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#what is this? unconditional love?
thatrandomblogsays · 4 months
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RIP Annabeth, I just know Percy sacrificing himself for you, after knowing you for a week, after telling you that you’ve done more for him this week than his father ever has, is permanently altering the brain chemistry of your avoidant attachment self
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royalarchivist · 5 months
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Fit: Yeah, they're all great, you'll like them a lot, you're in good hands.
Pac: You're in good hands, Empanada. One day, if you want to switch place one day, maybe? You know? Just let me know. Remember the thing we talked about yesterday, right? Yeah. Anytime.
Fit: [Chuckles] You two made a little agreement?
Pac: Yeah! Maybe one day it's going to happen, you know? I need to search for a hat just like Empanada's.
Fit: W- wh- wait, Just like in wait a minute, wait a minute. You want to switch places with Empanada? Is that what you mean?
Pac: Yes!!! She had the best mothers of all time! Like, imagine how she's going to be treated, like, she's going to be a princess! The princess of all princess!
Fit: [Stunned silence] Y- yeah, yeah! That- that- great. Just-
Empanada:
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Pac: Yeah, you know, like– Tina and Bagi, you know, they are my mothers as well.* Mis madres, mis madres, mis madres, you know, 'cus of the meme, you know Fit, you know Fit?
Fit: Yeah yeah yeah yeah, I- I– Yeah. Yeah no, I get it, I get you, I get you, I understand. I understand. ...yeah.
Pac: [Laughs] Yeah.
Empanada: Drama
Fit: We say "fofoca", Empanada, in Portuguese, yeah. Fofoca, fofoca.
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purrfectlycontent · 2 months
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i may be going insane
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actual-changeling · 7 months
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okay but can we PLEASE allow crowley to have emotions? can we let him be angry, upset, bitter, frustrated, and NOT immediately want to forgive aziraphale? can we let him be a complex being with complex emotions and trauma who is allowed to be heartbroken over aziraphale choosing heaven instead of him?
yes, they love each other. yes, they both hurt each other in that final argument. yes, neither of them is completely wrong or right.
for six thousand years, crowley has done *everything* to accommodate aziraphale. he has swallowed his emotions, crossed his own boundaries, tried again and again to get aziraphale to listen to him so he can finally make him understand how the fall changed him and how deeply fucked up the entire heaven/hell system is. it is why i cannot see the apology dance seen as "cute" or "romantic" because it's crowley once again ignoring his emotions to save aziraphale from heaven and himself; he did NOTHING wrong! aziraphale should be the one apologizing, not crowley.
and while yes, aziraphale has been on his own journey and is struggling with his own trauma, he needs to start putting crowley before his personal comfort. he needs to stop expecting crowley to throw his feelings in the wind and come crawling back to him with an apology on his lips.
the final argument was crowley saying he's DONE doing that. he's done meeting aziraphale on his side, either they'll meet in the middle or not at all - and rightfully so. aziraphale hasn't been listening to him this season, he never has.
do you really think if crowley had given him the details of the trial in heaven, gabriel's trial, anything at all that aziraphale would have believed him? no! he wouldn't have! his entire schtick is finding increasingly insane explanations for the shit heaven pulls so it doesn't contradict his personal view of it.
their relationship has never been healthy, unconditional love is NOT healthy or good. it's simply not. crowley is allowed to have hard boundaries and conditions, he's allowed to not forgive him immediately (or at all, although we all know he eventually will). aziraphale is ALSO allowed to be upset. i know that we all want them to be together and happy, but trauma recovery and personal growth aren't that simple. they're both more than the relationship they have with each other.
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ickysmelly · 3 months
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hlvrai but make it mlp 3/5
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symbologic · 3 months
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Law thought he'd need to change the world to honor Cora's sacrifice
But he was already living Cora's legacy: Simply by being with the people he loves, the family he created for himself in the wake of Cora setting him free
You'd almost expect Law to wander alone for years after Cora's death. And in a different story? I think that's likely what would've happened so the MC could finally show him what love means
But Law met Bepo and the others within a few days of Cora's death
And so Law fulfilled Cora's dying wish — continued to fulfill that wish everyday after that, even — without ever realizing it. There is something so devastatingly beautiful about that
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angelsdean · 9 days
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dean and cas love and trust each other unconditionally. they give and they forgive easily. there is never a debt to settle. never a score to keep. i'd rather have you, cursed or not. i prefer trusting, less dumb less ass. i'll go with you (again and again and again). i forgive you, i need you. of course i forgive you. of course i wanted you to stay. i've got you. i love you. etc etc. they are best friends first and foremost. they can talk to each other and be real. they know when the other is lying about being "fine" and they call each other out on it. and then they listen. they get angry sometimes, and miscommunicate often, but they are always approaching everything with the desire to understand, to work together. they worry. they make bad choices sometimes out of a desire to protect the other. keep each other out of a situation and out of the loop. take on the burden for the other. all these flaws and wrong choices are still rooted in love and care. they care SO much. that love and care is at the center of everything they do.
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magicaldragons · 2 months
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love (ˈləv) noun.
varadeva.
Deva is not your typical tortured protagonist.
Normally, characters that are acclimatized to violence have become that way because of circumstances throughout their life, or due to traumatic experiences.
but Deva?
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Deva was born with these tendencies. He wasn't molded by life into the violent being that he is now – he has always been that way. Violence was his first and most natural way of responding to any emotion that was too overwhelming for him.
• it must have been hard initially for Deva, growing up with no one to understand the way he worked intrinsically.
Deva, in his most natural state, is violence personified, but his mother isn't able to accept this aspect of his personality.
She detests it, in fact – and it's just gotten worse, especially now that she has witnessed in some way, the extent that Deva can go for varadha people things he feels strongly about.
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She refuses to watch him fight, and cannot bear to see him associated with violence in any way, shape, or form.
In short, she cannot accept him.
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While Deva's mom needs eyes on him at all times though,
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Varadha trusts him to do what is right.
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and this is Varadha's love for Deva:
this is what Varadha brings to the relationship; and it's so easy to overlook because it's something Varadha does so well.
He accepts Deva exactly the way he is.
and the fact that, throughout the movie, you never see a direct expression of Varada's love towards Deva, just proves that it never leaves in the first place – Varadha's love for Deva is persistent and unyielding.
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Varadha has embraced Deva's 'big emotions' since they were children, and the comfort this has fostered is so embedded within Deva that it's probably the only reason Deva can live with himself right now, especially with his mom convincing him he is a monster at every possible chance.
Deva's love for Varadha, on the other hand, is very obvious, because again: his emotions manifest very tangibly
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Deva knows what Varadha needs the most – he truly sees Varadha's insecurities and inherent complexity.
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Underneath Varadha's composure, restraint, and calm confidence, is a boy who is terrified of the future. of his father. for his brother.
Varadha sometimes says the opposite of what he feels in an effort to protect himself from vulnerability, but Deva has learnt to read him. Varadha doesn’t make his motives clear often, but Deva trusts him to reveal things in time. He never pressures Varadha for information, or questions him.
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• It even goes against every cell in Varadha's body to request protection and demand love, especially after the kind of treatment he's faced from those that should have been expected to show him love.
and Deva understands this, and is there to protect and love Varadha, without a second thought.
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It's a very mutual relationship, between two people who are there for each other exactly how the other needs them, and the fact that they never had to try to fit each other, just shows how much they're made for each other.
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— love, a definition: part three [part one / part two]
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shrimpchipsss · 5 months
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oh well
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hualianisms · 5 months
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the way HC grew up thinking he was weak, monstrous, repulsive, was told that he was cursed, and believed that he had to spend 800 years becoming better, stronger, more powerful, for XL, bc he wanted to protect XL -
but then he meets XL again, and shortly after becoming friends, XL tells HC that he doesn't care if HC is hideous, doesn't care if HC is a beggar or royalty, a ghost or human. later on, XL even tells HC that he doesn't care if HC is strong or weak, at his lowest or highest point, in worst or best moments - XL loves HC no matter what state HC may be in, he loves him simply bc he is HC.
and this unconditional love from XL is so important to HC, so healing for HC, and is exactly why it shaped HC so inexorably, both 800 years ago and 800 years later. bc XL truly is the kind of person who loves someone for who they are, not how they appear on the outside.
and HC fully reciprocates this unconditional love by loving XL no matter if XL is the god-pleasing crown prince or the broken husk of a man wearing bwx's mask trying to take revenge. HC returns this unconditional love by repeating XL's words back to him, what matters is you, not the state of you.
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linthehero · 9 months
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no brandon was fucking evil for starting the episode off with this, my down bad ass lost my mind over this interaction for 10 minutes
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panncakes · 1 year
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“I thought love was war. I didn’t know it was supposed to... I didn’t know it was supposed to be peace.”
c. taylor jenkins reid
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captainkirkk · 9 months
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New favourite trope: Character A is terrified of rejection or seeming too clingy or being "too much" and driving character B away
Meanwhile, character B is obsessed and head over heels in love and are determined prove just how Not Normal they are about character A for the rest of their lives
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possamble · 11 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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keepyourpantsongohan · 5 months
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Meaningful Highlights from Sasuke Retsuden:
When Sasuke interrupts his own reconnaissance to untie a fellow prisoner who's being bullied, putting his mission in jeopardy to help a stranger.
When Sasuke is struggling to stand and falls backward into Sakura's arms and she catches him, the same way he caught her during the war arc: Without the strength left to even turn around, Sasuke fell backwards, and a familiar warmth caught him. “I got you, Sasuke.” It was Sakura’s voice.
Sasuke being so detailed-oriented with his friends and comrades that he knows their preferred method of picking a lock, and acknowledging he got his way from Kakashi: Kakashi often used the heat of Fire Style to melt the metal part. Shikamaru inserted a long, thin shadow into the keyhole to turn the cylinders. Naruto would make it move with a very small-scale bit of turbulence. Given that he excelled in Fire Style, Sasuke often followed Kakashi’s example and melted the lock itself.
Sasuke's narration putting how he feels about Sakura and how he copes with distance from her into words, both in narration and out loud: Even if they couldn’t always be together, the fact that Sakura was his wife and his family was never going to change. He was able to think like this thanks to a lesson from a good friend a long time ago. The most important thing was the bond they shared. He had a connection with Sakura that not even distance could touch. Even if he couldn’t see her every day, she was his precious partner.
The revelation that Sasuke was waiting for pink blossoms on a tree to bloom because he missed Sakura: “He used to sit here and stare out the window all the time. But he hasn’t been doing that lately. Not since you came. I always wondered what it was he was looking at, but now, I finally get it. He was wondering when that tree was going to bloom.”
Sakura being literally crushed in the crumbling foundations of a building but still being so selfless that she is concerned about not causing rockfall on someone else, and wishing she could be there to defend the prisoners. And, at the same time, Sasuke desperately manually digging through rubble to pull Sakura out, and being the one to heal her.
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doll-elvis · 9 months
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“he moved her chemically more than anyone she had ever met, all other men seemed pale beside him”
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- F. Scott Fitzgerald
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