while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.
bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:
Fear of abandonment
Unstable or changing relationships
Unstable self-image; struggles with identity or sense of self
Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).
Suicidal behavior or self-injury
Varied or random mood swings
Constant feelings of worthlessness or sadness
Problems with anger, including frequent loss of temper or physical fights
Stress-related paranoia or loss of contact with reality
source: [x]
i highlighted the criteria that do apply to gale in one way or another in a pretty purple.
i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.
gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.
gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.
gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.
gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know.
player: what is impossible about what you're being shown?
gale: forgiveness.
gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer.
gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.
he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.
gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield.
gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.
gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours.
gale: because you had no right to ask that of me. you cast me out, remember?
gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]
the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.
gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly.
gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us.
gale: for now - we've learned all we can.
neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.
gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.
(taken from tumblr user galedekarios's post.)
there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.
player: i love unsavoury things. don't feel guilty on my account.
gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury.
gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving.
gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.
this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.
gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.
player: you don't stand a chance alone. you're free to go. i dare you.
gale: gods damn you - you're right. few things are more powerful than the will to live.
gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.
gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.
gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.
there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.
i personally believe that part of the beauty of gale’s story is him realizing just how “little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.
gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.
even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.
devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.
to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]
gale may be many things to many people, but he is no entitled narcissist.
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Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --
CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan.
JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.
Have you seen The Dying Swan? It is dramatic.
Here, take a minute:
First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.
This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT
Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.
There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.
Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.
Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.
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Seeing Isaac’s experiences with being aroace got me tearing up after Heartstopper… I relate to the isolating feeling so well.
The confusion with not relating to others in the room when people talk about crushes and romance.
The feeling of a weight being lifted upon discovering the aromantic label (and later on asexual, for me).
I feel so happy to see that expressed, even though a part of me wishes there could’ve been even more.
And I’m tearing up because I was watching the entire series with my mom and yet… she doesn’t seem to get it. I’m grateful that she’s willing to enjoy the show with me but her comments are just so conservative.
And the way she shrugs off all my mentions of aromantic/asexual identity and the times I pointed out how I related to Isaac’s experience was heartbreaking. It’s sent me spiralling back into wondering why I care so much about telling her anyway. Especially since she forgets what aro and ace mean every single time I bring it up. I’ve even made her watch Jaiden animation’s video on being aroace. Twice. (iykyk)
It’s alright to forget, but at least ask, you know? Don’t wait till I ask “Do you remember what aroace means?” Only to shake your head in “No”. Only to say that I’m just being young. Only to forget about it all over again.
Her words as my mother gets to me and every time I reflect on my identity I feel insecure. Invalid.
And now I try to bring it up again with Heartstopper so clearly putting out the aromantic & asexual experience on a plate for the world to see.
Yes, I don’t owe her coming out. But I want to, because being aroace is a big part of my identity and I just wish I could talk to her about this part of me. But it’s difficult when the comments I hear from her are precisely the type of conservative comments people don’t want to hear while we’re LITERALLY WATCHING HEARTSTOPPER.
“She’s trans but like, isn’t she still a man? Just dressing like a girl?”
“How could Nick know that he likes girls if he’s never liked any?”
“Darcy is dressing like a lesbian, of course her mom can’t take it” (imo, being any queer identity shouldn’t even have ‘a look’ in the first place…)
+ completely ignoring the aroace parts to talk about something else while I’m so clearly trying to highlight it
I want to understand what’s so difficult to accept that being queer is valid.
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1, 2, 37, and a question you wish someone asked
Thank youu for asking !!
1: Age
23
2: Sexuality
Bi
37: Do you regret quitting any hobbies?
yeees big time. I used to do ballet for like 13 years but quit bc had to change to a different city bc they didn’t have advanced things where I used to go and all my friends quit somewhere at that point, so the last couple years I didn’t rly have friends there. Also I wasn’t like trying to go pro or anything and sort of that was as far I could go with it if I wasn’t rly going to be serious abt it. I think I also got too anxious and self-aware at that point (damn u 16-year-old-me)
96: What's the worst book you've ever read?
Picked this bc I’ve been wanting to rant about Normal People by Sally Rooney for a bit. Maybe it’s not The Worst book I’ve ever read, but it wasn’t good and for the amount of hype it has, it sucked.
My ”review” (if u can call it that) below SPOILERS FOR ”NORMAL PEOPLE” BY SALLY ROONEY
I feel like there was potential there but in the end it just kept repeating the same cycle of them being together and then getting separated. Like it just kept going???? It got old after like 2-3 times.
And there really wasn’t even an attempt made for character building. It was all very surface level and it felt like neither of them actually grew up during the years and got stuck with that high-school level of communication when they in fact were grown ass adults like?? Act like it!!!! What the fuck was the problem there like ,,?? If u want to be together, you can be together; you’re no longer in high-school and ”having to take care of ur social status” (which also is one tired old trope). Literally give us one (1) reason why tf it’s so hard to commit to eachother when u clearly can commit to other ppl?? If the intention was to make the reader frustrated with them, I’d be okay with it if the book gave actual reasons for that. But it didn’t bc it’s all so goddamn one dimensional. The ”they can’t be together bc they’re wired wrong and traumatized and mentally ill” just doesn’t work when you don’t dwell deeper into the underlaying issues. It especially felt like the author just gave up on Marianne’s character at the end and went with the ”oh she was traumatized? That means she has some kinks and that is now her entire personality”.
Also the ending just felt so rushed and I hated it. Nothing got resolved in a real way. The redemption arc? He got to succeed and had some opportunities etc., and she just got the guy and that’s about it. Yes, you could read it like in the beginning he had a loving family but no money, where as in she had money but not the loving family, so in the end they got what they wanted as a kid. But that’s so blah. There was nothing suprising about it. It felt like they both gave up and settled for whoever was left and it wasn’t out of actual love; just the residual feelings from pining after eachother for a million years.
Overall, it just felt pretentious and it didn’t have enough dimension to actually create believable mentally unwell characters. It barely had a plot. I get it from the marketing point of view bc an easy read that has some edgy topics sprinkled with fanfiction tropes, but it just wasn’t good.
(This is just my opinion, don’t let me deter you if I just bashed ur comfort book; you like it and that’s all that matters. Mine is A Little Life, so I’m in no position to judge lmao)
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