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#trying that old copying official art thing
elaine19day · 3 days
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To those who are confused as to where and how to buy OldXian's new artbook and merchandise, let me try to break it down for you.
A few days ago, OldXian announced the pre-sale of their new artbook which comes in two versions.
Variant A (regular) includes: - the new artbook - a poster - 2x postcards
Variant B (deluxe edition) includes: - the new artbook - a poster - 2x postcards - 4x buttons - a shishiki board - a sticker sheet - a 24 page booklet
Furthermore there's two new acrylic standees which can be purchased separately. A tianshan and a zhanyi version.
The cost of these items is as follows: Artbook (version A): 89 Yuan [roughly: 13 USD | 12 Euro | 10 GBP] Artbook (version B): 189 Yuan [roughly: 27 USD | 25 Euro 21 GBP] Acrylic Standee: 49 Yuan (each) [roughly: 7 USD | 7 Euro | 6 GBP]
All of these items are available for purchase in their taobao store now, under this link: https://item.taobao.com/item.htm?ft=t&id=786971367604
But if you have trouble creating a taobao account or your country isn't on the (very short) taobao shipping list [China, Taiwan, Malaysia, Singapore, Japan, USA, Canada, Australia, New Zealand] then you have several other options to get your hands on these new items.
1. You could use aliexpress, koonbooks or any other China-based shopping app/website to buy these things from a 3rd party seller.
Now, keep in mind that these sellers obviously want to make a profit, so you will pay more than in the original taobao shop. However, on the plus side, they usually offer free shipping, which is nice considering that items like artbooks are heavy and shipping costs are based on weight, so if you pay over, some of that money also goes towards covering the shipping costs, which is not bad.
The risk of ordering with such a website is obviously that the independent seller could turn out to be a scammer and keep your money and not send you the goods. I have no idea about koonbook's policies, however in the case of aliexpress you are at least protected by such practices and should you not receive what you paid for, you will be refunded and get your money back.
Also keep in mind that the artbook and merch is still in production at this point! But Old Xian said the merch will be shipped out BEFORE May 20th. That's less than 4 weeks from now.
That being said - in some cases the merch will be cheaper on aliexpress after official ship-out, because there will be more people offering it, competing for best prices.
However there's obviously also a risk that the deluxe edition will sell out before that or that these re-sellers only ship the artbook itself with none of the extras.
Here's two links where you can have a look at potential resellers, but carefully think about all the pro's and con's I gave you before you consider to buy. https://www.aliexpress.com/item/1005006893284852.html https://koonbooks.com/products/old-xian-19-days-art-collection-3-chinese?variant=46493038674166 2.
The other option you have is using a taobao shopping agent. If you google that, you'll find dozens of websites offering their services. I myself have used parcelup, 42agent and superbuy before. Here's links to all of them: https://www.superbuy.com/ https://parcelup.com/ https://www.42agent.com/ What all of these agents have in common is that you need to create an account BEFORE you can start searching and shopping. All you need for that is a valid email address. I'll show how it works with superbuy screenshots here. After you signed up, you can copy the taobao-link I gave you earlier and paste it into the search-field.
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What will come up is an embedded view of the taobao listing where you can pick which variant you want and then add it to your shopping cart.
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Once you have added everything you want, click on the shopping cart and simply follow all further payment instructions.
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They will also ask you if you want them to keep the original packaging or if you want them to remove anything unnecessary and repack everything in order to make it weigh less so shipping will be cheaper. It's up to you. You will then be asked to pay for items, domestic shipping (so mosspaca studios can ship the goods to your agent's warehouse) and in some cases a service fee. For example, superbuy has no service fee, however they stopped offering paypal as payment method recently so you'd need a credit card or other online methods to pay for your order and everything. Parcelup, however, still offers paypal, but they also charge service fees. (They are fairly low though, if you ask me.) So after you paid for your goods, they will order the items for you and then you'll have to wait about 4-5 weeks for them to arrive, because keep in mind - like I said earlier - everything is still in production and Old Xian aims to ship everything out before the 20th of May. There's hundreds, if not thousands of parcels arriving to all agent's warehouses every day, so it will take them a few days to sort through things after your order arrives. You need to be patient!! They will get back to you with pictures of your order, trust me. When this happens you need to look at the pics and if everything is okay, you can reply to them to proceed. You will then be presented with shipping quotes. Usually they offer more than one shipping method and some are tracked, others are untracked, some will take only a week or two until they arrive at your doorstep, others will take 6 weeks or up to two months. Choose wisely which method you want and consider what is in your budget. (Obviously fast shipping with tracking is more expensive than slow shipping without it, however personally I'd always recommend a tracked service.) Just to give you an estimate on what to expect when it comes to international shipping - parcels with that amount of merch and weight, will always cost me about 50 USD or more to ship from China to the UK, where I live. (So keep that in mind before you order. International shipping is very expensive!) But once you picked a shipping method, you pay for it (that's your 2nd payment) and once they have processed that - your goodies will be on the way to you within a few days. And that's it. Sit down, eat your food and wait patiently for it to arrive. If you have further questions, just plop them into the comments and I'll try to answer them.
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montydrawsstuff · 5 months
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New espio art just dropped!!
Gave him a Neato lil war fan
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onepiece-polls · 7 months
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One Piece Shipping War - Grand Finale!
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Propaganda under the cut.
Propaganda for Franky x Robin:
Do I really need to explain?
The old married couple who's healthy, Enies Lobby (and all their appearances) are their propaganda really.
It’s all about the maturity!
Their dynamic is perfect and their pasts are so similar. I love the chemistry between them as well as their introduction that helped build the connection and shared history they already have.
they are THE t4t bi4bi ship | franky telling robin "existing is not a crime" immediately puts this at number one for me | they are opposites (bright and loud + quiet and goth) but also they're both so eccentric and silly <3 | THEY WEAR MATCHING OUTFITS
Mom and dad Straw Hat
They are STILL the Mom and the Dad of the Straw Hats, this is the one thing I don't care what Oda says <3 Also their interactions in Enies Lobby and Thriller Bark are amazing.
In my eyes, they are married. Some of my favorite character interactions in the manga/anime and in official art.
Oda had Franky call Robin his wife at least once
Your honor they’re married
I'M GOING TO PUT LINKS IN MY EXAMPLES (Mod note: I linked to the whole post, the propaganda was going to get too long otherwise. But I will copy this line:...) They immediatly clicked in Enies Lobby, Franky saved Robin with both words and actions ("Your existence is not a sin!"), and then she grabbed his balls.
The duality of two kids who were just trying to chase their dream and having circumstances outside their control (the government) take everything they love away from them, but one choosing solitude and the other adopting every other person in a bad circumstance??? I love them. Plus they literally had couple moments from the first interaction.
The ultimate t4t couple idk what else you need theyre iconic
A wholesome ship of a woman who feels the need to be constantly on edge trying to relax and a man who is a 110% himself from the moment we see him. the joy of frobin is the causal domesticity, in many color spreads and especially post timeskip we can see them casually enjoying the others company.
Remember when Franky was in Chopper's body in Punk Hazard and every time he spoke Robin was like "Franky. Stop talking. Do not talk while you're in Chopper's body."
idk like. he's obsessed with her. she's his weird Goth gf and he's her himbo. they have matching outfits. I love them.
Look. It's Franky and Robin. Literally the only two characters that make sense to ship on the Sunny. Their arcs are inextricably intertwined (water7/enies lobby). Also LOOK AT THEM interacting, both during their arcs, but also thriller bark, or post time skip. I love them. Also robin crushed frankys balls.
funny big robot man & analytical smart research lady power couple... silly x smart... himbo x researcher... augh... so good
They are the ship for taxpaying adults your honor I LOVE them they’re literally freak4freak and they share such a fucking powerful arc together (Water 7).
that moment she let him sleep on her lap in punk hazard was sooo cute <3 -- The matching thigh highs and bottoms in film z can NOT be understated. -- Strawhat mom and dad -- Let's not forget the way robin convinced franky to join ( ͡° ͜ʖ ͡°) -- she also indirectly called his balls "treasure" so,,, -- the way their stories are so closely intertwined...they were both keys to destroy the world...the way they instantly connected over that...the soulmate-ism of it all...
they . them. girlboss and malewife. that's it.
She grabbed his balls. He totally liked it.
He's so silly and she loves it. She's so scary and he loves it. She grabbed his balls in public.
They will be endgame trust me. Franky doesn't treat any other girl like he treats Robin. There dynamic in Water 7 and Thriller Bark was and always will be one of the best in all of OP.
Propaganda for Nami x Vivi:
Yes, Nami has a new girlfriend on every island, but her heart belongs to Vivi. Vivi in turn refuses to marry, because her heart belongs with a pirate ❤
THEY’RE LESBIANS! IN LOVE! another point: my friends who are watching OP for the first time came to me and asked “so Nami and Vivi… they’re gay right?” So it’s pretty apparent to even newcomers
I just think they’re neat! And in love. Nami gave up money for Vivi that’s True Love
Anyone who saw them can just tell they’re gay. Like Nami gave up money for her
They're one of the rare lesbian ships in op, they care for each other so much !!
Lesbians
Lesbians
They were so gay that Luffy offered to share food to cheer Nami up when they were separated.
i dare you to read Baroque Works through Alabasta without shipping them. the way Vivi and Nami are so affectionate with each other, and Vivi putting saving her nation on hold to get Nami healthy again ???
Lesbians
Let’s go lesbians!!!!! Ok but actually, I think Nami saw a lot of herself in Vivi (ha) especially when Igaram “died” and then throughout their journey together Nami really encouraged her to open up to the crew. Nami showed Vivi it was ok to ask for help just like Luffy showed her.
Vivi was Nami's gay awakening and you cant change my mind. Nami was in love with Vivi and Vivi def had some kind of feeling for Nami. They were so close and they were more then just 'gal pals'
Lesbian Pirate Supremacy! they clearly care a lot about each other and considering when nami meets vivi she is probably one of the first close female friends she gets to have.
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askcometcare · 3 months
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how did u get the idea for the emoji icons? and can we make our own for our characters :pleading:
OOC: a few years back i made edits of official twemoji animal emojis (pngs at the time) to be sparklecare characters! they're really outdated and old and crusty because i only used pngs at the time, but when i started working on cometcare i thought it would be a cute little thing to make the profiles unique.
i'll try and explain how i do this as best as i can, sorry if this is confusing!
for context, twemoji is an open-source emoji font that is officially made by twitter. it's what discord uses for its default emojis! it's completely free. you can find all the assets and svgs here on the official github page. to edit them, go into the 'assets' folder after downloading and find your chosen emoji by scrolling for it in the 72x72 folder, these are all pngs.
unfortunately, the files arent sorted by name of what it is, but instead just letters and numbers. once you find the one you want, copy-paste the file name and search it in the svg folder (as the svg has the same file name as the png version) and copy it into your vector editing program.
its kind of a hassle to navigate through these repeatedly because there's SO MANY OF THEM, so what i recommend doing is copy-pasting all of the animals (and other objects if you want to do stuff like use the tophat like i did for soob) into one big svg canvas (or a folder if you want, but i recommend the canvas just so its easier) and copy and re-use them for each of your characters. i also recommend scaling up the image so when you export it, it's not super small and you can put it in an art program to make the icon.
you absolutely can use this idea, no need for credit! if you don't know how to work with vectors, it's relatively easy to learn, check out inkscape since its a free program! there's also paid programs like adobe illustrator but inkscape is something i learned to use in a high school art class so i'm pretty familiar with using it
you can use this method for basically anything you want, you don't need to limit it to toyhouse icons or anything! you can make custom emoji for servers and stuff too if you want :]
in theory you can make edits of the regular pngs, but its not as easy to edit the colors as it is in a vector editing program and can make the lines crusty
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project-sekai-facts · 6 months
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based on the interview posts, it's definitely thought-provoking to consider what's going to happen next. personally i do wonder if pjsekai will become "multi-generational" if it remains popular enough to continue (which is nearly impossible not to be considering a good portion of its competitors have been going for longer than 6 years at this point), the original 5 units would be the first generation, a conceptual new number of units being the next, and so on, because of the implication that "the original 5's stories will reach their conclusions and have an end" and after their conclusions are reached then, while they could write a new story with the characters with new adult issues and seeing them grow up further, there are still a lot of opportunities to expand on the game's lore and universe with new units, how the original units affected others, and especially sekai lore, especially since a lot of the game's lore has to do with miku helping out many individuals with their problems, and currently the majority of that is only done through the original unit's sekais, which is only a select 20 people's views (minus the vs fes cards which only have little lore anyways). Maybe it will be something like lovelive where the original generation (u's) has officially graduated but are still featured in newer games and still get some content in those games. Ultimately what happens next is something we just have to see the game develop closer to, but it's a solid option that the game can technically go for.
yeah like they said it's a difficult decisions. because on the one hand you've got these beloved characters and stories that people will have grown up with at that point, and continuing them on into 3rd year/university would mean there's more things you can do with them and new ideas you could include. and i think in a natural storytelling sense it would make sense to carry on with the main 5 because quite frankly having them all achieve their dreams and that before they've even finished high school is... somewhat unfulfilling? especially with n25 i think it would make a lot of sense to carry them on into uni, maybe have Ena go to art school and Mafuyu go to nursing school. even if their stories ended before they graduated uni I feel like that would be a really satisfying conclusion for them compared to maybe just mentioning that's where they're going when they finish high school. but then there's the fact they mentioned about just carrying on because it's popular and the story going stale because they only wrote so far. and that's definitely a threat because that can happen if they've only planned so far ahead. then again, the writing team is generally top-notch and other games have proven that you can stick around without people ever getting tired of the story.
i do however think the generational format could work. as you said it could expand more on the lore, introduce new characters with new problems, and prevent people from growing tired of the old ones. on the lore side of things i wonder if they would be included in the Tree SEKAI with the main 5, or if there would be a new collective sekai for them? the only thing about having a generational format similar to Love Live (where you completely conclude the story of the previous generation before the next generation...ish) is that you have to execute it well. SIP -> Sunshine worked because there was an in-universe 5 year timeskip. it left you with this legacy that u's had left that people were trying to chase, and Aqours had to learn that they had to find their own radiance instead of trying to directly copy u's. u's was long gone from the story and never actually appeared in the present day and that worked really well and i think was the best decision they could have made because actually having them there i think would ruin the whole idea of legacies and how they can work (sorry for rambling on a bit here I really like Sunshine). even in Superstar and Nijigaku there are nods to SIP and Sunshine but the characters never actually appear. It's similar to the VBS story actually with Nagi and trying to carry her legacy (with the difference is that u's and aqours are still alive. probably.).
that got a bit rambly but what i'm trying to say is that if you want to do a completely new generation and retire the old ones completely, it has to be done in a way that doesn't rely to much on stuff like random coincidences. you need there to be solid reasons why some kid would look up to a group of 4 kids who performed at a disneyland equivalent or 4 kids who held a music event. obviously there will be development in their stories between now and new units being added but I think adding in a timeskip and saying "yeah, they went on to do this really big inspiring thing" would be much more effective than a bunch of new characters who are hugely inspired by a niche teen music group that honesly doesn't really have much of an impact on anything. the reason VBS' story with legacies works is because there's actual stakes. RADder was a hugely successful group that had CD sales, national tours and a member that became a successful independent artist worldwide. RAD WEEKEND, although more limited to Tokyo, was still massively popular and inspired many people to put on an event that will surpass it. RADder is a big name and a big inspiration and leaves big shoes to fill, and that's why it works so well because there's big goals to work towards.
also in some ways as well a bunch of characters surpassing RW2 just after we saw VBS&Co put on RW2 would be a little bit unsatisfying I think. RADder are side characters who people are less attached to than VBS, but if you were to introduce VBS2 just after the original, even if there's a timeskip, it would probably leave a bit of a bad taste for some fans of the original VBS who'd spent years following their story.
to throw my own personal wishes for the games story on here, i think doing something similar to bandori or d4dj would work best for them. as in, adding new units who kinda take centre stage but still having the old units getting events and stories of their own. we could have new characters to keep things fresh but still get to see the original 20 growing up, having their careers take off, facing more adult problems and such. you could have the OG20 around to mentor the new characters as well, and keep the whole tree sekai lore intact with that being something that revolves around the original 5 units (and actually fucking develop the lore holy shit colopale it's been 3 years don't drag it out another 3 and then actually reveal all the lore before then completely retiring it). ahaha maybe this is a bit too self-indulgent and wishful thinking because I am way too attached to the main 20 but also from the perspective of someone who has done screenwriting classes at college it does work.
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xiaq · 1 year
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Hello friends. I mentioned it might happen and now it’s official—A scrubbed version of All Hail the Underdogs will be published as the third book in my Breakaway Series (aka after LRPD and LYNLTP). I signed the contract today⭐️ ⭐️ so you have a week to go download it (until Jan 30)⭐️⭐️ before my publisher requires that I take it down. A word of warning—I’ve changed the scrubbed version Quite a bit from the original in terms of secondary/background characters; you will recognize none of the old Samwell hockey crew. So if you want The Boys (TM) (and Lardo) go download it now or forever hold your peace.
Questions folks might have:
1. What about Matts or Martel/Okezie’s stories?
Matts will be book 4. I'm working on that now. Martel/Okezie will be book 5.
2. Will you turn any of your other fic into published fiction?
I don’t think so. The check please fics were mostly an excuse for me to play in a hockey sandbox and I relied a lot on headcanons/Fanons when writing. That made them easy to scrub and turn into their own thing. Everything else I’ve written I feel is tied much more closely to the source material (HP, Old Guard, Mandalorian, Sherlock, Bond) so A. It’d be hard to scrub and B. I just want to enjoy fic and let people enjoy my fic and not feel like I need to try and monetize all my writing. Especially now that I have this series I can keep expanding. My goal with publishing at all was to start making a name for myself now so that when I retire (maybe early? depending on how things go) I can write as a second career. I've achieved that, now.
3. After you take it down will you still share downloaded versions if people lose their copy or miss the deadline?
My publishing contract doesn’t allow that, but I’ll make a post just like I did for LRPD where folks with copies can share them with folks who need copies. I’m absolutely not going to hold the story hostage. If you don’t want to pay for the new version, you 100% won’t have to.
4. When will it be published?
Book two will be out in late spring or early summer 2023. Book three will likely be spring of 2024 but nothing official yet considering I just signed the contract today.
5. Will the same cover artist do the art? Provided Jick is still down, yes! We are all about supporting fantastically talented fan artists (and continuity) in this house.
6. Will you keep writing fic?
Of course! I'm writing a new HP fic now and I have a Witcher fic idea percolating. My writing might slow down with Real Life work stuff and publishing stuff, but like...the majority of my friends are here. I learned to write here. I like it here. Why would I leave?
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cheolhub · 9 months
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UR INVITED 2 CHEOLHUB'S 1ST BDAY BASH!
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ABOUT THE EVENT ☾⋆。𖦹 °✩
HELLOOOOO! ok first of all, no one comment on my header (unless ur complimenting it 😊), i dropped my art minor after 3 months bc i lack artistic skill and i’ve made it very clear here. NEXT, it’s not MY birthday but cheolhub will officially be a YEAR old on the 26th of august & i wanted to celebrate with a lil sleepover event :> i've had so many ups and downs while running this blog and have almost abandoned it more times than i can count, so i just want to say CHEERS to cheolhub (aka sar aka me) for making it this far <3 i am eternally grateful for every kind message, every piece of feedback, and everyone who has been supporting me and my silly lil blog. i love u guys sm and would’ve been long gone without you T^T <3 i hope you'll join the celebration!! -3- and if this flops, you’ll never hear from me again /j /j /j
i knowww it’s early, but i start uni classes again next week (my last semester, yay 😻) and i wanna have time to do an event T-T
SLEEPOVER DATES ☾⋆。𖦹 °✩
this event runs for about two weeks! from sunday, august 13th to sunday, august 27th. any asks sent after august 27th will be deleted!
please note that i’ll still be working on asks (if i have any left) even after the event is closed.
EVENTS ☾⋆。𖦹 °✩
!★﹕ᶻ﹐LET'S EAT﹒
☆︎ who's hungry? 👹🍽 request a short (less than 1k) drabble and you shall receive. i will be writing the first 5-10 requests due to my busy uni schedule :3 — choose a prompt (or two) from this prompt list + a member from seventeen, txt or the boyz! [closed] (ik the list isnt numbered, so just copy + paste ur preferred prompt(s) ><)
★︎ mtl for seventeen and txt! [open]
☆︎ hard hours for any group i write for! [refer to my guidelines to see who i write for] [open]
!★﹕ᶻ﹐ TIME 4 SELF CARE﹒[open]
★︎ let's do the things that make us happy! what makes us happier than being delusional and horny? you guessed it! being shipped with a hottie 😻 — this is the SHIP GAME + i’ll give you a silly little trope to kickstart ur epic romance
☆︎ OR opt for a personalized moodboards or playlists based off the vibes you give off! (mutuals can get both a moodboard and playlist if they’d like bc i would diy for all of u -3- just say u want both so i know<3333)
note: anonymous senders, please send me a few bits of info like your mbti, ult group and/or bias (does not have to be a group i stan!), star sign (big three if you know it), favorite color, etc. basically anything you want to share + one of the options above. mutuals can ask for any of the above, but providing info is totally optional!!
!★﹕ᶻ﹐WANNA PLAY A GAME?﹒[open]
☆︎ q&a!
ask me anything! favorite movie, how i got into writing, what i do when i’m not writing, why i only ult leaders etc. but please nothing too personal!
★︎ my opinions on literally ANYTHING!
☆︎ ask me for fic recs or give me fic recs!
★︎ fuck, marry, kiss (not kill bc i do not condone violence… not on here at least /lh)
☆︎ would you rather
note: you can send as many of these as you’d like :p i like answering them <3
RULES ☾⋆。𖦹 °✩
everything for this event will be tagged under #[ birthday bash ! ] you can block the tag to avoid seeing the posts!
please make sure to get your ask in within the time frame (aug 13th-27th)
minors, please please please do not interact!
be respectful and patient! — the drabbles, mtls & hard hours may take longer for me to get through, but i’ll try my absolute hardest to get them done in a timely manner <3
when sending an ask, be sure to mention the event so i can differentiate between those and my regular asks :)
have fun! ⭐️⭐️
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beanghostprincess · 5 months
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Usopp has a mural in the guy cabin. It's a painting of the merry in front of the sunset. It took him weeks to finish. All the guys had to sleep outside except for usopp, he usually did all nighters working on it. Robin would stop him and take him to the women's cabin to sleep. She also wanted to see his actual art skill, she watched him draw and they were nice but she really wanted to see his true talent at work. She would sometimes sit and watch him paint and enjoy his company. She asked about his inspiration and if he's interested in famous artists, his dad actually had a book of old artworks. It was a gift for his wife and he used to look at the picture and try to copy them.
She did the same thing when he painted the woman's cabin. It was the merry info of sunrise. She's made tea and quietly reads while she listens to usopp talk and paint. Usopp rarely lies to Robin most of his stories he tells her are mundane things he remembers from his childhood. he used to draw and paint on the other villagers houses, they used to the furious at him and made him paint over it.. but some of the villages yelled at him but never painted over them and kept it on their house for years and some of them are still there till this day. After usopp was officially done with both murals and everyone could finally sleep in the cabin Robin gifted him with a book of ancient art in artifacts as a thank you gift (The same book that he had at home but he didn't say that)
Idk I like the unusual pairings and relationships that some of the straw hats form (not shipping just like family/ platonic relationship)
Robin and Usopp would have a mutual liking for the arts. Robin with art history and Usopp with art in general, realism, abstract, surrealism pop art ect
Awww this is just so sweet. I actually love the idea of Usopp and Robin being closer because I think their personalities match perfectly for these things. Quiet activities and enjoying each other's company. Robin saying a random, creepy comment that scares the shit out of Usopp but they laugh it away. Usopp explaining to her his sketching and painting process and Robin actually knowing where those techniques come from historically. I think Robin is the type of person Usopp would go to when he wants to be alone but not lonely for a few minutes <3 And she likes his company a lot too.
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mellowwillowy · 4 months
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hi!! i have a some questions abt the lore or whatever u want to call it!!
whats the relationship between yulian and eve or eve and reader
is there more facts abt A-01
also whats A-01's real name if she has one
ALSO LIVE LAUGH LOVE A-01 <3333 >:)
I shall officially nominate you as A-01's first follower *simba pose*
Old art warning
𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐎𝐯𝐞𝐫𝐯𝐢𝐞𝐰
Yulian (Adam), Eve, and Reader are the three main subjects of a project called 'Project Eden' led by 3 exceptional scientists.
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Diederich, Diana, Castiel (Scientists)
Adam, Eve, and 'Reader' are referred to as '𝙰𝚕𝚙𝚑𝚊' while Yulian and A-01 are referred to as '𝙱𝚎𝚝𝚊'.
Yulian/Adam, A-01, Eve
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About this Alpha-Beta in a nutshell: Take Alpha as the original good while Beta is just a replica of Alpha, most Beta's appearance is strongly based on their Alpha's.
Yulian and Eve don't have that much of a history since the childhood timeline is supposed to be Adam and Eve. Due to one thing and another, Eve is set to fall in love with Adam no matter what the condition is but Adam's setting is still unknown. Eve and 'Reader' had a rather bad history because, in a nutshell (w/o spoiler because I'm delusional that one day I will write something for this), 'Reader' was married to Yulian (who is literally Adam's copy-paste) when Eve is set to love Adam no matter what the condition is? Oooh, sounds like Eve is about to push Reader down the stairs to death and make Yulian trials Eve for this first-degree murder ^^
A-01 is 'Reader's' Beta (Well, she might not actually take Reader's appearance since this Y/N based lol). A-01 only has one goal in her life and that is to pay back tenfold of what 'Reader' had done to her. A-01 reconciled with herself and accepted that Reader is Reader and not 'Reader' tho (yayyy).
A-01 doesn't have a name as she is only named after codes by the scientist. But here are some of the names she used: Aoi, Seong-Min, (spoiler), Acquillina (Counterpart Appearance), and so on. The rest are not so important as the most important is the name she used in the main story. It's confusing! It's a story I modified from all the stories I've had in mind since I was a middle schooler, you get the drill! A story that lacks any interesting shits! There is a lot of modification for everyone but they still stay true to their original lore, only a few additions and reductions!
Here is a treat for burdening your brain in trying to read everything.
A-01:
Alright, pretty little anon. Oh, I'm sure your brain couldn't contain this disastrous literary of a 13-year-old but your interest flatters me. I am considered as one of the 4 important protagonists to each respective story. Back then, I was written in a story that is so dumb that you will cough out blood from just reading the prologue, shameless! (Shakes Head) But now, I am given a new role and that is to take the role of an antagonist in the story of, urgh, 'lovebirds'.
I'm sure you will love every moment of my appearance, after all, I take the 'Mommy' role very seriously, child of man, you people never fail to fascinate me with such names.
In short, I am here to hunt down the protagonist, or should I say, 'Reader'. Let's just say I hold an immaculate grudge toward 'Reader', so much that I just want to rip apart their skull open and devastate their little husband.
Name? I can't tell you that. But in a much more light-hearted setting, I am often called Aoi, adorable no? Oh, and should you ever wander too far in this 'library' for just a speck of my information, I'd suggest you give up. The Master of the Theatre and Master of the Archive are not kind enough to write an encyclopedia of me so just send me a letter and I'll be kind enough to spare you some of my time to have a chat with you.
- 𝑨𝒐𝒊
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haggz-is-here · 1 year
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before the official cover comes out, this is my take on it. oh my gosh, it was so hard trying to copy the original art style. this was a Christmas present to my sister because she got me into this book series ❤️
i had the main color be green because she’s the earth and stuff, and green hasn’t been the main color in any of these books yet.
the outfit was just something that i thought alecto would wear, like she is usually shown with that one dress- but do you really think that she’s going to be wearing that same ratty old thing for the rest of the book?
can’t wait for october
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tymime · 8 months
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I'm very alarmed by how many people are dismissive of the lost media community, even going so far as to spread misinformation about them. I've seen them characterize lost media seekers as ignorant whiners and brats, and that they're wasting their efforts. Do these people have any idea how difficult it actually is to find this stuff? It can take years, if copies even exist. Don't they value art preservation?
You'd be astonished by how many shows that are barely twenty years old that have simply vanished, with no clear indication of whether or not the copyright holders kept a record of it. When fans try to contact the people involved in the show, they often refuse to answer emails. These aren't old, aging shows from fifty years ago, decaying in some film can. These are shows from as recent as the 2000s and 2010s.
There's been a toxic attitude going around big media companies for a couple decades now, treating their IPs (and their customers) as disposable, moving on to the next thing as soon as profits dry up. This is a big part of the reason media becomes lost in the first place. Old show not getting enough ratings? Need to make room for a new show? Just get rid of it! Now, some of these examples aren't lost media, admittedly- but they definitely could have been, if not for an on-the-ball internet pirate downloading and backing them up. There's a series from 2002 called Whatever Happened to... Robot Jones? which hasn't been on the air in about twenty years. The original audio track was missing for many years, and had to be pieced together from several sources, with the video elements coming from a foreign dub. There was a music track heard in an episode of SpongeBob called "Humpback Hop" with several minutes cut from it, unheard of for two decades, and even the composer had lost all of his copies of it. It seemed like even Nickelodeon didn't have it in their archives, because they rerecorded it for a DVD menu. It's a miracle somebody finally tracked it down. There's a series from 2007 called Out of Jimmy's Head, whose original English version is still half missing. Even though by all accounts it's a crappy show, I still want to see it. (update: This show has been found, thank goodness.) And even though I'm not a fan, there are dozens of 2010s Cartoon Network shows that were once on HBO Max, that are simply gone. They're not in reruns, they're not officially streaming. You have to resort to piracy to view them. I wouldn't wish this fate on anybody. The Willow series from 2022 was taken off Disney+ mere weeks after its debut, just because not enough people watched it. It's stuck in the middle of a storyline.
Nintendo has been notoriously bad about this. They don't want you to play any NES, SNES, GB, or N64 games that aren't the most iconic best-sellers. They take down ROM websites, even if most of the games there aren't first party or being sold in any way. The only way to legally play a game that isn't available on the Switch is to pay hundreds or even thousands of dollars for a working console and cartridges. Most people can't afford to do that.
If it hadn't been for the efforts of unofficial programs like Ruffle and Flashpoint, thousands of flash games and cartoons would be unplayable and unwatchable.
Even if the cartoon is safe and sound locked away in some vault, instead of missing entirely, it still winds up unseen that way. The public has a right to see a show they used to be able to see and enjoyed, instead of it being unviewable for all eternity. "Oh, but they have a right to not let us see it! They own the rights to it, after all, and can do whatever they want!" some might say. What if WB went out of their way to destroy every DVD, Blu-ray, and video tape of Looney Tunes, and locked away all their copies? Would you feel the same way then? Would we not have a right to see them? Would you just roll over and take it, and let corporate overlords tell what you can or can't watch? Just shrug it off and say "Oh well, guess I'll never see it again"? How would it not irritate you? TV and movies aren't the same as some painting or statue where usually only one version of it exists in some museum or private collection. Media is meant to be distributed and seen worldwide, for everyone to enjoy in their homes. If they're stuck in some warehouse on some hard drive, they may as well not exist.
It extends out into other aspects of our lives- old buildings get torn down instead of getting restored, vintage interiors get torn out or covered up by something modern or ugly. There was a time when films and video tapes were routinely destroyed to make room for new ones, because nobody thought anybody would want to see them again. We need to get past this destructive pattern.
Am I grateful for streaming services and the content they make available? Of course I am. But as many have said before, they could take it all away, and a show can simply vanish, leaving fans to resort to piracy just to see it, if anyone even bothered to save it beforehand.
Being dismissive of these efforts is the sort of attitude that's part of the reason media gets lost in the first place.
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shurisneakers · 2 years
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bridges break (ii)
summary: steve shuts himself away. you pull him along on a trip of a lifetime in an attempt to reconnect. great plan! except there's one big secret he's keeping from you that could change the course of your entire relationship, and there's no greasy stack of diner pancakes in the country big enough to hide behind.
(road trip!au, best friends to lovers)
Warnings: angst, mentions of death, mental health issues and disorientation, ptsd, swearing, my garbage attempt at humour and art history. lemme know if i missed anything and I'll tag it.
A/N: hi <3 thank u all for your bday wishes and yes i feel literally as old as this geriatric mf. love u guys
there's a poem in here that's been credited to a.j. it was written by the wonderful @barnesandco whose poetry you can find over on @pakpoetics so follow her and send some love!!
Previous Part || Series Masterlist
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"Passport."
"Yes."
"Tablet."
"Yes."
"Synced calendar on your phone."
"Yes." Steve breaks away from the threshold of his apartment and into the cold air.
Mona face lags on the screen, and Steve waits for her to start moving again. The sun had just barely begun to peek through the clouds, the air chill with the thin layer of condensation, and she was already working on full steam.
He'd assured her, swore to her, that he wouldn't need a physical copy of the checklist delivered to him. Still, her call had come about ten minutes ago to make sure Steve had an updated copy of all the fundraisers and public service announcements he was scheduled to attend when he was back.
But then she asks, "Pager?"
"Pager?" Steve stalls in his steps.
"The Constitution?" she continues. "Declaration of Independence?"
He watches the desolate road in front of his apartment, biting back a wry smile. "Very funny."
"Sorry. Couldn't help myself," she says and then adds something else he doesn't catch.
"What'd you say?" He squints at the bars-- he had full network.
"I said, we've only got clearance for a month and one week," she says, louder. "And that's after a lot of negotiating. So please try to make it back by then."
"Gotcha," he says, studying a cyclist that rode past him leisurely. "How are you gonna keep busy?"
"I've got my ways," Mona replies. "Oh! Last thing before your vacation officially starts--"
A sleek, black SUV pulls up in front of him in true movie fashion. The window rolls down to reveal your face complete with a bright smile and sunglasses, both out of place for this time of the morning. Still, he can't control himself and  his own lopsided smile grows at the sight.
"Too late," Steve says, waving to you before making his way around the back of the car. “Think it just did.“
"Just a document, I swear. Captain Ro-"
"It's just Steve, Mona." He sighs, balancing the phone between his shoulder blades as he leaves his two duffel bags in the trunk. “We've taken care of all of it. Even if I disappear tomorrow, it'll be fine."
The hecticness had slowed to a crawling pace, anyway. He put in a few extra hours, pre-recorded several videos for the public for various hypothetical scenarios, and in general seemed like he had done most of what he could from his position.
He made tired, but overall sincere, promises to return immediately if aliens landed up in the city again, or if Mona sent him an SOS. The latter was more of a priority.
"Okay, first of all, please don't do that,” Mona adds quickly. “If you’re planning on disappearing, then-"
"I was kidding." Sort of. "I'll sign the thing."
"Great!” He watches the white light on her face change to blue she switches apps. "Now, I know I said that was the last thing but-"
"Hanging up on you now." He closes the trunk firmly with a thud.
She lets out an exaggerated exhale before looking at him.
"I was just gonna say send me a postcard. I like the old, weird ones."
"I will keep that in mind," Steve promises. "Bye, Mona."
"Bye, Captain Rogers."
"Steve."
"Captain Steve," she replies swiftly before the screen goes dark, leaving him to stare at himself.
He shakes his head lightly, tucking his phone into his pocket and makes his way to the passenger's side.
"Hi," you say as he peers in through the window. "You ready to get this thing started?"
______
A map spread wide, arm to arm, takes up most of the space in the front.
"Why am I looking at this again?" he asks in delayed clarification, nevertheless not tearing his eyes away from it.
"For directions."
"Yes, but why?" The paper rustles as he folds it up in half neatly along the creases. "Last I checked, we still got GPS."
You have a firm grip on the steering wheel while your posture is relaxed back, one elbow leaning out the window.
There is an anticipatory curl in the corner of your mouth, and he’s lead to believe he is entirely too predictable in the kind of questions he asks.
“If we’re doing this, we’re doing it right,” you reason, as he follows a trail down the printed road with his index finger. It’s a long way to go. "Like all the movies."
"Were these movies made after 2005?"
"You know, now that you mention it, they were in black and white," you say thoughtfully before turning to face him. “Are you absolutely sure you’re not hungry?”
“Positive. Had a good breakfast.” He can’t really see you through the obstruction of the map, but mostly he’s glad you can’t see him because he was still getting used to outright lying to you. “I got us some bars, just in case.”
“What bars?"
"Nuts, fruits. The usual. Oats."
"Stevie," you say in bewilderment, and he pulls down the paper to look at you, "I love you, but we’re not eating health bars on a road trip. Sam would have my head if I let you.”
“You might wanna avoid telling him about the protein shakes, then.”
“You did not.” Shock turns to horror at the idea of several containers worth of whey in his secondary duffel bag.
“Didn’t I?”
“No.” It takes no longer than a second to settle on. “You wouldn’t.”
The traffic you’ve spent half an hour in already graciously allows you to move a few inches forward. He wonders how long it would be till the skyscrapers and billboards would be swapped for a stretch of nothingness, a bright blue horizon and cloudless sky.
"Besides, even if you did," you continue, even though he thought the topic had already run its course, "once we start picking up all the unnecessary touristy shit at every stop along the way, I will not hesitate to throw your protein powder out first to save on space."
Steve smile reappears. "How much are you planning on buying?"
"Buddy, I got a whole other bag just for that," you draw out in a sing-song voice. "I'm gonna single-handedly fix this economy."
There’s a sharp reminder that flashes through his mind, leaving in its wake a sudden unsettling feeling that combs its way through him.
He should check if the list had made it with him on the trip. The stupid, godforsaken list.
"I wanted to get some stuff too," he says in an effort to placate it.
"Yeah? What stuff?"
"I’ll show you later," Steve waves off, shifting in his seat to get comfortable. "It's just some stuff from ‘round the country."
"Like memorabilia?"
"Kind of." He powers through the image of the torn notebook paper, a incomplete list in unruly handwriting, pressed between the folds of his pocket out of his brain.
"Sounds cool," you say. "We'll get 'em all."
“Why are you here, Captain?” she asks finally.
“You know why, doctor.” Steve's cheek leans on his fingers, leaving behind indents.
“It’s a part of your deal, I know,” she says, “but why are you here?”
Steve snaps the map up again, keeping him out of your sight before his eyes shut tightly.
“Where’s our first stop?” he musters as normally as he can.
“Given the state of this traffic, it'd be for lunch,” you reply, staring straight out at the line of cars in front of you. “After that it’s Pittsburgh. There’s this art museum I wanted to check out.”
Steve realizes he's been clenching his eyes too hard once the spots start dancing in front of him, forcing him to relax them.
“Art museum?”
“You like art, don’t you?”
“I do.” A heavyweight paper sketchbook and a set of good pencils were staples of his luggage. “But I didn't know you were into it now.”
“I mean, I've definitely developed an eye for the finer things, Steven. Art included.”
"Yeah? You got a favourite artist yet?"
"I don’t know if you’ve heard of this guy. He's kinda niche," you reply. "Bob Ross."
“Oh?”
"Big fan of the way he hits things with a brush. Very good use of space."
It's enough to make him laugh, dismiss the disembodied thoughts floating around in his head for a moment. He lowers the map and folds it up before tucking it back into the glove compartment.
Steve shifts in his seat again to pull out his phone, deciding to make himself useful by at least finding a good place to get lunch.
"According to the ratings, the nearest res-" he cuts himself off when he turns to look at you and finds a big grin on your face as you look out at the road ahead.
"What?" he asks instead, slightly confused.
“Nothing.” The smile on your face doesn’t let up. “Just been a while since I've heard that laugh."
_________
Steve’s been to one gallery since he was out of the ice.
For a man whose hand itches while his mind stalls, it’s criminal that the only time he had the opportunity to was on an undercover op.
It's strange how similar it all felt now, blue baseball cap covering his hair, oversized jacket with his hands shoved deep in the pockets and shoulders hunched to make himself smaller.
But this time, his low profile isn’t to trail a HYDRA operative. It was to avoid a seemingly unlikely confrontation in a silent hall. The crowd is sparse and scattered where available, but he supposes that was normal considering that it was a weekday evening.
You had gone in search of a map again, leaving him to his own devices for a few moments.
The place was gorgeous. A mix of both classical and modernism; high ceilings held up with marble pillars, art painstakingly carved into stone, grand staircases, and murals lining the walls, whereas the galleries were sleek, with plain white walls with strategic lighting, and labyrinth dividers.
Steve breathes in deeply, finding notes of aromatics they’ve used to enhance every human sense. If his being could fracture into shards of glass, he knew that the minute bits would be art, the ones that slip by unnoticed until you realize what filled in the gaps between the more significant pieces.
"Turns out they've got tours," you say, coming to stand beside him. "But they focus on specific artists or like, themed ones like the ‘Effect of Labor on Art’. Told 'em I'd ask you and let them know."
"Maybe we could just walk around for a while?" he proposes instead. A tour this early already seemed too restrictive, like he was following a schedule when he'd just managed to escape from one.
"That's what I was thinkin' too." You tap his shoulder lightly with a thin, folded brochure. "So I got us a map and a few directions from them to get started."
"Where to first?"
You narrow your eyes playfully at him. “How much do you know about contemporary art?”
“Haven't really had time to study it,” Steve replies. "I'd say roughly the same as you."
“So… not much.”
"I thought you had an eye for the finer things in life," he reminds as you begin leading the way.
"Oh yeah, I can definitely tell if it's fine or not." You grin. "Rest is obviously up for interpretation."
"So-- contemporary art first?"
You look down at the map where a little number indicated where you were. "Contemporary art first."
_____
Admittedly, this style of art isn’t really up Steve's alley, but he likes looking at them all the same. The symbolism isn't always decipherable, but he admires the flair and the subjectivity. Every piece of art had a bit of someone’s life in them, and it took a great deal to part with it from the kind embrace of your mind and leave it on a canvas.
His own sketches of Nat’s coffee cup on the window sill of their safehouse in Montana, or the view of Wakanda from the hall outside Bucky’s cryo chamber took a lot longer than some of the other quick doodles he’d leave on paper napkins.
"Art is subjective and all that, but I tell ya this, I got a lot to say about some of them."
Some of the pieces had colours that were striking, bold. Looking at them alone raises his spirits, even to the smallest degree.
Steve smiles slightly. "What does your fine eye make of it?"
“Of this one? It's... interesting,” you say, pausing in front of an acrylic on linen. Splashes of every shade of mustard in shapes, strokes, lines hiding lavender symbols at the back, highlighted by notes of black. "Very strong narrative."
Steve silently waits for an explanation.
“It’s about the artist’s love for her niece. There’s lavender for the nursery she helped paint, yellow for her love and the black’s representative of her troubled relationship with her sister,” you explain, eyes never leaving the painting. “She wishes she could see her niece more, be a part of her life but her sister isn’t having any of it. It’s why there’s such little lavender in the grand scheme of things, always hidden by a lot of black.”
Steve lingers at the picture, following every word you say with the intent of connecting it with what he can see. He knows you're talking about of your ass, but it was mildly impressive.
His eyes flicker towards you.
"Like I said," you finish, "very strong narrative."
“You just came up with that on the spot?" Steve asks instead.
“Who, me? Lying?” You scoff. “Never.”
His jaw clicks as it slides to the side before returning to its position, eyes trained on the floor with a shake of his head. He tries his best to hide his smile before looking back up at you.
The next few ones are observed in silence before you move on. You don’t provide your analysis, even though he waits for it, shifting focus between you and the art.
By the third one he realizes that you probably weren’t going to unless he asks. But he missed your voice. He could do with a little more of it.
“You got anything to say about this?“ he asks, face stoic as he points to one that from afar looks like oil pastels on paper. It’s scribbles upon scribbles of different colours, drawn without any restraint. "Strong narrative?"
He watches the corner of your mouth quirk up.
“Messy, non-linear narrative," you correct, head leaning to the side. "The creator was clearly thrilled about something. A lot of colours, messy. Man was having the time of his life.”
Steve feels a laugh bubble up to his chest. “Right.”
“These little circles here-” You point so confidently to the corner of the canvas, it almost sounds convincing “-they represent the magic mushrooms he was on while painting this.”
That was definitely… an opinion.
"Very insightful," he agrees, following you as you throw him a wink over your shoulder. “What about that?”
“This one’s easy.” You stop in front of a blank canvas. There’s a thin square of red outlining the boundary, but it’s bare except for it.
“Let’s hear it.”
“Wait, read the description first,” you encourage, pointing at the label at the side. “I wanna see if I’m right.”
“Unnamed, by Flo Dyer, is a prototypical minimalist abstraction.” A whole lot of words for a canvas full of nothing. “The visual and tangible characteristics of the piece pushes the interpreter into a journey of self-discovery.”
“Obviously,” you say. “Duh.”
---
The gallery is divided, each hosting works from different eras, Impressionist and Post-Impressionist. This, he has a little more experience. He'd read a few books, talked to kids who had enough money and time to get into art school, to have his mouth slightly agape the minute he steps in.
The detail and care in every restored painting hanging on the wall takes whatever words he could have from his throat, rolls them up and blows them into the wind. He wants to extend a finger forward, brush up against it and feel history under his skin. But he can’t, so he settles on watching from afar.
He wordlessly spends time in front of each painting, breathing in the passion and love of people who lived centuries before him.
The longest time he spends is at the portrait of a sleeping woman, head draped delicately over her forearm. You don't say anything, only sitting patiently beside him as he loses track of the evening.
It reminds him of the light through the window falling on the mattress pushed up against the wall. Slow afternoons and her sleeping figure under it, back turned to Steve. He wonders how the heat didn't seem to phase her.
“It’s beautiful,” you say, eyes not leaving the art.
Steve's attention snaps back to you, blinking away slow afternoons and the blanket left at the foot of the bed.
“Albert J Moore.” He can hear his own voice muted as it replies. “Acacias.”
Steve wants to ask if you can feel the same sense of peace that washes over him the longer he watches it.
He hopes you do. It’s a feeling he wants to float in for as long as he could.
___
Roaming around the museum on his own wouldn't have been nearly as fun. Steve liked seeing which ones you had a visceral reaction to, whether it be awe or criticism. Whatever facts he knew, he’d rattle off and you’d listen attentively as if his word was gospel. Each gallery with its own collection had something for him to linger at a little longer, and sometimes he explained why but others he couldn't.
The next gallery he enters, he enters through a small path until he comes to a stop in front of one piece in specific. Even without glancing at the name, he can tell the artist; it was so distinct.
Steve knew the works of Edward Hopper. Had seen them cited far more often these last few years than any other artist, but this is the first time he’s seen one in its original form.
Sunday, it’s called.
Sunday by Edward Hopper, 1926.
Oil on canvas, it has the almost sepia-like laziness that comes with the end of the week. Warm colours dip in and out of shadows, it paints the curbside of a road lining rows of closed shops.
In 1926, Steve was 8. A spunky, spitfire eight that by May, had already been in and out of the nurse’s office four times.
Eight-year-old Steve still remembered his ma asleep on the mattress that was usually reserved for his frail bones most of the week, until the weekend rolled around and she got two hours to herself on it for a nap. He left the apartment to find something else to do, somewhere else to let off some energy that came with pent up defiance at the world residing in his blood.
On Steve’s curbside, the shops weren’t closed for the weekend. They were ‘Sorry! Closed for Business’ on weekends, weekdays, months, years. Sometimes a new owner flipped over the cardboard sign to welcome people in, and flipped it right back after a month.
Edward Hopper’s curbside has a man in the forefront. There’s a cigarette in his mouth, and his arms are closed in a way that shuts him off from the world. In the deserted, empty street this man--
The man looks at him and Steve feels seen, as though his stare has pierced through the seven walls of defense that lines his chest.
The man looks at him and he knows. The man knows.
Steve feels it in his heart first, before it makes its way up to his throat like a rush of bile. His cheeks pain, ache. It’s a feeling he thought he got over a long time ago as everything unrelentingly went on.
He feels out of time.
“You know this one?” you ask when he doesn't make any movement,
"No." His answer is short, mumbled.
“What are you lookin’ at?”
His soul, it feels like. Bared out there for the world to see how much of a damn liar he is. The man and his cigar don’t look at you. They pierce through him and him alone.
Your gaze follows his. “He seems lonely.”
“Yeah,” Steve’s voice comes out hoarse, “he does.”
“’Least he’s got a smoke.” You’re optimistic, too radiant for a portrait like this. He’s glad that it doesn’t affect you the way it does him; at least he knows that you have nothing on your conscience to have exposed to the world like this.
The man has a cigar and Stevie has a shield.
And they’re both alone.
___
It takes you linking your arm with his for him to finally pull himself away from the painting, but the walk to the next gallery is spent with him wishing it would stop searing itself stronger into his brain each time he closed his eyes.
The final collection is at the far end of the hall, in a separate room altogether. Accessible only if you wanted to, which was good. Saves people from an uninvited gloom.
Pain and Perseverance: A Glimpse Look into the Darkest Years
He knows what it’s about. You do, too, which is why you turn to him hesitantly.
“We don’t have to go in,” you say, standing near enough to him for his enhanced hearing to catch your heartbeat. It tethers him, connects him to a living, breathing being.
“I think we should,” he replies, steadfast to the point it was almost robotic.
There is only one other person in the room with you both, and she isn’t paying much attention to him, so he takes off his cap in reverence.
It’s fitting how silent and closed off this part of the museum is to the rest of the world. A tribute to those who wouldn't be able to set foot into this room.
Your hand slides out from his and he lets you go gently. He knows you’re around, so it’s okay. He knew the second you'd walked in that you'd need space to process each piece on your own.
He quietly makes his way through the fifteen paintings and photographs, mulling over each one for a few seconds at the very least.
There’s one in all black, two birch wood trees on a hill with nothing else in the distance. Another blurry picture of a single armchair left to collect dust from years of unuse in the corner of an old age home.
Steve doesn't dare to swallow the heaviness in his throat. There is anger, regret, helplessness in the walls around him. But all of it stems from the same miserable channel- a single, desperate sadness.
He lands up at the final piece on display, a glass box standing tall. The woman from earlier is still there, unmoving.
Steve doesn’t disturb her, only stays a step away from her and instead stands in front of painting of comfort, of two men so close their necks entwined with each other.
“Sorry.” She clears her throat to get his attention, giving him a misty smile when he turns to look at her.
“Please,” he says, earnest and kind, “take all the time you need.”
“Feels like I’ve been here hours.” She inclines her head towards the casing. “There’s something about it.”
He only waits for her to finish. A few minutes of silence later, she takes a step to the side, allowing him a little space to stand beside her and see for himself what she had stopped at.
It’s a sculpture, a kid made of metal, with spangly arms and a tiny head molded rustically like years of weathering had done a number on him. His arms wrap around his knees, hugging them close to his body as he dipped his forehead in the valley they formed together.
Its emotion lays in its simplicity- anything more than what has been made would have been too much.
There’s a pull that doesn’t allow him to tear his eyes away from it. The only time he does is to read the artwork label, to gain a little more insight.
“Heartbreaking, isn’t it?” the stranger asks from beside him. His silence and the pit in his stomach is enough to answer.
He hopes she’s all right. He hopes she made it out all right.
Berta Pedrero (b. 1976)
Despair, 2020
In memory of her son, Mateo J. Pedrero.
If he dared to, he would shoot a little prayer into the sky for her son, wherever he is, but he stays grounded, eyes on the sculpture because he remembers he has forgone that right a long time ago.
The stranger beside him walks off after a few more minutes of silence. He can feel your hand slip into his, and he holds on, tighter than usual.
Steve continues to stare, long after she’s gone.
___
You read out the description from the pamphlet, the idea behind the execution and the artists who made it possible as Steve walks silently beside you.
“Took three years to curate it,” you inform him. “Fifteen different countries. They’ve included a quote.”
His gaze flicks to you, clearing his throat as he asks, “What is it?”
You wordlessly hand it over to him and he scans the page until it lands on the quote at the bottom.
Steve exhales, jaw tightening as he reads through it again.
The poets write of tragedy, not to honor the sorrow,
but to remind themselves that something survived it.
-A.J.
Though the sentiment is strong and he feels it in his bones, he discards his pamphlet on the way out. He already carries the weight of the world on his back, and he tries not to add the weight of the words to his pocket.
-----
"Okay, Rogers." You clap your hands together, rubbing your palms as you shift in your seat. "Prelude to the big event. Spill.”
Steve raises an eyebrow. "This wasn't the start of the road trip?"
"Nope. That only starts once we get to the first official stop. This is just the introduction. The prequel, if you may."
"Ah," he says from across the booth. "It was... impressive."
"Please note that at the end of this trip, you will be filling out a form on the overall serve so that we can improve our experiences for next time.” You sound exactly like some of the sales people he’s met, chipper yet monotone.
"Can't wait." Steve picks up his glass of water, avoiding your sight. Next time. "As if the very comprehensive survey you sent wasn't enough."
"You chose to be friends with a scientist. I had to check all the variables and preferences before I planned a trip."
"What did my fabric preferences have to do with the road we're taking?"
There's a wicked twinkle in your eye. "Just checkin’ those boxes, Rogers. Like I said, all variables"
The kitchen doors open, and Steve hears the crackle and sizzle from inside for a few seconds before they swing shut again. The brief opening is enough for the smell of meat grilling to overpower the scent of lemon pies in display domes, stale coffee and freshly mopped floors.
"What is it then?" Steve asks as you push a large glass towards him. "The trip you’ve planned?"
You look up at the waiter, giving him a quick smile as he leaves two milkshakes on the table.  
"Route 66."
His eyebrows knit together in recognition. "The Mother Road?"
"You've heard of it." Your smile widens.
"Yeah, they started constructing it when I was a kid. I thought it didn't exist anymore."
“Technically it doesn’t,” you admit. “But I’ve done my research. We’re just following what it used to be. Old highways and signs and all that.”
He hums in agreement. “And if we get lost?”
“I got a couple of flare guns in the trunk,” you dismiss. “I’ll get you to California, Stevie, don’t you worry.”
He doesn’t doubt it.
“So,” you say, wiping your hands on your napkin before unlocking your phone and sliding it towards him, “We stay at the motel down the road tonight, get an early start tomorrow.”
Steve's reply is cut short before it even begins when someone comes to stand beside him.
"Here you go," the server drags the last syllable out, placing two hefty plates in front of you both. "Enjoy."
Steve thanks him courteously before says before eyeing what you'd convinced him to order.
“To the first burgers,” you hold up a fry, “and many more to come.”
Steve pulls the plate towards him where it joins his still untouched vanilla milkshake.
"No healthy stuff, you said?" He peers up at you.
"‘Least not for the first week,” you reply determinedly. "Relax. You can get back to the oat bars next week."
“I haven't only been eating protein shakes and nut bars,” he protests. “Microwave dinners. They aren't the healthiest, they should count.”
"I thought you hated those." Your eyebrows knit together. "Isn’t that why you cooked?"
Steve's voice immediately drops to a mumble. "Haven't had the time."
“She still pickin’ up those extra shifts?”
“Double this weekend.” Steve fidgets with a newspaper.
“How’re you gonna keep yourself fed?”
“I can cook.”
“Cereal ain’t a meal, kid.”
If you notice the shift in his tone, it's quickly distracted by the way he pushes a fry around the plate.
“Jesus, Rogers, it’s not gonna kill you.”
“I’m old.” Nevertheless, he pulls the glass towards him. “We can’t write off anything.”
You snort. “Just drink the milkshake, Stevie. It’s good for ya.”
Burgers, greasy, well-salted fries and exorbitantly large glasses of milkshakes; it’s probably the most American Steve’s felt in a while. The minute he takes a bite from it, his body sinks down with a content sigh that has you grinning.
“Tomorrow, the first stop; Chicago, right?” He takes another bite from his burger, watching you scroll through pictures of the motel for him.
“Yep.”
“We got plans there?” The food shouldn’t taste this good, but it does. Probably one of the better establishments you were going to encounter on this trip but he can’t really be bothered by the implications at that moment.
“I got a few ideas.” You pull your phone back before returning to your meal. “But mostly we’ll be figuring it out as we go. Survey results dictate that we don't follow a tight schedule.”
"Today we're in Morocco. Next week we'll be in Lebanon," she sings slowly. "After that who knows?"
"Depends on where we're needed next." He takes aim and throws his dart.
Beyond all the restrictiveness and tediousness, he was just really fucking tired of them.
“You know," you pipe up, observing his features for a second, "you’ve been doing this thing a lot."
“What?”
“Spacing out.” Ah, fuck. “You did it back there, at the museum too.”
Steve simply shrugs, head turned down to his plate. “It just happens."
“How long?”
As long as you'd known him, he had always been attentive, on his toes, waiting.
“A little while.” He can pinpoint exactly when and what had lead to it. Studying through window blinds, old uniforms, and all of a sudden his path for the future started to get less clear.
“Have you talked to anyone about it?”
“Not specifically."
You pause. "Does anyone know?”
Steve’s next exhale comes at a delayed pace.
"You'd be the first."
Your lips press together in a thin line, deep crevice between your eyebrows.
"I've just been tired lately," he deflects. It wasn’t a whole lie, but it feels wrong. He had time. He had time. He has to remind himself that he had time.
Steve continues quickly, “I'll be fine. Look, I'll be gettin' loads more sleep now anyway.”
He leans forward to steal a fry off your plate and it works to an extent. There's a small smile that pulls at one side of your face.
"Steve."
"Sweetheart." He cracks a smile. “I'll be fine, I promise. What have you been writing lately?”
The swift subject change has you furrowing your brows, and then a sigh when it registers. However, you drag yourself forward to take a sip from your milkshake.
“Nothing,” you admit. “Haven't written in a while.”
It’s the silence that lingers in the air that prompts you to go on.
“I dunno.” You twirl a fry around the plate. “Been hard to find something to write about.”
Steve finishes off the last of his burger, wiping his hands down on a napkin.
“When was the last time?”
Your eyes squint in contemplation. “Six, seven years ago?”
“Can I get y’all anything else?” the server chirps from beside the booth, refiling your glasses of water, while balancing a tray in another.
You look at Steve and he shakes his head. “No, thank you. Just the bill, please.”
“Sure thing,” he says, setting down a plate with a slice of pie. “Enjoy.”
You glance up in confusion. “I think you have the wrong table.”
“It’s on the house.” It’s clear who it’s for, though the answer remains up in the air.
Steve sends the man a side-smile. “Appreciate it.”
The server nods, before leaving the both of you alone.
“Told you your stupid cap isn’t going to do anything.” You laugh when Steve pulls it off his head and sets it down beside him, running a hand through his flattened hair.
“Just got us a free piece of pie, I’d say it has some use.” He passes you a spoon and pushes the plate so it’s in the middle of you both.
“Right, because it’s your fashion sense that won them over, Steven.” You break a piece of the crust. ”Lift your leg up, show ‘em your slacks. Maybe we could get an extra slice for the road.”
He laughs, partly at you and partly at the absurd amount of whipped cream on the pie itself. It was generous, to say the least, and melting all over the still-warm filling. Pretty as a picture.
“Fuck, that’s good.” You sigh, chewing thoughtfully. “I need to earn free food privileges if this is what I’m missing out on.”
“The pie’s the better end of the deal.” He shovels a spoonful into his mouth. “A lot of the time it’s beer bottles with your face on it.”
“Classy,” you reply, having seen exactly what he was referring to. “What's next? Your face on underwear?”
Steve's silence and his failing ability to hide a pained smile has you faltering in your movements.
"Really?"
"I've been shown pictures," he complains. "From what I know, they're not sold as a collection or retail line."
"Which means they're customized," you continue, fingers pinched together explanatory. "Does that make it better or worse?"
Steve's nose scrunches and he hides his distaste with a spoonful of pie in his mouth. "You tell me."
He’s a little grateful that you don’t shy away from pulling his leg. Makes him feel normal, like he was more than a concept; if there was something so hilarious about Steve as an ambassador for patriotic fireworks then it means that he hasn’t lost himself completely.
“What’s an average person gotta do around here to be inspiration for horrifying underwear, huh?” You send the last piece of pie his way. "Get printed on cereal boxes, et cetra et cetra."
“Get kidnapped, maybe.” He accepts it without an argument. “They’ll stick you on a couple of milk cartons.”
You narrow your eyes at him and he sends you a sly smile in return.
"Invent something.”
“Hell, maybe I will.” You wave your spoon around dangerously. “Get my name in a textbook.”
“You could do that,” he agrees. “You'd have the resources from the new job. A whole team under you, funding.”
You narrow your eyes at him. "Very smooth, Rogers."
His smile comes back bashful. “Why don’t you want to take it? I thought it’s everything you’ve worked towards.”
“It is.” You collect foam off the side of your glass with the straw, a distraction from having to look at him. “I’m just not sure I’m ready for it.”
“Is it the job or something else?”
Your lips press together, curling inward, but you don’t respond. It tells him he’s clocked you scarily fast.
“Job’s mine whenever I want it,” you say, eyes still trained on anything you could fiddle with. “I’m just not sure I’ll ever be ready."
Steve only slips his hand into yours the same way you did at the museum and squeezes. "You don't have to do anything you don't want to."
You give him a smile that doesn’t quite reach your eyes, and he returns it before you shake your head in an attempt to change the mood.
“I’m not kidding about the slacks, by the way.” It immediately relieves some of the tension that had settled in comfortably.
"Yeah, hold on, I'll lift my leg up," Steve affirms, clearing his throat.
“Damn right. Let’s see if we can score another flavour, I know you get hungry at night.”
Next part
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onepiece-polls · 9 months
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One Piece Shipping War - Round 2 Side A
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Propaganda under the cut.
Propaganda for Franky x Robin:
Do I really need to explain?
The old married couple who's healthy, Enies Lobby (and all their appearances) are their propaganda really.
It’s all about the maturity!
Their dynamic is perfect and their pasts are so similar. I love the chemistry between them as well as their introduction that helped build the connection and shared history they already have.
they are THE t4t bi4bi ship | franky telling robin "existing is not a crime" immediately puts this at number one for me | they are opposites (bright and loud + quiet and goth) but also they're both so eccentric and silly <3 | THEY WEAR MATCHING OUTFITS
Mom and dad Straw Hat
They are STILL the Mom and the Dad of the Straw Hats, this is the one thing I don't care what Oda says <3 Also their interactions in Enies Lobby and Thriller Bark are amazing.
In my eyes, they are married. Some of my favorite character interactions in the manga/anime and in official art.
Oda had Franky call Robin his wife at least once
Your honor they’re married
I'M GOING TO PUT LINKS IN MY EXAMPLES (Mod note: I linked to the whole post, the propaganda was going to get too long otherwise. But I will copy this line:...) They immediatly clicked in Enies Lobby, Franky saved Robin with both words and actions ("Your existence is not a sin!"), and then she grabbed his balls.
The duality of two kids who were just trying to chase their dream and having circumstances outside their control (the government) take everything they love away from them, but one choosing solitude and the other adopting every other person in a bad circumstance??? I love them. Plus they literally had couple moments from the first interaction.
The ultimate t4t couple idk what else you need theyre iconic
A wholesome ship of a woman who feels the need to be constantly on edge trying to relax and a man who is a 110% himself from the moment we see him. the joy of frobin is the causal domesticity, in many color spreads and especially post timeskip we can see them casually enjoying the others company.
Remember when Franky was in Chopper's body in Punk Hazard and every time he spoke Robin was like "Franky. Stop talking. Do not talk while you're in Chopper's body."
idk like. he's obsessed with her. she's his weird Goth gf and he's her himbo. they have matching outfits. I love them.
Look. It's Franky and Robin. Literally the only two characters that make sense to ship on the Sunny. Their arcs are inextricably intertwined (water7/enies lobby). Also LOOK AT THEM interacting, both during their arcs, but also thriller bark, or post time skip. I love them. Also robin crushed frankys balls.
funny big robot man & analytical smart research lady power couple... silly x smart... himbo x researcher... augh... so good
They are the ship for taxpaying adults your honor I LOVE them they’re literally freak4freak and they share such a fucking powerful arc together (Water 7).
that moment she let him sleep on her lap in punk hazard was sooo cute <3 -- The matching thigh highs and bottoms in film z can NOT be understated. -- Strawhat mom and dad -- Let's not forget the way robin convinced franky to join ( ͡° ͜ʖ ͡°) -- she also indirectly called his balls "treasure" so,,, -- the way their stories are so closely intertwined...they were both keys to destroy the world...the way they instantly connected over that...the soulmate-ism of it all...
they . them. girlboss and malewife. that's it.
She grabbed his balls. He totally liked it.
He's so silly and she loves it. She's so scary and he loves it. She grabbed his balls in public.
They will be endgame trust me. Franky doesn't treat any other girl like he treats Robin. There dynamic in Water 7 and Thriller Bark was and always will be one of the best in all of OP.
Propaganda for Rayleigh x Shakky:
They’re canon and very hot. These are facts.
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pshattuck · 7 months
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Hello everyone so this is going to be a pretty big blog about the upcoming future of my life as a artist. So to try to shave off some time I will be copying and pasting the Twitter thread I made to here.
Startiiiing now:
“Hey everyone I got another update for you and it’s probably gonna sound like “she’s changing shit again” but I feel like a lot has been going on in my life and a lot of it is changing too and I think I discovered something about me and my artwork that I feel like is important.
The reason I started pumping out content before this new job I got was well after I lost my old caregiving job YouTube and commissions were my only source of income for the last 6 month and I honestly was making enough for bills at that point it was my family keeping me afloat.
So yeah, life was not kind to me and I got.. well extremely depressed. I kept applying and no one was accepted them the one job I wanted I did not get and I was lucky to just get by. My brain all the time for the past few months kept saying I was a failure Until I got lucky.
I just got done with shadowing and orientation and I’m now officially working at a job that yeah can be stressful but I fully enjoy. I’m feeling happy and I’m finally healing from this dark cloud that’s following me. And with this month coming to an end I realized something.
Growing up my art was the one thing that kept me happy it was my happiness from real life issues and it got me to meet the love of my life along with great people in online community’s. However, the more it became a stressor to live off my art… the less it made me happy.
Not to mention the reason I shared my art to begin with because even if it was cringe or my art was not the best in the past … I always loved to see people enjoy it. It killed me to ask people to give me money to draw for them. It’s just not me.
I allowed a online algorithm, and a few words from a small handful of people to make me second guess what I loved to do, I allowed money to make me decide what I should work on…I realized I secretly hated myself for it.
This new opportunity in my life is why I’m writing what I am today and it’s my own choices and it’s one I’m actually happy with.
Everything I draw will be free to view I’m going to build it up on Tapas and Tumblr just for the multiple image support plus they have better age restriction on there platforms because I’m a adult and do want to dabble in NSFW stuff.
The one animation I have on sale in my store I will be making it free to view. For the amazing person who did buy the pack I will be dming them so once my paycheck comes, they will be refunded.
And now for the big thing.
The next few months I will be saving my own money and working on Concept Art for the next few months along with working on comics because by next year I want to work and pay people to help me bring my comics to life as animated projects.
The first project will more then likely be Jackie’s Everyday Adventure because it has the least amount of characters and backgrounds and will dabble in the form of 3D animation. This will be a strictly animated series with some rewrites from the original comic version.
Homebrew… is honestly the biggest project since there is over 30 chapters and I’m not even halfway done writing scripts. I won’t Even considering working on animating that until at least chapter 10 is out.
Everything else will be explained over on Tumblr that will be where I blog about my projects since there’s not as tiny of a character limit on there. Thank you all for reading this and I will link the full update on Tumblr and I will share a link to it on here.”
And now here we are on Tumblr!
The only thing I will be keeping for any financial support will be Ko-fi but that’s only if people want to, I’m not going to have anything locked behind a pay wall.
Commissions will no longer be open because I will just be doing art trades or request. Since my new job is full time I don’t need to worry about the stress of not finishing something quickly.
Physical print books are still gonna be a thing however not for a long while. Since my old client liked my original books ill be printing a small handful of copies of them so I can give them to her to read at the nursing home. And leftover copies will be for contest prizes.
YouTube on the other hand… I’m going to be honest I’m not sure if I truly will bring back Pshattuckproductions. The most fun I have had with YouTube was building up lunar comics. I will honestly be focusing on that channel in terms of any uploads.
So far this is all for now. So see you soon everyone.
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linesonscreens · 6 months
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Let's Read Peanuts (Yes, all of it) - October 1951
There are lots of great strips I just don't have room to comment on. I strongly encourage everybody to read the full month at the official GoComics page. Today's month starts HERE.
Oct 2, 1951
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In case you were wondering if Schroeder every plays normal pianos.
Oct 5, 1951
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As a former Barnes & Noble employee I take comfort in knowing that this is a problem as old as the written word. Ancient Mesopotamian priests would find copies of the Epic of Gilgamesh scattered all over their temples and would periodically have to remove the chairs to keep teenagers from loitering after the harvest. Such is the natural order of the world.
Oct 9, 1951
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What are they singing? Wrong answers only.
Oct 10, 1951
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First "Schroeder loves Beethoven (possibly in a romantic sense)" comic!
Oct 13, 1951
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Pictured: Me and my friends last night trying to figure out what Steam game to play.
Oct 16, 1951
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What did you do, Chuck!?
Oct 17, 1951
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The quicksandbox was actually one of the safer toys kids had in 1951.
Oct 24, 1951
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You can really tell that Schulz grew up with dogs as a kid.
Oct 26, 1951
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Yup, mudpies sure are still a thing.
Oct 31, 1951
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“DID THAT DOG JUST FUCKING TALK!?”
Thoughts:
Happy Halloween everybody!*
Did you notice that backgrounds are becoming more common? They don't really start to shine until Sunday strips become a thing but I think they're already pretty good. I particularly like how effectively they convey the mood of a location despite being incredibly simple.
Which isn't an accident if you stop and think about it. Peanuts was used as a filler strip of sorts and would often be used in non-comic newspaper sections when they needed to fill just a little bit of space to make all the text fit correctly. Because of this it would often be printed at a fairly small size which meant that if Schulz used too much detail a strip could easily become an incomprehensible mess when it actually reached readers. As a result Schulz developed a style that's incredibly efficient in how it communicates information. You can see this in the way he draws backgrounds but also in how he draws characters, props, speech bubbles, and just about everything else (big heads, simple features, as few words as necessary, and a heavy emphasis on using value and composition to create visual interest). It's really damn impressive if you know what to look for.
"The art is good so pay attention to it" is my point, I guess.
Or don't. Whatever. I'm not your dad (no matter what the courts keep saying).
*Please bookmark this post and then read it on the next available October 31st for the maximum emotional impact. TIA.
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writingpun · 11 months
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Read My Fiction Masterpost June 2023
yeehaw everybody here's some links to my published writing! there's some on @writeastorywhere as well but here's the links to the Official Shit
also as a side note I spent a couple years trying to decide what name I was using for my writing, so some of em don't say DS Oswald. Don't worry about that I prommy they're all me. also, this is just the stuff that's available online. Maybe i'll edit this with scans of my contributor copies for stuff that's not online.
SHORT FICTION
I'll Be Seeing You (2020) - mlm/wlw solidarity in the apocalypse.
[Untitled] (2021) - a trans girl has some strange dreams. this character's gonna be appearing in Dreamwalkers, my web comic, and this short story will probably be canon.
Vast and Blue (2021) - madness at sea. this was the first issue of the horror mag i co-edit, so I threw in one of my own stories to fill the thing out.
Shrine Maiden (2022) - fantasy lesbian romance between a wandering swordsman and a high priestess of the moon goddess. A novella! And it's free as an ebook and audio book! AND it just turned one year old! Go and give my girls some love.
Ghost Outside the Truck Stop Off I-95 (2022) - pov a dead armadillo starts talking to you. fun fact i had a fucking blood feud with the editors for this because they wanted to completely change one of the stylistic elements.
Suckers (2022) - a lesbian goes to visit her girlfriend's wacky family--oh, and they're all vampires. Silly goofy
What Should We Do With Your Body? (2022) - part of a collaborative murder mystery put together by @vinegarzines! Very fun. I wrote about a transmasc seeing a dead body while high on opiates.
Warmth (2022) - lesbian romance between a fire elemental and a blacksmith. You have to pay for this one but I honestly consider it one of my better 2022 stories.
ALL THE BEST ART (2023) - the first horror story I ever wrote, now published! And available for only two dollars! It's about a spooky painting. it's also about self harm so tread carefully
In. (2023) - horror flash fiction about grief. free! yeehaw!
A STRANGE NOTE RECOVERED FROM THE EFFECTS OF AN OLD MAN’S CORPSE ALONG THE BEACH IN CITY X, FLORIDA (2023) - horror story about being trans and doing murder to steal a body you'd want. hot off the presses teehee
POETRY
okay ngl. i don't like talking about my poetry and i kind of don't care if people read it as much. but i'm linking it here for those curious
Pagan steals christian imagery asmr // I watched good omens while I was dating someone and you won’t BELIEVE what the result was **NOT CLICKBAIT**
bodies are made to hold other bodies // I only ate your cat because I was angry it seemed so well-adjusted // Joke about nonbinary naming mechanisms
And a Happy New Year
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