Tim was four days into a sleep deficit so he felt that to say that this predicament was his fault was a bit of a reach.
For it to be his fault he would have had to cognizant of the last 16 hours.
All he wanted to do was take a power nap in the nearest closest durring the Waynetech gala but nooo Bruce had to be taken hostage by the Joker.
So he did what he thought would work best and shoved uncle Clark into the nearest emergency bat storage and told him to suit up.
Maybe he looked a bit more confused than normal but they didn’t need a reporter they needed Batman!
That being said wasn’t uncle Clark supposed to be off-world?
Oh no.
———————
Jack honestly had no clue what was happening for the last six months so when he was told to be Batman he merely just shrugged as the frankly exhausted teen left him to his own.
With his son turning out to be part ghost to the government hunting down his said son and having to move shop halfway across the continent.
This might as well happen.
Grinning like a kid on Christmas, Jack plopped on the finishing touch.
“Oh Danno is not going to believe this!”
Raising a cloaked arm with a flourish Jack struck a pose.
“Alrighty Jack enough messing around! Time to save the party, Fenton style!
Shifting his feet, Jack took a deep breath before smoothing his face the best he could. After all, couldn’t have a smiling Batman! Before walking out the room and taking running leap through the wall to the streets of Gotham before grappling to the nearest building.
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i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.
i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .
when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.
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there is a LOT of stuff out of bounds in the meridian area of the map! i wanted to compare some spots that exist in both games, but it's kinda long so there are timestamps if you want to skip around - the estate near the end is the most interesting imo :)
the map was clearly copy/pasted but there are updated and missing textures (and ones that weren't updated that say they need to be haha) - was this the start of the rumored hzd remaster? or are the assets just ones that happen to exist in both games and were carried over because we get close to them in the "legal" area of the spire? and it's a small itty bitty thing that will be in a future video, but there's something i came across that definitely doesn't exist anywhere in hfw's map that i remember... (spoiler: it's banuk T_T)
(why are all the handholds missing texture??? that's what i really want to know lol)
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Ellie’s memory of the golfing scene and what it tells us about her.
🚨spoilers for tlou2🚨
I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:
The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.
There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.
The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.
Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)
Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).
Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.
This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.
On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)
To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.
But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.
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