's attention than her - tried to fill Anthy's bedroom with wild animals (a snail, a snake, and a live octopus) to make her out to be a freak only to find that her room was already full of wild animals - she bankrolled an elementary schoolers crush on her to turn him into her personal boyservant - briefly non-personed a member of her bully entourage for sharing an umbrella with her brother - received a luxury cowbell due to a shipping error and smugly wore it to school for weeks flaunting it like high coture - when her bully entourage rebelled against her due to her brothers manipulation she brought them back in line by just straight up beating the shit out of all of them - all in all just a petty, goonish motherfucker (she also does the ohohohohoho anime girl laugh)

she's blond: despite being Japanese her hair is yellow, unlike her brother's. yellow is even her image color. she's a jerk: introduced as a jealous and dishonest scheming bully, she is one of the more outwardly antagonistic characters in a cast where pretty much everyone is a Real Piece Of Work she's the best: the quintessential ohoho-laughing ojou, her fully-realized character arc makes people both laugh and cry even her sidekick is a blond jerk! how many blond jerks have their own blond jerk sidekick?

i don't know what you've heard but she's NOT the kind of girl who lays eggs!

The token mean rich girl of the franchise. Does the classic "ohohoho" laugh. Doesn't like either of our main characters. She never actually seems to get her way, and secretly has a lot of her own problems. also she lays eggs and turns into a cow

Absolutely THE quintessential anime mean girl. I mean literally her laughing is THE meme for the hohohoho anime laugh. Needs attention So Badly and straight up bullies anyone she deems a threat to that (so basically Everyone). I haven’t finished RGU but apparently she duels with the intent to kill and drowned a kitten once because it was taking up too much of her brother’s attention? Also she’s 13 which explains a lot

#strawberry bracket #strawberry bracket round 3 #polls #tournament polls #beelzebumon #digimon tamers #digimon #nanami kiryuu #rgu #revolutionary girl utena #blond jerk tournament

[golvio]

Thinking about how one of the reasons I was so disappointed by TotK was because I’ve been spoiled by more narrative-driven indie games lately. Even if TotK Ganondorf was only played like a villain resembling the scariest versions of The Princess when he was threatening to break his seal, we still would’ve gotten a character with way more depth and opportunities for emotional attachment/sympathy.

Like…I don’t want Ganon to be a cute, cuddly, super-palatable and marketable same-aged bestie to the teenaged protagonists. I want to have that same pathos and emotional connection that I felt with his Wind Waker incarnation. That guy may have still been a child-punching jerk who was desperately trying to justify himself, but he was also lonely, maladaptive, and struggling with having lost everything partly by his own hands. Out of all the incarnations of this guy, he felt the most human, even if it was the more self-serving, self-pitying, self-destructive parts of humanity. If we must fight him, I want to feel that same uneasy emptiness where I’m left wondering if things could’ve been different and he didn’t have to die instead of a simpler, “Yay!!! U Beat Da Gaem!!!1!!” sendoff.

And if there’s anything Slay The Princess taught me, it’s that you don’t necessarily need a super complex motivation to tell a compelling story, or to start spinning more complex conflicts and narratives outward from that origin point. Sometimes “Let me outta this basement!” is enough. Especially when the character in question is so driven that they don’t care what they have to do or who they have to steamroll to finally reach freedom. Even if all the prisoner does is vindictively torture the player instead of auditioning for their sympathy in their attempts to escape, you can’t help but develop a strange sort of admiration for their tenacity and resourcefulness. Not to mention that, even in a purely antagonistic relationship, such a motive is an easy “in” for emotional connection to a character. Nobody likes being trapped against their will. Everyone forced into imprisonment would want to be free. Also, solitary confinement in particular sucks, and eons of that would be enough to make anyone ornery and desperate.

They didn’t even need to do much to reimagine Ganondorf for a new audience. Just give him a more realistic response to the archetypal Zelda Series situation that he was forced into like BotW’s Link and Zelda. The Holy Maiden is made to suffer, the Hero is made to grow up too fast and put through grueling challenges, and the Monster is made to be imprisoned and be cut down after he escapes because his mere existence threatens the Holy Maiden. (And even if he suffers just as much as the Maiden, it’s all his own fault because he’s Evil, so don’t you dare feel sorry for him!)

Calamity Ganon wanted out of that basement, just like Zelda wanted out of her role and the pressures that came with it. You’re really telling me Nintendo couldn’t have done something more compelling with that? It’s absolutely possible for a character whose history has expanded him to a near-eldritch multiplicity and timespan to still feel human and relatable. You just have to be willing to look at that character with genuine affection as a writer, even at his absolute worst.

#loz thoughts #ganondorf #long post #slay the princess spoilers #also please play stp if you can even if you're not normally into visual novels #i would like more people to become as obsessed with miss princess princess as i am