I was being completely normal (not) and was scrolling through your old posts in your richonne tag, and I saw an interview Andy gave in 2017 where he said Michonne was the love of Rick's life. And we have bitter antis in 2024 with their panties in a twist because Rick actually says it? I have to laugh. Anyways, thanks for being as unhinged about Richonne as I am. I'm glad tumblr made you a fan way back when (I watched the show from the start and began shipping them in s4).
listen idk how to be normal either, so i'm definitely not judging! i'm pretty flattered in fact and I hope you enjoyed my 2017-era richonne brainrot! I think it's only gotten worse since towl took an already God Tier ship to an entirely different level lol so thank YOU (and everyone else who understands the obsession) for being unhinged with me ❤️ and just because I'm always curious about what made richonne click for people. what made you start shipping them in season 4?
yeah, people have always been bitter and/or confused about richonne and ESPECIALLY about how in love rick is with michonne. and while I think there are some people who might have genuinely just not have been paying attention because those characters are not their priority (which I get personally, as rick and michonne and people immediately tangential to them are my ONLY priority so I completely missed the sasha/abraham build up for example) as we all know most of the time the bitterness stems from thinly veiled (and sometimes not veiled at all) racism and misogynoir. which makes it all the more satisfying that andrew lincoln is not only patient zero of richonne brainrot disease but has exponentially doubled down about it over the years. idk how much that was an intentional response to the pushback richonne got since he's famously offline BUT it's still endlessly gratifying that he's constantly and unfailingly vocal about how much he loves the ship, michonne, and danai to the point where just as rick grimes isn't doing shit without his soulmate michonne, andrew lincoln isn't doing shit related to twd without his leading lady danai gurira. the second that man had an ounce of creative control he had rick declare his undying love for michonne at every available opportunity so if they haven't gotten the point by now I guess their panties are staying twisted forever. sucks to be them I guess!
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My other piece of advice for young people besides you can't force others to like you is that you CAN make it significantly harder for them to take advantage of you and one of the ways you do this is by never acting too desperate around a potential employer, boss, professor, or anyone involved in your housing situation. Explain as little as possible. Give them that "I'm busy that day" treatment. "My apologies for the late response here is the report" type communication. Pretend you've got options lined up all the way out the door. Make them work for you. Girlbosses (gender neutral) only ♥️
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MY HEART??!???!??
M Y S T A R ? ! ? ! ?
I LOVE THEM SO MUCH
I ALSO LOVE U AND THAT BIG BEAUTIFUL BRAIN OF YOURS FOR COMING UP WITH THESE
🥹❤️
YOU CAN THANK @jtl-fics FOR ANDREW CALLING ABRAM THAT (and also to a degree for Abram’s name for Andrew so like. Thanks Ash 💕)
Dramatized rendering of the two’s letters at whatever point in the timeline idk
Script/cipher under the cut
One fancy version and a simpler handwriting one ✨
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Okay, I need a think tank here. This has absolutely nothing to do with anything and will likely never pop up in my writing, but I was thinking about it in the shower and now I can't leave it alone.
So that concept art of apocalypse resistance fighter Draxum.
I mean, yes, he looks way older in general. But the greyscale shows that his hair has definitely gone completely grey.
The 'future' scene we see in the movie takes place in 2044, only 24-26 years after the series if we consider Rise to have taken place over 2018-2020. And Draxum likely died before this, considering he's not seen in the final battle.
25-ish years is nothing to a Yokai. Draxum is confirmed to be a few hundred years old himself. So it's highly unlikely that he just happened to go grey during this time.
Possibly the stress, we see that Huginn and Muninn have obviously died (and demanded to be forever immortalized as his shoulder pads) and depending on when he died, he might have outlived Cassandra, Raph, and Donnie. So losing three of his kids, plus whatever Splinter was to him at the end. That'll age someone. And then there's whatever mystic nonsense that caused Mikey to age rapidly, potentially Draxum was overusing his powers to fight and keep the colony safe and ended up drawing on his own lifeforce.
But I thought of a funnier explanation.
Hair dye.
Do you guys think maybe Draxum is already going gray? And he's just too vain to admit it, so he dyes it back to red so nobody notices. But in the apocalypse he can't justify scavenging for hair dye or wasting their water supply on something so frivolous. Or whatever potion he used, he didn't have the ingredients/couldn't waste resources like that.
I dunno, what do you guys prefer? I kind of like imagining him carefully dyeing his roots before every Major Villain Thing so nobody realizes how old he actually is.
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How do you manage to write smut that's like, actually arousing? What's the secret?
Well, first of all thank you! I'm glad you enjoy it, I really am. Happy to hear from you here as well 💜
Also, I'll let you in on my secret — I can't stand almost anything I write after it's posted. I see nothing but the flaws, grammatical choices, and technical foibles. This extends triple, quadruple, to smut. So if you're feeling the same kinda way, that your writing feels somehow off, then just know you're not alone.
I could give some pointers, but I don't really know how much benefit anyone will get hearing these from me of all people. But in my opinion it's a lot of the non-smut aspects that highlight the smut and make it shine. So here ya go.
Keep it in-character. I'm not out here talking as an authority on anyone's characterization, nor am I saying I'm some master of it and there are plenty of people out there with differing opinions, so take this with a colossal mountain of salt. But you should focus on making the voices, internal thoughts, and prose in keeping with the POV character. This is something called "POV control" and it's a very useful skill. Be able to flow in and out of a character's POV as the need arises. How Shadowheart interacts with sex is very different from Karlach is different from Orin, for example.
Strong focus on dialogue. This is a sorta addendum to the first point. Characters shouldn't suddenly turn silent when they're having sex. That is, unless that's the point of the story! They should also be speaking in-character even (or especially) during sex. Also, "porn dialogue" is something that gets brought up a lot in writing, and I think we all know it when we read it. That being said, people in the real world do say things during sex that, out of context, are hilarious. So it's a balancing act.
Fitting descriptions. This is actually one of the more important ones! If a scene is very romantic and meant to be light and fluffy, maybe avoid words for genitals altogether and focus entirely on simple visual aesthetics (how moonlight plays on a body, to give an example). If it's meant to be rough and focused on bodies or the mechanics of the scene, ham it up on those words. This also isn't a binary. Things flow back and forth all the time.
Firm language. I don't mean, like, power dynamics "firm." I'm talking about a willingness to use the words that fit the descriptions and sticking to it. Some people despise certain words, but other people will find the alternatives hilarious and completely tone-breaking. Find the words you like and stick to them; consistency gives your voice strength.
Don't try to appease everybody. You just can't. You have to write what you personally enjoy reading/writing/doing/thinking about, and go with it. If you try to cater to everyone's whims with any of the above, you'll wind up with a beige platter of nothingness. That doesn't mean you can't explore other tones or flavors, but don't try to do too much in one story.
Focus on emotions. Emotions could mean anything from love to lust to anxiety to fear to uncertainty and so on and so forth. My strategy is to center a fic on a theme/emotion that resonates with the characters involved and then I explore the smut around that central point. Revisit the idea between the action. Show how the characters' feelings around the theme change or how they're reaffirmed.
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there's a very specific kind of vibe that comes with living with your friends in final year that it just does not have in first year or even second year. like as a fresher it's usually the first time any of you have lived away from home let alone with SO MANY people your age and it's terrifying and exciting and randomised to boot so it's generally carnage for a whole year in the best and worst ways, and then second year you pick who you're living with and it feels like for the first time you're doing this adult thing PROPERLY. you have a place of your own now. these are the people you've chosen to live with. studying gets serious etc. but it's still fresh. it's still new. you still don't know how to navigate it. but final year? final year is when you actually get it right. you know how to manage your time better. you know what works for you and what doesn't. studying is the main focus and you've been out in the world for three years now and it's not loud and boisterous like it was in first year and you're not exciteable and awkward like you were in second year. you're comfortable. every single one of my flatmates has their own friend group and we mainly keep to our own social circles, but we'll still meet each other back at the house after a night out and sit in the kitchen or my room to do the debrief. sometimes i'll go days not seeing either of them despite sharing a house but every now and then someone will softly call up the stairs that 'the heating's on!' or one of us will sneeze and the other two will yell 'bless you!' through the walls. the lack of interaction isn't interpreted as dislike in ways it would have been even last year, because we're all just old enough to be past that now and settled enough in our friendship not to worry about it. idk. uni is very loud and unsettling a lot of the time so it's been really sweet to see how almost boringly comfortable final year is.
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One line in particular that has stuck in my brain aside from the obvious: Prapai’s “please don’t joke with me” after asking Sky what he meant. It’s so desperate but it’s also kinda vulnerable?? Like he wants Sky so bad but there’s something off about this and he needs to pause and the last thing he wants is for this to be some joke. Because that’s mostly what he’s gotten from Sky up until this point: teasing, sarcasm, just a lot of pushback and testing Pai’s dedication to him. He can’t read Sky’s mind and know that he’s falling just as hard, he’s just hoping against hope and just fucking “please don’t let this be another test, please don’t tease me in this way, please don’t push me away if I act on this, please let me love you how you deserve to be loved, how I NEED to love you, please please please”
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being asexual, an adult and still never having had sex without wanting to change it, feels fucking lonely at times. Because majority of asexuals I met with similiar experiences as mine were of the sort of "golden star asexual" or whatever and that's just bullshit and I don't want to associate with that crap.
I just feel really really lonely among other asexuals who still, in the end, have more experience than me, because in this society that marks me as the "weird one", the "childish one", because sex is just connected to adulthood and without you're immature in this worlds eyes.
Adding to that, most representation I've seen of asexuals in media has been of the sort that still has (or had) sex - and that's great for them! But I wish people like myself would be more than the weird nerd person or robot sidekick. I wish adults who choose to never have sex would be treated as adults and full fletched humans too.
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