fast food is the best course of action after causing a scene.
ᴘᴀʀᴛ ᴏғ ᴛʜᴇ ᴅᴀɴʏᴀʟ ᴀʟ ɢʜᴜʟ ᴀᴜ
(First Post Here and Second Post Here
--------
Danny finds Sam easily.
She's right where she said she was over the phone: standing outside on a balcony, in Gotham, at Father's many charity functions.
("Would you still be willing to fly over to Gotham, Danny?" She asks, her voice ringing clear through the speakers. Danny is already climbing out his window before she even finishes her sentence. He was just about to settle down for the night, his ghosts would know better by now than to disturb him at this time. The Box Ghost not included.)
("Of course." He says, sounding more confident than he feels. Sam was one of his best— closest friends, he would do anything she or Tucker asked. Even if it means stepping foot into his Father's city. He drops down silently, and walks through the house's ghost shield. "Would you like me to bring you anything?")
(Sam sighs through the phone, relief leaking through. "One of the veggie burgers from Nasty Burgers would be great, with their new ecto-fries. Extra salt. I'm sick of all this rich people food.")
(A small smile pulls across Danny's face, tilting at the corner as his living form falls away to his ghost self. "Alright," he says, and kicks himself off the ground, "I'll be there in a few minutes.")
("Thanks, Danny.")
He had the bag of food with him, stored in a container he had to run back to the house to get that would prevent the food from cooling during his flight over. Clutching it in hand, he floats down behind Sam and sheds his invisibility.
Being visible and being invisible always felt different, but in a way Danny can never describe, no matter how many times he tries to think about it. It's like a gut-feeling, a sixth sense, he always knows when he's visible and when he is not.
His ghost form burns away like steel wool being lit, and Danny drops the last foot to the ground silently. In his other hand lies his thermos, but filled with plain ectoplasm — lazarus water. "I have your food."
(He brought the thermos for himself — his side was still healing from his last fight with Technus. The ghost impaled him with a broken pipe, and Danny returned the favor by wedging his sword into his chest. Technus had been quite offended by him ruining his favorite coat.)
Sam jumps a foot into the air, and her hand slams across her mouth to muffle the shriek she lets out as she whirls around. "Danny!" She hisses, her voice rising in pitch, and her eyes narrow at him into a glare. "Freaking-- Tucker's right, we seriously need to put a bell on you."
"You have been saying that for years," Danny grins, sharp-toothed and jack-knifed, and passes the container over to her. "And yet I've yet to see any kind of bell." He was going to start getting disappointed at this rate.
As Sam takes the container, Danny hops up onto the railing and looks around. He hadn't seen any of Father's other children lurking around the building before he revealed himself, but that doesn't mean they aren't there. He wasn't going to fool himself into thinking that their stealth skills were poor.
He wasn't that arrogant.
...Anymore.
"Oh you will." Sam threatens, unzipping the container and grabbing the takeout bag. "I'll get you a collar and everything, we can start calling you Catwoman." When she pulls out her fries, Danny snaps forward and steals one from the box, ignoring her indignant yell as he pops it into his mouth.
"I spent my own money on these fries, Sam." He sniffs, leaning away from her with a stifled huff of laughter as she swats at him. "So they are technically my fries. And also, Catwoman would be a poor thief if she wore a bell."
Sam grumbles at him, and takes a bite out of a handful of fries. "I'll venmo you money." She says past a mouthful of food, Danny would have been disgusted in the past, when he was still new. But he's gotten used to this... normality. So he makes no reaction to it. "How does three hundred bucks sound?"
Danny immediately frowns.
"Did you have a fight with your parents?" He asks, eyes glancing to the doors. Doors that are covered heavily by curtains and blurred heavily, decadent music passing through in muffled sounds. He shifts himself away from the light. "You only spend that much money when they've pissed you off."
Sam's chewing stops, and her annoyed expression falters into one Danny knows well -- hurt, furrowed brows, a small frown, disappointment -- and she turns her head away from him. She swallows. "Yeah." she says, quiet.
Oh.
Danny knows that tone too.
Guilt settles like a rock in his chest. He leans forward, "Was it about me again?" He wasn't blind to the disdain Sam's parents had for him, far from it. This wasn't the first time Sam had gotten into a fight with them over her friendship with him and Tucker. But especially him. He unsettled people, even after years of observing his age-mates and trying to mimic their behavior, and anyone who knew him in middle school knew it was an act.
Sam's silence gives him all the confirmation he needs, and the guilt heavies itself with the weight of the sky. Danny's never much cared about others' opinions of him -- he is (was?) an Al Ghul, they never heed to mind what the weight of a simpleton's thoughts.
But.. he cares a little a lot when it hurts his friends like this. He presses his lips together into a thin line, and forces the words out through his teeth. It sounds robotic. Al Ghul's do not apologize. "I... am sorry." But this one does. It doesn’t come easy.
Sam sighs through her nose, and turns to roll her eyes at him. "Don't apologize on their behalf when you won't even apologize for your own; their assholes." She says, and goes reaching for more fries.
It's a sign, a signal. A silent word for the conversation to move on, to change. A distraction. Danny grasps it with both hands, and makes an offended noise in the back of his throat. And like he has learned, puts a hand to his chest like a scandalized American southern lady. "I apologize! I apologize plenty."
She snorts. "Only when you think it matters." And pokes him in the ribs sharply with her fry. He withholds a wince and snatches it out of her hands. "You're about as unapologetic as they come, Danny J. Fenton. I've seen you look more sincere when you're trying to drive your sword between Vlad's ribs."
"Stabbing Masters is a very important task for me, Sam." Danny says in only partially faux-seriousness. Masters has yet to realize that Danny had no interest in becoming his son, but he had to (reluctantly) admire his persistence. "Of course I will apply myself to it as best as I can."
He grins triumphantly when Sam laughs, and she reaches over to shove him square in the chest. He barks out a laugh of his own as he grips onto the balcony railing and catches himself at an angle.
"Quit with your method actor talk," Sam retorts, grinning sharply while Danny twists himself back up elegantly. "I know you can talk like a normal person, I've literally seen you do it."
Danny sniffs, and snatches more fries from the carton as revenge. "I'm not entirely sure what you mean, Miss Sam." He says, grin-twisting when Sam rolls her eyes. "My speech has always been this way. This 'normal' you speak of, I do not know it."
She waves her hand dismissively at him. "Yeah, yeah, whatever. But if you keep talking like that, I'm pushing you off the balcony."
"Such violence, Sam."
He gets a laugh again, full of disbelief without any of the annoyance. "I'm gonna be the one that stabs you, oh my god. Pot meet kettle." She looks at him again, smiling.
Danny smiles back, and with a flick of his wrist pulls out a kunai from his sleeve. It was one of the few weapons Mother was able to pass on to him whenever she made her scarce visits. He cherishes it well, along with anything else she was capable of giving him.
He holds the handle out to her, and watches her face shift from disbelief to shock, then back to disbelief. "Then you're gonna need a weapon to do that."
"Of course you have a pointy object on you." She mutters, and takes the kunai and puts it in her purse. Danny makes a pleased hum, it resonates low in his core, and drops his hand. "When do you not have a pointy object on you?"
As if to make her point, Danny's hands twist near his side, and he holds his palms up to her, revealing the shobo he had also hidden on him. He gives her a shit-eating grin. "Never." He lowers his hand, and pockets the small weapon once again.
Sam huffs, "Of course," she repeats, "thanks. I was gonna bring a knife but..."
Danny finishes the sentence for her, kicking his feet idly and knowingly. "The security at the door?" He'd seen them on his flight over the building. It wouldn't do much in the face of the Rogues, but at least they were good at keeping appearances and keeping out the smaller threats.
He rolls his eyes and turns his head away, looking up to the ugly, smog-covered skies. There was no bat signal in the air, and while that was a good thing, Danny almost wished there was. He wanted to see it. "I saw, and I would’ve called Father foolish if he hadn’t hired help. He attracts trouble almost as badly as I do."
"Maybe it's hereditary," Sam jokes, laughing under her breath. With her fries finished, she started on her veggie burger. "At least your dad isn't a vigilante like you are."
Danny smiles wryly. It felt nice to be able to talk more freely about this. That he didn't have to hide the fact that his father was Bruce Wayne, now that Sam knew it from her own accord. Maybe he could have conversations like these more often. Even if it was limited to Bruce Wayne only.
(Even if it felt a little terrifying to know that his father was so close by, close enough that Danny could reach out and touch him. To speak to him. But how would he explain that? And with an audience?)
(He’s wanted to see him since he was a kid, and he still does. It clings onto him like a cough that doesn’t go away after the cold already has, and while it has faded over the years, it clings. His mother’s words still ring in his ears however; it’s not safe. It’s not safe.)
(And isn’t that why he faked his death in the first place? So that his little brother would be safe? Why he gave up the heirship, his home, his Mother, Damian, and his chance to meet his Father? Going to see Father, even now, would be throwing that all away. He has to stay away.)
(Why is Damian with Father if staying with Father was unsafe?)
He just needed to tell Tucker. Danny wouldn’t keep him out of the loop, he was just as much as his friend as Sam was. His eyes draw towards the door, where the golden glow of lights was still pouring through, where music was playing loudly. "Yeah, fortunately."
They fall into a comfortable silence after that, and Danny finally cracks open his thermos. The pipe Technus impaled him with was covered in a goo that Danny didn’t recognize, but whatever it was, his injury was taking its time healing. The ectoplasm was speeding it up.
He isn’t sure what the difference between the ectoplasm that Drs. Fenton collected and Grandfather’s Lazarus pools is, but there’s a difference. He swirls the thermos slowly, watching as the ectoplasm inside twists into a small whirlpool sluggishly.
When left alone, it thickens into a consistency similar to egg whites, or perhaps a thick smoothie, but reverts back into a water-like substance when moved and swirled. It was strange; unexplainable. He can understand, to an extent, why the Drs. Fenton are so obsessed with studying it and the dimension it comes from.
Sam watches him idly as he brings the thermos to his lips and drinks from it. The effect is instantaneous, a sense of relief washing over Danny as if someone had put a soothing balm onto an injury. It buzzes down to his fingertips, and when he lowers the thermos, he licks his lips and watches the tips of his fingers burn green like frostbite.
“Your hair turned white again.” Sam comments, her hand reaching out and touching the hair on the nape of his neck. While it’s not the first time Sam’s touched his hair, it still makes him tense up with her hand so close to his throat. Instinct. dan
He ignores the urge to bat her hand away, humming thoughtfully. “I’ve noticed it does that.” He says, pulling down his bangs to see if they’ve also turned white. No, still black. He lets go. “Let me guess; my eyes are green too?” He lifts the thermos again and peers into the chrome casing.
Sam nods, “Yep, but it’s only the, uh.” She makes a circle around her eyes with her finger. “The iris part. Everything else is fine.”
Danny can see that. The faint reflection on the chrome casts back an intense green. He takes another sip. It chills the back of his teeth, and he can feel his canines warp and sharpen. He runs his tongue over them, and swallows.
Sam is still watching him, her fingers drumming against the balcony railing. “What’s it taste like?”
“Carbonated.” He says dryly, before taking a large swig. He couldn’t name a specific flavor if he tried, it changed every time he took a sip. The only thing that stayed consistent was that it tasted carbonated. And slightly sweet. When he pulls the thermos away, Danny twists his body towards her and offers it out, wiping his mouth on his sleeve. “Want to try?”
Her reaction is immediate. Sam’s nose scrunches up and her mouth twists into a smile, and she makes a huffing-laugh sound. “No, thank you.” She pushes it away lightly with her fingers, “I don’t know how to explain to my parents why my hair is white.”
Right. Danny pulls the thermos away and puts it down beside him, straining his eyes to see if the rest of his hair has changed colors. Even just his first sip would take half an hour to fade back to its normal black, and he was a halfa. He had no idea how long it’d take to fade on Sam, who was human.
There’s movement from the corner of his eye, and Danny snaps his head towards the source. There’s a figure, small, a boy, trying to hide behind one of the curtains at the door. His form just barely peeking out from the angle Danny was sitting at. He wouldn’t have seen him if the boy hadn’t moved.
His fingers curl tightly into the railing, and he breathes in sharp. Sam’s smile crumbles away and she turns to see what he’s looking at. “I should go.” He says, and reaches for his thermos. “There’s someone spying on us. Don’t say anything, just look at me.”
Sam’s expression warps, twists. Her eyes widen, her jaw starts to drop before fixing itself into place, and her shoulders curl up and tense. She forces it all to smooth over, and she leans casually against the railing. There’s a tick in her jaw. “I see.” Her voice comes through teeth. “Do you think they saw you?”
“I am not sure.” Danny says. He keeps an eye on the figure as he twists himself over and grabs the Nasty Burger bag and the container. He tries not to look like he’s rushing. He is. How long has that boy been there? How much did he see? Did he hear anything?
“Father, fortunately, has privacy films on the glass. Nobody should have seen me unless they’re specifically trying to peep through the door.” He says. The boy seems to realize that Danny was starting to leave. And, his heart beginning to sink, instead of leaving, moves to grab the door handle instead.
No. No, no, no, no, no.
Danny’s breath catches in his throat, he’s hoping that isn’t who he think it is. But how else would he have not noticed an eavesdropper on their conversation unless it was someone who was capable of bypassing those skills? He told himself that he wouldn’t fool himself into thinking that his siblings’ had poor stealth. He got distracted.
Five years, five years. He refuses to let that go down the drain. He zips up the container and throws his legs over the other side of the railing, his back facing the door. He hears the doorknob click, and without a word to Sam, slips off down the side and down to the ground below.
Just in time. The once muffled music now sounds blaring as the door presumably is thrown open and the pull of invisibility washes over him like a second skin. He doesn't stay to see who it is.
696 notes
·
View notes
We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:
Taigen and Mikio are foils.
Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.
I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.
First of all, let's look at their similarities.
1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.
2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:
For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord.
For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.
In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.
From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?
Their backstory:
Mikio was a great samurai who was banished.
A somebody to a nobody.
Taigen was a fisherman’s son who rose to the top.
A nobody to a somebody.
2. The first time we meet them on-screen:
Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest.
Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.
3. Their maturity and growth:
Mikio is mature, but stuck in his ways.
Taigen is immature, but capable of changing and learning.
4. Their overall attitude:
Mikio is generally relaxed, easy-going and unfussy.
Taigen is uptight, irritable and severe.
5. How they talk to and conduct themselves around Mizu:
Mikio is aloof, soft-spoken, and serious.
Taigen is obnoxious, brash, and sarcastic.
Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him.
Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.
Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection.
Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.
6. Their external vs internal selves:
Mikio is calm, gentle, and considerate on the outside.
Taigen is hot-headed, rude, and selfish on the outside.
Mikio is cowardly and deceitful on the inside.
Taigen is brave and loyal to a fault on the inside.
Mikio tells Mizu that he wants to know and see all of her.
But he scorns and betrays her, the woman he loves.
Taigen tells Mizu that he wants to duel and kill him.
But he endures torture to not betray him, the man he hates.
9. Their hair, a symbol of their honour:
Mikio's topknot is untied by Mizu during their spar.
This humiliation occurs in private, the two of them alone in a rural location where no one can see them.
Taigen's topknot is cut off by Mizu during their duel.
This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.
10. Their power dynamic with Mizu:
Mikio believes he is Mizu's mentor.
He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata.
Taigen believes he is Mizu's equal.
He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.
11. Their perceptions of Mizu:
Mikio sees Mizu's feminine side first.
He sees her as sweet and gentle, but also clumsy and incompetent.
Taigen sees Mizu's masculine side first.
He sees her as terrifying and deadly, but also strong and skilled.
12. The way they approach sparring with Mizu:
Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it.
Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.
Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated.
Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.
Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter.
When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her.
After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her.
After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.
13. When Mizu pins them down in a friendly spar:
Mikio sees Mizu's whole face objectively.
Taigen stares at Mizu's mouth and eyes.
Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster.
Taigen gets aroused, apologising, so she pulls herself off of him.
14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:
Mikio is the first person (chronologically) that Mizu fights against using her sword.
Taigen is the first person (we see on-screen) that Mizu fights against with her sword.
Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it.
Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.
15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:
Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this.
Her Mama appears then and says Mizu's name accusingly.
Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this.
Taigen looks at Mizu weakly and says her name softly.
Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.
So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.
What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.
So for Taigen to have so many parallels with him... Do you see what I'm saying here!
Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").
And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:
Mizu promises Taigen to meet him for their duel in autumn.
Mizu fell in love with Mikio and duelled him during autumn.
With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.
437 notes
·
View notes
Promises
He should know better.
Wolfwood has seen Vash make promises, or hear about the ones he has made in the past. He has also seen the end of each one and how every single time the outcome is less than what was promised.
Vash likes to say embellished words, with a soft and determined voice that lures you into his hopes and dreams, it almost feels like a spell, as if he was calling for you to come closer and believe him. But Wolfwood knows better.
He believes in him, but Vash is much closer to being an idealistic dreamer than a realistic person like he is. He might not be aware of it, but his beautiful promises of a better future give people hope, a hope that is usually embraced with things like disappointment and abandonment.
He doesn’t think that Vash does it with the intent of looking for any of those things. Far from it, he might even do the impossible in order to accomplish said promises, but life is too short and humans are too mortal for his wishes, so in the end, most of Vash’s promises end up being empty or they come to haunt him as a reminder of his failed vows. He admires the man, for his perseverance and idealism, but he also hates the man, for his stubbornness and lies.
Wolfwood knows all of this perfectly to a tee. And yet, he has also found himself being drawn to his world. Because he also dreams of it.
A world in where his always present calls for love and peace exist, a world that is far more kind than what he might deserve, a world in where the kids can be happy and roam around without any worry in their heads, a world in where he can peacefully turn grey with age and his hands can shed the harsh callouses of his life. Who knows, maybe a world in where he and Vash can finally know the peace that was taken away from them, in where they can share the calmness that comes with the passage of time, indulging in every tick of the clock welcoming with open arms whatever comes their way without any fear.
It is a beautiful promise. But Wolfwood is a person that has to keep his feet on the ground, indulging in “what ifs” would only make things harder than what they had to be. He can’t have any ifs if he can’t make it through the now. And by the way he is carrying his present, he is doubtful he will even get to see a shed of that promised world that Vash tries to drag him into. So why mourn something he doesn’t even have, or will ever have for that matter.
He hates the way Vash seems to promise things so easily. His tongue silky and pliant, slipping divine words one after the other, promises way too big for what that barren world can actually fit.
But when Vash talks to him in that holy voice of his, when he hears him say “It’s okay, everything will be alright, I promise” so gently right on his ear, while he holds his face so tenderly making him focus on him and nothing else, he wants to believe him.
He has seen the end of his promises. He knows how impossible they are. But for once, he wants to believe it too. Believe in that loving world that will cradle them both until they fall asleep, listening to the soft sound of the wind laughing while the moons smile upon them.
So he allows himself to indulge in the warmth of his palms, leaning into the comfort of his existence, feeling the soft air of Vash’s breaths against his skin while their foreheads meet in a touch that feels like a hot brand that will melt him.
For an instant, he allows himself to be selfish and believe that maybe, that is how living in that world Vash so desperately fights for would be. Soft and warm, making him feel safe in the hollow of Vash’s hands where the world seems to fit so well. A world where the blue sky is a blanket that covers the love and care that is nestled in it like the one in Vash’s eyes. He wants to see that world.
For now, he will selfishly think that the world that fits in Vash’s hands is right there in where he is holding him, where his blue eyes are drowning in the light of the sunset dripping with love and care while looking at him, that the gentle touch of Vash’s thumb wiping his tears is the same as the kiss of that laughing wind in that distant future, where the smile of his eyes overcomes the smile of the moons.
He should know better. But he loves the thought of that world. And he hopes that Vash will get to see that world, because that gentle sight is more fitting for someone like him than the one of his violent world.
He promises to himself that he will do what it takes for that day to be possible. Even if the end of that promise will be empty for Nicholas, he knows it will be a full one for Vash. So it really isn’t that empty for him after all.
He hates his lies, and he hates how true they sound, but Vash’s embellished words are far sweeter than his bitter thoughts so they feel better on his insides, almost like a balm that cares for the wounds of his throbbing, painful reality.
He should know better.
But aren’t humans weak at the promise of love?
1K notes
·
View notes