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was drunk at my friend's place yesterday and her bf was given some throwing knives, played around for a bit and i still got it 🧐 that was my last push to get back into knife throwing, haven't been into it since i was 17/18 lol. i ordered these ૮ ᴖﻌᴖა
edit: if ur here from my top posts you can see me throw them here!
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The Curse Of Hope
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Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.
The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.
“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”
That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.
Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.
“Are you…alright?” Danny stuttered. A stupid question.
The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.
“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”
Danny held his breath. It felt like he was the one with the exposed core, not the spirit.
The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”
Shit, he needed Frostbite. And maybe Clockwork. Now.
-Or-
Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.
Luckily, Danny can provide that help.
But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.
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I like the general fandom trend to just take the plot of Hyrule Warriors as a loose guideline at best and just use the whole concept as a good excuse to get blorbos to interact across timelines, BUT I'm very disappointed that everyone is missing the comedic potential of a very specific squad of characters:
Young Link (aka Mask), who walks out of the nightmare of Majora's Mask and immediately gets portal kidnapped into a temporal war, takes one look at the whole mess and decides that you could not fucking pay him to admit to being the resident expert on Time Shenanigans. He introduces himself with the title of Hero of Termina, and definitely doesn't have any other ones, that would be crazy. Hero of Time? Never heard of him.
Tetra, who is a kickass pirate captain with zero patience for people trying to shove her into the Designated Princess role, and realizes immediately that Oh Fuck, this Hyrule has a lot of Ideas about how the Hero and the Princess are supposed to properly play their parts, the second they realize she's technically a Zelda they're gonna shove her in a goddamn dress and damsel her again, that's not happening. So she's definitely just a really cool pirate captain, nothing else going on here at all, definitely not the heir of the Hylian royal family in her time, that'd be crazy.
Ravio, who is literally just a palette swapped Link, meaning that the second his hood comes off, things are gonna get Awkward. There's no way in hell he's dealing with all that Hero baggage, that's Link work, so that giant bunny hood/mask is practically superglued to his head, and he's not taking it off for love or money.
Spirit Tracks Zelda, who is just in the Phantom Armour the whole time, and passing herself off as just a friendly ghost posessing a suit of armour to help the Hero of Spirits. Of course she isn't Princess Zelda, that's ridiculous, if she were a Zelda then people would start getting really weird about her technically being dead, and boy does that ever sound like a whole Thing she doesn't want to deal with, so she can't possibly be Zelda, she's just a nice ghost knight. Also, her teenage grandma is here, and that's kinda weird, so it's easier to just not admit to being royalty and avoid that awkward conversation.
Finally there's Sheik, who is not the Princess Zelda of the era straight up abandoning her war torn country for months at a time so she can risk her life in extreme cosplay for no clear reason, but is instead the actual Sheik from Ocarina of Time, who just beat Ganondorf like a month ago and is still trying to process what the fuck to do now. Also, he's been pretending to be a boy since he was ten, and is realizing there's a pretty good chance that he isn't pretending anymore, so that's a whole other can of worms. But for the last seven years of his life, being Princess Zelda meant certain death, so he's not really inclined to introduce himself like when in a new and stressful situation (not to mention he might actually just not be a girl named Zelda anymore), so he automatically introduces himself as just Sheik the spooky ninja man, and fuck he's in too deep to back out now, looks like he's committing to the bit. If you think you sense the Triforce of Wisdom on him, no you don't.
Cue shenanigans as the five of them attempt to hide that they're all actually kind of A Big Deal. The group motto is "Nobody says shit", which is usually delivered as a frantic hiss whenever someone slips up. Just the reunion between Sheik and Mask alone would be absolutely buckwild given how they parted, and how they're both frantically pretending to Not be involved with each other. For added hilarity and/or drama, Sheik gives his semi-bullshit cover story of having just been a friend of the Hero of Time, then runs into said Hero of Time and they both have to desperately pretend not to know each other, because if anyone picks up on the mountain of baggage between them then Mask is busted, and he won't hesitate to drag Sheik down with him out of sheer spite. Not to mention the weird balance of Sheik being used to this Link being a teenager that's actually a small child, and now has to adjust to Link who is a small child that's actually a teenager.
Also, i really feel like we're all missing out on the comedy potential of Ganondorf recognizing Young Link on sight and the two of them immediately launching into a grudge match with some extremely personal and specific insults on both sides. Meanwhile literally everybody else is just standing there watching, trying to process the fact that out of every single person that's been pulled out of time, Ganondorf only has personal beef with a literal nine year old.
I just feel like we're all really sleeping on the potential for Shenanigans here. The whole thing is an absurd mess, why not have some fun with it?
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I'm on my One Piece hyperfix arc
og images under the cut
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i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,
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I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.
It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!
No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.
A henchmen.
(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).
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The Extremely Serious and Scientific Legolas Fandom Hair Colour Poll:
What colour hair do you picture in your head for your personal mental image of Legolas of the Woodland Realm? (Not necessarily which one you think is more or less "canonical"; rather just what you see in your head when you're reading something.)
Ideally, you can also share when and how you were first exposed to Lord of the Rings in the tags or reblogs, and what you think most influenced your mental image.
No I'm not procrastinating from writing stuff, go away.
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i’m just a kiiid and life is a niiightmare
bonus version where the water’s blue because i thought it’d look more black initially but then it diiidnt so i made it actually greyscale lol
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I think it would really advance society if we admitted that mothers can be just as toxic and abusive if not more than dads and stopped dismissing it as “they gave birth to you”
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i think it's interesting what cutter's love of westerns represents, when wolf 359 has so much focus on the ways people narrativize their lives. eiffel, hera, minkowski, and lovelace all feel, in some way, doomed to be the people they are. minkowski playing the role of commander vs. actually being in command. eiffel's whole pop culture... everything, and the way he projects those tropes and archetypes to avoid real connection or responsibility. lovelace feeling like she's playing the role of isabel lovelace vs. actually being herself. hera, whose character arc centers on defying her programming. there's a repeated message in the show about being "more than what you were made to be."
cutter's love of westerns: "i think i'd live in a western, if i had the choice. [...] they're about how people are connected to a bigger picture. no matter who they are, or what little quirks they have, there's an order to how things work out." vs. his idea of a perfect humanity: "a new kind of human, ones who are exactly what we need them to be, and do exactly what we tell them to do."
so much of goddard operates on this type of obedience and willingness to play a role. hilbert assumes new identities until only his work remains. kepler becomes his job. "let's go be monsters." riemann taunts jacobi based on the same assumption: "what, you think just because you're trying to be a good guy, things are going to go your way?"
i think the genius of wolf 359's character writing is that, thematically, paradoxically, they can't be characters as much as they are people who perceive themselves as characters. cutter loses because his worldview ultimately cannot account for humanity, in all its unpredictability and contradictions. the characters in wolf 359 are not doomed by the narrative; they're saved by the acceptance there is no narrative, no bigger picture they have to play out some role in. they're just people - infinitely capable of change, defying expectations, making choices.
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Something I feel often goes unrecognized in discussion of Harry Osborn is the fact that he is the Only Child of a Single Parent.
In my experience/observation (both real and fictional) the only child/single parent bond is so inexorable it's hard to fully comprehend. Few other things will bind two people together in such a way.
Like many familial relationships, it's full of a thousand little hurts that will probably never get brought up again. Sometimes you let the relationship go by the wayside in pursuit of your own life goals because you take it for granted that family will always be around. But there's a unique flavor to it.
Deep down inside you there's an awareness that it's Just The Two Of You. For the child, it may have been just the two of you from your very earliest memories. Sure, you know other people. There are extended family and friends and maybe the parent has a romantic partner or two. But at the end of the day, in your home, in your hearts (something you carry with you no matter where you go) the two of you are all you have and all you feel you can really depend on.
A world in which the two of you aren't together is almost impossible to picture and you don't want to try, even in the moments you wish you could just get away from each other. Being an only child separated from a single parent for the first time ‐ even on normal and amicable terms like when you move out on your own - makes you realize, again and again, how many ways your parent has influenced you. The things you say that you heard from them first, the habits, the opinions. You love them, but sometimes it feels like they still... OWN you, even though you are your own person. Sometimes that frightens you, but the alternative is even more frightening.
Like all love, it'll make you behave selfishly and irrationally at times.
And it'll really make you DEFENSIVE.
If you're Harry Osborn and complain a bit about your dad being a dickhead while deep down wondering if he really even cares about you, that's one thing. But if anyone says a word against him in your presence you have to backtrack. You have to argue in his defense because he's all you have and you're all he has. Loss would unbearable.
Look, guys. It has been years since Harry and Norman Osborn have gotten along or been able to really enjoy each other's company, if they ever could. But if anything happened to the other they would kill everyone in this room and then themselves, do you understand what I'm saying?
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