thinking about dee. the loser of the group of losers. she is the 'other' and the woman. she cant even form fulfilling relationships with other women because she has been conditioned by her friends to see them as lesser. not people to like, but people to tolerate or sexually exploit. because of this, she only sees women as a chance to gain a moment of feigned superiority. to, for once, be at the top of a group's hierarchy. artemis survives because she is ultimately indifferent. but the waitress is hurt by her selfishness because she sees dee as the 'other' of the group as well - the one who could potentially be on her side. but dee rejects even the slightest softness from the waitress because she only wants the approval of the gang. friendship and kindness isn't reliable for her - it is something she has to fight for. she equates it with power. the waitress is beneath her, so why would she try and make her like her. in order for dee to accept a friendship with the waitress, she has to accept herself first. she has to give up her idea of herself - and dee is incapable of giving up.
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The king of death and his very powerful, so powerful, how is he still in charge with this guy around, butterfly knight of hades.
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I am obsessed with my friends..??
So, for Christmas this year my little gang of Big Brothers thought it would be funny to buy me records as their theme. A couple of them have gotten into vinyl this year, and one in particular saw an opportunity when he saw the Loki soundtrack come out on vinyl. Which I'm obsessed with.
So I now have a very specifically curated fucking record collection I never asked for?? Which prompted me to buy a couple to have for very specific personal reasons. So that's a thing I guess. Cool??
BUT Mark got mad, because someone beat him to the Crimson Peak soundtrack. So his ass just said fuck it, Crimson Peak Christmas.
But it didn't stop there apparently. No, no. Because my friends are committed to the bit. So he got me the art book for Christmas, which is very interesting! Loved reading that! No. Then his goofy ass also got me a Taiwanese copy of the movie because I collect steelbooks... which I'm fascinated by because now it is the only foreign language spine in my fucking movie collection - which is wild to me, with how many foreign films I own..???? The saddest Thomas on the spine too..
BUT IT DIDN'T STOP THERE I GUESS!! I mentioned an offhand comment Matt made regarding the Hannibal teacup the boy's bought me a couple years ago.. So detective Tony one night just sends me a couple links to teacups, because he identified the fucking one from Crimson Peak. I don't????????
AND WHAT THE FUCK DO I GET HOUNDED TO CHECK THE MAIL FOR TODAY?? THIS LITTLE GUY.
It's like the fucking theme of the year now.
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really been exploring the concept of aplatonic, but i do worry it'll alienate people from me... it's just the sense that the way i perceive people and my relationships with them as important comes from something that is not unemotional, but so outside of anything i have ever really been able to understand via dominant concepts. i've been exploring the limitations and vagueness of a word like love for myself and come up still very confused and distanced from it. so now i start to wonder what is it i do "feel" and does it even need to be calculated and defined so particularly? but in the meantime aplatonic concepts do seem to be exploring this in ways i dont see elsewhere in queer spaces, never mind more mainstream. it's interesting. it deserves some thinking about
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I’m a big fan of the whole concept that Andrew actually ends up grudgingly enjoying Exy at some point, entirely because he enjoys being contrary. Like. To Andrew, denying people who think they can one-up him their success is a basic need. Riling them up for his own amusement in the process, only to make the takedown that much more humiliating when even the anger is not enough to give them an edge against his immovable presence is Andrew’s idea of self-fulfillment. Exy makes it so he’s literally getting paid millions of dollars to do that.
Kevin would be so much more successful in his pursuit to get Andrew to actually play if he stopped trying to get him to like the sport itself, and instead started to subtly market it as a professional career in being a little shit. I like to think Neil eventually figures out how to intentionally garner Andrew’s interest and starts to capitalize on his instigative tendencies to the fullest to give him incentive. Andrew plays Exy like it’s psychological warfare when he puts his mind to it. They could probably get him to run precision drills at night practice by prompting him to imagine how mad it would make people if he managed to strategically bounce balls off of his opponents’ helmets mid-game as a way to pass the ball up to Neil so that he can score. Stuff like that is actually creative, and hard to do, so the challenge becomes interesting when the reward (grim satisfaction in his own skill, his opponent being mad at him but unable to do anything about it, Neil’s smile) is worth the shot. It’s not the game itself that interests Andrew. It’s the opportunity to thoroughly mess with people and be as much of an inconvenience as humanly possible that sometimes makes playing Exy satisfying for him.
On a more serious note, there’s also something to be said about how his personal history/trauma feeds into this. Saying ‘No’ and the ability to see through that his ‘No’ is final is a very integral part of who Andrew is as a person. It’s really tangled up with Exy for him because, as Neil accurately put it, he plays Exy like he plays life.
Andrew is someone whose choice has been taken away from him far too many times in his life. The ability to choose and deny what happens to him and those under his protection is the highest good he has. Playing as the last line of defense at his level of skill quite possibly has the potential to be downright therapeutic. There’s satisfaction to be found in every goal denied, in being the best at what he does and taking control of his part in the game, if he allowed this to mean that to him. And that could factor into enjoyment of the sport as well — a quiet, subdued kind rather than loud celebration, but silent satisfaction is just as valuable as the much louder, more obvious kind. Anybody who matters can recognize happiness and contentment in him without needing him to say anything anyway.
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from my perspective the fact that they already found yukiko is so funny bc its LITERALLY been a day im on easy for the story and managed to day one yukiko's castle (which never happened the entire time i first played p4 i was spending at least a week on each dungeon sometimes in real life at least 3-4 days working on a boss or dungeon and i was on normal this game is HARD) and theres no blocks to progressing the story until you get to a certain date like in p5 you absolutely CAN and often will day one palaces in p5 but no matter when you complete it you will have to wait for the dead line to move on to the next arc p4 didnt do that i was able to do all stages aka bosses of yukiko's dungeon in a single trip i only went to the velvet room once after maxing all 8 of the personas i have to complete the compendium (and was able to get to level 20 in 8 floors and unluck 8 persona slots when you start at level 1 with 6 slots) like this is so fast yukiko went missing i think late yesterday so its been exactly 24 hours shes been found so the freak out to immediate relief is kinda silly to me i love it lmao
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