Woke up thinking about dilfs today. Here’s the results of the days work:
It’s no secret that Lambert’s political ideas were…ambitious. And that’s not a bad thing - I think he really wanted to better Faerghus and that his policies were truly for the good of his people.
However, it is also no secret that the western lords were…hesitant. And it’s also no secret that Rodrigue knew this and worried about it more than Lambert did.
So how much time do y’all think Rodrigue spent chasing after Lambert trying to rein him in?
And thus, how much time do you think Matthias spent holding down eastern Faerghus while Lambert charged towards a new future and Rodrigue tried to temper him? How much time did he spend helping in territories so Rodrigue could spend time in Fhirdiad trying to tell Lambert to ease into things instead of charging into them head first? (And this is absolutely no hate to Papa Roddy - I love him and he’s such a good guy and believe me when I say he was doing the Goddess’s work trying to keep Lambert from charging off a cliff; he had decisions to make for the good of Faerghus too and this was one of them)
Rodrigue and Matthias play those roles in Houses though; Rodrigue goes in search of Dimitri while Matthias holds down the fort. To me it doesn’t seem far off that the same thing was true earlier in life.
In addition to that, we know there were two plagues in Faerghus - one Matthias sent his wife up north for and one that killed Dimitri’s mother. We know they had the large Sreng campaign where Rodrigue saved Lambert, that Matthias had Leif for a while, that Duscur occurred, and that Faerghus was utterly destroyed afterwards….
We know Matthias is a margrave before anything else, for better or worse depending on perspective (mostly worse than better). But how many times do you think duty took Matthias away from the boys? How many times did he look up and yet another day was long gone? How many times did he sacrifice today in hopes for a better tomorrow?
I’ve never said Matthias is winning any awards for his parenting, but I often wonder how things like this played a part in it.
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if we were to look at it through a racial lens, I do find it very interesting that Jupe’s wife is white. that the audience at Star Lasso are majorly white. that he’s basically robbing the Haywoods, a black family, of their horses to feed them to an alien creature for white people’s entertainment. that he was the token asian adoptee in sitcom as a child. the model minority. fitting himself back into a system that used and failed him as a child, so he can find some semblance of respect and power as an adult man, only to still be swallowed up whole.
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What's often interesting to me, is Dream spells it out in the finale and people often still don't get it, so I thought it'd be interesting to see what he was actually referencing here. To see where it all started.
[24:27] Tommy: “That first war, me and Tubbo versus you–how it should have ended–why’d you take it?”
Dream: “Tommy, you ambushed me and killed me. You stole all my shit! You tried ambushing me in a little cave–you don’t remember that? I feel like you just–your memory is just–gone.”
So here is the ambush Dream is talking about, where Sapnap and Tommy basically decide to just kill Dream and then kept all of his shit. [Death 1]
He gets killed again when he tries to take back his stuff. [Death 2]
Tommy kills him for fun right after he respawns with nothing. [Death 3]
Then after Dream gets his stuff back (via our boy Punz) and he takes the discs to get Tommy to stop, he gives Tommy back his items. But unsatisfied, Tommy goes after Dream, gets one of his discs back and hides it in the little cave. Dream tries to find it, while Sapnap and Tommy try to stop him. They are unsuccessful until, Tubbo brings them axes and they sneak up and corner Dream in the little cave, ambushing and killing him. Once again, taking all of his shit, (including, yes, the other disc.) [Death 4]
[27:58] Tommy: “Think about that, we could’ve been friends but no because you have to figure out the reason you have to get–”
Dream: “Yeah we could’ve but you–you ruined the chance of that long ago. It was you.”
Tommy: “I ruined it?”
Dream: “You ruined it!”
And I don’t think it’s unfair for Dream to say that in the finale, because for Dream it’s this stream early on, these moments that started it all. It’s these instances of of Dream getting murdered and robbed and made fun of over and over. Him, trying to not just make peace for everyone, but also reclaim respect and peace for himself. It’s Tommy chasing after Dream when he has nothing to kill him and rub it in his face. It’s Dream, even after all of that, giving back their items. It’s these instances of violence taken too far to the point they clearly pissed Dream off and didn’t care or follow his very simple request of just giving an apology and his belongings back that shape my distaste for Tommy and sympathy for Dream. It’s these moments that I feel like are gone from Tommy’s and our memory that highlight a different story.
[28:34] Dream: “Yeah, we could have been friends if you weren’t a little shit.”
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
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The people who respond to Coryo Snow stans with “why would you stan Coryo when Sejanus is right there!!” baffle me, because 1. You can stan both and 2. They’re two completely different characters without much in common. People stan Coryo and Sejanus for very different reasons. I don’t stan Coryo because I “think he’s a good person”/“he can be redeemed.” I stan him because he isn’t a good person. I stan him because he can’t be redeemed. Or maybe he could have, but he rejects it. He appeals to me as a character in completely different and unrelated ways than Sejanus appeals to me. They’re not interchangeable.
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I love kabru like he’s established as this manipulative and shady person with ulterior motives who could be a major threat to laios’s party, but he also is one of the most empathetic and kind characters in the series and does his best to try and help everyone bc he is one of the people who understands the situation the best. and I think ppl are too focused on the first part they forget the second part. (Anime onlies are ok bc you guys haven’t gotten his character development yet ^^)
Also his party getting wiped out constantly in the beginning was funny as fuck
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@doridoripawaa YES YES YESSSS FEAR!! You get it 😭😭😭😭 You pass the Uehara Ayumu exam!!!
My take with the season 1 conflict is that painting Ayumu’s jealousy purely as a romantic thing does a big disservice to her character. For me the key thing about it is that she’s so so afraid. She’s so anxious and it’s hit a critical point. She clings to Yu’s side because Yu doesn’t change. Yu is always there for her! But when this whole idol thing starts Yu starts changing - she goes from floating about in life to having a dream and this once steady anchor starts floating around and god damn Ayumu is terrified! I could talk on and on about this but all the visual symbolism in Dream With You really screams that Ayumu wants time to stop and for now to be forever but it’s 1am !!!
But yes you’re right about everything … Setsuna and Ayumu are actually alike in that way….. 🥹🥹🥹
I’m going to think about them sharing an umbrella for the rest of my life….
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