Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
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The Vampire Aesthetic
Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.
Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.
Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.
“So where’s the vampire aesthetic?
Everyone freezes.
Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.
“Come on, I know you guys are hiding it.”
Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.
He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.
People are weird! He doesn’t judge!
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Alright let's imagine a scene that is all too normal in palestine. A palestinian business owner finds his building covered in graffiti stars of Davids and Hebrew that says "gas the arabs" and "death to arabs"
Now imagine there's a reporter there and asks the palestinian business owner what happens and they say "the jews attacked my business"
Pause. Now your response might be "uncle no. Say israelis not jews" and then this is when he would look at you like youre stupid because the israelis doing this are jewish. They are not the Christians or the druze or the palestinian ones with Israeli citizenship. They are Jewish israelis who believe in their religious supremacy. When you graffiti stars of david all over a palestinian business, car, or the street you seek that conflation. it sends a message, this is jewish land and you're next.
The problem is that these videos circulate in zionist circles. "Watch this video of children in gaza calling for the death of jews" "watch how they say they want to fight and kill jews" those children are referring to Israeli soldiers that come in night and do their raids with the star of David attached to their uniform or the ones that bomb them. It's easy to watch those videos and assume that palestinians are indoctrinating their children on anti semitism or you can realize that those children's only interaction with jewish ppl is through violence and parents cannot protect their children from this. Doesn't matter context is lost
Abby Martin went to Jerusalem and interviewed israelis for 2 hours and she says every israeli was extremely confident to say that this land is for them and that they should push the Arabs out and when she interviewed palestinians they spoke of freedom from occupation and their dreams. That's reality. Not the soundbites.
And yet we have invasive youtubers and interviewers constantly in the street of ramallah or wherever in palestine asking palestinians "do you hate jews?" And in those videos you hear those palestinians say "no we have no problem with jews we have a problem with occupation and we have a problem with zionism." Bc this is how we are trained to respond to this trope. Palestinians are very aware what the world thinks of us and the reality is that many palestinians have internalized it and we grow up reading books on the Holocaust and train ourselves to recognize anti semitic dog whistles so zionists don't get the soundbites they want.
So we say "anti zionism is not anti semitism" and we say "israeli zionists" and we do not say "jewish supremacy" even thought it exists in palestine but "zionist supremacy" and in these carefully worded speech we water down what is happening to us in an effort to not deter people away from solidarity. But it means nothing. The world categorically blames palestinians for rising anti semitism they blame us for jewish insecurity globally.
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Dp x Dc AU: Bruce has a 'if you can't beat them, join them' mentality about the tabloids claiming he adopts too many kids- Developing foster homes that are paid for through the Wayne inheritance, personally vetted by the Bats, they're the leaders in the space for child health outcomes and family placement. Insert Danny.
---
Bruce has too much wealth, too many rumors and not enough reach into the abhorrent foster homes around Gotham to improve them. Tim ends up being the one to suggest it- He's the one who buys up their real estate for their safe houses after all- and Bruce is more than ready to pull the metaphorical trigger to get new clean welcoming spaces, Bat-background checked fosters and a new era of adoption in Gotham underway.
He's lobbied the state and the federal government for reforms of course, but this is a project he can micromanage. He spends time with every kid that comes through, talks with all the families that want to adopt and makes sure that these miniature homes are provided only the very best. Alfred personally hires all the staff, and with Barbara more than happy to help relocate the unhoused children she spots while they patrol, the project is a glowing success.
Occasionally, spots in their houses fill up, and those are the weeks were Cass takes on the Cowl of Batman- Bruce Wayne will personally invite a child in need to his home. He always has one of his kids present (they rotate on a pre-determined schedule) and he does his best to try and get them to understand that they deserve the world, have all the potential that anyone else has and can achieve a bright future. That he will personally aid them in their ambitions.
PR goes crazy for it of course, but Bruce and all of his children know its genuine. Almost too genuine, because a betting pool 'WILL THEY BE ADOPTED' regularly circulates between the siblings and the entire JL when someone spends time at the manor. And not just the black-haired, Blue-eyed kids get picked as favored outcomes- but obviously the running joke gets passed around.
It's a Thursday night when Bruce gets the call that the houses have once again filled up, and that there is a child in need of a home. The social worker (he knows her as Marsha and he has flowers planned to be sent on her birthday next week, like he does for all of his employees) (Say micromanaged one more time) explains that the kid is a bit cagey but has opened up with some humor. She explains that he has a few strange... mannerisms. She's not sure what to make of him, a non-gothamite for sure but something is, well, distinctly 'not from around here' about his energy.
Danny arrives at the house, meets Duke and Alfred, and by the time Bruce meets him at the dinner table it seems as though Marsha had it all wrong. This kid was laughing, he was teasing, he was totally playing along like he'd gone through nothing. Bruce is glad he's in high spirits but its just so... so different from all the other children he's taken in.
Bruce re-focuses on the conversation when Duke mentions something flashing, and its the first time that Danny goes quiet. Entirely still.
"...you noticed that?" Danny quietly asks, a bit of disbelief in his tone.
"You don't have a flashlight on or something do you? It was super bright whatever it is that you had in your hand a second ago?" Duke tries to sound chill but he's looking very much not chill. Bruce saw nothing, and that puts him further on edge.
"Look... I uh, I've been though... I've been through a lot lately. And the last lab I was in kind of, messed with me. I'm normally much better at dealing with it all, I promise." Danny sounds nervous, and the room seems to chill.
"Ah shoot, sorry." Danny notices something and frantically apologizes.
"Sorry for what Danny? You've done nothing wrong but I am worried about you- You said you were in a lab?" Bruce is desperately trying to calm him down while not slipping into Batman interrogation mode.
"Uh, yeah, like a lot of labs. It should get warmer in a second, its just cause I startled, I promise."
"You're a meta." Duke speaks softly and with hope in his voice- Danny is looking between them with wide eyes filled with fear.
"I mean I don't technically have the gene-"
"Danny, have you told any of your case workers where you were? Do any authorities know what you've been through?" Bruce needs to know, desperately, that who ever gave this young boy super powers is brought to justice. Danny goes quiet.
"I'm really sorry." He says softly, but he doesn't leave them.
Duke and Bruce try to ask a few more questions but the silence that meets them declares the conversation over, even with Duke admitting he himself is a meta. Danny didn't even look up from his plate. They watch a movie after dinner, and Danny seems to get back to the smile-y happy guy he had been before dinner.
Each of the bat-fam have their own interactions with Danny- And even if they're getting along amazingly, Danny won't open up. He doesn't open up to his provided therapist. Doesn't talk to Alfred. No one knows what's up.
So when Marsha calls Bruce back explaining they now have a spot for Danny and he can move out of the Manor... Bruce replies that he'd like to get started on Adoption paperwork, so long as Danny is fine with it.
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Turns out, Danny is fine with it. he's both the newest Wayne and their newest case. (And godamnit, his new family is going to avenge him. If only he'd let them try.)
Danny figures out that Duke= Signal early on because of that dinner, and if he's going to keep his parents out of jail, he needs to be as close to the investigation as possible. He knows that he shouldn't protect the Fentons, but he feels the upset in his core at the thought of letting them befall any harm. He has to protect them. Has to protect Jazz and her hiding spot as a mole within their lab. Has to.
Even if it meant lying to his new family who loves him, and who he loves in equal return. Even if it means lying to The Bats.
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Tabloids go crazy about the black-haired blue-eyed thing of course, but no poll was ever taken by the batfam or the JL who know the whole story.
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