ok ive taken a deep breath and steeled myself. what do you think of liu yu
I'm going to put this under a cut because I rambled a little, but I wanted to offer my detailed impression :P Rest assured! No tearing to shreds occurred. He remains intact.
Well, I didn’t know who this guy was, so I took myself to the ole Wikipedia and my first thought was wow! Look at those label names.
Second thoughts: Ooh, dancer. I'm looking forward to see how the dancing is (if he still dances).
I have heard of INTO1 but don't watch idol competition shows, but it's impressive that he placed first. I decided to listen to/watch two songs/performances: his first single, 靠岸, from 2019, and his most recent single from 2023, Focus.
靠岸 didn't seemed to have an official video, so I ended up watching a live performance from a show called Mr. Radio.
I was pleasantly surprised by this song! Seeing that he had been on Produce Camp, I was expecting a more pop kind of song, but this was a song I could imagine playing in the OT of a drama (in a good way!). I think his performance was a little shaky here, but I sense that maybe he was nervous? Either way, he seems a little shy here, where this song would really benefit from a powerhouse performance. Idk, maybe it was also a sound mixing issue. I like the song, though. Very pretty. I went to listen to the studio recording and it was a lot better—much closer to what I was hoping to get. The oooooh part sort of reminds me of a Zhou Shen song whose title I can't remember at the moment. It was space themed, though. (EDIT: the song I was thinking about was Cassini)
Next up!! Focus. I watched the Official Music Video on Youtube first.
Coming off 靠岸, I could see from the thumbnail that this song would be closer to the pop sound that I expected, so the things I was interested in seeing was the MV concept and the dancing. On first watch, I didn't really listen to the lyrics much, because there were no captions to read and I can't really tell what people are saying in pop songs anyway.
I have to admit that going into the video with the big gray space only, I thought it was pretty ugly at first. I just think that the CG structure on pale BG concept always looks cheap no matter who does it, though, and Liu Yu seems like a sort of tiny guy, so with all the dancers around him, I initially thought he looked a little swamped by them.
At 0:48 when we got a flash of the all-black cowboy look, again I was a bit disappointed, thinking that there wouldn't be much edge to concepts.
Then we got to the, I'm gonna say, test lab sewer gothic, and I thought "ok, at least that's something". It's definitely be done before but there's more production in that set and look, so at least the whole video isn't just going to be a gray void. The flash of Liu Yu standing in as his own princess was kind of interesting (disappointed this character never showed up in the music video again)
Now I know said I wasn't going to rip him to shreds and that's because....!!! When the beat dropped, I went "ok wait" lol. At 1:03, I witnessed evidence of stage presence and was like "oh we are so back, baby"
Still not a fan of the big pale space, and I think Liu Yu's charisma was most visible in the sewer gothic scenes and weakest in the scenes where he's wearing the silver ice skating outfit looking blouse, but maybe that's just because it distracts you with his little twig body. I personally can't buy into the energy of someone who looks like the most movable object on earth.
3:03 the "yuh" made me laugh tho
MV looks ranked (best to worst):
One thing that I didn't like about the MV (but understand is necessary) was that the video kept cutting right as I thought to myself "Oh, this is a nice bit of dancing", and I wish the shots had been wider on the dance moves instead of cutting him off at the ribs. A wider dance version in the sewer (I know that's not what it was but jhkalfjl) would've been appreciated by me. With that in mind, I decided to see if there was a dance performance video and there was! As suspected, the choreography in the beginning of the song is also just not that strong or compelling to me. It sort of gives intermediate hiphop 2 dance recital. My favorite part of choreo is the breakdown at 2:56.
Anyway, I hope these impressions were sufficient! I didn't check him out on any variety shows so I can't comment much on what I think about his personality, but from a music/performance standpoint, I think he's pretty good. Not really the kind of stuff I listen to anymore but if I still kept up with idols, maybe I'd check him out from time to time :)
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I’ve been drawing with dip pens lately so I did a nib study using my ghost trick redesigns.
for anyone that’s interested here’s some notes on the nibs under the cut.
Leonardt 33 - Easily the one of the most flexible pen nibs I have. Technically this is designed for calligraphy, specifically spencerian, so the sideways movement isn’t great and there’s little control when doing hatching. Really dramatic swoops with high pressure that aren’t entirely appropriate for character portraits but I kinda dig what it did to Sissel’s hair. Will probably use it for special effects like fire and smoke and stuff.
Leondardt 33 - This one is actually intended for drawing so naturally it has a fairly consistent line weight with a low flex. The hatching marks are kinda scratchy but not in a bad way. Would probably work really well for continuous contour and styles of lineart that are more sketchy, loose, and dynamic than my normal character art style. Would prob use for larger pieces or figures closer to the camera cause the line weight is generally a bit too thick for the usual size I work with.
Tachikawa G - This is a nib made for drawing manga specifically and it’s really easy to use for drawing. Some of the calligraphy nibs really take some thought and careful motor control to look good but this one was forgiving. I see myself using this a lot for really casual art. It was kinda hard to do hatching or filling with this one tho, which was kinda surprising. Very gentle line variance, makes really clear shapes. You can see in the other characters than too high flexibility can make it hard for the brain to turn lines into form so this really mellows it out. Prob best to use this nib to block out the lineart then hatch/fill/detail with others.
Hunt 102 - this is a speedball job made for mapping and oh my god do I love this nib. It’s just so 👌👌👌 on the details??? the line variance perfectly matches the brushes I use on photoshop and it’s just. mwah. it holds onto literally so much ink despite being so tiny. interestingly hatching is unstable but two or three lines together seem to be just fine. Kinda sad that jowd’s hair is a little hard to focus on cause of the variance but with a little practice I can prob find ways around that cause I already know I’m gonna love using this nib for heads and faces. Filling is a bit patchy but otherwise I think this is gonna be my go-to detail nib. (also no jowd isn’t in overalls that’s supposed to be an art apron but with only like the top portion showing it’s hard to tell.)
Hunt 108 - ok this is Supposed to be a drawing nib as well as a calligraphy nib and it does mimic brush strokes but I’m pretty heavy handed so it’s hard Not to make those super thick lines. Not bad with details and has enough control to make thickening up the outline super easy, but really easy to mess up. This nib did Cabanela dirty by flexing a bit too much when I was doing his mouth so I had to correct it with a white pen. Spreads the ink too thin in areas for solid filling. I can see this working really well with mixed media, like with watercolor, and once I get some more colored ink I’ll use it for coloring.
Hunt 100 - idiot stupid rat bastard of a pen nib. ok the art looks fine right? can’t be that bad, right? it took me so long to make that because the ink just. wouldn’t come out. so this nib is another mapping nib and it’s super delicate so it breaks really easily. I broke my first one bc I’m heavy handed, so I ordered another like ‘ok I’ll be more careful with this one’. it broke again. I don’t even know how. Ideally I’d use it for small spaces or reeeally fine details but I can’t even get it to work long enough to try. speedball can meet me in the pits.
Hunt 512 - A calligraphy nib that’s actually really easygoing to draw with. There’s not much line variance, so the hairlines have a lot of control. Makes for really good hatching. Also does really great long, thin lines. Sideways movement is kinda meh but it does the job. Definitely the cleanest looking of all them, tho the lack of variance makes it a bit boring to look at. Gonna use this one for shading and textures or for drawing on really rough paper.
Hunt 99 - like the first nib this one is really dramatic, and it’s supposed to be a calligraphy nib, but it has a lot more weight control than the hunt 108. Also the fine lines are easier to control. A lot of ink comes out so it might not be great on paper with risk of bleeding, and it takes a while to dry compared to others, but it would be good for filling since it can cover a large opaque space while having good control over the shape and points. Could also use for different warping/texture techniques.
Other notes:
I used smooth illustration Bristol for the paper, since ink looks more vibrant and swooshy on it and also some of these nibs can Only be used on smooth paper.
Also used terracotta India ink, which is kinda on the thick end but still looks good. matches with the colored lineart in Ghost Trick lol
got all of my pen nibs from Paper & Ink Arts cause u can order a nib for like less than a dollar fifty each. You can also get paper, nib holders, and ink for a good price too.
if u wanna start with dip pens PLEASE prepare your nibs before drawing. stick them in a potato for like 10 minutes. please trust me on this you will have a bad time otherwise.
ok thanks for reading through my Very Indulgent experiment.
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WSBH chara q’s: (you don’t have to answer all the numbers, just whatever you want to 𖢘)
16/35/51 for Scotch
1/6/55 for Atlas
I LOVE YOU
16. What kinds of people do they have arguments with in their head?
okay i truly think scotch argues with seraph in his head all the time. ALL the time. scotch largely ignores them, and vice versa, because he dislikes them and they know it. seraph is very conflict avoidant lol, and as long as hes not a "threat" they dont care to talk to him about their problems. he probably argues with atlas and jacob (his older brother) too, atlas about more stupid small stuff, and jacob about childhood and life stuff :p
im trying to think of more general groups he would argue with but i cant come up with anything BAHAH. hes not exactly conflict avoidant in the annoying libra way that seraph is, he more just ignores conflict for his friends’ (mostly atlas’) sake. idk if that makes sense LOL
35. What is the smallest, morally questionable choice they’ve made?
hmmm.. smallest? i mean scotch strings eloise along for most of the time pre timeskip. its not a main focus but its definitely important in order to understand scotch as a whole. she and scotch go out for a while, and mid way through that he realizes hes GAY gay. lol. and obviously lying to her about that is pretty questionable after a while. especially since he and atlas have been 👉👌 like the whole time. but she kind of knows. well
something a little bigger would be him encouraging or otherwise turning a blind eye to all the weird stuff atlas is up to. he doesn't know what it's like to be a werewolf, he can't say anything, right? lol.... murder is okay if its a talking dog doing it. scotch enabler supreme. actually when seraph is introduced, he and atlas have a 'joke' (kind of starts being real) about luring seraph somewhere to kill them. obviously doesnt happen and gets abandoned. but i think its important to know about their dynamic LOL
51. What’s a phrase they say a lot?
this guy is kind of goofy. i cant think of phrases rn but he has a specific way of speaking.. you could watch pretty much any old pop punk band interview and kind of get the idea. HAHAH
1. What’s the lie your character says most often?
atlas is a big fan of saying 'its fine' for all situations ever. family in mortal danger? its fine. completely splitting? its fine. arthritis excruciating? its fine. hes one of those people that dont like to deal with the fawning of others unless hes feeling real special. Ends up putting people in more danger a lot of the time. i think eloise is the only fan of communication in this friend group to be honest. i should have made her the main character
he tends to make promises he cant keep as well, but thats more general..
6. What’s their favorite [insert anything] that they’ve never recommended to anyone before?
i have NO idea. i feel like atlas would be a music snob, so maybe his favorite 'super underground' bands. otherwise he'd probably never recommend raw human meat to another human (no matter how much scotch asks -__-).. (he would chicken out anyway)
55. What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?
um. so atlas hates working out. he especially hates running, you know, the thing that wolves are known for doing a lot of? unfortunately the lycanthropy came with a side effect of pretty bad arthritis, so that doesnt exactly encourage him. he DOES exercise, a lot since hes pretty much required for his ermm "side job", but he hates it 😸 besides the arthritis it’s mostly because I think it’s silly that he hates it. yay
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Your plutocrat family and headcannons and doodles are so amazing I love them so much??? I was so neutral on the guy BUT YOU ARE WINNING ME OVER , please tell more!
yeees yes my sneaky scheme is working
so ive already said briefly that I think hes from a big family. mostly, I just thought it'd be fun to have a big cog-italian family of mobsters themed after the planets (and dwarf planet, in this case). cosmo is the newest build and kind of the runt of the litter
hes originally from Palomertá, on the isle of Cosicilia (yes its just cog sicily) and was built into money and privilege. his dads, solaris and luna, both pretty rich crime lords who wanted to solidify their partnership and expand their family, and also expand the family. kind of a win/win for them. they get kids AND the Astrolini-Cogleone family gets more powerful. its just a smart move in their legitimate business
ive not thought about his siblings at all yet but i imagine tensions in the family are frequent and theres lots of splinters and fallings out. when your entire fam is involved in organized crime its bound to happen. cosmo himself actually rejected his dads giving him start-up money because he wanted to be a self-made man. its NOT common for a cog to ever reject free money, but he considered it a point of pride. he didnt want to ride on his dads coattails, yknow? he wanted to forge his OWN family on his own work. which, to his credit, hes done. dude has what could arguably called a moral code even if it does involve illegal stuff 90% of the time
naturally this caused a bit of a sore spot since cosmo was seen as 'abandoning the family business' but they came around with time, and despite the occasional snide comment theyre on fine terms now. he goes home every now and then for big birthdays and occasions (he kind of hates it because it gets pretty hot back home but yknow. he tolerates.) and sol especially has a tendency to boast about his boy to anyone who will listen
i know ive said the word 'family' like 7 billion times in this response but it is truly one of the most important things to cosmo. its why hes so close with the satellite investors- they trusted him and he trusts them. theyre His Boys, yknow? the exact nature of their relationship is a little vague but he cares about them, genuinely. they aint throwaway mooks to him. he calls them lugheads and they test his patience daily and he wouldnt admit it, but he loves those dudes
UM this is getting pretty long and im fairly disjointedly rambling now but. most of my ideas are still kind of vague and floaty, i'll probably write up things in a more coherent 'backstory document' fashion at some point. to sign off, a random headcanon
cosmo can play piano. luna taught him, and he took to it pretty well. he rarely plays nowadays and considers himself pretty rusty but hes planning on installing a piano into the restaurant so he can tap away whenever the urge strikes
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Umbrella Academy Losers
Bill takes a deep breath, twists the cap off the urn, and dumps the ashes out. They fall into an inelegant heap. It would have hated that.
“M-might have been b-b-better with some wind,” he mutters. Everyone stays silent.
Finally, Richie breaks the silence. “Did anyone else ever expect him to turn into some weird alien…clown…spider…thing?”
No one replies, until Bill toes the ashes. “Yeah.”
“Well,” Richie says, lighting a cigarette, “good to know I’m not completely crazy.”
“I don't think that Bill being on your side points to your favor,” Eddie replies.
Bill frowns down at the small pile by his feet. “I used t-t-to th-think he was i-i-immortal. I g-guess I s-st-still thought th-that.”
“He was always good at making us think he was the biggest threat we’d ever face,” Mike says.
“He was wrong,” Bev replies, and glances at the ashes one last time before light flashes and she’s gone.
Richie’s sitting upside down on the couch, much to Eddie’s chagrin. Sucks for him, but there’s plenty of couches to choose from. He didn’t have to sit next to him. He pulls a joint out of his pocket and lights it. Hopefully having lungs upwards for a change doesn’t make him choke.
Bill sighs. “Richie.”
“Sorry, Big Bill, but if you think I’m going to be sober enough to chance seeing It’s ghost, you’re out of your goddamn mind.”
They all wince in sympathy.
“Yeah, okay,” Eddie says, “but can you at least not smoke with the asthmatic in the room?”
Richie squints, trying to make sense of Eddie’s upside-down face. “Do you have asthma? I don’t remember you having asthma.”
“Were you there for most of our childhood?”
“Physically or mentally?” He asks, but gets up and moves to the bar. Close enough to hear, far enough to not aggravate Eddie’s lungs. Bev and Ben follow him.
“Got a smoke?” Bev asks, leaning against the bar, and Ben falters, accidentally turning his two fingers of whiskey into three.
“You—you’re thirteen,” he says, at the same time Richie asks, “Aren’t you an infant now?”
“I’m forty years old,” she says, fixing them with the second most deadpan stare he’s ever seen. “I’m in the body of my thirteen year old self, which is enough torture. Besides, these lungs are already ruined. Give me a damn cigarette.”
Can’t argue with that. He gives her a damn cigarette.
Ben sighs and adds another finger.
“Richie,” Bill calls, because he has some kind of Big Brother instinct that Richie secretly thinks of as his second power, “you better not be giving drugs to the baby.”
“Fuck you, Bill,” Bev snorts, and Richie follows up with, “Yeah, fuck you! The ‘baby’ gave me cigarettes first.”
“Why’d you stay, Mikey?” Bill asks. “You hated it here more than any of us.”
“Actually I think that was Richie.”
“Hell yeah it was!” Richie calls.
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In Praise of Sally Ann Howes
As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!
This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!
This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.
Click on Keep Reading and I'll take you on a journey!
As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.
However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.
There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light.
(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")
For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.
She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.
(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)
While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!
Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.
The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.
Look at her! Literally glowing!
(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)
"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!
While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!
In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.
And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.
This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.
Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!
The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.
Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!
Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!
(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)
While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)
Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.
Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped.
By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.
Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.
She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.
Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.
Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.
Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.
Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!
If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.
Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖
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