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thepastisalreadywritten · 2 years

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In her “accession” photographs, shot in 1952 by Dorothy Wilding, HM Queen Elizabeth II is pictured with the Girls of Great Britain and Ireland Tiara upon her head – a jewel that you might recognize because Her Majesty is seen wearing it on the front of every Bank of England banknote.

Originally the property of Queen Mary, Duchess of York, Princess of Wales and finally Queen Consort of King George V, the Girls of Great Britain and Ireland Tiara was crafted by Garrard in 1893 to be given as a wedding present from the Girls of Great Britain and Ireland committee.

Designed to be transformable, allowing it to be worn as either a necklace or coronet, over the years, Queen Mary requested that Garrard add diamonds, remove pearls, and separate the bandeau from the base so that she could wear it as a headband.

In 1947, Queen Mary gave the tiara to Princess Elizabeth as a wedding present. In 1969, now Queen Elizabeth II, she asked for the bandeau and tiara to be reunited, as it remains today.

Worn frequently by Her Late Majesty The Queen, the Girls of Great Britain and Ireland Tiara is an ongoing source of inspiration for Garrard’s designers, with the repeated pattern of diamonds encircling the base reflected in the round and geometric Windsor motif, which is a signature of the Albemarle and Fanfare jewellery collections.

The Queen’s love of brooches is legendary, and in Bob Thomas’ intimate portrait of Her Majesty at the Royal Windsor Horse Show, she is pictured wearing the Cullinan V Heart Brooch, one of several important brooches commissioned from Garrard by the Royal Family.

Showcasing the 18.80-carat heart shape Cullinan V diamond, the fifth-largest gem to be cut from the 3,106-carat Cullinan Diamond – the largest gem-quality rough diamond ever discovered – the diamond was given to Queen Mary in 1911 as a gift from the South African government.

It was originally worn by Queen Mary as part of the suite of jewellery made by Garrard for her to wear at the Delhi Durbar in 1911.

When Queen Mary died in 1953, the Cullinan V Brooch was passed to her granddaughter, Her Late Majesty Queen Elizabeth II, who was photographed wearing it throughout her reign.

The Sapphire and Diamond cluster ring worn by Catherine, Princess of Wales, formerly Duchess of Cambridge, in the 2013 portrait by her father Michael Middleton is among Garrard’s best-known creations.

Set with a magnificent 12-carat oval Ceylon sapphire, encircled by a cluster of diamonds set in 18 carat white gold, the ring was personally chosen by Lady Diana Spencer for her engagement to Prince Charles.

It became instantly famous after it was prominently showcased in an engagement shoot in 1981 that took place in the grounds of Buckingham Palace.

A new chapter in the story of Princess Diana’s engagement ring was written when, in 2010, William, Prince of Wales, formerly Duke of Cambridge, chose to propose to Catherine Middleton with the same engagement ring his father had given to Diana.

As this royal jewel, passed down through generations, takes on new meaning and sentiment upon Princess of Wales’ hand, we continue to honour this history-defining design in the 1735 collection.

Garrard’s iconic cluster setting also features prominently in the Jewelled Vault, where each one-of-a-kind creation is designed around an exceptional central stone.

A page from the scrapbook of Princess Victoria of Wales, daughter of King Edward VII and Queen Alexandra, shows photographs of Alexandra, dating from 1901, wearing a diamond crown that is much smaller than a traditional royal crown.

Crafted by Garrard in 1871 at the request of Queen Victoria, the miniature crown was designed to be worn over Queen Victoria widow’s cap.

Set with more than 1,000 diamonds and featuring alternating crosses and fleur-de-lis motifs, Garrard created the crown so that the arches could be removed.

Queen Victoria wore the Small Diamond Crown for the first time at the opening of Parliament in 1871 and frequently thereafter for state occasions.

After Queen Victoria’s death, the crown was worn by Queen Alexandra, who in turn passed it to her daughter-in-law, Queen Mary.

Today, Queen Victoria’s Small Diamond Crown is housed at the Jewel House at the Tower of London, where it is on display.

Both King George VI and HM The Queen are pictured wearing the Imperial State Crown in the Life Through a Royal Lens exhibition.

The 10th iteration of this historic jewel, the crown was crafted by Garrard in 1937 for King George VI and adjusted for The Queen ahead of her coronation in 1953.

Some of the most historic gems in the royal collection reside in this Crown Jewel, including, at the front of the crown, the Cullinan II, the second largest diamond cut from the 3,106-carat Cullinan Diamond – the largest gem-quality rough diamond ever discovered.

Above it, mounted on a diamond Maltese cross, is the Black Prince Ruby, which is not a ruby at all.

In the 16th century, it was discovered that this blood-red semi-polished stone is, in fact, a spinel, a gem that is often referred to as “the great imposter” after it was discovered that some of the most famous “rubies” seen in crown jewels around the world are, indeed, spinels.

A big moment in Garrard’s history was the recutting of the Koh-i-Noor Diamond.

This sizeable white diamond was first displayed to the public at the Great Exhibition of 1851.

In 1852, Prince Albert, who was instrumental in the creation of the Exhibition, commission Garrard to recut the diamond.

The intensely demanding cutting process lasted eight weeks and was overseen by The Duke of Wellington.

Garrard worked to create more facets to enhance its beauty; consequently, the diamond emerged as a dazzling brilliant weighing 105.6 carats.

In 1911, the Koh-i-Noor was set into Queen Mary’s Crown, newly created by Garrard for the Coronation.

Today, the fabled Koh-i-Noor Diamond (which is now only worn by a woman – if a man wears it, he will supposedly be cursed) is set at the centre of The Queen Mother’s Crown created by Garrard in 1937.

In a black-and-white photograph taken at the Delhi Durbar in 1911, held to mark the coronation of King George V and Queen Mary as Emperor and Empress of India, Queen Mary is pictured wearing the magnificent Delhi Durbar Suite.

Created by Garrard at the request of the Queen, who wanted a suite of jewels that perfectly captured the majesty of the occasion, the suite included an emerald and diamond tiara, earrings, a brooch, a stomacher, and a spectacular necklace.

Designed by Garrard in a striking circlet style, the Delhi Durbar necklace is set with eight large cabochon emeralds known collectively as the Cambridge Emeralds, with a pendant suspended beneath set with a ninth Cambridge Emerald.

In 1912, Garrard made slight alterations to the necklace, making the emerald pendant detachable and adding a second removable pendant showcasing the 8.80-carat marquise cut Cullinan VII diamond.

Queen Mary regularly wore the necklace and the other jewels in the parure for the rest of her life, after which they became the property of Her Late Majesty Queen Elizabeth II, who inherited the Delhi Durbar Necklace in 1953 and had worn it on many occasions.

The Delhi Durbar Tiara, meanwhile, was given by Her Late Majesty The Queen to Camilla, Queen Consort, after her marriage to His Majesty King Charles III.

Commissioned by Queen Mary in 1919, the Fringe Tiara was crafted by Garrard in the fashionable Russian style reminiscent of a kokoshnik and designed to be convertible so that it could be worn as either a tiara or a necklace.

Queen Mary gave the tiara to her daughter-in-law, Queen Elizabeth, later the Queen Mother, who was pictured wearing it in Cecil Beaton’s whimsical portrait.

Queen Elizabeth in turn loaned it to her daughter, Her Late Majesty Queen Elizabeth II, then Princess Elizabeth, to wear for her wedding to Philip Mountbatten in 1947 as her “something borrowed.”

In 1974, the Queen Mother loaned the Fringe tiara for another royal wedding, that of her granddaughter Princess Anne.

Most recently, it was worn by Princess Beatrice on the occasion of her wedding to Edoardo Mapelli Mozzi in 2020.

Originally created by Garrard in 1870 for Florence, Lady Poltimore, the 2nd Baron of Poltimore, the Poltimore Tiara was not publicly known until it was acquired by Princess Margaret prior to her engagement to Antony Armstrong-Jones in 1959.

Featuring elegant diamond scrolls evocative of flora – an enduring source of inspiration during the Victorian era in which it was made – it quickly became one of the Princess’s most prized possessions.

In the ensuing years, both Margaret and the towering jewel were regularly in the spotlight, including, most famously, the photograph on show as part of the Life Through a Royal Lens exhibition featuring the Princess wearing the Poltimore Tiara in the bathtub.

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jeweled-blue-eyes · 2 years

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A gem-set silver bandeau, circa 1920

Designed as an openwork bandeau of foliage and flowers, set at the centre with a cabochon emerald and with circular-cut sapphires and pink sapphire within the centres of the flowers, inner length approximately 233mm.

#jewelry #sotheby’s power & image: royal & aristocratic tiaras exhibition #tiaras #penelope judith vibes #floral

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thecrownnet · 2 years

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EXHIBITION PLATINUM JUBILEE: THE QUEEN'S ACCESSION

In celebration of The Queen's historic Platinum Jubilee in 2022, The State Rooms at Buckingham Palace will feature a display looking at The Queen's Accession to the throne in February 1952.

On display will be examples from the remarkable series of portraits taken by Dorothy Wilding, that formed the basis of The Queen's image on stamps and in British embassies across the world until 1971. Also featured will be The Girls of Great Britain and Ireland Tiara, which was a wedding gift to Princess Victoria Mary of Teck, later Queen Mary, on the occasion of her marriage to the future King George V in 1893. The diamond tiara was made by E. Wolff & Co for R & S. Garrard in a scrolled and pierced foliate form. Queen Mary gave the tiara to her granddaughter, Princess Elizabeth, as a wedding present on the occasion of her marriage to Prince Philip on 20 November 1947.

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Also on display is the Diamond Diadem, one of Her Majesty's most widely recognised pieces of jewellery.

The Diamond Diadem is set with 1,333 brilliant-cut diamonds and consists of a band with two rows of pearls either side of a row of diamonds, above which are diamonds set in the form of a rose, a thistle and two shamrocks, the national emblems of England, Scotland and Ireland.

Watch our film to discover the history of this spectacular object, and book tickets to Buckingham Palace this summer to see the diadem on display in our special display: Platinum Jubilee: The Queen's Accession: https://www.rct.uk/collection/themes/...

- Royal Collection Trust

#the crown netflix #the crown #queen elizabeth ii #platinum jubilee #platinum jubilee the queens accession #diamond diadem #buckingham palace #exhibition #brf #british royal family #british monarchy #crown jewels #crowns and tiaras #royal collection trust #thecrownnet

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utterlyotterlyx · 2 months

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Hi!!! I can request a modern!azriel x reader in which he likes her, but all his attempts to get close to her have been thwarted because they got off on the wrong foot. Then someone tells him that she's part of a book club and he starts joining just to get closer to her and the rest is up to you :)

Ooooooo I love this! x

New Pages

Modern!Az x Reader

Warnings - swearing, angst, pining, fluff, cutie Az

I have not proof read this so I apologise in advance for any mistakes x

And in that moment, I swear we were infinite.

The background of your phone screen harmonised with the words inscribed on the flesh of your arm. You were bundled under blankets, pillows cushioning your back, and your eyes scanned the plethora of words in front of you, your tea long forgotten on the window ledge.

Your sorority house was teaming with girlish laughter, the quick padding down the hallways and the dull melodic thump of Nesta's bass told you one thing, the house party Mor had insisted on throwing for Feyre's birthday was going to start soon, and you hadn't even thought about getting ready.

Would they realise if you didn't go? It was completely possible to throw your earbuds in and lock your bedroom door...

That train of thought was interrupted when the said birthday girl sprang through your door, "You're not ready?!" Feyre squeaked, large rollers were pinned in her hair and she stood at the foot of your bed with fake eyelashes in one hand and a small vial of glue in the other.

"I lost track of time," you told her, curling your legs underneath you and laying your book down open on the bed so that you could pick up right where you left off, "Also, have you ever heard of knocking?"

"We don't knock," she quipped, throwing herself down on the bed and sighing, "This doesn't have anything to do with him does it?"

"With who?"

"Oh, come on, Y/N. You know who," she prodded your side and you groaned, folding your arms over your chest whilst Feyre applied glue to the thin onyx lash line, "If it helps, I really don't think he knew you were behind that door," she blew lightly on the lash, party drying the glue and used your mirror to fix it to her right eye.

You winced at the memory, your fingers ghosting over the bridge of your nose that had only days before returned to its normal hue, "I've only just gotten rid of that bruise, all the concealer in the world couldn't hide that mess."

"Still," she blinked, "I really don't think he did it on purpose. Rhys said he felt really bad."

"Like he felt bad after the time he ran over my foot on that stupid motorcycle? I missed the Van Gogh exhibit because of that bullshit."

"Y/N..." Feyre drawled, exasperated with you and your excuses, "Please just get dressed," she had applied the other eyelash to her left eye and pushed them into place before turning to you with a smirk, "Before I let Mor in here."

"Okay, I'm up."

All of the entangled grinding bodies did little to soothe your anxiety.

You'd never been much of a party girl, and you had only joined the sorority because Mor and Feyre had insisted upon it. Lights strobed against the pale pink glittery banners and balloons that Elain had spent all day carefully throwing up whilst Nesta enlisted Cassian to get all of the booze.

The seating area in the centre of the room was brimming with all of the faces that you knew, Rhys with Feyre sat on his lap adorning a pathetic plastic tiara on the crown of her head, Mor wedged next to them with her legs strung over Emerie's thighs, Amren chatting away to Elain and Lucien on the far sofa, Nesta making sex eyes at Cassian, and then there was him.

Azriel.

The lights reflected off his smooth skin, tussled onyx short hair that looked somewhat windswept, hazel eyes and his strong jaw ticking as he searched the room before his eyes landed on you, finding you in the ocean of bodies surrounding where they all sat.

"Y/N!" A voice shouted to you over the crowd, red wine hair and amber eyes, she held her hand out to you and you clutched onto it, allowing her to pull you through into a small clearing by the stairs.

"Thanks, Bryce," she smirked over her shoulder at you, plucking two drinks from Hunt's hands and placing one in your grip.

Bryce was one of Nesta's friends that you had met when she had joined your art history class after a timetable mix up, you'd been pretty close since, you studied with Bryce in the library and Hunt occasionally joined as did Bryce's brother, Ruhn.

"Don't mention it," she clinked her glass against yours and you both downed half of the liquid, clearly you had some catching up to do from taking as long as possible to get ready, only joining the party when Nesta had sent you a snappy text about kicking your ass down the stairs if you didn't show your face in the next five minutes.

"Hey Athalar," he grinned at you, muttering a hello as he gave you a side hug. Hunt liked you a lot, you were good for Bryce, you were gentle and timid, but had a thunderous passion for the things you loved. Bryce was one of those things.

Bryce gave you a once over. A sleek white dress clung to your figure, every curve accentuated perfectly by the clean cut fabric that reached just below you ass, giving a perfect view of your legs. Black heeled boots were laced onto your feet, hair styled into effortless waves, and your makeup was simple and natural, highlighting your cheekbones and lips. Bryce approved.

Bryce smirked, noticing the pair of violet eyes that crept up behind you, they wrapped their arms around your waist and hoisted you in the air, placing you over their shoulder and twirling you around, chuckling as you squeaked in surprise, "Put me down, Ruhn!" With a light tap on your ass, Ruhn obliged and put you back on your feet.

Ruhn always looked good, long hair pulled back into a low messy bun, the sides always shaved, tattoos flowing up and down his arms, tan skin, taut muscle, tank top and cargo jeans. So good.

"Can't help myself," he slid an arm around your shoulder and pressed a kiss to your temple, "You look beautiful."

The elder sibling had always pined after you, he would wait in the courtyard outside of the art building to walk you back to the house, he'd bring you breakfast on a Sunday, he'd even taken you to your first football game.

"Thank you, Ruhn," you leaned into him and smiled, tuning back into the conversation between Bryce and Hunt, and the newly arrived Tristan Flynn, paying little attention to the burning hot hazel gaze that branded into your back.

There had been too many times where Az had fucked up.

Running over your foot was an accident that led to the spiralling mess that was your relationship, and every time he had tried to make up for it, it just kept on getting worse. Chocolates? Turns out you were allergic to nuts and blew up like a balloon. Coffee? He'd spilt the oat chai latte all over your brand new summer dress and ruined it. The movies? He had miscounted the group and forgot to get yours, and by then there were no tickets left. And then the door. That stupid fucking door. Azriel was so busy talking to Feyre about you that he didn't see you on the other side and smashed it right into your face.

Every time Azriel tried to talk to you, to voice how sorry he was and how stupidly in love with you he was, he fucked it up.

So yeah, he didn't blame you for hating him.

"Wanna stare a little harder, Az?"

Azriel turned his head slightly, forcing himself to look away from Ruhn's arm around you and his lips by your ear, whispering who knows what to you. At least the bruises under your eyes and around your nose had cleared, enough that you no longer winced when you smiled.

"She seems a little off today," he said to no one in particular, letting his words float into the air in hope someone would tell him why.

Azriel had spent a good amount of time studying you and your little quips, the face you'd make when you were concentrating, how many cups of tea you'd make after leaving them somewhere and forgetting about them, even your morning routines on your way to class.

Mor threw herself down beside him, the sofa cushion hissing out under her weight, "She missed book club tonight, she loves book club," Mor's eyes were glazed over, a sloppy smirk pulled at her lips.

"Book club?" Azriel asked, he knew you loved reading, but he never knew that you went to an actual book club.

"Yeah, you know, a place where people talk about the books they've been reading?," Nesta scoffed when Azriel flipped her off, she continued, "This week was meant to be the first session about The Perks of Being a Wallflower, it's her favourite," Nesta stirred her drink with her straw, "Just in case you wanted to make a gesture."

Azriel nodded, his eyes finding you again, "Thanks, Nes."

Azriel was fiddling idly with his fingers as people began to file into the room clutching copies of the book you loved so much, the same book that he had rushed out to get the morning after Feyre's party so that he could read it in time to talk to you about it.

Walls of books lined the room, dainty oak tables and arm chairs scattered around in a circle with blankets folded neatly over the arms. Warm fairy lights lit the ceiling, and Azriel understood why you must have been sad to have missed the last session.

He heard your laugh before he saw you, he saw the edges of your skirt that kissed the floorboards and allowed his sight to roam upward until he found your eyes wide and full of surprise, stuck in the doorway. You soon shook off the surprise and took a seat at the other side of the circle, looking to him occasionally with confusion.

"What quote resonated with you the most, Azriel? There are a lot to choose from."

You had looked to him then, really looked at him, not with hatred or any form of disgust, but with pure curiosity, bright shiny curiosity.

"It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especially me. I think the idea is that every person has to live for his or her own life and then make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite."

Azriel had recited the passage perfectly, he didn't even need to open the book and turn to the page. He just knew it. His voice was so deep and spoke emotion into every word, like he was in a trance.

The session had wrapped up and you had kept your distance during the breaks, seemingly lost in a world of thought, so Azriel thought it would be best to leave you alone. If the baby step in your relationship simply was having you look at him with anything but hatred, then he'd take it, he didn't want to push it.

"Azriel, wait!" Your voice called to him and he froze on the grass outside of the art building, turning slowly to face you as you jogged across the plain toward him, your skirt flowing in the wind behind you.

You looked pretty, you always did, but in the moonlight, with your hair tied back and loose threads falling over your face, with the two sizes too big jumper drowning your figure, he thought you looked ethereal.

"I didn't know you liked reading," you had said once you stopped in front of him, holding your favourite book to your chest.

"I don't talk about it."

"Right, it's just Feyre never mentioned it," you tucked a loose strand of hair behind your ear and smiled up at him with a tilted head, examining him.

Azriel took a step toward you, one hand in his pocket and another holding onto his own copy, "Why would Feyre mention it?"

"I, I don't know actually," you mumbled, slightly flustered, you were adorable when you were flustered, "Is that your first time reading it?"

"Yeah, it was great. I see why it's your favourite."

"How do you know that?" A smirk tugged at your lips, ones that he wished he could taste, just once, so that he could tell the devil he had been to heaven without ever stepping foot there.

"Nesta may have said something."

"Ah," you kicked the air, shivering at the cold breeze that brushed past you, "Would you like to borrow my copy? I left notes in the margins that you might like."

Azriel glanced at your outstretched hand, he looked at the book with the dented spine from the countless times it had been explored, the frayed edges and the faint hue of blue ink that peeked out from one of the pages. He took it from you with a smile, "Can I, uh, walk you back?"

A moment of silence beat its heart and you hummed, "I think I'd like that."

"Right, great," he told you as you began to walk off, quickening his pace to fall in line with you.

You smelt of summer rain of freshly cut grass, of jasmine and orchid, a mind altering scent, "You know that I never meant to run over your foot last year right?"

"Or spill coffee over my dress? Or smack my face with that door?"

"Yeah, I haven't been very smooth," you laughed, actually laughed at him, with him, and it was an intoxicating sound, one of pure joy and happiness, "I never meant to hurt you."

"I believe you," the stars shone in the sky and you looked up at them, a smile ghosting at your lips, "I'm ready to turn a new page if you are?"

"I'm all about turning new pages."

You leaned into him, nudging him softly with your elbow, "Let's see what you've got then, Shadowsinger."

Authors Note

I really hope this is what you were wanting!

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boylerpf · 1 month

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Emerald tiara, transformable into three brooches and Made of emeralds, diamonds, gold, and silver. Circa 1840-50. This emerald tiara is composed of emeralds, diamonds, gold, and silver. The crown section is constructed with diamond and emerald-set oak leaf branches, and it can be converted into three brooches. The diamond oak leaf brooch exhibited, adorned with gold and silver, symbolizes verdant and flourishing essence with its diamond-studded serrated leaves.

Upon closer inspection, you will find that these two jewelry pieces feature 16 gemstone acorns. In Europe, the resilient nature of the oak tree is regarded as a symbol of royalty, while acorns represent the protected people. Whether it’s a palace ball or a grand banquet, these patriotic-themed accessories are the perfect complement to formal attire.

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lacetulle · 2 years

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What was your favorite met gala gown?

This is a tough question and my answer is going to be a long one. Mostly because this was the second part of a two-parter exhibition. In America: A Lexicon of Fashion was the exhibit in September last year, and that particular gala seemed very boring. There wasn't a specific theme other than Americana, so it was underwhelming since it encompassed such a broad amount of time. So when they announced that this gala had a 'Gilded Glamour' theme, I was thrilled that they were trying to hone in on a specific time period. Unfortunately, they announced it not even a month ago. The amount of time that goes into planning these looks spans well beyond a month, so while I think the theme was grossly ignored, the theme announcement came way too late for designers and celebrities.

Also, fashion designers are who truly get the invites to the gala. Vogue does invite a handful of celebrities and they get to work with whatever designer they want, but when we see a crowd of celebrities with Moschino or Louis Vuitton or Prabal Gurung...the designers choose what the celebrity wears. So unless you're at a certain level of star power, sometimes you just get to show up and look out of place (I'm looking at you, Michael Kors and LV girls) because the designer gets to choose. With that said, here is my favorite. And some honorable mentions.

Blake Lively is my winner. I loved the homage to the Statue of Liberty and its patina effect. I actually didn't really like it when I first saw her on the carpet...the metallic bow gave me more of an '80s vibe. But after her reveal and the bow unfurled...I loved it. The tiara, the gloves, the designs on the dress. I loved it all and seemed like a love note to New York City. Blake is one of the ones who gets to envision an idea and talk to a designer and make it come to life. She really did have a big hand in designing this with Versace and you can tell by the amount of pride she had when breaking the dress elements down. And bonus points: the Statue of Liberty arrived in 1885, right in the middle of the gilded age time period.

Billie Eilish is my runner up. She took the theme to heart. I love that she asked Gucci to use upcycled materials. I don't have anything else to add because she's the only one who literally went with the theme and I applaud her.

Chloe Grace Moretz in Louis Vuitton. Even though I didn't like the LV girls as a whole, Chloe is the exception for me. I loved the nod to men's fashion in the gilded age and I wished more men actually went this route.

Rosalía in Givenchy. The glasses annoyed me. But I do love the dress. The nod to gigot sleeves are probably what make the look for me.

I also really loved Carey Mulligan's Schiaparelli dress. I think she flew under the radar because while the dress might be safe, I do love the nod to gilded equaling gold and gilded aged fashion. And while I'm surprised at how tame it is, considering Schiaparelli's looks can be way out there, I think it was a lovely mixture of gilded age fashion in a modern look.

And finally, the Cinderella story of the night: Genesis Suero wearing Lucia Rodriguez. Flawless. The dress fit the theme. And like so many people who stopped reading the theme after the word 'gilded' and just said, GOLD EVERYTHING...Genesis had a 2-for-1. A gorgeous golden gilded age dress.

I had high hopes for this gala and the theme, since historical shows are so popular right now. And I was even willing to overlook people disregarding the era of the theme and thinking it just meant they had to be dripping in gold. But I could not believe the amount of people who thought this theme included the roaring '20s or the golden age of Hollywood. Once again, the best Met Gala by far, was 2018's Heavenly Bodies, and I'm disappointed that more people didn't show up with high neck, bustles, gloves, and lace.

Thanks for asking! Sorry this turned into a novel. I guess I'm very passionate about the Met Gala.

#met gala #best dressed #met gala 2022 #ask me anything

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the-jewel-catalogue · 1 month

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Jewel of the day

19.03.2024 -As President of the Royal commission for the Exhibition of 1851, Princess Anne attended the Presidential dinner.

She is wearing her Aquamarine Pineflower brooch, necklace & earrings which were a gift from the Queen Mother for her first wedding in 1973.

The brooch was formerly the central element of the aquamarine pineflower tiara before she had it remodelled as a brooch.

#princess anne #british royal family #thejewelcatalogue #jewel of the day #jewel;brooch #jewel;necklace #jewel;earrings #Aquamarine Pineflower brooch

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elsewhereuniversity · 3 months

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excuse me archivist, I have something I wish to get off my hands, and believe your sewing kits would be a good fit for it.

a charm for you, a needle which can use nearly any long, cylindrical object as thread, from a regular string to copper wire to one time I used raw spaghetti with it. Good Times that last one. I urge however a warning be put with it, because its other property, to phase through an object when it's trying to reach its thread, has resulted in some... complications.

while I'm here, would you know any way to get a nerve back in place? I can't use my good arm thanks to the needle taking its nerves out.

A charm for you in turn: I have nothing for nerves specifically, but I have a tiara of icicles, which feels gently warm to the touch and does not melt. It has exhibited some minor healing properties in the past, smoothing burns back into unmarred skin and leeching away the pain of headaches. I have some hope that if it can't heal, it might at least relieve any discomfort, until you can find a solution.

#charms #the crazed sewing kit v

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gemville · 7 months

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The Spencer Family's Diamond Honeysuckle Tiara As Displayed At A Preview Of The Traveling "Diana: A Celebration" Exhibit At The National Constitution Center On October 1st, 2009 In Philadelphia, PA

Photo Courtesy: William Thomas Cain/Getty Images

Source: thecourtjeweller.com

#famous jewelry #honeysuckle tiara #royal jewels #princess diana #spencer family #noble jewels #diamond tiara #diamonds #high jewelry #luxury jewelry #fine jewelry #fine jewellery pieces #gemville

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themakeupbrush · 2 years

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Gold and Brass Opium Poppy Crown, part of the “Power & Image: Royal & Aristocratic Tiaras” Exhibition at Sotheby’s

#tiara

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tiaramania · 6 months

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There is a new exhibition called 'La Moda en la Casa de Alba/The Fashion in the House of Alba' at Palacio de Liria in Madrid from October 19th to March 31st. It covers two centuries of the family through their fashion with designs by Charles Frederick Worth, Louise Chéruit, Cristóbal Balenciaga, Flora Villareal, Manuel Pertegaz, and Enmanuel Húngaro. The exhibition includes dresses worn by Empress Eugénie of France, also the Countess of Montijo, and the wedding dresses of Cayetana Fitz-James Stuart, 18th Duchess of Alba, Eugenia Martínez de Irujo, 12th Duchess of Montoro, and Sofía Palazuelo Barroso, Duchess of Huéscar. You can find out more about visiting here.

There are no jewels on display due to security concerns and the cost of insuring them but I noticed in the background of one of the pictures is a portrait of the Duchess of Huéscar wearing the Alba Strawberry Leaf Coronet.

It looks like it was part of the same photo session as the portrait that was found to be on display at Palacio de las Dueñas in Seville in January.

I need to see a better quality picture of Sofia wearing the tiara!

Strawberry leaf ducal-style coronets are very popular amongst Spanish nobility. The one is made of emeralds, diamonds, and pearls and was supposedly a gift from Empress Eugénie to her sister, María Francisca de Sales de Palafox Portocarrero y Kirkpatrick, 16th Duchess of Peñaranda de Duero, wife of the 15th Duke of Alba. Here it is worn by María del Rosario Falcó y Osorio, 21st Countess of Siruela, and María del Rosario de Silva y Gurtubay, 9th Marchioness of San Vicente del Barco, wives of the 16th and 17th Dukes respectively.

Of course it was most famously worn by María del Rosario Cayetana Fitz-James Stuart y Silva, 18th Duchess of Alba, and most titled person in the world before she passed away in 2014.

If anyone goes to the exhibition and is able to get better shot of the portrait, I would very much appreciate if you would send it to me.

#Tiara Talk #Duchess of Alba #Spain #Spanish Nobility #Sofía Palazuelo #Duchess of Huescar #emerald #coronet #strawberry leaf tiara #tiara exhibition #sort of

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theroyalsims · 7 months

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PALACE RELEASES NEW ROYAL PORTRAIT TO MARK QUEEN'S ACCESSION

Royal fans were treated to a brand new royal portrait early this morning. The photo was simultaneously shared through an official press release as well as via the Royal Family's official website and social media channels. The portrait, taken earlier this year, was released in celebration of the anniversary of The Queen's accession.

The new portrait shows a silver-haired Queen Emilia dripping in diamonds, showcasing some of Her Majesty's most precious jewels, including a massive 300 year-old tiara, and a brooch that was gifted to then Princess Emilia by her father, the late King Leopold.

Aside from being exhibited at the Royal Wing of the Brindleton Portrait Gallery, the new photo will also be featured in limited edition §5 coins.

The Palace also shared another shot taken earlier this week when the portrait was officially presented to The Queen. Accompanied by her ever-loving husband, Prince Jacques, Her Majesty was said to be pleased and perhaps slightly amused at the massive portrait.

As is tradition, the whole Family will be making a balcony appearance this weekend, following a short procession. The Queen will be skipping the horse-drawn carriage, however, and will be greeting her adoring crowd aboard one of the vintage royal vehicles, instead. A banquet will also be held in honour of Her Majesty, and foreign royals are expected to attend.

#theroyalsims #ts4 #ts4 royals #ts4 legacy #ts4 simblr #ts4 royal story #ts4 royalty #ts4 royal family #ts4 royal #emilia #jacques

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brf-rumortrackinganon · 1 month

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Kate narrating a documentary about bee-keeping and honeymaking? Earthshot giving us a 6 episode documentary series about their winners narrated by Cate Blanchett or a 2-hour special about Cape Town and South Africa (and every Earthshot city) by David Attenborough or a local expert? A 30-minute travel program about Cornwall by the Duchy of Cornwall? 3-minute YouTube videos about their charities and patronages produced by the people who work there or who benefit from services posted ahead of their visits? William narrating a documentary about his homeless initiative in Cornwall? A summer exhibition in KP’s display hall of Kate’s dresses or a Kate-curated show of the Royal Collection or loans from her patronages?

Yes, yes, and yes!!!! William and Catherine really are the first gen of royals to belong wholly to the social media generation. They should use it’s global reach much more expansively and more expertly.

For Catherine: yes to beekeeping lol! Show the children - during small, limited vignettes - helping her. Further though, she has a degree in Art History. The BRF/RCT has a priceless art collection, most of it largely unseen/unknown by the greater public. Pair these two gems together in some (“fun yet informative”) documentaries…even a series. Same for the BRF photo collection. The BRF has been photographed by iconic photographers…Cecil Beaton, Richard Avedon (D/Dss of Windsor lol), Annie Leibowitz, Mario Testino (those stunning Diana photos). Sure, some of it’s been done before, but let the people see these treasures again in an updated modern media presentation - interspersed/“edited” :) with pertinent film footage and interviews - and hosted by Catherine.

And not just the BRF art/photography treasures, but ditto for their fashion (an entire series in itself!), jewelry/tiaras (what exactly IS inside the Royal Vault, anyway, hiding unseen?), castles/palaces/homes (let’s see inside Balmoral, Sandringham, Kensington, Adelaide Cottage (limited access), Frogmore House - but minus Frog Cott…we already know what Soho House design looks like, although Frog Cott cemetery might be informative…), priceless antique furniture, properties/gardens, horse stables and animals, even their vehicles (rare carriages, automobiles, boats, aircraft)! How about a documentary on the Royal Ballet, hosted by Catherine and Charlotte, w footage included of Granny Diana at the RB? Each of these categories could easily fill an episode, presented by C. The catch, of course, would be to present all of this “to the people” in a way that doesn’t scream “let y'all eat cake!” but rather “this is yours, be proud of its beauty and history, which also is yours” ala Jackie Kennedy at the White House.

And separately from the above “fine arts” themes, yes, let’s also see much more in-depth coverage - by William and Catherine - of their charities and the bts work/progress involved, especially as related to Early Years research and work!

For William: yes to a documentary tour and inside look at the Duchy of Cornwall (that is much larger than just Cornwall lol)! William could pilot the helicopter - filmed up-close-and-personal inside the cockpit - as he takes us on the tour, with on-the-ground coverage as well, of course. And YES to expanded coverage of Earthshot and the ongoing progress of its winners (and nominees). Show the people what innovations Earthshot is catalyzing. This also has the built in advantage of appealing to youth, diversity/CW, and cutting edge climate change concerns….ie, the future. BTW tie in Earthshot with the Duchy of Cornwall and show us how the Duchy is incorporating climate change initiatives…organic farming, wind power, sustainability, re-planting, etc.

All of this could be widely and easily disseminated to a large, young, global audience both on social media/KP youtube and via media networks (ITV, BBC, etc.). Get busy, William and Catherine! Make your impending future reign a glorious one, a British Renaissance! (From an American fan with British ancestry)

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My hope is for Kate to include the kids in one of her promo videos for her Christmas carol service. I’d love to see them decorating a tree together or baking holiday cookies while they’re still young and small(ish).

#submission

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