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#the raw potential of bobby’s character
spiritofjustice · 20 days
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obligatory yuty for the ask!!! but also if you dont want to only talk abt yuty then Ummm fulbright:3 or both even if youre feeling fancy...
Send me a character and I’ll list:
I already got one for Yuty, but thank you! So Fulbright it is.
Favorite thing about them: His pure of heart, dumb of ass nature... idk! I just feel like his bombastic, friendly personality is so lovable. I was invested in him from the second I met him! He just leaves such an impact with his silly but earnest personality. I love how determined he is, how he's got these big emotions and how much he believes in Blackquill and isn't scared of him one bit even though everyone else is because he sees Blackquill's raw potential. Waaaa. It's nice. Least favorite thing about them: Beyond him tasing Blackquill, um. What they did to his character by having him get murdered off-screen before the game starts lol. I think the way they did the Phantom twist was incredibly lame and I've talked extensively about it before so I'll spare y'all and just link the posts where I've bitched about it instead. 1 | 2
I haven't thought about it in a while so my opinions may have changed a bit idk just read these KRKFNM Second post isn't mine but I did leave a fucking tag essay so there's that. I do plan on replaying Dual Destinies soon to see what I feel about the game after knowing everything I do now, though. Favorite line: idk if it's a favorite line exactly but my favorite moment with him is in Turnabout Academy where he pops out of the art room window and is like "oh it's y'all!! in justice we trust!!" and helps out Athena and Apollo while Athena excitedly greets him n Klav and Apollo are like ??? It's so cute. brOTP: Ummm him with Ema is pretty fun! I want all the detectives to be buddies, and I think that Ema would originally be so pissed off and annoyed by him, but come to appreciate his earnestness and kindness. I think once she cools off and becomes a proper forensic detective she'd mellow out and be much more open to befriending people she works with. I think they'd get along very well. I also like the headcanons where Bobby really looks up to Gumshoe, so I like their dynamic too.
I also think him and Yuty would be fun. I think Nahyuta would be annoyed by Fulbright at first like Ema, though. But Fulbright probably fills a similar environmental niche to Datz, so I think Nahyuta could deal with him eventually. I imagined this scenario (admittedly in a shippy sense-- I think Madhibright is a funny ship and kinda cute, but I don't actually ship it anymore, they're just pals) where they meet post-SOJ and thought it'd be fun. Here's that post I made. OTP: Blackbright, I guess! IDK, I don't ship as much for him as I used to, but this is still my number one. I LOVE their dynamic in DD, I love the possibilities of what a dynamic could be like post-DD had he lived, so on. They're definitely Together but it might be kind of an unlabeled grey area friendship gay thing too. I don't know KRKF but I like them a lot! It's fun. I think they're very cute. nOTP: I dunno. Who are they gonna ship him with if not Blackquill? The Phantom? I've seen cute stuff with the Phantom and him as buddies that I find interesting. I wouldn't call romantically shipping them a NOTP, it's just vaguely weird but I don't really care at all. So, none I guess. Random headcanon: He's from the South and has a Southern accent!!! I love giving characters I like Southern accents it's kind of a thing I do if I have an excuse to, lol. It's why like half the Tazmily villagers were written with accents during my Mother 3 fanfic days. I think it suits him, idk why. It's better than the goofy ass voice they gave him in DD 😭 Unpopular opinion: idk. I don't know what people think about him, aside from him being another character the AA subreddit will try to convince you just absolutely sucks. Aside from, like, I don't know, I think it's a bit off sometimes if AUs where Bobby lives that people try to put all the blame for shitty behavior towards Blackquill on the Phantom. I get why, but I think sometimes it's worth examining how his position of power could be harmful to Blackquill regardless of his pure intentions or whatever. He's a cop, after all.
I know some people are uncomfortable with the ethics of a ship with Blackquill while he's still in prison (which is why some folks will specifically only interpret Blackbright as a post-DD thing) but I'm also like. idk I think THAT'S worth examining too! By people smarter than me. I'm not doing it KRKF I just find their dynamics interesting, warts and all.
I get it, though. Sometimes you just don't wanna fucking get into it SDJN but yeah! Song I associate with them: Never Ever Getting Rid of Me from Waitress. Quintessential Blackbright song Favorite picture of them: This pose is my fave everrr it's adorable.
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though I also like the one official art where he's crying looking at Blackquill. ok gay ass
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Practically Magic Chapter Four: Cinderella
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Summary: Growing up in the same tiny mountain town, Y/N Owens and Dean Winchester despised each other. The only thing they ever agreed on was their need to escape. Life took them in opposite directions and neither of them ever looked back. So, when their paths cross over a series of gruesome murders in their hometown it was no surprise that old friction heated up again.
Dean never dreamed he’d be teaming up with a psychic, the FBI frowned on that sort of thing, but he was desperate. When that psychic turned out to be Y/N Owens, Dean knew two things for sure. One, Y/N was the real deal and two, he was in real trouble.
Pairing: Agent!Dean x Psychic!Reader, Dean x Reader, AU Dean x You Characters: Dean Winchester, Sam Winchester, John Winchester, Bobby Singer
Warnings: Slow Burn, Serial Killer Elements, Witches, Haters to Lovers, Claustrophobic Elements, Murder Scenes
Author’s Notes: This is an AU taking elements from the film Practical Magic and applying them to a fictional world where Dean Winchester is an FBI Agent. You will find parallels from that movie here, some quotes and other elements that capture the essence of the world of the Owens Witches. Hopefully! Additional Author’s Notes: This is a unique reader insert story as I have given the reader a physical description including hair color, eye color and body type. Chapter Four: Cinderella Word Count: 3372
Masterlist
Practically Magic Masterlist
“You’d think after 300 years they’d come up with a better line” – Sally Owens, Practical Magic
Dean sat in his car outside of the Compendium for a full twenty minutes trying to figure out what he was going to say. He hadn’t expected to see you there, standing in the middle of that crime scene. Performing a reading, of all things! You’d gotten better at it, of course you had. It was in your blood. You’d grown into yourself. All of that shining, raw potential of the child was now sharply focused in the woman you’d become. It caught him off guard and he reacted out of instinct. Get you out of there and away from him as quickly as possible.
“What the hell’s the matter with you, Dean?!”
“With me? What the hell were you thinking, bringing her here?! This is no place for a civilian, Sam.”
“Y/N is not just a civilian. We’re running out of time and options, we need help.”
“Help? From the friendly neighborhood witch?”
Sam rolled his eyes, “Come on Dean, she’s the real deal and you know it. Everyone in this town knows it”
“That doesn’t make her qualified to assist in a murder investigation.”
“No, but she’s our friend. If she can help, she will. That’s just how she is.”
Dean could only shake his head at his baby brother. How can someone that damned tall be so short sighted?
“Some friend you are. This case is as ugly as they come. You and I, we’re trained to deal with the rough stuff, and we still have a hard time with it. How the hell is a regular person supposed to deal with it?”
Sam could only nod, he hadn’t thought of that.
“And yeah, Y/N is the real deal. You know how sensitive that psychic stuff makes her,” Dean said with a sigh. “This isn’t safe for anyone, but especially not for her.”
“Fair point,” Sam admitted. “But there are better ways of keeping her safe than going after her like that.”
“Old habits,” Dean replied.
“Make some new ones, starting with an apology. She won’t just let this go; you know how she is.”
Sam was right, Dean knew exactly how you were. Stubborn, just like him. Wasn’t that always the problem? Dean reluctantly cut the engine and got out of the car. Dragging his feet wasn’t going to make this any easier.
The Compendium was nearly back in order when Dean opened the door. An impressive feat considering the state it was in after the party. He was exactly three feet into the store when a low growl sounded, stopping him in his tracks. A huge white dog stepped out from behind a bookcase, barring its teeth, the thick fur along its spine standing on end. Dean held up his hands in a gesture of surrender, hoping the dog would see it that way.
“Dean Winchester. Is it arrogance or plain stupidity that brings you to my door?”
“You know me Viv, always the latter.”
Vivienne Owens climbed down the ladder propped up against the shelves, a bundle of smoldering sage in her hand. She arched an unimpressed brow at him, “This place was in tatters after you boys rummaged though everything. It will take me a week of Sundays to cleanse it properly.”
“Send the bill care of Uncle Sam.”
She didn’t give an inch. A thin plume of white smoke spiraled up from the sage to circle around them. Viv’s ever present black cat hissed from its perch on the upper level and Dean felt very outnumbered.
He dropped his gaze, “Sorry.”
“You certainly are.”
“I come in peace. I just want to apologize,” Dean said, appealing to the older witch. “Viv, please. I owe her that.”
“You owe her far more, but that’s a start.”
Vivienne had the same dark eyes, you did. Those huge, fathomless, gypsy eyes. Ones that saw into the very soul of a man. But hers never held the warmth yours did, at least not for Dean. Her eyes were cold and carried suspicion and warning.
“I’m only going to say this once; you hurt her and in the immortal words of the great Dolly Parton… I’ll turn you from a rooster to a hen with one shot.”
Dean couldn’t help but swallow nervously. A woman like Viv didn’t offer idle threats, especially when it came to her treasured granddaughter.
“Noted.”
You knew it was Dean by the sharp scent of his cologne. He always smelled good, even as a kid. It was one of things about him that fascinated you when you were growing up. You loved him straight away, how could you not? His smart mouth and gruff exterior hid a boy you knew to be truly kind and compassionate. He played up the bad boy image to everyone in Silverton, but with you he was soft. He was your protector. Sam was your partner in crime, but Dean was the one who made sure you were safe. You trusted him with your life. Funny how things can change so quickly and so completely.
“I had no idea this room was back here.”
“What you don’t know could fill a book.”
You didn’t bother to turn, instead keeping your eyes on the fire blazing in the brick fireplace. Your frozen feet were propped up on a leather footstool in an effort to regain feeling in them. In hindsight, walking all the way from that house to the Compendium in your stockings was not your brightest move, but you’d been too pissed off to think straight. Even now, cocooned in a thick, wool blanket you were still shaking. Part of you knew it wasn’t just the cold, but the horrific scene that had you chilled to the bone.
“Do you always wander around without your shoes and coat? Or only when it’s below freezing?”
“It was more important to leave than to stop and fetch them.”
“Stubborn,” Dean muttered, dropping your forgotten items in the wingback chair opposite you.
“Me?! I’m the stubborn one?!” Your eyes snapped up to look at him, temper flaring. He had the audacity to smile, just a quirk of the corner of the mouth. Irritated beyond measure, you tugged the blanket closer and looked back to the fire.
“Thanks for returning them, you can see your way out.”
You’d dismissed him like a queen banishing a servant from the realm. He knew you weren’t going to make this easy. “Damn it, Y/N. I’m trying to apologize!”
“Well, don’t let me stop you. You’re doing a fantastic job.”
Dean watched the flickering glow of the fire dance across your face. It was fascinating to see the familiar expressions of the girl he knew reflected back at him in the face of a beautiful woman.
God, why does everything have to be so damn complicated?
“I’m sorry,” he said at last. “I didn’t expect to see you there.”
“At the house or at the party?” you asked softly. When he didn’t reply right away, you did instead, “I didn’t expect you either. Maybe I should get a magic eight ball.”
“You used to laugh when I called you that.”
“That was when you meant it as a joke. You weren’t joking today.”
“No, I suppose not.” Dean sat on the footstool so he could face you. It was low to the ground, causing him to draw his knees up so his long legs would fit in the small space. He always was taller than you, now even more so. Life was unfair.
“I’m sorry about what I said, you didn’t deserve it. I’ve been working on this case for a very long time, my temper’s short and I took it out on you. I had to get you away from that house. It’s not safe for someone who hasn’t been trained for it.”
You could see him then, your Dean. The one from all those years ago. The Dean who would coming running when you called. The Dean who vowed to protect you from anything.
“We should have dinner.”
Dean blinked in confusion, “Pardon?”
It was your turn to smile, you always enjoyed baffling him. “The three of us; you, me, and Sam. If we are going to work together, we need to improve our communication skills.”
“We’re not working together, Sweetheart.”
“Yes, we are.”
He matched your infuriating smile with a fierce frown, “I don’t want you getting mixed up in this.”
“I already am. I’ve tapped into it now; it won’t leave me until it’s complete.”
“If you had an ounce of sense in that head of yours, you’d leave and never look back.”
You searched out his gaze, those stunning green eyes looked so much older than his thirty-six years. Things between you had ended badly, but that was years ago. And it didn’t erase all the good that had come before.
“Tried that. Just ended up right back where I started.”
“Yeah. Me too.”
“Dinner,” you said again. “Tomorrow night, seven o’clock. Your treat.”
Dean knew a challenge when he heard one. This was the sexy, confident woman he’d met on Halloween, throwing down the gauntlet. He may not be a magic welding Owens, but he still had a few moves of his own.
He took your feet and settled them on his lap while he reached for your shoes he left in the chair. His touch was warm. The heat that radiated from him finally banished the cold you’d felt since leaving that house. He gently slid each shoe back on the corresponding foot, his actions deliberate and somehow very intimate.
“Try not to lose them this time, Cinderella.”
You tried to focus on his words instead of his hands resting on your ankles.
Good lord, look at those hands! Were they always so big? Christ. I wish he’d move them a little higher…
“Cinderella only lost one shoe, not two.”
He ran his thumb back and forth over your ankle bone while a grin slowly spread over his face. “Keep ‘em on, Princess. Don’t want you losing any valuable parts to frostbite.”
In one smooth motion, Dean got to his feet and started to stand. His hands braced on the arms of your chair, his face coming within a few inches of yours. His mouth only a breath away. He paused in that position, his eyes looked deeply into yours and you were caught. Your heart sped up and heated your cheeks as you wondered if he was going to kiss you.
He watched with great satisfaction as your pupils grew wide. Your gaze flickered down to his mouth just for a second before snapping back up. Witch or not, you were still a woman. And Dean had always been a big fan. He found it incredibly encouraging that he could get that kind of reaction out of you even under the circumstances. Maybe this wouldn’t be so bad after all.
Dean stood the rest of the way, feeling smug. “See you tomorrow, Y/N.”
“Y… yeah, tomorrow,” you managed to echo as he walked out the door.
Viv’s cat found it’s way to your lap, he must have snuck in when Dean left. You buried your fingers in it’s fur while you contemplated the flames. When you were little, your Gran would tell you stories of ancestors who could read the future in fire. You even managed to do it a time or two, but it was a volatile method. Naturally, it would be. Visions would come, but without context making the information unsettling and essentially useless. If that was what seers in the past used, no wonder everyone thought they were crazy. You made up your mind a long time ago, to be better.
But you couldn’t see what was coming, for you or for Dean. Which meant you had to go in blind. Just like everyone else. Just like a normal person.
“Fuck.”
June 5th, 2002
“Witch, witch, you’re a bitch! Witch, witch, you’re a bitch! Witch, witch, you’re a bitch!”
Dean was in the middle of changing the oil when he heard the chanting. It certainly wasn’t the first time he’d heard it. Ever since that damned movie came out a few years back, the local kids latched on to it like it was the song of the summer. It had been nearly a year since he’d heard it, which meant only one thing.
He threw down the oily rag he used to wipe his hands and took off running.
“Witch, witch, you’re a bitch! Witch, witch, you’re a bitch! Witch, witch, you’re a bitch!”
There was a group of five kids, all chanting around a massive oak tree. Throwing rocks and sticks up into the canopy of green leaves. Dean recognized them, a couple of them were from his brother’s class, the rest were closer to his age. Bullies and troublemakers.
“Hey, what the hell are you doing?!”
The tallest boy, looked at Dean and sneered, “What’s it to you?”
Dean looked past the kid and saw a familiar purple sneaker laying at the base of the trunk. Purple, with matching tie-dyed laces. He didn’t need any further confirmation; he was there the day you and Sam experimented with the technique for an art project. Purple always was your favorite color.
“Listen up, asshat. You’re going to take your little buddies and get the hell out of here.”
“Or what?” another boy challenged.
“Or I break your scuzzy face and you leave anyway.”
“Come on, Winchester. We’re just having a little fun,” the teenager from Dean’s class said, tossing and catching the lemon sized rock in his hand. “Besides, it doesn’t hurt ‘em. Everybody knows witches don’t feel anything.”
He chucked the rock into the tree and a pained yelp sounded as it found its target. He laughed and Dean saw red. He punched him square in the face, deeply satisfied with the sound of knuckles connecting with cartilage.
“Fuck!” The kid staggered back and held his face, blood spurting from between his fingers. “You broke my fucking nose!”
“Stick around,” Dean drawled. “I’ll break something else.”
That was all encouragement the boys needed. They scattered and ran back over the hill towards town, chanting their irritating little song the whole way.
Dean picked up the discarded shoe and looked up through the branches and saw your shadow towards the top. “Y/N?”
“Dean?”
“You can come down now, it’s safe. I sent those douchebags packing.”
He watched you nimbly climb down the branches, which was impressive since you weren’t the most athletic kid. Amazing how motivating being hunted down could make a person. When you got close enough, he held out his hands and helped you hop down to the ground.
Looking you over, he saw red all over again. You had dirt and scratches all over your arms and legs, the deeper cuts still bleeding. Long pieces of your hair had come loose from your braid and were sticking to your sweaty face. Your big, brown eyes were rimmed red from crying and your bottom lip was split open.
Dean took your chin in his hand; his thumb barely grazed the cut. You winced and looked down, tears welling in your eyes.
“It’s okay, Dean.”
“I’m going to kill ‘em.” Dean growled, releasing you. “Seriously, an ass kicking it too good for those dicks.”
You rubbed your bicep where that last rock had hit you. It hurt like hell, probably bruised all the way to the bone. You were worried about what your Gran would say when she got a good look at you. She always warned you to stick to the main road, not take short cuts. This is obviously why.
“It’s my fault, I shouldn’t have gone that way. Should have paid attention to where I was going.”
“Hey. This is all on them, you hear me? None of this is your fault.”
You only nodded, looking down at your sock covered feet. Dean picked up your discarded shoe and looked around for its mate.
“Where’s the other one?”
“Um… I lost it over in Settlers Field.”
“Okay, let’s get you cleaned up.” He surprised you by turning his back to you and crouching down, “Hop on, Pipsqueak.”
“You can’t carry me, Dean. I’m too heavy!”
“I carried Sam’s sorry ass all the way down the North Trail when he twisted his ankle last summer and he’s a freaking moose. I don’t want you wandering around missing a shoe.”
He looked over his shoulder at you and winked, “Come on, Cinderella. I’ve got, ya.”
You grinned back, in spite of yourself and climbed onto Dean’s back. He hooked his arms around your legs and stood with ease. Even bounced a couple of times to get a giggle from you before he headed back home.
You rested your chin on Dean’s shoulder while he carried you comfortably on his back, making easy strides through the tall grass. After a few minutes you began to relax. It was a really nice day, sunny and warm.
You hadn’t spent much one on one time with the older Winchester, but you knew Sam worshiped him. It was easy to see why, Dean was the embodiment of cool. He was older than the two of you by five years. Every time you saw him, he was in that beat-up leather jacket, listening to classic rock. And he had that intensity burning just under the surface.
“You must be missing Sammy, huh?”
“A little,” you breathed, then corrected yourself. “A lot. He called last night and said he was having fun though.”
“Only Sam would have fun at summer camp for math geeks.” Dean said, walking through the opened bay door of the garage. “What about you? I heard you got first place for that story you wrote. Shouldn’t you be at camp for writing geeks?”
Dean set you down on the long bench along the back wall and grabbed a few supplies from the first aid cabinet.
“There isn’t a writer’s camp. But there’s a conference in Denver next month. Gran says I can go if I want to.”
Dean dabbed disinfectant over the scrapes on your legs, “You don’t want to?”
You shook your head.
“Why not?”
“My story’s not good enough to present in a place like that.”
“Your teacher thought so, and you did get first place.”
“You didn’t read the other stories.”
Dean snorted in laughter, and you smiled. “Besides, that story was just for an assignment. I can do better.”
“I’ll bet you can.” He replied, fetching an ice pack from the beat-up fridge in the corner. He wrapped it in a clean cloth and held it against your swollen lip.
“Well Pipsqueak, you can hang out with me whenever you like. But you gotta pull your own weight.”
“Okay,” you agreed, if out of curiosity alone. “Doing what?”
Dean waggled his eyebrows and pulled the gray tarp off one of the cars. “Welcome to Dean Winchester’s Summer Camp for Grease Monkeys!”
You recognized it; Sam showed it to you one time. The Impala.
You stepped forward, running your hand over the rough frame, “You’ve been fixing up your dad’s car?”
“My car,” Dean said, pride ringing in his voice. “Gave it to me last year when I turned sixteen.”
Your fingers followed the line of the window as images came to you. Happier times when John Winchester was a young man, taking his pretty blonde girlfriend to the drive-in movies. Mary, the boys’ mother. It had been a junker back then, John always intended to get the car in mint condition. Never really got around to it.
“She likes you.”
“Yeah?”
“You gave her a name.”
Dean rubbed the back of his neck, feeling a little embarrassed. “Yeah. Baby.”
You leaned in the opening where the driver’s side window would eventually be. You could see how she looked the day she rolled off the line. Shiny and new. Polished chrome, black vinyl seats. In a flash, you saw Dean there. His elbow resting on the opened window, his right hand on the wheel. Wind in his hair, his music blasting.
“Baby.” You repeated. “Baby is perfect.”
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Week 3 World Cinema Research Blog - by Natalyn Wakeling
Five Easy Pieces - 1970
The film I chose to watch for week 3 is Five Easy Pieces, by Bob Rafelson. This film caught my eye from the trailer and dossier because I was interested in why main character "Bobby", wanted to abandon his upper class life as a musician to go live a working class life elsewhere. One thing about this film that made it striking to critics and viewers of this time was Jack Nicholson's ability to act, and the way his behavior throughout the film sets the tone.
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Rafelson directed this film which was released in 1970, and the budget was 1.6 million dollars. It generated about 18,000,000 in Box Office, making this movie a commercial success. This is a much larger profit than the other films I have researched at this point. I think this film was able to bring in this big of a profit because for one, it wasn't very expensive to produce. There wasn't a lot of action, locations, and scenery in this film, which the budget accounts for. I think they were able to do 18 million on profit because the movie does have a very famous actor, Jack Nicholson.
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The only comparable item I really had going into watching this film was Jack Nicholson's acting from another film I had watched, One Flew Over the Cuckoo's Nest. I assumed that the character he portrayed in Five Easy Pieces would somewhat resemble his role in the film I had watched prior. In some ways it did. His ability to lack basic human sympathy and make compulsive decisions was very well displayed in both roles, however, the plot lines were completely different. This film was one of Jack Nicholson's most iconic, career building demonstrations of his ability to act, and people cite Five Easy Pieces as the film that shows his acting to his full potential.
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Critically, this film received very good reviews from very well known film critics like Roger Ebert. He described Nicholson this way: "Jack the lad, the outsider, capable of anger, sarcasm, self-pity, also capable of tenderness and grief, ready for violence but not very good at it". Here Ebert is shedding light on Nicholson's ability to demonstrate the range of so many different emotions and demeanors in one character. Ebert overall rated this film 4 stars, which is much higher than the ratings he has given to the other films I have researched. Something else that Ebert said that also resonated with me was the films ability to have a twisted, unexpected ending, that makes the viewer reflect on life after. Ebert said more American films to follow took note of this movies ability to have a "plot free to surprise us about the characters, into an existential ending not required to be happy." A large sum of people who watched this movie at the time of the release would agree with Ebert. They admired the movies raw plot and acting abilities.
Looking at the political, economic, and social climate of the time the film was released is also important when it comes to viewing the film in its entirety. I think one of the most important factors that had an influence on this movie, historically, was the emphasis of the working class in America. "American made" labels were becoming very popular around this time period, and tariffs were being put on imports from foreign countries to encourage more American production. (Link to 1970 timeline) It just so happens that part of this films story line is Bobby retreating from his upper class family of musical geniuses to go from place to place working. “I move around a lot, not because I'm looking for anything really, but 'cause I'm getting away from things that get bad if I stay.” This is something Bobby says to his father at the end of the film, in sort of an apologetic excuse for his leaving the family for 3 years. It also sheds some light on his characters inability to ever be satisfied for long in one place.
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Above is an interview with Nicholson many years after the release of this film. It's him along with others involved in the making of the film, and their different takes on what they wanted to do with certain scenes, and how they wanted the character to be ultimately portrayed. This interview plays into the critical reception of this film because a big debate among the creators of the film and viewers was if Nicholson's character should have really broken down and showed emotion at the end. Nicholson himself argued that it was out of character for this scene to take place, but a lot of the viewers and the director both agreed it created more range and depth to see the underbelly of Robby after seeing his stone cold countenance throughout the entire film.
Five Easy Pieces is categorized as a drama film, which I agree there is elements of drama, but I see it more as a film focusing on human behavior. Nicholson's many levels of acting give this film a feeling of many different styles. He has his working class story line, his waitress girlfriend, his many affairs, and family life that all come together to create a sort of chaotic feel in main character Bobby's storyline. You can see some moments of self reflection throughout the film, especially in the ending scene when Bobby is physically looking at himself in the mirror and comes to the decision to abandon his girlfriend Rayette.
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A line in the film that stands out to me is when he is when Bobby is confessing his love to Catherine, and she says to him “You're a strange person, Robert. I mean, what will you come to? If a person has no love for himself, no respect for himself, no love of his friends, family, work, something—how can he ask for love in return? I mean, why should he ask for it?” In this scene Kathy was really able to read into the interworking of his mind, and come to the sad realization that if he himself can never be satisfied, how is he ever to satisfy anyone else? I think he comes to an epiphany about his life and character at this point too, which leads to him ultimately abandoning Rayette. I think the main thing that stands out in this film is Jack Nicholson's acting range, and it is what the film is widely accredited for.
I would label this film as conventional. It has two very standout actors of this time, and was marketed to be a commercial success. It did exactly that with its very large profit. Being a drama, it is one of the most profitable genres of film, and definitely received a lot of critical attention after its release. The storyline is not anything outstanding in film, it is the behavior acting and ending of the film that make it standout from anything else during its time. There are some plot lines of the story that feel sort of loose if not looked into too deeply, for example, the ladies that joined their car ride up home. However, it ultimately does not affect the plot enough for it to leave viewers confused or unclear on what to gather from the film. As I said the storyline isn't anything spectacular or new, but the behavioral range throughout the film was never before seen, and is what made this film standout enough to receive so much attention.
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All in all, Five Easy Pieces was a remarkable film for its time. Nicholson's acting abilities and the film makers' ability to take a simpler storyline and make it existential in the end was amazing. The movie was a commercial and critical success for a reason, and I hope to see reflections of this film in more films I watch from now on.
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trektraveler · 2 years
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Practically Magic Chapter Four: Cinderella
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Summary: Growing up in the same tiny mountain town, Y/N Owens and Dean Winchester despised each other. The only thing they ever agreed on was their need to escape. Life took them in opposite directions and neither of them ever looked back. So, when their paths cross over a series of gruesome murders in their hometown it was no surprise that old friction heated up again.
Dean never dreamed he’d be teaming up with a psychic, the FBI frowned on that sort of thing, but he was desperate. When that psychic turned out to be Y/N Owens, Dean knew two things for sure. One, Y/N was the real deal and two, he was in real trouble.
Pairing: Agent!Dean x Psychic!Reader, Dean x Reader, AU Dean x You Characters: Dean Winchester, Sam Winchester, John Winchester, Bobby Singer
Warnings: Slow Burn, Serial Killer Elements, Witches, Haters to Lovers, Claustrophobic Elements, Murder Scenes
Author’s Notes: This is an AU taking elements from the film Practical Magic and applying them to a fictional world where Dean Winchester is an FBI Agent. You will find parallels from that movie here, some quotes and other elements that capture the essence of the world of the Owens Witches. Hopefully! Additional Author’s Notes: This is a unique reader insert story as I have given the reader a physical description including hair color, eye color and body type. Chapter Four: Cinderella Word Count: 3372
“You’d think after 300 years they’d come up with a better line” – Sally Owens, Practical Magic
Dean sat in his car outside of the Compendium for a full twenty minutes trying to figure out what he was going to say. He hadn’t expected to see you there, standing in the middle of that crime scene. Performing a reading, of all things! You’d gotten better at it, of course you had. It was in your blood. You’d grown into yourself. All of that shining, raw potential of the child was now sharply focused in the woman you’d become. It caught him off guard and he reacted out of instinct. Get you out of there and away from him as quickly as possible.
“What the hell’s the matter with you, Dean?!”
“With me? What the hell were you thinking, bringing her here?! This is no place for a civilian, Sam.”
“Y/N is not just a civilian. We’re running out of time and options, we need help.”
“Help? From the friendly neighborhood witch?”
Sam rolled his eyes, “Come on Dean, she’s the real deal and you know it. Everyone in this town knows it”
“That doesn’t make her qualified to assist in a murder investigation.”
“No, but she’s our friend. If she can help, she will. That’s just how she is.”
Dean could only shake his head at his baby brother. How can someone that damned tall be so short sighted?
“Some friend you are. This case is as ugly as they come. You and I, we’re trained to deal with the rough stuff, and we still have a hard time with it. How the hell is a regular person supposed to deal with it?”
Sam could only nod, he hadn’t thought of that.
“And yeah, Y/N is the real deal. You know how sensitive that psychic stuff makes her,” Dean said with a sigh. “This isn’t safe for anyone, but especially not for her.”
“Fair point,” Sam admitted. “But there are better ways of keeping her safe than going after her like that.”
“Old habits,” Dean replied.
“Make some new ones, starting with an apology. She won’t just let this go; you know how she is.”
Sam was right, Dean knew exactly how you were. Stubborn, just like him. Wasn’t that always the problem? Dean reluctantly cut the engine and got out of the car. Dragging his feet wasn’t going to make this any easier.
The Compendium was nearly back in order when Dean opened the door. An impressive feat considering the state it was in after the party. He was exactly three feet into the store when a low growl sounded, stopping him in his tracks. A huge white dog stepped out from behind a bookcase, barring its teeth, the thick fur along its spine standing on end. Dean held up his hands in a gesture of surrender, hoping the dog would see it that way.
“Dean Winchester. Is it arrogance or plain stupidity that brings you to my door?”
“You know me Viv, always the latter.”
Vivienne Owens climbed down the ladder propped up against the shelves, a bundle of smoldering sage in her hand. She arched an unimpressed brow at him, “This place was in tatters after you boys rummaged though everything. It will take me a week of Sundays to cleanse it properly.”
“Send the bill care of Uncle Sam.”
She didn’t give an inch. A thin plume of white smoke spiraled up from the sage to circle around them. Viv’s ever present black cat hissed from its perch on the upper level and Dean felt very outnumbered.
He dropped his gaze, “Sorry.”
“You certainly are.”
“I come in peace. I just want to apologize,” Dean said, appealing to the older witch. “Viv, please. I owe her that.”
“You owe her far more, but that’s a start.”
Vivienne had the same dark eyes, you did. Those huge, fathomless, gypsy eyes. Ones that saw into the very soul of a man. But hers never held the warmth yours did, at least not for Dean. Her eyes were cold and carried suspicion and warning.
“I’m only going to say this once; you hurt her and in the immortal words of the great Dolly Parton… I’ll turn you from a rooster to a hen with one shot.”
Dean couldn’t help but swallow nervously. A woman like Viv didn’t offer idle threats, especially when it came to her treasured granddaughter.
“Noted.”
You knew it was Dean by the sharp scent of his cologne. He always smelled good, even as a kid. It was one of things about him that fascinated you when you were growing up. You loved him straight away, how could you not? His smart mouth and gruff exterior hid a boy you knew to be truly kind and compassionate. He played up the bad boy image to everyone in Silverton, but with you he was soft. He was your protector. Sam was your partner in crime, but Dean was the one who made sure you were safe. You trusted him with your life. Funny how things can change so quickly and so completely.
“I had no idea this room was back here.”
“What you don’t know could fill a book.”
You didn’t bother to turn, instead keeping your eyes on the fire blazing in the brick fireplace. Your frozen feet were propped up on a leather footstool in an effort to regain feeling in them. In hindsight, walking all the way from that house to the Compendium in your stockings was not your brightest move, but you’d been too pissed off to think straight. Even now, cocooned in a thick, wool blanket you were still shaking. Part of you knew it wasn’t just the cold, but the horrific scene that had you chilled to the bone.
“Do you always wander around without your shoes and coat? Or only when it’s below freezing?”
“It was more important to leave than to stop and fetch them.”
“Stubborn,” Dean muttered, dropping your forgotten items in the wingback chair opposite you.
“Me?! I’m the stubborn one?!” Your eyes snapped up to look at him, temper flaring. He had the audacity to smile, just a quirk of the corner of the mouth. Irritated beyond measure, you tugged the blanket closer and looked back to the fire.
“Thanks for returning them, you can see your way out.”
You’d dismissed him like a queen banishing a servant from the realm. He knew you weren’t going to make this easy. “Damn it, Y/N. I’m trying to apologize!”
“Well, don’t let me stop you. You’re doing a fantastic job.”
Dean watched the flickering glow of the fire dance across your face. It was fascinating to see the familiar expressions of the girl he knew reflected back at him in the face of a beautiful woman.
God, why does everything have to be so damn complicated?
“I’m sorry,” he said at last. “I didn’t expect to see you there.”
“At the house or at the party?” you asked softly. When he didn’t reply right away, you did instead, “I didn’t expect you either. Maybe I should get a magic eight ball.”
“You used to laugh when I called you that.”
“That was when you meant it as a joke. You weren’t joking today.”
“No, I suppose not.” Dean sat on the footstool so he could face you. It was low to the ground, causing him to draw his knees up so his long legs would fit in the small space. He always was taller than you, now even more so. Life was unfair.
“I’m sorry about what I said, you didn’t deserve it. I’ve been working on this case for a very long time, my temper’s short and I took it out on you. I had to get you away from that house. It’s not safe for someone who hasn’t been trained for it.”
You could see him then, your Dean. The one from all those years ago. The Dean who would coming running when you called. The Dean who vowed to protect you from anything.
“We should have dinner.”
Dean blinked in confusion, “Pardon?”
It was your turn to smile, you always enjoyed baffling him. “The three of us; you, me, and Sam. If we are going to work together, we need to improve our communication skills.”
“We’re not working together, Sweetheart.”
“Yes, we are.”
He matched your infuriating smile with a fierce frown, “I don’t want you getting mixed up in this.”
“I already am. I’ve tapped into it now; it won’t leave me until it’s complete.”
“If you had an ounce of sense in that head of yours, you’d leave and never look back.”
You searched out his gaze, those stunning green eyes looked so much older than his thirty-six years. Things between you had ended badly, but that was years ago. And it didn’t erase all the good that had come before.
“Tried that. Just ended up right back where I started.”
“Yeah. Me too.”
“Dinner,” you said again. “Tomorrow night, seven o’clock. Your treat.”
Dean knew a challenge when he heard one. This was the sexy, confident woman he’d met on Halloween, throwing down the gauntlet. He may not be a magic welding Owens, but he still had a few moves of his own.
He took your feet and settled them on his lap while he reached for your shoes he left in the chair. His touch was warm. The heat that radiated from him finally banished the cold you’d felt since leaving that house. He gently slid each shoe back on the corresponding foot, his actions deliberate and somehow very intimate.
“Try not to lose them this time, Cinderella.”
You tried to focus on his words instead of his hands resting on your ankles.
Good lord, look at those hands! Were they always so big? Christ. I wish he’d move them a little higher…
“Cinderella only lost one shoe, not two.”
He ran his thumb back and forth over your ankle bone while a grin slowly spread over his face. “Keep ‘em on, Princess. Don’t want you losing any valuable parts to frostbite.”
In one smooth motion, Dean got to his feet and started to stand. His hands braced on the arms of your chair, his face coming within a few inches of yours. His mouth only a breath away. He paused in that position, his eyes looked deeply into yours and you were caught. Your heart sped up and heated your cheeks as you wondered if he was going to kiss you.
He watched with great satisfaction as your pupils grew wide. Your gaze flickered down to his mouth just for a second before snapping back up. Witch or not, you were still a woman. And Dean had always been a big fan. He found it incredibly encouraging that he could get that kind of reaction out of you even under the circumstances. Maybe this wouldn’t be so bad after all.
Dean stood the rest of the way, feeling smug. “See you tomorrow, Y/N.”
“Y… yeah, tomorrow,” you managed to echo as he walked out the door.
Viv’s cat found it’s way to your lap, he must have snuck in when Dean left. You buried your fingers in it’s fur while you contemplated the flames. When you were little, your Gran would tell you stories of ancestors who could read the future in fire. You even managed to do it a time or two, but it was a volatile method. Naturally, it would be. Visions would come, but without context making the information unsettling and essentially useless. If that was what seers in the past used, no wonder everyone thought they were crazy. You made up your mind a long time ago, to be better.
But you couldn’t see what was coming, for you or for Dean. Which meant you had to go in blind. Just like everyone else. Just like a normal person.
“Fuck.”
June 5th, 2002
“Witch, witch, you’re a bitch! Witch, witch, you’re a bitch! Witch, witch, you’re a bitch!”
Dean was in the middle of changing the oil when he heard the chanting. It certainly wasn’t the first time he’d heard it. Ever since that damned movie came out a few years back, the local kids latched on to it like it was the song of the summer. It had been nearly a year since he’d heard it, which meant only one thing.
He threw down the oily rag he used to wipe his hands and took off running.
“Witch, witch, you’re a bitch! Witch, witch, you’re a bitch! Witch, witch, you’re a bitch!”
There was a group of five kids, all chanting around a massive oak tree. Throwing rocks and sticks up into the canopy of green leaves. Dean recognized them, a couple of them were from his brother’s class, the rest were closer to his age. Bullies and troublemakers.
“Hey, what the hell are you doing?!”
The tallest boy, looked at Dean and sneered, “What’s it to you?”
Dean looked past the kid and saw a familiar purple sneaker laying at the base of the trunk. Purple, with matching tie-dyed laces. He didn’t need any further confirmation; he was there the day you and Sam experimented with the technique for an art project. Purple always was your favorite color.
“Listen up, asshat. You’re going to take your little buddies and get the hell out of here.”
“Or what?” another boy challenged.
“Or I break your scuzzy face and you leave anyway.”
“Come on, Winchester. We’re just having a little fun,” the teenager from Dean’s class said, tossing and catching the lemon sized rock in his hand. “Besides, it doesn’t hurt ‘em. Everybody knows witches don’t feel anything.”
He chucked the rock into the tree and a pained yelp sounded as it found its target. He laughed and Dean saw red. He punched him square in the face, deeply satisfied with the sound of knuckles connecting with cartilage.
“Fuck!” The kid staggered back and held his face, blood spurting from between his fingers. “You broke my fucking nose!”
“Stick around,” Dean drawled. “I’ll break something else.”
That was all encouragement the boys needed. They scattered and ran back over the hill towards town, chanting their irritating little song the whole way.
Dean picked up the discarded shoe and looked up through the branches and saw your shadow towards the top. “Y/N?”
“Dean?”
“You can come down now, it’s safe. I sent those douchebags packing.”
He watched you nimbly climb down the branches, which was impressive since you weren’t the most athletic kid. Amazing how motivating being hunted down could make a person. When you got close enough, he held out his hands and helped you hop down to the ground.
Looking you over, he saw red all over again. You had dirt and scratches all over your arms and legs, the deeper cuts still bleeding. Long pieces of your hair had come loose from your braid and were sticking to your sweaty face. Your big, brown eyes were rimmed red from crying and your bottom lip was split open.
Dean took your chin in his hand; his thumb barely grazed the cut. You winced and looked down, tears welling in your eyes.
“It’s okay, Dean.”
“I’m going to kill ‘em.” Dean growled, releasing you. “Seriously, an ass kicking it too good for those dicks.”
You rubbed your bicep where that last rock had hit you. It hurt like hell, probably bruised all the way to the bone. You were worried about what your Gran would say when she got a good look at you. She always warned you to stick to the main road, not take short cuts. This is obviously why.
“It’s my fault, I shouldn’t have gone that way. Should have paid attention to where I was going.”
“Hey. This is all on them, you hear me? None of this is your fault.”
You only nodded, looking down at your sock covered feet. Dean picked up your discarded shoe and looked around for its mate.
“Where’s the other one?”
“Um… I lost it over in Settlers Field.”
“Okay, let’s get you cleaned up.” He surprised you by turning his back to you and crouching down, “Hop on, Pipsqueak.”
“You can’t carry me, Dean. I’m too heavy!”
“I carried Sam’s sorry ass all the way down the North Trail when he twisted his ankle last summer and he’s a freaking moose. I don’t want you wandering around missing a shoe.”
He looked over his shoulder at you and winked, “Come on, Cinderella. I’ve got, ya.”
You grinned back, in spite of yourself and climbed onto Dean’s back. He hooked his arms around your legs and stood with ease. Even bounced a couple of times to get a giggle from you before he headed back home.
You rested your chin on Dean’s shoulder while he carried you comfortably on his back, making easy strides through the tall grass. After a few minutes you began to relax. It was a really nice day, sunny and warm.
You hadn’t spent much one on one time with the older Winchester, but you knew Sam worshiped him. It was easy to see why, Dean was the embodiment of cool. He was older than the two of you by five years. Every time you saw him, he was in that beat-up leather jacket, listening to classic rock. And he had that intensity burning just under the surface.
“You must be missing Sammy, huh?”
“A little,” you breathed, then corrected yourself. “A lot. He called last night and said he was having fun though.”
“Only Sam would have fun at summer camp for math geeks.” Dean said, walking through the opened bay door of the garage. “What about you? I heard you got first place for that story you wrote. Shouldn’t you be at camp for writing geeks?”
Dean set you down on the long bench along the back wall and grabbed a few supplies from the first aid cabinet.
“There isn’t a writer’s camp. But there’s a conference in Denver next month. Gran says I can go if I want to.”
Dean dabbed disinfectant over the scrapes on your legs, “You don’t want to?”
You shook your head.
“Why not?”
“My story’s not good enough to present in a place like that.”
“Your teacher thought so, and you did get first place.”
“You didn’t read the other stories.”
Dean snorted in laughter, and you smiled. “Besides, that story was just for an assignment. I can do better.”
“I’ll bet you can.” He replied, fetching an ice pack from the beat-up fridge in the corner. He wrapped it in a clean cloth and held it against your swollen lip.
“Well Pipsqueak, you can hang out with me whenever you like. But you gotta pull your own weight.”
“Okay,” you agreed, if out of curiosity alone. “Doing what?”
Dean waggled his eyebrows and pulled the gray tarp off one of the cars. “Welcome to Dean Winchester’s Summer Camp for Grease Monkeys!”
You recognized it; Sam showed it to you one time. The Impala.
You stepped forward, running your hand over the rough frame, “You’ve been fixing up your dad’s car?”
“My car,” Dean said, pride ringing in his voice. “Gave it to me last year when I turned sixteen.”
Your fingers followed the line of the window as images came to you. Happier times when John Winchester was a young man, taking his pretty blonde girlfriend to the drive-in movies. Mary, the boys’ mother. It had been a junker back then, John always intended to get the car in mint condition. Never really got around to it.
“She likes you.”
“Yeah?”
“You gave her a name.”
Dean rubbed the back of his neck, feeling a little embarrassed. “Yeah. Baby.”
You leaned in the opening where the driver’s side window would eventually be. You could see how she looked the day she rolled off the line. Shiny and new. Polished chrome, black vinyl seats. In a flash, you saw Dean there. His elbow resting on the opened window, his right hand on the wheel. Wind in his hair, his music blasting.
“Baby.” You repeated. “Baby is perfect.”
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so! here's some of the potential beginning of petrichor, re-written from first-person POV to close third! i think i posted about it a while back but i'm switching to close third POV for the majority of petrichor—it fits the noir vibes better, i think
words: 629
warnings: none
characters: alice
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A breath catches in her sandpaper-rough throat, halting and catching and twisting with the smog that pervades the “great city”. And, so the saying goes, where there’s smoke, there’s fire—a tide of molten-lava panic surges forward, turning rough sobs to steam.
She falls back into a nearby alley, the back of one hand pressed to her mouth. She fears scratching herself were she to turn it the other way.
I can’t be found. Not with bobbies looking for me.
A stinging in her hand pressed against the wall draws her attention away from the dark street.
She can’t quite seem to catch a breath.
Her nails are jagged, matching her raw and scraped fingertips. A fashion found common in those attempting to grab hold of rough, back-alley walls.
What did I think that was going to do?
Choking down another breath—this time, far more oxygen than smoke—she leans back against the wall. With another few shaky breaths, her vision clears up, except-
Something’s too bright, it’s dark out- Oh.
A flickering, glowing light, hung over a back door to something, that opens back into the alley. Perhaps some sort of restaurant—or speakeasy—judging by the wooden crates and collections of empty glass bottles that surround the small stone step leading to the door. To the left of the door, mostly-faded white paint from an advertisement no longer legible. Stuck to the wall over what looks to be either the letter ‘t’ or ‘l’ is a half-torn-off poster about the blackouts, now outdated, since the last was in September and Archon Ainsworth signed an agreement with the Greater European Commarager Alliance in October.
The noise of a few even-paced footsteps from the street outside her hiding-spot make her jump and slink further back into the alley—closer to the door of what she hopes is a legitimate restaurant. A speakeasy in Soho has far too close ties back to Blakesley.
Which- Well, if she’s lost, she should go in. She knows the code-word for the backrooms. She should know the code-word, unless she’s forgotten it. Because she has an awfully nasty habit of conveniently forgetting things. But she’s certain she knows the right word, this time.
She just has to go back onto the street, walk around the front—staying out of the glow of the streetlights—go in, give the word, and be led to someone who can take the hot rocks off her hands.
The jewels.
She must still have them.
But she was running, running full-tilt from the cop and the crowd and everything.
Her hands dart to the satchel at her side—a stolen satchel, naturally—fingers frantically trying to undo the latches and fumbling.
Faster faster faster. How hard can it be, Kitten?
Finally, she can flip it open. Everything seems to be there.
Thank God.
An emerald necklace, four sets of mother-of-pearl cufflinks, two diamond bracelets, and assorted gold jewelry. Nothing of the highest quality, but it will fetch a good price. And it will teach the pawnbroker a lesson for trying to get out of his protection. Hunter offered him a perfectly reasonable deal, and now he’s gone and broken it.
…She still hasn’t moved an inch towards the street, towards the potential speakeasy. She should go in. She should want to go in. And yet, she doesn’t.
Hunter would slap her upside the head, if he were here.
But he isn’t.
She grips her own forearm tight tight tight, nails digging into her skin through the worn sleeve of her shirt.
She steps back instead of forward, only to startle once more as her foot comes down on something that crunches.
She whips around, only to find-
An old newspaper, half-balled up. The part of a headline visible proclaims something about Archon Ainsworth’s reforms from three weeks ago.
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Midsommar, written and directed by Ari Aster
How on earth did i know that elder people would jump off that cliff and hence I anticipated the peculiarness of this feature?
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I really enjoyed reading the screenplay, it gave me some new insights into the film that I didn’t necessarily get from a first watch. I don’t have a review as much, just a collection of thoughts:
1. The script magnifies how abusive Christian is. He certainly comes across as a bad boyfriend in the film, but reading scenes with Dani and Christian really accentuates how much he gaslights her, twists situations when he’s done wrong and makes her feel guilty for questioning things.
2. There is a little justification for Ruben as a character. He often appears in the background of scenes doing mirror things that don’t serve the plot in any way. It seems that he is being used as a stock character (person with disability having some ‘special power’). In terms of positive representation, it’s not great.
3. The script seems to put a lot of emphasis on family and suggests that this is Dani's biggest desire. It begins and ends with an image of Dani being embraced by a family - her own and then the Hargas. This is interesting because I don't find that it translates in the film. From a first watch, I found that what Dani really wants and needs is emotional support (which she wants from Christian but doesn't get). This doesn't necessarily come from a family; early on in the film, we see Dani giving a lot of emotional support to her sister and checking in on her parents but getting nothing back. She is especially in need of emotional support after the loss of her family, which she eventually finds in the Hargas.
4. The Hargas have a physical language called 'affect' which is based on emotions rather than words (which reinforces the idea that emotional support is what Dani is really looking for). Either I missed this when watching the film, or it wasn't clear enough. It's a really fascinating detail that comes out in scenes where the Hargas seem to be imitating the raw emotion of people in distress, as if it empathise. Are the Hargas actually a very compassionate society?
5. I found it odd that Pelle doesn't get sacrificed. There is a line in the script that suggests that Hargas who bring in outsiders to be scarified (like Pelle and Ingmar did) are rewarded with being sacrificed. Ingmar (who brings the two Brits) is sacrificed, but Pelle isn't. By the end of the film, I didn't feel particularly attached to Pelle as a character, so I thought this was an unusual decision. The only reason I can think of is that if Pelle dies, it doesn't give Dani much of a reason to stay because everyone she knows that connects her to the outside world is dead. Plus (aside from being an accomplice to all the killing) Pelle seems like a decent guy, and the only guy who actually listens to and supports Dani, so maybe it sets up the potential for a romance if he lives.
6. How the comedy translates from page to screen was interesting to see. I remember finding the love scene between Christian and Maja funny in the film because it's so bizarre, but reading it is a different experience. It's quite disturbing, especially as Christian has been drugged and isn't in his right mind. I also found Christian's woes about his PhD and Josh taking him to task for stealing his topic much funnier in the script. 'You didn’t even know how to use J-Stor before I taught you' is a great line.
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completely enthralled by the religious acts and the thought process of creating this whole new culture. The only thing that felt out of sorts is Christian giving his “seed” to the young Hargas girl. In the final ceremony, it’s made very clear that Christian symbolizes bad/negative energy that must be banished from their society. If that’s so, why encourage him to impregnate someone. Dani wasn’t meant to see his infidelity - the women were pulling her away from the temple. If their God requires sex, death and rebirth, who choose Christian?
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Movie #1 The New Mutants (2020) - Review and Thoughts
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Movie #1 The New Mutants (2020) - Review and Thoughts
Director: Josh Boone (The Fault in Our Stars)
Producers: Simon Kinberg, Karen Rosenfelt, Lauren Shuler Donner
Writers: Josh Boone & Knate Lee
Casts: Blu Hunt, Henry Zaga, Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga
Genre: Horror, Fantasy
"Inside every person there are two bears, forever locked in combat for your soul. One bear is all things good, compassion, love, trust. The other is all things evil, fear, shame, and self-destruction." - Dani, The New Mutants (2020)
The movie welcomed the audiences with a narration from the main character (Danielle "Dani" Moonstar or Mirage, portrayed by Blu Hunt), just like some of the other X-Men movies as I recall, see X-Men: Apocalypse. Then a disaster happened, where she lost something precious, passed out, unconscious, and woke up somewhere unknown. Next thing, she was told that she was a potential mutant, yet to know what her power was. With the help of other teen mutants and a doctor—who was actually just trying to help them, I think—, she figured out her power, and learned how to control it. Through the whole power seeking process, happened a lot of things to her and the other mutants as her raw, uncontrollable power had greatly affected them. 
My favorite character from this spin off is Magik or Illyana Rasputin (portrayed by Anya Taylor-Joy). She, her past, her greatest fear, her little dragon and their limbo were fascinatingly told with the help of very nice CGI visuals. And as a lover of combat scenes, I like the scene where Magik fought smiley men on a stairs with a blazing blue sword. Very cool. 
This is me fangirling over Anya, but she was able to play the character with so much sass, a crazy girl vibe, and a cool combat skill (I don't know, was that a stuntman?). 
The other characters, Rahne Sinclair (Wolfsbane, portrayed by Maisie Williams), Samuel "Sam" Guthrie (Cannonball, portrayed by Charlie Heaton), and Roberto "Bobby" da Costa (Sunspot, portrayed by Henry Zaga) were explained through their greatest fears. 
The hospital, secured by Dr. Cecilia Reyes (portrayed by Alice Braga) with her power to keep the new mutants from getting out was very much like a cage, a prison. With only her and five potentially dangerous teen mutants, I think it's kinda ridiculous she worked there alone. 
Aside from the amazing battle scenes and characters, I think this movie lacks something I can't quite put my finger on. Hmm, what is it? 
Maybe the hasty side story telling? The poor explanation of what they are doing to the new mutants in the hospital? Or the lack of appearance of the other X-Men cast? I kinda miss Professor X, though. 
My conclusion is, this movie is nice to try watching. I think the first half of the movie might be slow and looked dragged on, but the final half is okay, thanks to the combat scenes and cool CGI. But if I were to compare it to other X-Men movies, I think it is kinda far. 
That's it for this review, please tell me how you think about The New Mutant. Who’s your favorite character?
See you next time! 
- Pin
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bartramcat · 3 years
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CSI, GUNSMOKE, and STAR TREK: Of Reboots, Remakes and Reinventions
So this whole CSI revival thing has me meditating on a whole bunch of unrelated TV shows, and the tendency of networks to try to replicate success.
Back in the dark ages, when I was a kid, networks were filled with Westerns and Sitcoms and Variety Shows. (Thank you Ed Sullivan for introducing me to so many different kinds of music and comedy I never would have sought out for myself.) I'll admit right now that, for the most part, I hate sitcoms. I'm not even a big fan of comedy films with the exception of Howard Hawks' breakneck version of screwball. The only two sitcoms I maintain a high regard for are The Dick Van Dyke Show and Get Smart. It's the writing. (Get Smart was never a true sitcom; it was a weird pastiche of parody and satire.)
So that brings us to westerns, a form I also tend to dislike, with the exception of Gunsmoke. In many ways, it is the quintessential western, by virtue of lasting so long, and, in others, it's not a western at all but a vehicle for morality plays and character studies in a western setting. At its core is a group of diverse misfits who come together to make a family; despite often unsavory or tragic backstories, they were united in their search for truth and justice and their love for one another.
I think one of the reasons Gunsmoke survived so long was twofold: the core characters and its ability to reinvent itself. Early on, the morality plays were more black and white, good versus evil in a very raw, harsh environment. The term that most comes to mind is stark, although the relationships among the principles were already complex. As Dodge grew, the "bad guys" became more complex, blurring the lines between good and evil. While some truly evil folks still turned up, there were more shades of gray, more bad choices, often born of desperation in an unforgiving landscape, than simply being "born bad." In the latter years of the series, while there were still episodes that explored the relationships among the principles, many episodes were character studies of either Dodge residents or transients.
Surprisingly, the black and white hour long episodes between 1961 and 1966 are some of the darkest TV has ever produced. Happy endings were not part of the formula. Some I would characterize as downright nihilistic. Not your stereotypical TV western. Several TV historians attribute this bleak depiction of frontier life as contributing to the declining ratings in the early to mid 1960s; the show would have been cancelled had it not been for Mrs. Paley, whose favorite show it was.
Gene Roddenberry once said that Star Trek was Gunsmoke in space. On a universe level, he was perhaps talking about frontiers: Gunsmoke was set on the American Frontier and Star Trek "the Final Frontier." Within the show itself, however, it too is about a group of diverse misfits who come together to make a family. It is perhaps worth noting that much of Roddenberry's early TV career was spent in westerns.
(As an aside, I was watching The Long Voyage Home a couple of months ago, and I started laughing out loud at an exchange between Spock and McCoy. My brother asked what was that funny. I said that the whole scene was so Doc and Festus. And it was.)
The original Star Trek was a failure as a TV series. It only lasted 3 years with no great ratings. Yeah I was one of those who wrote letters to NBC when they threatened to cancel it after the 2nd season. The characters and the concepts within it, however, had made an indelible mark on the consciousness of a generation.
For the most part, I hate movies based on TV shows, since I regard the TV and movie experiences to be basically incompatible. Both are on film, but that's where the similarity ends. I also loathe reboots. Star Trek is the only franchise that achieved success in both: the film and the reboot, primarily, I think, because the vision remained the same throughout all of its manifestations. The movies based on the OG show are not a redo but a continuation of the story of those characters first introduced in 1966. And I think as a TV series that TNG was actually better.
CSI has always reminded me of a weird combination of Gunsmoke and Star Trek, mainly because of the whole make a family thing. And the common bond among the family members. There are parallels that can be drawn among characters in all of the shows, but they are, for the most part, analogous at best.
As a TV show, I think CSI lost its way after Grissom left. Gunsmoke never lost Matt, and Star Trek never lost Kirk. The two earlier shows held onto their core characters for their entire runs, well almost. When Amanda Blake decided to take a year off from Gunsmoke in the 20th season, the show had a void. While the overall ratings were still good, I suspect the coveted women 18-49 demo took a huge hit.
For the most part, for me, TV shows are just TV shows. There are those I enjoy as in the moment entertainment. Rarely do I think about them after the credits roll. My go to show is Law and Order. It's comfortable. But I never connected to any of the characters in any substantial way. It is a true procedural. Criminal Intent is a whole other ball of wax, but that's due to Vincent D'Onofrio's Bobby Goren, who is easily in my Top Five of TV characters.
I'm not sure why CSI went so wrong after Grissom left. I suspect a large part of it was not only actor turnover but writing turnover. A loss of continuum both in front and in back of the camera. Initially, I think they were beset by panic: in an effort to fill the Grissom void, they decided to make it about Langston and not the team. The more fractured the team, the more fractured the show.
At the risk of offending some folks, I never cared about Langston, Russell, Finn or Morgan. Compared to the original team, they always seemed more caricatures than characters to me. In the later seasons, even Catherine, Nick, Greg and Sara seemed to lose a lot of their dimensions.
I have no idea what the CSI reboot will be trying to be. On the one hand, it could be trying to be TNG, but then what are Gil and Sara doing there? They certainly can't be part of a found family, since their family isn't included. There has to be some kind of viable backstory for them suddenly to give up whatever it is they have been doing to come back to the lab to save the day.
(In some of my potential scenarios, I suppose it possible they are globe-trotting NatGeo explorers engaged in scientific studies of whales and sharks, birds and bees, but they retain the Vegas residence to which they return to write up their treatises, thereby maintaining contact with the goings on at the lab. Yeah that's pretty far-fetched too.)
I suppose my fondest hope is that we will learn that several of the original CSI writers and production staff have signed back on, so that something of the original vision can filter through.
Shows can reinvent themselves. And they can be successful in different manifestations. In order to do so, however, there needs to be consistency in design and execution. There needs to be a coherent vision in terms of what the show is trying to do and to say.
And there really, really needs to be cast chemistry.
Here's hoping.
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bigskydreaming · 4 years
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I know all the X-Men are riding high off this “look at our fancy new island that grows castles for us while we sleep” feel from just the newness of Krakoa, compared to how much of the rest of their lives have been spent, and I know there’s gotta be SOMETHING going on for all of them to be acting the way they are and raising no real objections to like, say, the Crucible, or even just “are we SURE we need to give freaking APOCALYPSE a seat at the literal table? I mean its not like we already don’t know which way his opinon or vote on pretty much anything will go: ‘only the strongest should survive,’ I mean whatever other shit we have to say about the guy, I give him credit for consistency at least” - 
Just saying, there’s a looooot of stuff a loooooot of them should be having a problem with and that they very much decidedly AREN’T, and I know that’s gotta be building towards something and there’s very likely (or there better be) an in story reason for it, but just. Damn.
I am SO ready for some of them to start being like umm what’s REALLY going on here and calling out the crap. Such as oh I don’t know, the people with a history of calling Xavier out on his shady shit like Scott and Ororo and Logan and yes, it would also be a great time to remember Bobby was the ORIGINAL rebel of the X-Men, the one always going off on his own and saying he didn’t trust the Professor.
Incidentally, pretty much the entire original X-Man run, as well as the early X-Factor, and Bobby’s attitude towards the Professor and his constant simmering distrust of Xavier, like....all of that reads ENTIRELY different after the time travel story. Cuz even though the original X-Men’s memories were locked away to preserve the timeline, XAVIER’S weren’t, as in he still had the experience of having his students contact him from the future, where Bobby was very much out and proud and that was definitely clear in their brief interactions. Which means the Professor at least knew that Bobby was struggling with his sexuality (not to mention a literal telepathic block preventing him from coming out earlier as that too would have changed the timeline) and like, didn’t say a damn word throughout all the years Bobby was clearly struggling with feelings of denial, self-worth and oh yeah, that whole ‘something holding him back from his unrealized Omega potential.
Just saying. Would be a great time to let Bobby step up and shine, not even by doing anything new with him, but by calling back to his own established past history and reigniting certain aspects of his character in regards to Xavier, with justifiable CAUSE for his complaints, especially if the comics ever allow him to put two and two together and acknowledge that when he agreed with the others to let Jean lock away all their memories to keep the timeline the same, this actually created a paradox where in reality, he never had a chance to come out before he did in the present day, because telepathic fuckery ensured it would never and COULD never happen - because it had already NOT happened, even though due to time travel, the telepathic block could very well be the REASON it had not happened earlier.
Add in the fact that Sina Grace in Bobby’s recent solo series had him finally learn how to use his powers to block out telepaths entirely, like the Age of Apocalypse version of him had always been able to do.....meaning Bobby Drake, original wildcard of the X-Men, newly out and energized by finally making that change and embracing himself and the possibilities out there for him in full, no longer feeling a need to hide anything or make less of himself to keep people from looking too close at him, like.....I’m just saying, there’s ALL the ingredients needed there to finally let Bobby really step up and shine and be central to a major X-Men story event in a way he hasn’t really since all the way back in Operation: Zero Tolerance. 
It’d be a perfect time for Bobby to start questioning Xavier and his actions and words, renew his long-standing distrust of him, and become a MAJOR thorn in Xavier’s side with whatever less than noble agenda or actions might be simmering under the surface of Krakoa’s seeming paradise. 
Again, just saying, one of the literal ten most powerful mutants in the world, reasons to dislike and mistrust Xavier and a history of it, nothing in his personal life now holding him back or keeping him to the background anymore.......and the ability to completely shield his mind from telepaths, even Emma. Oh yeah, and you could also do something with the fact that his boyfriend is Christian Frost, who’s still learning about his powers but is likely of a similar caliber to his sister, at least in terms of raw power/potential. 
Power couple Bobby Drake and Christian Frost versus Xavier? I would very much be here for THAT story. 
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carewyncromwell · 4 years
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18, 27 and 35 for the OC ask :D
18. What are your OC’s greatest fears? Weaknesses? Strengths?
OOC: Carewyn at her heart is scared of being helpless or hurt and thus loves a certain level of control over whatever situation she finds herself in -- so her greatest fear, in an abstract sense, is something so dangerous and threatening that she would have no chance of overpowering, outsmarting, appealing to, rationalizing with, or escaping it. Boggart-wise, that’s expressed as Voldemort, who sort of ticks all those boxes.
Carewyn’s weaknesses -- gosh, let’s organize this...
Does not trust other people with her problems, flaws, insecurities, or feelings. AT ALL. She is very happy to help other people with their problems and comfort and counsel them, but she just cannot open herself up the same way, thanks to the trauma her brother’s disappearance caused. She would rather shut her friends out completely than let them see her at her worst. Despite Carewyn’s outward appearance of confidence and paragon virtue, she’s actually very difficult to get to know well.
Puts on a strong face rather than admit there’s a problem. This is kind of attached to the first bullet, but it can also mean she’ll try to bury any pain she feels and soldier through if it means sparing her friends’ feelings or reaching a higher goal.
Has way too high of standards, especially for herself. She’s never satisfied with anything she does, so although she puts on a pretty face, she secretly struggles with deep self-loathing and will often push herself past the point of reason. This can make her very judgmental of other people too sometimes -- if she sees you in a negative light, like that you’re vain, cruel, selfish, or stupid, it can be hard to change her mind or prove that you’ve changed for the better.
Overly sensitive. She’s been forced to toughen herself up on the outside, so she isn’t as prone to cry or lash out angrily like she might’ve when she was a little girl, but that sensitivity can still get her in trouble, as rather than expressing any hurt she feels openly, she cloisters it away, which can make it fester and then express itself as passive-aggressiveness or cold resentment. This is also the reason why Occlumency is harder for Carewyn than Legilimency.
Overly serious. This is attached to the above bullet point -- she doesn’t enjoy most pranks or practical jokes because she gets focused on the pain and embarrassment it could cause someone else, projects her own experience with bullying onto the person, and thus takes the situation too seriously. Just because she’s toughened herself up on the outside doesn’t mean she doesn’t still project her sensitive emotions onto everyone else.
Surprisingly ruthless when backed into a corner. If Carewyn is terrified for her life or her emotions are very raw and painful, she’ll ditch any wit or subtlety and she can bite back really hard. She always regrets it afterwards when she gets her head back.
Fortunately Carewyn has some nice strengths too!
Has a very strong personal moral compass. Even though she can often be a victim of her own pride and stubbornness, she legitimately wants to be great, and she’s decided the best way to do that is to be someone who can help others. Although her wish to be a great witch who helps people is self-focused in a way, because helping people makes Carewyn feel happy and better about herself, it’s undeniably a noble wish all the same.
Empathetic. Partially thanks to her great sensitivity and partially thanks to her latent Legilimency potential, Carewyn has never had trouble putting herself in someone else’s shoes, so she can be incredibly accepting and compassionate to those different from her.
Maternal. Because of her insight and compassion for others, she will look after her friends when they neglect their own physical or emotional well-being, whether by making sure they eat and sleep more, giving advice, or encouraging their personal ambitions.
Clever. Carewyn isn’t as academically brilliant as her brother, but she’s got great interpersonal intelligence, making it relatively easy for her to predict other people’s behavior. That being said, she’s not half bad at magic either! 
Organized. Carewyn has a talent for seeing the big picture, analyzing potential assets or liabilities, and looking ahead toward the future with a plan, which makes her an ideal choice to organize any sort of project or movement.
Brave. No matter how scared or full of self-doubt she may be in any given situation, Carewyn is no pushover and she will stand up for those who can’t stand up for themselves.
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27. What kind of childhood did your character have?
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[Carewyn shrugs.]
“It was all right.”
School wasn’t so fun -- but at least Bobbie and his gang backed off and stopped calling me “Gingersnap” after Jacob broke Bobbie’s nose...
“It was a little hard for Mum, Jacob, and me to afford things sometimes after Dad left, but we managed all right. Hogwarts’s student fund helped a bit with Jacob’s school supplies, so we could get them second-hand a bit easier. We had to get a lot of my stuff second-hand too, but...well, it wasn’t so awful. Mum was able to find me some pretty dresses at the thrift stores and flea markets around town.”
The kids at school loved mumbling and laughing about me wearing the same dress three times a week, but they were still pretty -- did it really matter, that I didn’t have more of them?
“Then of course Jacob would tell me all about Hogwarts whenever he came home during spring, summer, and winter break.”
I always missed Jacob so much when he went away...
“And when Jacob was at school and Mum and I had time at home together, she’d teach me all about the Wizarding World. So even when things did get tough, I knew I had something great to look forward to.”
35. How is your character’s imagination? Daydreaming a lot? Worried most of the time? Living in memories?
Do I ever stop dreaming -- dreaming of what would’ve been, if things were the way they should...dreaming of everything I could’ve done -- should’ve done better?
“(lightly) I suppose I have a pretty good imagination -- it really helps me get into whatever music I’m singing along to, if I can imagine someone behind the words. I like picturing the imagery in my head when I’m reading Talbott’s poems, too.”
OC Ask! or Send Carewyn an Owl!
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jxffhxrdy · 4 years
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RAW 5/19/2020
Wassup everyone. Back again with opinions that you didn’t ask for on Monday Night RAW tonight 5/19/2020. I am not related to WWE in any capacity, so what I say is not bible. 
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The show in general tonight? Sucked. I’m sorry, but it really did. You’d peaked my interest with a Drew/Corbin fight, because I think Drew is the most talented big guy on RAW and Corbin is the best heel on Smackdown. But even THAT let me down. Alright, let us discuss, shall we?
♡Edge Accepts Randy Orton’s Challenge (-)
I mean, duh. God, I am so bored with this. WWE, I played your little game and allowed it with Wrestlemania, since Edge had just come back and let’s face it- I am a big ol’ fan of Adam Copeland. But this is just overworked, overdone, overpromoed, just... over everything. And calling this “the greatest match ever?” Really? In an empty arena and no fans, no pop, no nothing? Please WWE. Chill with that. It just makes me cringe. I could easily list 10 matches of both of theirs that are undoubtedly going to be better than this match. Minus.
♡Murphy vs. Humberto (-)
Jesus christ. I’m sorry, but you cannot take someone who was literally a jobber last week to trying to take on the biggest tag team on RAW. You just can’t do that. You just sent Humberto to the slaughterhouse because you wanted a hispanic wrestler to stand up for a hispanic wrestler. Let’s be real. Now, if Aleister Black had come out for a little pre-match tussle, it would’ve been more forgivable. But this was just random and boring.
♡Charlotte Flair (c) vs. Ruby Riott (-)
Honestly, forgot this match happened. CHARLOTTE FLAIR SHOULD NOT BE ON 3 SHOWS. I see so much of Charlotte Flair during the week that I literally do not care what she does anymore, because I know if she loses a match on Monday, I’ll see her fight on Wednesday and Friday again. Yes, I commend her for working like she does 3 days a week, that must be insane. But it is Charlotte City so much that all of her matches just run together. Give Rhea back the NXT belt, take her off Smackdown, and just keep her on Raw. Less is more here. Also... what is Ruby’s storyline? Redemption? Isn’t that Liv’s story? Like this match just made no sense for either character, unless they’re trying to make Charlotte seem like some tyrant and Ruby even more of a loser than she already is. Seriously, when was the last time that girl won a match? Please don’t turn even more of your female roster into jobbers for the 4HW. 
♡Whatever the Asuka thing was (?)
So it got leaked after Becky’s announcement last week that at MITB this year, we were supposed to get Nia Jax vs. Becky, with Nia taking home the belt. But with her sudden pregnancy and Nia not being the most well liked woman on the roster, they figured giving the belt to Asuka was the safest option. Which, yes, that is correct. I get Asuka and Kairi are cute lil weirdos and they play their parts well, but this was a very weird start to the Asuka/Nia feud. It was just kinda sped through and all over the place. However, I did enjoy including Kairi. I am terrified of them splitting up the Kabuki Warriors. I just don’t really know how I feel. 
♡R-Truth vs. Bobby Lashley (-)
The only positive out of this is I absolutely adore R-Truth. He is so damn funny (until he puts those damn teeth in) and I cannot wait to see how he gets Gronk. On the other end with Bobby.... I just really don’t care? I mean, 3 weeks ago, we saw the man flip a tire. Like, that was a whole segment. And if you want Bobby to seem like the biggest badass, why oh why would you put him with Truth? Why wouldn’t you have a Jinder Mahal vs. Bobby Lashley for top contender spot? That would be FAR more entertaining then watching Lashley put the beating on Truth every week. MVP is settling quite nicely into the manager position though.
♡Women’s Tag Team Championship (A BIG -)
I AM FURIOUS. ABOUT THIS MATCH. FIRST OF ALL. Fuck WWE for ending it on a DQ, because if it were a male match, it would’ve been completely fine and not mentioned. I am very very tired with womens’ wrestling in WWE being so quick to DQ. Second, why would you have an ACTUAL tag team lose to this awful combo? Put Nikki back in NXT with Sanity; you can’t deny that would bring BIG interest into NXT. Alexa... I don’t know. She has a horrible mean girl thing about her that I can’t take any of her feuds seriously because she reminds me of high school. I truthfully don’t see her in the title picture, especially not with the likes of Nia and Asuka, But you know who she would absolutely kill with? Zelina fucking Vega. Ruby, maybe? Liv even? The combo with Nikki and Alexa is just so awkward and I’m over it. The IIconics are annoying- BUT THEY ARE SUPPOSED TO BE. You can tell they are best friends and have the best chemistry in and out of the ring. They are so entertaining and a genuinely good team. Please. 
♡Shayna Bazler vs. Natalya (-)
Natalya deserves better than a year of losses. That’s all I am going to say about this match. Shayna is very talented and will do very well in the current main title picture.
♡Owens/Crews vs. Andrade/Garza (+) (MVP)
I actually liked this match! Kevin Owens is the fuckin’ man. He is so talented, he’s amazing on the mic, and honestly- he is what kept this episode afloat for me tonight. Plus getting Crews back was amazing; he is the most underused talent on the Raw roster. I enjoyed getting a taste of the Andrade/Garza tag team that’s been rumored for a while and I think once Andrade loses the belt (which is undoubtedly coming shortly), I’d love to see them do some stuff with Street Profits. Or even Mysterio/Black if we get that tag team. I would absolutely love to see Crews get that belt next week, it is time for him to. If he does get it and they’re going the McIntyre/Lashley route they seem to be going on- maybe pair Crews with Jinder? Shelton or Titus maybe? I think that would be great. A lot of potential here. MVP of the night!
♡Murphy vs. Aleister Black and randomly austin theory and seth rollins (?)
So, everyone knows I love me some Aleister Black. I think the man is insanely talented and should be in a title picture ASAP. And honestly, I’m a fan of Murphy too! I think the two of these men have great in-ring chemistry and I enjoy watching them fight. The reason this match is getting a question mark is... Austin Theory? Really? So, I know Theory was kinda brought up to give Angel Garza something to do while Andrade was out on probation, but why on God’s green earth are you going to put him with Seth and Murphy? I was hoping after the split of Zelina’s group, he would go back to NXT and maybe work with Undisputed Era or Cameron Grimes. I also know he’s not been moved from the NXT page on the WWE website to RAW yet. But if you’re planting the seed of him “following” Seth, then when are you going to make that pull official? Should they? No. Theory is not ready yet. He doesn’t have a distinct ring persona yet. Out of the three, Andrade is the cocky workhorse, Garza is the flirty ladies man, and Austin is... there. Send him back and if you want to fill your roster, pull someone who could make some good ass TV (Damien Priest with Aleister Black, thank you). 
♡Axe Throwing (+)
Scrolling on Twitter, it seems to be that a lot of people cannot stand the random competitions between the Street Profits and Viking Raiders, but honestly? I’m a fan! With the empty arena era, all of WWE’s matches are just grunts and ring slaps. Long matches become literally miserable to watch (ie. Orton vs. Edge at Wrestlemania 36). Having these random cutaways, while aren’t wrestling, is something different from the usual. And frankly, I’d rather see this than most of the other matches I sat through tonight. I don’t want to see the Street Profits lose their belts just yet, I absolutely adore them, but I think these cutaways are setting up a really fun feud. 
♡Drew McIntyre (c) vs. Baron Corbin (-)
Drew wins, fucking obviously. Did people REALLY think Corbin was going to win here? Against Drew, who is literally a tank? No ma’am, not a chance. This was kind of a throw away match just to set up the feud with Drew & Lashley... yawn. MVP is the best part of Bobby Lashley right now. I just love Drew McIntyre so much, I never want him to lose the belt ever. Bobby vs. Drew at Backlash, most likely. Whatever man. 
♡General Thoughts
~Please just never let Lana speak anymore. No promos anymore from Lana.  ~More Kevin Owens. More Aleister Black. Yes. ~Where the FUCK is Cedric Alexander and Ricochet? Please bring them back, WWE. Please stop destroying legitimately good tag teams.  ~Lana Never Speak Again 2020 campaign. 
Thanks for reading my rambles and I’ll be back on Wednesday for AEW thoughts. <3 
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victorluvsalice · 4 years
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AU Thursday: Tell Me Where To Find Shelter – Converting Alice's VTMB Stats To Fallout Ones
So! I'm on a kick of combining Vampire: the Masquerade – Bloodlines and Fallout 4 into one universe, for the purposes of shipping my Sole Survivor!Victor with my Malkavian!Alice. And since the story takes place in the Fallout 4 nuclear apocalypse, we have to do a few things to get our Alice properly settled in this verse. One of them? Convert her Bloodlines character sheet into something that can fit with the Fallout 4 system!
Now Fallout as a whole uses the S.P.E.C.I.A.L. system to stat up characters – everyone has the seven core attributes of Strength, Perception, Endurance, Charisma, Intelligence, Agility, and Luck, ranked from 1 to 10. How Perks and Skills are handled varies from game to game, but in Fallout 4 we have a Perk "tree" of sorts that is linked to your special stats – each stat has various perks that can be accessed as you level it up, and those perks often have levels of their own (for example, the "Locksmith" perk is available at Perception 4, and it has 4 levels, allowing you to pick harder and harder locks, and eventually stopping your bobby pins from breaking). You earn XP doing various things in the world (completing quests gives the most, but you also earn plenty from just crafting stuff, building things in settlements, finding new locations, being charismatic, and killing enemies) to level up, and at each level up, you earn a "Perk Point," where you can choose a new Perk (so long as you have the appropriate stats), upgrade an existing Perk (again, as long as you meet requirements), or even just boost the seven core raw stats (opening up more Perks).
Bloodlines, on the other hand, uses a variation on the standard World of Darkness TTRPG character sheet, where characters have nine Attributes (the raw power of the character, subdivided into three categories – Physical has Strength, Dexterity, and Stamina; Social has Charisma, Manipulation, and Appearance; and Mental has Perception, Intelligence, Wits) and twelve Abilities (learned skills, also subdivided into three categories – Talents has Brawl, Dodge, Intimidation, and Subterfuge; Skills has Firearms, Melee, Security, Stealth; and Knowledges has Computers, Finance, Investigation, and Scholarship). Attributes are ranked 1 to 5; Abilities 0 to 5. These combine to form Feats, which cover things like how good you are at various kinds of combat, if you're good at sneaking around and lockpicking, if you're good at persuading or seducing people, etc. There's also three Disciplines each clan gets as magical abilities – Malkavians have Auspex (see auras, get bonuses to certain stats), Obfuscate (turn invisible), and Dementation (inflict debilitating mental effects on others). You don't level up, but just earn straight XP for each quest you complete, which is spent on increasing Attributes, Abilities, or Disciplines at increasing costs.
Okay, so how do we bash these together into something that makes sense for Alice? Well, let's start by looking at her Attributes, Abilities, and Feats from Bloodlines. Since she's supposed to have gone through the whole game by the time she meets Victor, we'll use her stats from the end of my playthrough. We'll also use the "raw" stats – that is, not boosted by special items she picked up through the course of the game. That gives us:
Attributes:
Physical: Strength 4, Dexterity 4, Stamina 4
Social: Charisma 3, Manipulation 1, Appearance 2
Mental: Perception 4, Intelligence 4, Wits 3
Abilities:
Talents: Brawl 3, Dodge 3, Intimidation 1, Subterfuge 0
Skills: Firearms 5, Melee 5, Security 4, Stealth 4
Knowledges: Computers 5, Finance 3, Investigation 2, Scholarship 5
Feats:
Combat: Unarmed 7, Melee 9, Ranged 9, Defense 6
Covert: Lockpicking 8, Sneaking 8, Hacking 8, Inspection 8, Research 9
Public: Haggle 4, Intimidate 5, Persuasion 8, Seduction 2
Soak: Bashing 4, Lethal 0, Aggravated 0
So there's a couple of Attributes that can be immediately slotted into the S.P.E.C.I.A.L. system – Strength, Charisma, Perception, and Intelligence appear in both. However, we can't just put in the raw numbers – remember, S.P.E.C.I.A.L. stats rank from 1 to 10, while WoD Attributes only rank from 1 to 5. In order to get a more accurate picture, we'll need to double Alice's Bloodlines stats in those four categories (so Strength goes from 4 in the Bloodlines stats to 8 in the Fallout 4 ones). As for the stats that don't have an immediate match:
Dexterity covers the same sort of stuff Agility does, so Alice's score in the former can be transferred to the latter
Similarly, Stamina can map onto Endurance
Manipulation is used mainly for the "haggle" feat in Bloodlines – this is probably best covered by the "Cap Collector" perk in Fallout 4, which similarly improves vendor prices
Appearance, like the above, is used for the "seduction" feat in Bloodlines – that's best translated into the "Black Widow/Ladykiller" perk (since Alice is cis-female, "Black Widow" would be used for her)
Wits, to continue the trend, is used for upping defense in combat and the "hacking" feat – seems like it would grant one the "Hacker" perk in response
Luck has no direct counterpart in the Bloodlines Attributes – but given that the Bloodlines Fledgling starts out lucky enough to survive their illegal embrace, and generally ends lucky enough to become a powerful player in Los Angeles vampire politics, or powerful enough to strike out on their own without a faction's help (as Alice did), I think it's safe to assume it's high!
So let's say that, as of her appearance in "Tell Me Where To Find Shelter," Alice's S.P.E.C.I.A.L. stats are:
Strength: 8
Perception: 8
Endurance: 8
Charisma: 6
Intelligence: 8
Agility: 8
Luck: 10
Yes, this is not something you could get in the character creator at the beginning of the game – but this is Alice after the end of Bloodlines, I think we can assume she's leveled up quite a bit! And yes, I'm giving her Luck 10 because – well, let's face it, she survived a LOT of shit and got REALLY powerful REALLY fast. Safe to assume Luck is currently on her side!
So we've got her S.P.E.C.I.A.L. – now, what about Perks? Well, from the Bloodlines Attributes that didn't map onto anything in the S.P.E.C.I.A.L. categories, we already have three: "Black Widow" (makes it easier to charm and kill men); "Cap Collector" (makes prices more favorable in buying and selling with vendors); and "Hacker" (allows you to hack terminals). Looking at her Bloodlines Feats seems to be the best way to determine which other Perks she should have, since they're what she knows combined with her raw base power. By category:
Combat: Alice is really good at both melee and ranged (aka gun) combat, with decent unarmed and defense. Making things slightly more difficult, though, is that Fallout 4 has different perks for different kinds of guns. Making things slightly easier is the fact that I played Alice as primarily a melee build – she knows how to use guns, and I certainly made good use of them in certain fights, but she and I both felt more comfortable with a good sledgehammer or sword. Give her "Iron Fist" for her potential as a good unarmed combatant, the strongest version of "Big Leagues" for her ability with a good melee weapon, and "Steady Aim" for her gunplay. "Gunslinger" covers non-automatic pistols, which I believe are the kind I ended up using most often for her; "Rifleman" covers things like rifles and shotguns – and she was using that Dragon's Breath shotgun a LOT in her final boss fights, so pop those on for her too!
Covert: Alice is great at lockpicking, sneaking, hacking, finding things (though admittedly this is artificially bumped due to her being a Malkavian), and looking things up. We've already determined she'd have the "Hacker" trait, so we can now assume she has it at the highest level. She also gets "Locksmith" at the highest level. "Sneak" – well, this is an interesting one, as she's good at it, but she also has the Obfuscate ability, which I used a LOT, so. . . We'll give it to her at Rank 2 for now. "Fortune Finder" and "Scrounger" both feel appropriate as well, as does "Awareness" for figuring out what people are weak to (this overlaps with her ability to see auras using Auspex – think of it as her version of V.A.T.S.!).
Public: Alice is okay at haggling and intimidating, surprisingly good at persuading, and pretty crap at seducing. We've given her "Black Widow" as it's the only perk Appearance was good for that I could see, but we'll keep it at the lowest level as seduction isn't really her style. (She's just pretty enough to distract people!) The same applies to "Cap Collector." Weirdly enough, her base Charisma stat locks her out of stuff like "Intimidation" and "Wasteland Whisperer" – but she's also been staked in a basement for about as long as Victor's been frozen, so probably she needs time to come to grip with the post-apocalyptic world! Rather than any specific Charisma-based perk, she's probably just got a background higher chance of winning speech checks.
Soak: This is an interesting category, because this one primarily relies on the armor you have. However, having good Stamina helps defend against Bashing, which is bullet and blunt melee weapon damage. Alice has a bit of that, so a level or two in "Toughness" seems appropriate.
In addition, I think she should have "Strong Back" (being a video game character with an invisible inventory that allows her to carry a decent amount of stuff; there are some pretty strict limits, though, so I'd only give her level one); "Lifegiver" (vampires and video game characters are both harder to kill than normal humans, and vampires DO auto-mend themselves in the original game); "Night Person" (. . .she's a vampire); and "Aquagirl" (again, vampire – no need to breathe!). So the final stats and perks would be:
Strength: 8 – Perks "Iron Fist" (Rank 1), "Big Leagues" (Rank 5), "Strong Back" (Rank 1), "Steady Aim" (Rank 2)
Perception: 8 – Perks "Rifleman" (Rank 2), "Awareness" (Rank 1), "Locksmith" (Rank 4), "Night Person" (Rank 3)
Endurance: 8 – Perks "Toughness" (Rank 2), "Lifegiver" (Rank 3), "Aquagirl" (Rank 1)
Charisma: 6 – Perks "Cap Collector" (Rank 1), "Black Widow" (Rank 1)
Intelligence: 8 – Perks "Hacker" (Rank 4)
Agility: 8 – Perks "Gunslinger" (Rank 2), "Sneak" (Rank 2)
Luck: 10 – Perks "Fortune Finder" (Rank 3), "Scrounger" (Rank 3)
That just leaves Alice's Discplines, which – being magical effects – are kind of hard to quantify in Fallout 4's soft sci-fi setting. However:
Auspex is pretty much covered by the "Awareness" perk – Alice never leveled it far, and as I stated, seeing the auras of various creatures to determine what they are is not that dissimilar from V.A.T.S.
Obfuscate is the ability to turn invisible to the human eye – Alice mastered this. We can treat this as if Alice always has a Stealth Boy on her, but she has to be above a certain HP threshold to use it, and it gradually drains HP as it’s used.
Dementation is the ability to inflict various hallucinations and delusions on people – Alice was always iffy about this, but got as good as "Vision of Death," which can actually kill a single person from fear. Lesser effects can temporarily distract a person with uncontrollable laughing or crying, or inflict hallucinations on a group that decreases their combat abilities. It also gives you special dialogue options to get people to do what you want, which is the one effect I think I could put into the game. We'd need to code up a special Perk for the other stuff!
And that about does it! How I think my endgame Malkavian!Alice would look under the Fallout 4 stats! Whew, that took longer than I thought. . . (And I still want to go ahead and steal a certain "Bloodsucker" Perk from Fallout 76. . . "Cannibal" just doesn't really fit with Alice's physiology.)
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fromtheringapron · 4 years
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Royal Rumble ‘90 Fan Picks: A Review
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Last year, I graded promos of the participants in the 1990 Royal Rumble match. It was a super fun time, but we’re not done with all the early ‘90s goodness yet. While the pre-match promos are an excellent piece of character work, the more enlightened among us would know they weren’t the only ones who went public with their thoughts on that day’s event. If you owned the Coliseum Home Video release (which I assume would be everyone), you’d see an exclusive segment where the fans in attendance give their picks on who’s going to win.
Needless to say, this is an utterly delightful segment. It’s a raw, honest look into what human beings were like at the start of the ‘90s. Years and years from now, when we’re all dead and buried, this will be in a time capsule as one of our last vestiges to a particular time in history. Also, thankfully, it’s a glimpse into the absurd mark-dom of early ’90s wrestling fans, unblemished by Internet snark and social media savvy. Their thoughts are pure and ridiculous and perfect for riffing all at once. Bless them all.
Anyway, let’s take a look and see who the masses in Orlando thought would go all the way in the Rumble 30 slappin’ years ago:
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The Man in Black: We start with a fairly boring young man who thinks The Ultimate Warrior is going to win because of his strength and wrestling experience. Um, okay? About as basic and unimaginative as his opinion is his fashion sense. Entirely draped in black, could easily be mistaken for one of those goths who popped up around the mid ‘90s for the Undertaker. Also, what’s up with the Canon shoulder strap? Surely he must’ve taken some photos. I want live photos to surface of Saaphire striking Queen Sherri mid-slap. I demand it.
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Potential Murder Suspect: Honestly, I don’t know whether to find this dude endearing or creepy. The tone of his voice says fun and flamboyant, but the eyes being covered by those massive sunglasses gives me the heebie jeebies. What are you hiding from us, my dear sir? Anyway, he says Hulk Hogan will win because of his 24-inch pythons. His next TV appearance, I’m guessing, was on America’s Most Wanted. 
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Fighting Frat Bros: So next we get two guys who just came from the nearest keg party to argue over whether Hogan or Warrior will win. I’m not sure if the producers forced them to do this to hype WrestleMania VI, but I will say you can’t possibly script some frat dude saying the Warrior will win because he’s “a monster wrestler.” The pro-Hogan one of the pair argues the Hulkster will because of, you guessed it, his 24-inch pythons. People in 1990 were really fascinated with the pythons. Neither bro is the star of this bit, however. That honor instead belongs to the the clueless dude in the Bret Hart shirt behind them looking totally befuddled and seems to have wandered to the Orlando Arena by accident. What a gem.
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Most Hated Woman in America: Literally all this women says is that Mr. Perfect is gonna win the Rumble to get absolutely crapped on by everyone around her. She was then presumably disowned by her family off-camera. Also, she’s wearing a Hulkamania shirt as she says this and it’s like, um, sis, whose side are you really on? The chorus of boos is led by a tie-dye clad fellow who seems to be under the impression he’s attending a Grateful Dead concert.
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Smarky Smarks: Ugh. Look at these smug little shits. You just know they get off telling all the marks about the latest Meltzer scoops from the Wrestling Observer. Give it 10 years and these would probably be the same dudes on the Net ranting about how Taka Michinoku and Dean Malenko should be main eventing WrestleMania, could wrestle The Rock out of his boots, blah blah blah. They pick Mr. Perfect to win because of course they do.
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Our Lady Peace: Wait, who’s this? Who is this sentient being arisen from hairspray and cigarette ash? She swoops in with the fervent call of I’M SORRY TO DISAGREE WITH YA that immediately swallows our smark bros whole. She asserts that Jake The Snake is going to win. This queen has rescued us from their nauseating self-satisfaction with her tried and true Jake fandom. Ma’am, if you’re still bopping around south Florida somewhere, you’re a hero. Maybe you still think Jake is gonna win the Rumble, I don’t know. We’ll always have this document of your good deeds to remember you by.
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Bill Eadie’s #1 Fan: Easily the most random pick comes from this gentleman who, um, picks Demolition Axe because “he’s the only one that can beat Andre The Giant.” His friend appears to be on the verge of laughter. I can’t tell if this is a deliberate troll job by these dudes or what. Funnily enough, I could actually see Bill Eadie with some sort of cult following amongst smart fans who knew of his extensive pre-Demolition career, but as our Rumble winner? Come on now.
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Hit Girl: So this youngster picks Bret Hart because “he’s really neat and has a good chance.” This is chilling to watch. She has no idea how hard her hero will disappoint her. He will fail, having his elimination barely on-camera. Her world view will become jaded. Years later, she will enact revenge on him and orchestrate the Montreal Screwjob. If you’re looking for the real mastermind behind it all, look no further. Vince was just the fall guy.
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Shady Lady: This woman, who appears to have stolen Gorilla Monsoon’s glasses, predicts Roddy Piper is gonna win because “he’s got great legs, even if he does wear a skirt.” We’ll need to unpack this. First off, I really want to know how Piper’s gorgeous gams will lead him to victory, although if he came there to chew gum and kick some ass, the legs may help him out with that. Then, in the second bit of that statement, she suddenly turns heel. Even if he does wear a skirt? Is that shade? Did she take notes from Bobby Heenan? To go from thirsting after Hot Rod to dragging him in a single promo is some legend shit. The Attitude Era began right here.
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Silver Fox: Wait, so this guy clearly works at the arena, right? Look at how he’s dressed. There’s a name tag there but, alas, the Orlando sun leaves me unable to read it. Anyway, he thinks “Jimmy Superfly” is gonna win because “he is the best.” And then he does a hilariously pathetic Jimmy Snuka impersonation, which I can only assume was so awful that he was fired from his Orlando Arena job later that day.
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Pretty Fly for a White Guy: This guy never stops to catch his breath at any point during this bit. It kinda stresses me out. He thinks Randy Savage will win because the Royal Rumble is named after royalty and the only king is Savage himself. Clever reasoning, my dude! He then holds up a piece of abstract art resembling a sign. It’s supposed to depict Sherri, but we only get Sherri’s eyes looking directly into our souls. Fans in the early ‘90s were avant-guard trailblazers in their own way.
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Saaphire’s #1 Fan: This child picks Dusty Rhodes to win because “he’s got a really good manager.” That manager, as if I need to remind you, is Saaphire, who isn’t a manager and is actually a crazed Dusty fan who was picked from relative obscurity. It’s so easy to mock this, but I appreciate the pure innocence in his answer. Plus, I like the idea that Saaphire has this amazing wrestling savvy to bring Dusty to the winner’s circle. Did you know that Saaphire invented the Canadian Destroyer and the Spanish Fly?
And that’s a wrap. Woof, what a segment. They don’t make ‘em like this anymore. So, who do you think will win this year’s Royal Rumble? I’m picking Demolition Axe. After all, he’s the only one that can beat Brock Lesnar. 
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MOTHERLESS BROOKLYN (2019)
Starring Edward Norton, Gugu Mbatha-Raw, Alec Baldwin, Bruce Willis, Bobby Cannavale, Cherry Jones, Leslie Mann, Willem Dafoe, Josh Pais, Michael Kenneth Williams, Ethan Suplee, Dallas Roberts, Robert Ray Wisdom, Fisher Stevens, Radu Spingel, Peter Lewis, Nelson Avidon, DeShawn White, Deborah Unger and Candace M. Smith.
Screenplay by Edward Norton.
Directed by Edward Norton.
Distributed by Warner Bros. 144 minutes. Rated R.
Edward Norton had seemed to have pretty much faded away from the Hollywood scene in the past decade or so, with his twin appearances in 2014’s Birdman and The Grand Budapest Hotel as his last significant roles. (And those characters were supporting roles.) Considering how big he was in the 1990s and the early millennium – with films like Fight Club, American History X, Red Dragon, Moonlight Kingdom, Rounders, Frida, The Incredible Hulk, Primal Fear and The Illusionist – his absence was notable.
Motherless Brooklyn is his flashy return to the bigs. Norton stars in the film, directs it, and wrote the screenplay (based on Jonathan Lethem’s 1999 novel). The story is a byzantine and intricate film noir, a look back and 1950s gangsters, private eyes and massive corruption which feels like an east coast variation of Chinatown.
However, to paraphrase that movie: Forget it, Jake. It’s not Chinatown.
The fact that it can’t keep up with one of the great noir films of all time is no great surprise, nor is it something for Norton to be ashamed of. That it falls well short of the mark may be more of a concern, though overall Motherless Brooklyn is a rather good piece of hard-boiled detective fiction.
This has been a dream project for Norton, who has been trying to get it made for almost two decades, since the book was released. You can see why he may be interested in the project, it’s tough, smart, and has a role for the director which can potentially cause some serious buzz. It is also suddenly very timely in the Trump era.
Norton certainly picked a complicated character for his hero. His low-level gumshoe Lionel has a pu pu platter of mental conditions. At different points in the film he shows signs of Tourette’s syndrome, obsessive-compulsive disorder, eidetic memory, Asperger’s syndrome, and more. It makes for a flashy, Oscar-baiting role, although in some parts of the film, particularly in the later scenes, he appears to have his conditions under almost complete control, except when their reappearance is convenient for the plotline.
Of course, his vast array of ticks and twitches and involuntary shouts make him an easy person for people to underestimate. Lionel is surprisingly smart, an investigative savant and a sweet, shy empathetic man. When he is not apologizing for his bodily functions and sporadic spontaneous exclamations, he’s actually a rather likable guy.
Lionel enters the action as one of the assistants for local investigator Frank Minna (Bruce Willis), a cool, apparently good guy who gets into the muck deeper than he should. Willis, who is actually in good form here, gets second billing in the film despite the fact that he is shot early on the film. (Sorry if that feels like a spoiler, but that shooting is shown during the trailer, so I don’t think it is supposed to be a secret.)
Lionel and his fellow members of Minna’s agency (Bobby Cannavale, Ethan Suplee and Dallas Roberts) start looking into Minna’s death, particularly Lionel, who has a dogged determination to discover the truth of Frank’s death. This leads him into a labyrinthine plot which involves the mob, a club in Harlem, local politics and a mysterious loner (Willem Dafoe) who keeps showing up trying to spur on the investigation. During the investigation, Lionel meets and falls for the daughter of the Harlem club owner (Gugu Mbatha-Raw), but she appears to be a target of the conspiracy.
The main bad guy is a city developer named Moses Randolph. For the novel, the character was loosely based on a long-time, rather corrupt former New York builder / government official named Robert Moses. However, with 20 years of hindsight, Moses Randolph is also very reminiscent of someone else many people know.
Randolph is a trust-fund baby New York real estate mogul with a God complex, one who is more than happy to destroy others over perceived slights, pushes himself on women, and thinks that it is his right to take whatever and whomever he wants. In fact, Moses even describes his “seduction” technique on an unsuspecting woman with the same predatory term used in a certain Access Hollywood tape: “I moved on her…”.
In case you missed the similarities between the bad guy and Donald Trump, they even got Alec Baldwin to play the character, though in a more ruthless, more intelligent, less clownish performance than Baldwin’s Saturday Night Live take on Trump. (Then again, this character is more intelligent and less clownish than Trump, but that’s a debate for another day.)
Motherless Brooklyn is actually a rather well-made film noir, though it is a little too complicated for its own good, and at nearly two and a half hours, could easily tighten its running time a bit. It’s far from perfect, but it is good and definitely a nice return to form for Norton.
Jay S. Jacobs
Copyright ©2019 PopEntertainment.com. All rights reserved. Posted: November 1, 2019.
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Gen 4 Ideas
Junie B Jones: Alright so golden boy lucked out in all the ways the others didn't, is he a dick with it or a good egg? Embert: In my head, he's always been not a dick about it but obviously in relating to his sibs/fam, there's only so much he could do when Indie's resentment is already real so maybe her kids wouldn't fuck with him by the side of the story they've been told? Junie B Jones: ooh that's a good idea Embert: Astrid would've been mad as a kid but now they could be pretty close, obvs there's still the age gap and obvious reasons why not besties but I think they'd get on Junie B Jones: Yeah I vibe that she'd love him and like wanna look after him even though it'd lowkey be him looking after her more Embert: Exactly Embert: his mum, in my head is about early- mid 30s to Drew's 47 when he's born, as you say not much older than Indie but not like a bimbo 20 something and she's always been really mothering, like everything Ro ain't tbh so Callum is probably spoilt by her but not in a financial way like some but with love Junie B Jones: Indie would not fuck with her obvs but Astrid would so that adds to their closeness Embert: Exactly, like its too late for Indie literally she's having her own kids at the same time so she doesn't need a mum now and I reckon the woman would respect that, she's a good egg, like she knows Drew has been shit and ain't gonna make apologies for it, ahem, Ro, ahem Junie B Jones: I like the sound of her tbh soz we killing your son Embert: Maybe she should have kids from a previous? Because if he's her only son like I'm so sorry lol Junie B Jones: Yasss I love that because more interactions we can do Junie B Jones: [potentially one of Indie's sons get with I assume they are straight? Callum's half sisters even if it's not like a lasting ship should defs happen] Embert: Perhaps this mum goes for like bad eggs so this sister was old enough to remember like however many partners before Drew so then when she gets with him and he's clearly him she's like nah and makes his life difficult 'cos don't wanna do it again Embert: [If she's 5/6 when Callum that makes her 7/8 years older than Dash] Junie B Jones: [early 20s sudden death situ] Junie B Jones: he should have a boyfriend/girlfriend whatever when he dies who's also lowkey part of the fam cos then it's awks like do I stay or go Embert: ooh that's a good idea Embert: he's probably straight but maybe we could do bi so he's a less annoying example of a gay than most we've done whoops Junie B Jones: a mood Embert: so a girlfriend who is really close to his fam Junie B Jones: and really pretty damn Embert: he probably has a job I think, I can't see him being super academic Embert: maybe something like an estate agent or in a bank, a job where you show up and wear a suit Junie B Jones: his girlfriend could work there too cos that couple Junie B Jones: so when he dies she's not gonna wanna go back there either Embert: what fun Embert: but real Embert: they're just pretty and living their best life but in a chill way Junie B Jones: we all know the vibe Embert: Cosmo, same age as Callum, Indie's 1st Embert: so in my head the dad always plays football with them both and without intending to be pushy, does push him into that field, clearly Dash weren't as good/arsed whatever so it kinda all ends up on him because say he does get into an academy/on a junior team Embert: so then that becomes his life, training and matches and all that intenseness that comes with Embert: not to mention lad lifestyle, getting with WAG type girls, always going out partying, you know the vibe Junie B Jones: whereas Dash be like nah this ain't fun anymore I'm out Junie B Jones: cos I don't think he sticks with anything Embert: what if, their dad gets injured Embert: or tbh, is too lowkey old 'cos they put them out to pasture real quick Embert: I think by the time they're 19/17 when we start it, he'd already be too old to be a professional himself, so he could be a coach, hence he'd be even more pushy 'cos he could be on a professional team by now, they're ridiculously young like Junie B Jones: yeah it's usually like 30s at the latest isn't it unless you're like famous af which we ain't going that hard Embert: exactly, so without intending to its like, take on your dad's legacy Embert: 'cos in my mind he isn't naturally inclined to be like a ladladlad and is just doing it to be the full-package Junie B Jones: poor boy, again we all know the vibe Embert: 21st bday breakdown Embert: I think the zoe kravitz girl should still exist in some way, obviously not the way before Embert: because she's so anti-wag and clearly what he's actually into Junie B Jones: we could stay that Dash fucked her and that's how they cross paths if we want Junie B Jones: but he's clearly not interested and they are into each other Embert: it has potential to be different from other ships we've done 'cos he'd be tryna keep her on the dl which is shady but not just being an out and out dick Embert: like, I like you but no one can know don't ask why Junie B Jones: I agree, it'd be really interesting Embert: 'cos from her POV, casual headfuck Embert: used to boys being like Dash and just being like bye but not like showing you they like you then blanking you Junie B Jones: exactly dr phil I'm invested already tbh Junie B Jones: I also imagine Dash hanging at the commune so there's potential for lots of different dynamics there and he could be there when the fire too if we want/need but obvs not hurt or anything Junie B Jones: I'm also lowkey debating having Jules from Euphoria as one of his many love interests cos like her face and we've never done trans but it'd be a good way without it being someone's whole identity Embert: OH Embert: this is a tangent based on that thought which I also feel btw Embert: but Astrid's face is like bffs with the Kat face from Euphoria irl, so I'm thinking what if that's her gf and she's the one with an eating disorder, bulimia vibes, and then 'cos Astrid is her she's like okay you must be right Imma support you in this and accidentally enables her/joins in too Junie B Jones: YAAS I WAS GONNA SAY I WANNA USE HER FACE TOO BECAUSE SHE'S BEAUTIFUL BUT I DIDN'T KNOW WHERE/HOW Junie B Jones: this makes so much sense Embert: exactly, with Ro as a mum she wouldn't even question it, like oh yeah I guess you are fat you probably should, even though she'd think she's so pretty and perfect Junie B Jones: Boo you are so smart Embert: also, when we killing Ro, by this point she's like 54 Embert: okay, so Ro is 34/35 when Astrid is born so if we kill her off when she's 9 that would make Ro 43, so 2044, so when we're doing Astrid's story at 19, its about 10 years ago Junie B Jones: I like that cos it's not raw for these characters Junie B Jones: we're actually gonna let you recover though ladies, fuck you ghost Ro Embert: Seriously, like I don't want it to be full-blown its more of a deep insecurity thing but one she can get past Junie B Jones: 100% feel that Junie B Jones: [so yeah like I said just gonna write this down so we don't forget the Jules girl lives at the commune and probably has done for quite a few years by the time the fire happens so then she's got nowhere to go and goes to stay with Dash cos step up for someone dickhead and they are either otp or brotp to be decided] Junie B Jones: because I think he wouldn't be as supportive as he should be to Cosmo's whole breakdown in the sort of ableist vein of oh well you overreacted Embert: it fits, 'cos in my head its a very Nick and Matty vibe where they don't acknowledge each other Embert: like the whole 'how is that your brother' moment from his footie friends and being like yeah I know Junie B Jones: same tbh cos Dash's friends would be like damn your bro is uptight Embert: exactly so they aren't close anyway Junie B Jones: and never are [evil laugh] Embert: soz Indie Junie B Jones: not your fault babe they are just too different it happens Embert: although part of the breakdown is obvious resentment that he's just allowed to be a fuckup and he feels like he has to do all this shit and be perfect so Embert: that kinda does need to be acknowledged if we're going recovery Junie B Jones: family therapy time Embert: 'cos like if Dash just continues to be him and shit it'll come to brawl even if he has to stop being this footballer moment and do what he wants, its still about how its all come down on him, you know Junie B Jones: they totally should have a fight cos what a moment Embert: yeah, like it either fixes or breaks totally, I don't think they can just be meh Junie B Jones: agreed Junie B Jones: maybe we could do like a Joe mood of him distancing himself from the whole fam but then ultimately a more healthy resolution for everyone Embert: We could work that Junie B Jones: and obvs him ultimately getting with his gf and figuring out what he wants to do with his life and all that jazz Embert: exactly dr phil Junie B Jones: and Dash can work out what he cares about whatever the hell that turns out to be Embert: Jac is born 48, (year after Callum and Cosmo and same year as Ollie's girl, Mila) Jude is 49, as is Lily's 1st boy Adi and dash, Jameson is 51, same year as Lily's girl Priya, a year after Ollie's boy Ash, Iggy's 1st Arlo, Diego's kid Tayo and Bobby's teen pregnancy girl Cammie Embert: My characters, Callum, Cosmo, Mila, Jac, Adi, Jameson Embert: My boos, Dash, Jude, Priya, Ash, Arlo, Tayo & Cammie Embert: Potentials, Jac, Jameson and Cammie, would've been raised together, essentially Embert: Jimmy is a photographer for advertising, Bobby a graphic designer for same and Janis as a massage therapist moment Embert: Cammie has 2 younger brothers born 60 and 62 so they exist but we aren't playing Junie B Jones: lots of dogs please Embert: all the dogs lmao Embert: so my initial vibe for Jac is that she's like JJ in the sense she's quite grumpy and anti-social 'cos it suits her face but also with a more shy but not shy if you know what I mean vibe, 'cos they're both quite self-assured and I don't see that for her, I potentially see Jude having that element though? Junie B Jones: I agree, like I don't wanna shamelessly Miley but I defs see her as being that self assured kid Embert: the most out of anyway Embert: Jameson should be their nerdy side because the Cammie face has a very Cara silly side when you peep her socials so that could be those two Junie B Jones: Cute cos he looks like such a bad boy but he's actually a babe Embert: I know we said this for Adonis so either need to change it to him or not go as hard but what if he gets a gf that's like really jealous and doesn't let him hang with Cammie 'cos she's a girl even though they're like siblings and have been besties long before you came Embert: and like she could try and change his personality like be really unimpressed and like 'you're embarrassing me' if he tries to be a cute nerd Junie B Jones: I love that because always such a thing like boys and girls can't be friends like bitch we're related calm down we're not incesting again Junie B Jones: like she thought he was such a badass or whatever soz hun Embert: yeah like the mood of, you're fit so i'll just make you what I want you to be Embert: and she could be a real cunt to Cammie in sly bitchy ways 'cos clearly the mood and that's a throwback to how Mia and co treated Janis without us like putting this fam through too much trauma, you know? Embert: esp if Cammie is less like Janis and Cass in a way she's not like, fuck you, I'll just deck you Junie B Jones: I fuck with this heavily Embert: and obviously, it can be resolved in the end, he can get rid and they can be friends again, so I feel its a good level of angst and drama for them both, 'cos it is serious but not like, well there's nothing to be done, vibes Junie B Jones: and we can potentially ramp up the angst when things are at their worst cos maybe Cammie's mum gets a new job and she's like come live with me in wherever (not far but like far enough she would've been like no cos close to them all and not wanting to change schools) but she's like maybe I shall but then of course won't cos it's like the peppa pig when her mum don't get the job and gets mugged off Junie B Jones: but they all think she's going and it's like noooo Embert: are Bobby and this mum still together, like is she the boys mum too? Embert: but yes, I fuck with that Junie B Jones: In my head they would've been together for ages so it depends how far back we go into their childhood/teens but maybe she isn't the mum to the boys Embert: Okay just so we know Junie B Jones: but they always on good terms we don't need that drama again Embert: yeah I feel you, and she's chill with the boys mum, 'cos she's only 10 when the first one is born so she's been around since then? Junie B Jones: Yeah exactly Junie B Jones: We can potentially give her more younger sibs on the mums side if we want but they'd also only be ref-ed Embert: defs plausible Junie B Jones: Like let's say they broke up when Cammie's like 7 so it's all chill on both sides Embert: I vibe Junie B Jones: she could totally spend half the week at her mum's house and half at her dad's but same school cos nearby so again no drama Embert: that makes sense like its all in the area 'til she wanna pull a suzy sheep Junie B Jones: hahaha yeah Embert: so that's a start for those two Junie B Jones: I really like that Junie B Jones: it's just what we wanna do with the girls Embert: I was thinking Embert: and I'm just speaking it out now Embert: we've done people being shunned out of their friendship group/being the bullied Embert: but what if we do someone being the sort of ringleader of the shunning Embert: I'm vibing like you know that story we listened to/all teen girl murder stories, like Jac has a friend that she's really too close with (Grace and Mia vibes) and we show them like ditching a third Embert: maybe something happens, not murder but like you know, an action serious enough that she's like I need to sort my shit/we can redeem in the end Embert: but she's the Mia, not the Grace, you feel me, like its her pushing it Junie B Jones: Oh snap I never even thought of that but we haven't actually that's such a good point even if Janis would be so triggered by the ghost of Mia lol Junie B Jones: Like yeah there could totally be some kind of accident like how baby Ali and Ro but she's not a child Junie B Jones: I also like it cos Jude is the louder one so you'd think it'd be her but it's the quiet ones you've gotta watch Junie B Jones: and it's a nice contrast to how Cammie and Jameson are literally being bullied so Junie B Jones: maybe we should have jude as like more of a background character then? cos don't want too much drama in one fam unless it's as big as Cali's Embert: Yeah she can be more chill, like a Tommy vibe, like we use her but only when we need lowkey Junie B Jones: Yeah like obvs I'll still try and flesh her out into a character and who knows what could happen like we could think of a cool ship or whatever but Junie B Jones: it makes sense as of now Embert: agreed Embert: like obvs this twosome vibe has a lesbian one 'cos always do but I maintain she shouldn't ever like get with her it should just be friends that are too obsessed with each other, regardless of what's behind it Embert: like maybe the other girl is closeted or whatever but it ain't happening lol Junie B Jones: I agree she gives me straight vibes Embert: plus it would be easy to make her gay 'cos everyone does ala Lily Junie B Jones: not doing it on principle Junie B Jones: they all seem straight to me in this group Embert: I think so Embert: 'cos like you said, you don't wanna make Miley Junie B Jones: it would be so easy to make her a musician but I must not Junie B Jones: I might make her a tattoo artist though professionally cos Ali and Iggy both dabbled but it was never a thing Embert: That's a good idea, she fits that well Embert: okay so my random idea, which we could attach to anyone really but let's see who we vibe Embert: we did a teacher crush, what if we did a crush on a friend's parent Embert: so Arlo having a crush on a commune mum and thinking he can go there 'cos why not and then the shitstorm that can ensue from that Junie B Jones: such a good idea Junie B Jones: like maybe his friend is a girl so peeps be like aw he likes you he's trying to get your mum on side Embert: yas again, always a thing like maybe he's just lowkey using you soz babe Junie B Jones: and maybe the friend actually fancies him secretly even though they 'just friends' so it's awks af Embert: yeah and if Barley's boyf is with this fam and they leave Embert: she could be the one (or one of the ones) like I said that wants to be normal and already hates living here so its like well you took the one thing Embert: 'cos we said dating within the commune for the kids wouldn't be encouraged obvs 'cos one big family, so the fact she was was already like no no missy Embert: then we said about her not acknowledging the other mum/the two kids that are from that woman as family and just generally fucking with your hippie paradise 'cos its coming to and end lads Junie B Jones: 10000% and she could still be sneaky seeing him long distance behind their backs/ get back with him after the fire when they have to leave themselves/both if long distance is too hard Embert: I vibe with this 'voice of reason' character for you Embert: like no wonder he fucked up you can't give us 'no rules' but then have all these unspoken ones that contradict how you wanna live like, loads of this hippie bullshit is so hypocritical read 'em tbh Junie B Jones: it makes sense cos Arlo as the oldest buys in totally and then the two kids she don't fuck with come after her in quick succession so it's logical Embert: exactly, and then Shea is her biological sister and the baby so she don't know nothing about nothing Junie B Jones: Okay so Echo is like a Naomi vibe v passionate and studious and does not fuck with commune life etc Junie B Jones: wants to be some kind of researcher/ lecturer kind of vibe in like philosophy but a nihilist not hippie bullshit Junie B Jones: Arlo and Dash should be friends I say even though I play them both but just acknowledged Embert: I thought the same Embert: Dash would probs encourage him with this crush lbr like thanks Junie B Jones: I was just gonna say that cos he's always getting with older girls and generally being a hoe Embert: Exactly Embert: right, so circling back a lil, we can do Cass' Embert: what do you reckon her relationship status is and her career Junie B Jones: her career should be like we said she's set up a charity organisation to look for missing people Junie B Jones: she should still be with her man cos everyone's breaking up looking at you bobert Junie B Jones: maybe their marriage is lowkey a bit dead though and its a stay together til the kids move out mood cos we've never Embert: I vibe, 'cos casually triggering Jimmy but not in an OTT way just like well that's sad Junie B Jones: yeah like neither of them would cheat or be violent or any of that Ian shit but they obvs not in love anymore Embert: its a good way to do it 'cos idc what you say the kids always know and obvs we're unlikely to ever do that in a ship 'cos if they make it to adulthood they're OTP and teens don't stick together just 'cos like lol Junie B Jones: exactly my thought and like she would wanna hold it together and think that she was doing it well cos of Ian like Embert: exactly like it is sad but when that's your standard you would think you were slaying it Embert: like the positive she can see with JJ she might just think that's one-off and she can't have that 'cos obvs around the time she has the boys, Bobby's first has fallen apart Junie B Jones: and because JJ are such a good couple you wouldn't wanna be like my relationship has failed bye Embert: samesies babe lol Junie B Jones: ooh and maybe they aren't married so if one of them leaves the other gets fuck all Embert: which assumedly, is her because as much as you do get salary for charity work, if its a smaller one, she wouldn't be bringing in the bulk so the mortgage could be in his name Embert: so she'd be in the position of moving out into a one bed flat, two if she was lucky so the boys could at least come see her, it happens that way a lot Junie B Jones: precisely what I was thinking Junie B Jones: it's sad but real Embert: idea though, although this is suddenly just becoming about Cass not her kids lmao, what if her lil boyfriend from back in the day was Tylers face and then they can reconnect later but its actually a positive and not drow Junie B Jones: He was and they should cos I'm screaming Embert: again, he can bring kids into the mix for faces and stories should we wanna Embert: but it'd be a nice way to take a situ that is sad and shit for her, and for her boys to see, and then have a happy but realistic ending like yeah you do need to leave your man but you can be happy and it'll be alright Junie B Jones: I love it Embert: Alex having anger issues like Cass did and also due to the home situ as mentioned, Max, as the older brother trying to hold it down in a very Jimothy way and not causing more trouble as he sees it Embert: Alex ending up in young offenders but actually turning it around/ending up okay too Junie B Jones: and there's potential for characters he could interact with when he's in there, before and after Junie B Jones: like remember on DG when Electra was in that gang and then the bitch came back around like Embert: yes I do FAT mood Embert: also Max should get help too 'cos it ain't just the one that causes trouble that needs it and its nice full circle for that fam to have that Embert: but my idea, could be related to Alex but I think is big enough we could give this to another character entirely Embert: you remember on this is england when combo turned it around and he saved lol and he was working with the young people and making a difference but then milky set his fam on him for what he did to him when he was a racist and was like you have to pay and he was like okay Embert: what if something like that happened like, Alex DID hurt someone, or like I said, another character did, and did do something bad Embert: but then turned it around but sometimes you do for yourself but you still have to pay and the person you wronged could call that at any moment and you just being good now isn't good enough for them Junie B Jones: OKAY YES because what if another character is doing that shit with Alex but don't get caught and so they carry on and escalate and yeah they do hurt someone and yeah it's like that Embert: what about Israel 'cos he's the same age Embert: and it can be another sins of the father moment, 'cos Pablo is a dick especially to women like he's 34 when he has his one child 'cos he's still being a fuckboy very Drew Embert: so he is not a good role model in anyway Junie B Jones: and like we said that'd make sense like if he started out stealing and shit because Pablo's debts and being bankrupt but he wants nice things like it all ties in he has his own motivations Embert: right, fully Embert: maybe he ends up doing something to a girl, like something Pablo would never but shows how your kids see you isn't how you see yourself if you often show a bad side of you to the world Embert: 'cos then the girls family/friends/boyfriend anything could come for him and its like, fair Junie B Jones: OMG THO that's so legit Embert: 'cos we said an assault moment 'cos that's something that's indefensible Embert: like stealing and drugs and what have you, its scummy but you see why, like we all get why Tess has to deal etc Junie B Jones: we have to Embert: so if we want a family death, that could be one, again, leaves you conflicted Embert: 'cos no one obvs wants him to die but then he did do a bad thing so you can't blame her family fully Junie B Jones: yeah instead of killing of fam in the fire we could kill him instead that's so much more interesting Embert: *** in said commune fire, Dash gets burnt, severely, face/neck area, and changes his life 'cos people change around you, you can't rely on your looks and you aren't gonna just sit around and get stoned when you nearly die, Jules can and will still fuck with him Embert: Zelda having Crohns or UC and having a stoma and meeting someone brotp or otp at a support group/hospital moment, dealing with people being shady/saying you aren't disabled etc all those fun times and then the person dying and losing that understanding you only get from someone who also has the thing you have Embert: ALSO I've had another idea whilst we're just spitballing Junie B Jones: Me too because we mentioned Tayo and like yeah I've said about K-stew being a carer to her mum but we could do some of that too in a different way like maybe unlike her he really doesn't wanna be/is scared of having to cope alone with his mum's fits and shit like Embert: I'm so about that Embert: 'cos so many kids have to and its really hard and thankless, so he 100% needs a confidant whether its within the fam or a friend or OTP moment Junie B Jones: like maybe he doesn't ever wanna be alone with her now in case and it's like putting a strain on their whole relationship obvs Embert: 'cos Diego has his own things like he gotta work etc he's not like a replacement carer Junie B Jones: yeah like he'd do a lot of course but he also works a lot Embert: so Adi because his mum also has a disability like it isn't the same but he'd get it enough to not be totally clueless and annoying Junie B Jones: yeah and they can have fun together it'd be cute Embert: Wid it Embert: so my idea, completely unrelated but I was thinking we need to give someone an addiction issue but someone who gets over it and is within the fam 'cos like Joe and Ronnie do but you know they're still like, fucked and not here lowkey so Embert: I was like hmm who can I and then I was like, it NEEDS to be a ruster child Embert: because its canon that Fraze drinks too much and doesn't address it and Buster is v similar Embert: so yeah genetic and also if it was drink, they'd not take it serious just like oh slow down a bit but you're fine but then it affects the kid in the ways it didn't affect them like not functioning and not going to work etc so they have to take it serious Embert: also think it should be one of the girls 'cos double standard of being like a lad Embert: is going to be Sekhmet, okay Junie B Jones: because the twins and their younger sister could all be lowkey party girls because rich so they'd all have to deal with the change in their social lives and behaviour Junie B Jones: since she'd need to not drink ever again let's assume Junie B Jones: we know the whole fam is about that party and entertaining life Embert: exactly so like, they're all gonna be put out like really, just don't go as hard and ruin it for yourself and us Embert: hence it can get to a problematic stage like they just think she's being a typical teen/20-something 'cos it is socially acceptable to binge and be a mess like ok Embert: my vibe is she's in uni but also has an internship that she royally fucks up 'cos she can't get in on time and then maybe there's like a work dinner like on can't cope won't cope and she is wrecked and embarrasses herself and the boss is like goodbye 'cos no one fails in this fam its not an option and if you do its all on you so Junie B Jones: and maybe one of her sister's is a DJ cos literally a lifestyle and they'll have to be like excuse me while I go straight edge to support my sister Embert: I can see that for her twin Embert: my idea for her is fashion but actually designing and buying and the business side of it, not like, imma just model 'cos I'm pretty, no shade Junie B Jones: Yeah the aesthetic feels real for both of those tbh Junie B Jones: Their sister is a holiday rep so loads of travel loads of club promo etc Embert: Jay is a PT, mommy issues for commitment etc, travels a lot, ultimately will get over commitment phobia; is 6 when Chloe admits Buster is her dad (as Ruster was outed around the time she was born, Chloe denied it and went with James, James goes uni and finds someone else so that being over etc can prompt her to change her mind) and allows access, at 11, moves in with Ruster for good (Chloe has new man and babies what have you so allows it without argument which also fucks her up duh) Saint is 8, King is 6, Venus is 5, Adonis is 4, the twins are 2 and Nefertari is 1 Embert: so when all the Venus drama is unfolding, surprise you have a child too Buster lol, Saint is 3, King is 1, Venus is baby Embert: so Saint Embert: firstborn son, their first child too which is relevant 'cos both Jay and Venus would get doubly spoiled either side of him for not being Embert: so then he'd probably get spoiled too 'cos just a mess of a time really Embert: like he can't not be a bit of a prick really 'cos he can do no wrong and no offense to the other two boys but he's the most masc and conventionally 'perfect' so that's obvs going to your head too Embert: okay so mood, Leilani is 15 when her mum (works with Grace, close) dies in 2053 and Grace, 30, takes her in so she doesn't have to do a care moment or be homeless and struggling alone Embert: is friends with Stevie from joining this fam, can also know Janis' kids before this even but is 6/7/8 years older than them so knows them more in a protective capacity than a friend vibe Embert: comes in Saint who is 3 years older, thinks he's god's gift, tries to sleep with her just 'cos lbr and when he gets a no his world is shooketh 'cos no one tells him no for all the reasons Embert: can end up friends when he's humbled etc Junie B Jones: oh but maybe King is little and really fierce like 🥊 Junie B Jones: don't be underestimating him so hard dickheads Junie B Jones: he should be the angry one lol Embert: you would be if people treated you like that so I buy it Junie B Jones: all of y'all stop being extra and let him live Embert: and no one takes your anger seriously if you can't do anything about it so again, real Junie B Jones: so rude Embert: Next up is Venus good lord Junie B Jones: we know what the story is, her dad only cares when she's little and cute and lives in Paris anyway pretending he's still in his 20s forever instead of a grown ass man Junie B Jones: would obvs be proud when she's gay though even though can't relate to anything about the female form cos that kind of gay Junie B Jones: like Saint she thinks she's gods gift but unlike him how are we backing that up hun cos unlike him you aren't talented at anything you're just pretentious Junie B Jones: like okay you're beautiful but JESUS you know it and can't take any criticism again like Saint but you're never getting humbled Junie B Jones: instead you're getting a gf who looks like you and probably a fine arts degree pop off sis Junie B Jones: only wanna be part of the fam when it suits you which is when you're getting spoilt Embert: but I think we don't have to redeem her 'cos like, its not a fixable situ so you just get to be a shit person 'cos you got fucked over and that is everyone's bad Embert: like they can't take it back, even though you could also blame your father 'cos he's more at fault than anyone else 'cos he should've never but you do you girl Junie B Jones: yeah and not everyone gets redeemed even when they can be so it's real Embert: that said, I think she should have a teen gf that looks like her as we said but then she realizes she can't hack any situ where she potentially might not be the 'prettiest' so she then only dates butches Embert: or androgenous artsy types but no femmes Junie B Jones: I feel that for her Embert: like she literally should be in love with this girl as much as she's capable but dump her 'cos clearly your insecurities are so deep-rooted Embert: then just be with people you lowkey don't even fancy Embert: 'cos then we could play that out, the girl just like what the fuck Junie B Jones: oh honey Embert: we all know hoes that sabotage themselves always and then blame the world Embert: which starts by picking to be on her dad's 'side' even though everyone can see he's most at fault, even you Junie B Jones: bitch #past me I am triggered by this Embert: like a lot of her stuff I feel like we just know at this point so it might not be all here 'cos its well developed within gen 3 Embert: we know that her and Jay just would not get on, mainly 'cos they aren't alike but do you wanna come at it from her POV and then I will Venus' Junie B Jones: I think the way she sees it is like she is so team ruster like she'd refer to Rio as her mum and shit cos Chloe is not the one and so she would not fuck with how Venus treats the fam and doesn't wanna be part of it but is still happy to benefit from it Junie B Jones: And how quick she is to call peeps racist or fatphobic or whatever else would not ever help the situ of course like bitch I'm trying to talk to you Junie B Jones: But also there's some similarities whether they acknowledge them or not in them both not being able to hack relationships that makes it interesting as another reason to avoid talking to/ acknowledging each other seriously Junie B Jones: like she'd so pretend Chloe doesn't exist if someone mentioned her mum she'd be all oh you mean Rio lol lol lol Embert: 100000% all of that Embert: also another reason you cannot fuck with each other, casually never shutting up about your dad Embert: okay, so from her POV I vibe it that as a kid she literally just wanted all the attention and 'til the twins which is when she's 3 so (literally so petty you can't remember) its like I should've been the only girl and you came and took my attention lmao Junie B Jones: Oh god she'd be such an annoying child though Embert: then as they get older and she doesn't want to be part of the fam she'd think its unfair (as if Jay can help it lol) that Jay is obviously not Rio's 'cos she's white whereas she fits Embert: its the anti-Edie of it all Embert: like I fit and I wish I didn't Embert: basically she doesn't wanna be here but she's not a runaway type or willing to not live lavish so she ain't leaving Embert: she needs her dad to take her in but he's said no so like, you'll have to make it happen yourself but how Junie B Jones: sad but true Embert: and you can only feel so bad 'cos she whines like she's dying in all situations but like Embert: it ain't that bad and there's plenty you could do about your situation so Junie B Jones: Grace of this gen I've said it before baby Embert: oh honey Embert: makes you barren to humble is not an option 'cos you wouldn't want kids Embert: the tea of it all like you wanna live like your dad but he had a kid and shouldn't be so pick a better role model tah Junie B Jones: literally this fam is so big you're surrounded by potential worthwhile role models girl Embert: honestly she'll never be satisfied she's that hoe in a very Ro way like my god do something about it but she won't Embert: casually making it your life's work to make everything harder than it needs to just be miserable because something happened to you when you were a baby (again, so Ro) that you couldn't control Junie B Jones: all y'all frustrate me like I wasn't that bitch #tea Embert: loads of peeps are never happy though or are but then lose it so or fuck it up, we gave Ro a kid as a chance and I think Venus should actually love this girl/ she should be good for her in a way that makes her feel #seen hence she has to end it too Junie B Jones: agreed and she never gets her back because sometimes you don't and you can't Embert: mhmm mhmm mhmm Embert: I don't think we need to go as in-depth on any of the other sibs, like Saint would probably tolerate her the best, as mentioned she'd patronize King 'cos just that bitch without it being intentional 'cos self-absorbed, Adonis would do his best to ignore her and she wouldn't fuck with any of the girls 'cos she can't with girls so Junie B Jones: agreed on the legitness of all that Junie B Jones: Oh maybe Xander could be a hypochondriac because his sister is actually ill all the time like remember on skins when Liv thought she was dying Junie B Jones: obvious idea but I'm drawing a blank otherwise like Junie B Jones: also have we ever done online dating? Junie B Jones: because my thought is maybe he's lowkey catfishing someone pretending to be like a badass when obvs not Junie B Jones: like maybe he catfishes loads of peeps as if it's a hobby Junie B Jones: but then someone could find him out Embert: that's a really good idea 'cos we haven't Junie B Jones: like potential for otp/brotp to come from that even in a slow burn way Junie B Jones: if they end up liking who he actually is or whatever Junie B Jones: despite everything that's happened Junie B Jones: oh snap what if he's using pics of one of the other boy characters and whoever he's catfishing finds that person's socials or whatever and are talking to them thinking they are a thing and the person be like um Embert: omg yes Junie B Jones: Jameson was my immediate thought cos badass look and you play him but could be Ollie's boy cos also or whoever else Junie B Jones: cos they don't need to be a you character necessarily could just refer like Embert: that ties in well though 'cos his jealous girlfriend Embert: make it a huge thing so then Xander kinda has to shame himself like that was me 'cos feels bad that he's now getting accused of cheating even though it'd be a blessing to be out of that relationship Junie B Jones: ooh true that'd be good Embert: and the other person/the catfished could have like found his socials and seen he was in a relationship/know 'cos his highkey gf and be like calling him out so less embarrassing on their end 'cos bad enough they're being catfished as is Junie B Jones: that's a really good idea Junie B Jones: even with the age gap between Xander and him I still think we can make it work cos adds to the catfish of it all Junie B Jones: even if we can't then get him with the catfished person we can always do that he's himself online in the future and blah Embert: yah Embert: wid it Embert: so Stevie Embert: Billie is 17 when she has you with another male model in NYC, you live your life with Nancy too so factor that in Embert: moving back to Dublin when you're 10 and like, maybe the dad and her have phonecalls but like, he doesn't make an appropriate amount of effort like Junie B Jones: visit her you dick Embert: and we've said that Billie as a mum is like not the best 'cos Edie only died like 3 years ago when this and she left 'cos not coping so its not like NYC fixed her or anything Embert: she'd take care of her but she'd be distant 'cos giving a shit too much fucked her up so Junie B Jones: sad but true soz Stevie babe Embert: we also said before she'd like take her to work and shenanigans that someone like Venus would think is so cool but she does not 'cos it would actually be so boring if that was your life and you had to Junie B Jones: and on any shoot there's so much sitting around even if you're the person doing it never mind for her Embert: exactly, like in my head they make a ThingTM of them being like a model couple with a model ass child but as soon as she's old enough to have say she's like well I don't wanna do it thanks Junie B Jones: a mood Embert: so my vibe when they go back to Dublin is Billie has to face up to what she's not for the last what, 13 years Embert: so she'd lowkey be a bit of a wreck no offense so I feel like someone else needs to take care of her but I'm like Embert: do we make Nancy come back for a bit like the #lifepartner she is or do we say someone else does lol Junie B Jones: we could because it'd be less traumatic for Stevie or we could make someone in the fam and make it more awks for her Embert: I don't know which way I prefer it lol, also from a Nancy POV Embert: like should you come back or are you good you know Embert: hmm Junie B Jones: yeah I'm not sure what I fuck with more, who would be able to if not her cos that might help us decide Embert: so it would be 48, let us see Embert: Ruster have all their kids, including Jay Embert: hokay so Embert: maybe we bring Nancy back but she's like ehh about it like obviously she can work from wherever anyway but she's dedicating to some time she can't really travel whilst Billie sorts herself so she could be talking to Junie about it 'cos can vent without sounding like a bitch and he's like I'll come help and then she can help him get back in touch with the family properly 'cos low-key avoiding everyone else still and Venus is the same age as Stevie so if this is happening when she's like 10, Junior could actually talk to her and explain what happened from his perspective and answer questions best he can Embert: and like she can pretend it never happened when she's older but it did, like not saying it has to be good enough for you but he did try Junie B Jones: that makes my heart happy cos he's so young still don't be in exile forever boy Embert: and like Nancy can spend the time with all the Ruster kids too and reconnect more herself Embert: like they can both go back 'cos Billie won't be like totally incapable forever but they can both put in the time and feel better about it Junie B Jones: Okay so then she's like 12 ish and back with her mum and shit is better but obvs her dad is still not showing up ever Embert: and you have an accent and a 'famous' (ish) mum and you've been in shoots with her and you're pretty and so to me a vibe of like, this is too much attention and I'm not about it seems real Embert: not even necessarily shy just like, everyone likes me for the wrong reasons vibe and I don't fuck with it Junie B Jones: that's very real Junie B Jones: so if we did do the opposite of Jay and Venus and like I gotta find someone to like me for the right reasons and give it my all I think that would make sense Embert: I see it Embert: and she isn't like woe is me about it 'cos that would be unbearable but she's also not faking it like I'M LOVING LIFE and bad shit has happened so Junie B Jones: Yeah exactly Junie B Jones: and like nobody could blame her for being 'too much' with said person if her mum and dad are both distant Embert: exactly and she'd probably need to have a fair few failed relationships 'cos people aren't about that for loads of reasons like you're too full on too quick, or people would be about that for the wrong, i.e. they sense it and use it against you so then you have to leave which she'd be bad at doing so, in that case, she should have a boyfriend/girlfriend who is equally fucked but in different ways and its just a disaster 'cos she won't be the one to end it Junie B Jones: I feel that, there's loads of potential for doomed relationships there Embert: like, it doesn't even have to be like they're abusive levels of bad, its just it doesn't work and they treat her like crap in a like, do something about it way and then she don't and they're like...why, lowkey what's wrong with you Embert: like it could end up being right but not through the relationship but just by being like, you gotta work on that Junie B Jones: 100% Embert: much like how Grace was with boys like lowkey just love me and I'll deal with whatever tbh Junie B Jones: maybe there's someone on the sidelines watching this like I wish you'd sort your shit cos ILY but we can't be a thingTM Embert: I'd vibe Junie B Jones: idk who or why but like who doesn't love pining from afar while someone fucks their life up Embert: so helpful whoever you are godbless Junie B Jones: honestly Junie B Jones: and they should get together like this man thinking he's gonna fix her and it's like guess what twat you can't Embert: and it takes someone actually wanting you and wanting to to be like hmm, I gotta fix myself 'cos this ain't it Junie B Jones: mhmmmm Embert: I think we can start Junie B Jones: we did it boo *Echo abortion storyline
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pinknerdpanda · 5 years
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White Elephant
Word Count: 1028 Characters: Dean x Reader, Sam, Castiel, Bobby, Jody and Donna Warnings: Fluff Requested by: @amanda-teaches Betas: @wheresthekillswitch & @hannahindie
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x White Elephant
“No way! That’s not fair!”
Sam frowns at me from across the small grouping of chairs as I snag the cheerful red and green gift bag from between his hands. It isn’t necessarily that I especially want or need the serial killer trading cards inside, but part of the fun of white elephant gift exchanges is the stealing.
“Sorry buddy, but fair’s relative today,” I grin. “Besides it’s got two more steals before it dies.”
Sam glares at me, before begrudgingly standing and scooping up a small, neatly wrapped box. He stomps back to his seat, ripping the paper unceremoniously and tossing it aside. Opening the box, he frowns harder - if that’s even possible - as he pulls out a small, white, stuffed elephant. He looks up from the creature, confused. The group snickers.
“I think I misunderstood the object of the game,” Castiel sighs, glancing at Sam. “I assumed we were all bringing white elephants.”
I groan, turning to Dean. “I thought you said you explained it to him.”
“I did,” Dean protests, indignantly. “Or at least I thought I did.”
“It’s fine, Cas. It’s cute!” I pat his knee reassuringly. “It’s your turn. Do you want to steal or open something?”
The angel squints at me, his eyes darting back and forth between the remaining packages and the gifts that have already been opened. Jody smiles, showing off the cat butt refrigerator magnets and “My Cat is an Asshole” calendar she’d opened. Donna shifts, obscuring the view of the box of shotgun shells she’d gleefully revealed a few moments ago, clearly hoping her goodies would remain hers.
After careful consideration, Castiel stands and retrieves the stuffed animal from Sam. He blushes, returning to his seat.
“I grew somewhat partial to him,” Cas gives the elephant a small squeeze.
Without hesitation, Sam stands and practically rips the bag I’d stolen from him out of my hands. Jody, Donna and Mary laugh as he sits again, sticking his tongue out at me.
“Dude. You really need a new hobby,” Dean grunts at his brother and turns to me. “Looks like it’s your turn, again, sweetheart.”
I decide to go for the hastily wrapped, irregular shaped package tucked between the two remaining gifts. I slide my finger in the crease of the paper, ripping the tape and revealing a bottle of Johnny Walker Black Label.
“Good choice, there, y/n,” Bobby grins at me. “But…” he trails off, holding up a small piece of paper indicating it’s his turn. “Looks like you’re gonna have to pick again.”
“You can’t bring a gift just to steal it back, Bobby!” Dean argues.
“Says who? Quit your belly achin’ and let your girl pick another present.” Bobby snaps as I relinquish control of the scotch.
And so it goes, stealing, unwrapping, arguing and good natured jabs until at last, it’s Dean’s turn - the end of the road for this little holiday game.
“Well, well, well,” he stands, rubbing his hands together. “Looks like I’ve got the final say here. I could open that last present, end the game and send everyone on their merry way. Or, I could steal something and keep the fun going.”
Dean begins circling the small space, clicking his tongue consideringly as he makes a show of checking out everyone’s goodies.
“Oh wouldja just get it over with, Winchester?” Donna groans, still protecting the ammo under her seat with one foot.
“Alright, alright,” Dean chuckles. “I’m not gonna steal your precious shotgun shells, Donna.”
He returns to the middle of the circle and turns to face me, his eyes locked on mine as he bends and selects the last present to be opened. A little current of disappointment runs through me. The evening has been a lovely reprieve from the exhausting reality that is our lives. For the first time in a long time, I remembered what it was like to simply enjoy the company of my friends without some potentially world-ending catastrophe hanging over our heads.
Dean winks at me, pulling out several sheets of tissue paper from the top of the gift bag. He reaches in and pulls out some kind of thin, red fabric. Setting the bag on the floor, he unfolds the fabric. His face flushes pink as he hooks two fingers through a set of loops and holds up what looks to be a very revealing piece of lingerie. A ripple of laughter erupts from the small group of friends and family. Bobby whistles suggestively.
“Well, that is quite the choice, Dean. It’s definitely your color,” Jody chokes between giggles.
Without prompting, everyone begins collecting the scraps of ripped paper and discarded ribbons. Within five minutes the crowd has all but dissolved, leaving only Dean and me behind.
“That was a lot of fun, y/n,” Dean smiles, his hands finding my waist and pulling me towards him. I wrap my arms around him, relishing his warmth. He pulls back, placing a soft kiss against my lips. “Thank you for organizing all this.”
His fingers sneak under the hem of my shirt, his nails grazing lightly.
“Sorry you got the raw end of the deal with the presents,” I run my fingers through the short hairs on the back of his head.
“What are you talking about?” He frowns at me, though his eyes sparkle mischievously. “Everything went as planned. I got exactly what I wanted.”
I narrow my eyes at him, curiously. “Come again?”
He smirks and drops his head, his lips hovering over mine. I feel his breath against my face as he speaks. “It’s your size and everything.” He captures my lips in a heated kiss, his tongue gliding past my lips and colliding with mine in a rush of unexpected hunger. The kiss leaves me breathless and reeling with desire as he pulls back.
Dean grabs my hand, leading me from the war room. He stops, grabbing the gift bag containing the lingerie before resuming his mission.
“What happened to ‘You’re not supposed to steal your own gift’?”
“You know what the say about rules, sweetheart.” He turns, his lips curved in a wicked smile. “They were made for breaking.”
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