seven sentence sunday
tagged by @diazsdimples 💖
I'm still jumping between wips so here's another snippet of the cheating fic, this time a bit of Buck and Taylor arguing - I can't explain how much fun I'm having with this fic, this is so not my usual thing but it's just so fun haha
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“Can we do this tomorrow?” he asks, bringing his hand to squeeze the bridge of his nose. He’s getting a headache.
“No, we’re doing this now. Tell me what’s up.” she says, pulling at the covers when he tries to cover himself and turn away again.
“Jesus, Taylor, let it go. I’m fine. And it’s none of your business.” he snaps, pulling at the duvet a little harder.
“Fine.” he hears rustling, then the bed shifting. She got up. The light on her nightstand is still on. “I thought since we’re together, and live together, we’re pretty serious, and now you’re weird around me, and you don’t even touch me, so I thought it was my business, but clearly I was wrong.” she talks as she walks up to his- their closet and starts getting dressed. Now Buck looks at her, leaning up on his elbows.
“What are you doing?” he asks with a sigh, watching as she takes off her nightshirt and starts putting on jeans. “Where are you going?”
“None of your business.” she replies, her tone feeling like a slap in the face. Buck deserves the real thing, actually.
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no pressure tags: @elvensorceress @gaydiaz @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @911onabc @housewifebuck @watchyourbuck @underwater-ninja-13 @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @puppyboybuckley @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @sunshinediaz @giddyupbuck @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @hoodie-buck @nmcggg @jesuisici33 @exhuastedpigeon @rogerzsteven @hippolotamus @disasterbuckdiaz @honestlydarkprincess @theotherbuckley @fortheloveofbuddie @steadfastsaturnsrings @tizniz @daffi-990
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One thing I noticed is that Lucifer doesn't disassociate when singing, and what's one common factor in his songs? Charlie, so I like to imagine that in these instances he's so focused on her that his depression temporarily takes a back seat because he loves his kid so much that he forgets why he's sad in the first place.
ooh I like your headcanons!
hmm I guess we could look at this a couple of different ways (some of what I'm about to say comes from personal experience which may be different than what some other people experience so idk feel free to agree or disagree with my musings)
So dissociation doesn't [technically] affect your ability to speak, it affects your ability to focus. The way I was talking about it in my analysis was that it nerfed Lucifer's conversation comprehension, with him being unable to follow along the entire time (and consequently either has NO idea what anyone is talking about or only gets half the picture).
The only times Lucifer really fumbles his words is when he gets nervous around Charlie either cuz he's trying to make a good impression
Or when he realizes his depression is biting him in the ass and he just missed crucial pieces of information and cannot bluff his way through the conversation
Although shout out to that one time we caught him realizing he needed to bluff and stumbled a little
But otherwise, he articulates himself perfectly fine, cuz again, dissociation isn't about speaking ability so much as it is about focus. Even in my bouts of dissociation I can verbalize myself just fine for the most part, it's whether or not what I have to say is relevant to the conversation, which uh Lucifer also showed off at some point when he thought Charlie was asking him about the hotel's appearance rather than her actual plan to redeem sinners and comments on the railings. (Or idk there is another interpretation that he was avoiding the subject, maybe it was both he disassociated while Charlie was explaining everything to him but did catch that she wanted to redeem sinners at some point, but didn't quite understand what she was asking until she clarified? he didn't seem surprised when she did clarify so I'm assuming he ended up catching it at least once)
So I'm bringing this up because it ends up being kinda hard to tell whether or not he is or is not disassociating when he sings, cuz the dissociation wouldn't affect the singing at all.
When he's having a sing battle against Alastor, sure he's articulating himself well and presenting his points, but we don't actually know whether or not he's following along what Alastor is saying. Honestly, Lucifer vs Alastor just seemed like 2 territorial chickens yelling at each other trying to be louder than the other one. Maybe Lucifer is catching everything cuz his jealous and rage helped him focus for once, maybe he's not catching everything but he doesn't need to catch everything to know that he doesn't like Alastor and he doesn't need to focus to tell Alastor how much he dislikes him.
But what about the other two songs, "More than Anything" and "Finale"?
He is technically outright having a conversation with Charlie in the first one and in the second one, he seems fully aware of the context of the situation and is focusing more on a lifting spirits role
Well it could be a lot of things I think. I don't think it's that the depression or the sadness took a back seat, that's still present. From my own experiences, it is possible to get yourself to focus in a dissociative episode when the subject matter is something you're passionate about or in Lucifer's case, someone that he loves. We know the dissociation was unfortunately strong enough that it was making him miss out on a lot of things Charlie (aforementioned loved one) was telling him, especially in the beginning.
But looking at "More than Anything" what changed in that scene? He was with Charlie the entire episode but that was the first scene where he really managed to hold a conversation. I think it was a combination of: Okay his baby girl is there and she NEEDS him, and he opens up as to why he's hesitant about her plan. He's not explicit with the mention of his trauma, but trauma does make someone more alert. I'd also like to give a special shout out to @in-fair-verona-we-set-our-scene who made these lovely tags on my analysis post
Specifically, I want to talk about that they mention that Lucifer is being a lot more genuine in his song with Charlie, aka he's not masking. He's not trying to hide or bluff how he's doing. He's not putting on a show, he's not being goofy or larger than life, he's being genuine and his genuine self is tired, sad and resigned. Let me tell you, my dissociation is 100% worse when I'm masking.
I think in "More Than Anything" a mix of things are going on, he's not needing to mask for a minute which boosts the focus, he's opening up about trauma and it's being gently received which boosts focus, and he's talking to someone he loves about something he was once passionate about which boosts focus. So ye! It could entirely be that in that song he was not dissociating!
As far as "Finale" I legitimately can't really tell whether or not he is? He's not really having a conversation with anyone, he's just trying to uplift his daughter, and again, in my experiences, dissociation doesn't necessarily nerf your ability to speak. We also know that he knows how to put on a show even in the depths of the dissociation like in "Hell's Greatest Dad" soooo as for that song... -shrug-?????
There is an element here that we have to take into account. Hazbin Hotel is a traditional musical, so we must look at a theater saying, "When the emotion becomes too strong for speech, you sing." Which is more or less what happened in all the songs Lucifer was a part in, so there's definitely some meta technical things going on in that a song wouldn't be very dramatic if the person singing it was dissociating the whole time? I mean I guess it could be done, I've just never seen it? Usually the musical number has to be clear in its purpose. The protagonist of Dear Even Hansen can sing just fine when any other speaking parts he fumbles with his words a lot.
AAAAAAALLL of this to say: Does Lucifer stop disassociating when he sings? -shrugs- I think it really depends on the context, but I wouldn't at all be surprised cuz high emotion can lead to greater focus in a moment. Although it's really cute to think that he doesn't dissociate cuz singing with Charlie is just that much of a boost for him cuz he loves his wittle girl
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I know a lot of us latched onto Charlock and Colin right off the bat, and they do have the air of holding back wells of history that are very intertwined with the political games of Calorum, which is intriguing and engaging and I'm looking forward to seeing what they're up to during the time jump and beyond, as well as finding out what exactly their webs of intrigue involve.
However, I am also in love with the other three and how much they feel like they're still on the outside of the political games, even if they are ensnared in them.
Amangeaux has been a queen for a span of time, but always a foreigner all the same—she seems cut off from the Vegetanian goings-on, though it's unclear how much that was the case when her husband was alive, and at the same time, she does not fall back onto playing the game when challenged like someone who is more trained in that might.
Karna is a spymaster, yes, and seems plenty knowledgeable about webs of information and the world's cruelty, but she's still a child. She does not have a large pool of experience to draw on, and she has never seen the scale of conflict that is coming up close. She most of them all believes that she does understand conflict and political games, while also believing herself above it, but at the end of the day, she is too young to truly understand the war that is coming.
Deli is the child of a leader of a nation, but that nation is viewed still as an outsider among those nations who consider themselves more civilized, and he is very trusting in spite of the training that he has been brought up in. He's an adult, but he exhibits a similar amount of naivete as the Rocks twins will twenty years from now, as heirs to kingdoms who are eager to make their own way and find freedom, without fully understanding the weight of responsibility that is settling upon them.
All of these characters exhibit varying degrees and kinds of innocence and naivete, and at the end of the day, for all of the comedy of the concept, this is a war story. War stories, particularly ones about how the world changes in times of war, require a certain amount of naivete, in order to contrast how brutal the world can become against what is lost in the process.
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