sometimes I randomly think about the time a girl posted in this girls only Facebook group I’m in telling everyone how she broke up with her boyfriend and he lied saying that he lost the spare key she gave him, only to then break into her apartment when she wasn’t home and steal the cat they’d adopted while they were together, but then he denied having done this and she didn’t really have proof that he took the cat since he wouldn’t let her come into his place and look for it. And then another girl saw this post and knew her ex-boyfriend, and she was like “girl. I used to hook up with your mans back in xxxx and I still have his number. If you want, I’ll hit him up and get him to invite me back to his place and see if your cat’s there.” And the OP was like “bet.”
So this woman hit up homie dog, asked him out for drinks, went home with him, slept with him, and then woke up in the middle of the night and TOOK THE CAT. Like she had only said that she would confirm if the cat was there but then she took it upon herself to steal this woman’s cat back. Like she full on Trojan horsed this man and then hit up homegirl like “I got the goods. Where you wanna meet.” And then the two of them posted a photo of them together with the cat to the group.
And I just think women supporting women is so beautiful.
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The thing that is interesting is if you have any semblance of personality you will definitely encounter people who viscerally hate you and obsess over you for years and you will not even remember their name
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What do you think of Rook's savanaclaw card? <333
I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.
and then even the actual moment of the groovy is just like
this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways
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Okay now I'm curious- I try to recommend fewer shows that I think are pretty well known these days, but I wonder if most of them are as well known as I think. Here's my list and my question, remember it's heard of not even necessarily listened to:
The Magnus Archives, The White Vault, Wooden Overcoats, The Bright Sessions, Welcome to Nightvale, The Black Tapes, Wolf 359, Video Palace, I Am In Eskew, Archive 81, Two Princes, Midnight Burger, Brimstone Valley Mall, Woe.Begone, Malevolent, Ars Paradoxica, Eos 10, King Falls AM, The Adventure Zone
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These shots remind me of Dante Basco's and Mae Whitman's headcanons that one of the greatest obstacles to Zuko and Katara getting together would be their fear of hurting Aang's feelings, since they both respect him so much.
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Fear
Super self-indulgent little comic about fears and reassurances.
Lil bonus :3
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there's so many things in tsc that just come at you all at once, so it's hard to focus on just one thing to break down, but the most glaring thing that stood out to me is how hard it is to really put someone back together. especially someone so shattered that it's nigh impossible to glue them back and pray they don't crumble under your ministrations.
if jean is neil's foil, then jeremy is andrew's direct antithesis. whereas andrew is a steady bedrock because he's been broken too many times to know how to weather the storm, jeremy is too soft hands and an even softer soul. he cares and cares and cares. so empathetic and so gentle it almost breaks your heart. you pray for the impossibility that jeremy can survive knowing the truth because if he doesn't, then what hope does jean have? so you pray he can be steady too. that he can weather the storm as well. that he will not break when knowing that just under the surface lies shark-infested waters.
but then you remember the beginning. "even knowing everything could go completely sideways, you'd make that choice every time"
in every other universe, jean has not survived. but in every other universe, he did not have the trojans.
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divorce as angst: boring, depressing, overdone, I've had enough of that in my own life thanks
divorce but the characters are still friendly: good! healthy! more of this please!
divorce as comedy: unparalleled, hysterical, I want characters to divorce each other repeatedly for no reason
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Average Drama Enjoyer observes some peak drama.
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okay i can't figure out how to write the bit and be funny about it, but, concept borne of the fact it's may and therefore mermay and also i can't stop thinking about the stupid swedishbeans bit: iskall is a selkie. joel is like, a normal person who lives in a fishing village. iskall decides joel is madly in love with him and starts trying to sneak his seal skin into joel's possession, and then do a Complain about "oh no the terrible fisherman has stolen his skin. guess he has to marry him now." meanwhile joel is confused, kind of scared, and keeps on trying to give the stupid thing back WHY DO YOU KEEP ACCUSING HIM OF STEALING IT PLEASE,
meanwhile, the b-plot is iskall getting in trouble with the local mob boss, but since beef knows that iskall is a supernatural being, it is Bad Luck to get on a selkie's bad side and beef can't get away with just making the problem vanish. somehow they have both devolved into bizarre proxy wars, with beef trying to figure out how to get rid of the most annoying man alive without either losing face with his subordinates (for seemingly being unable to get rid of this one weirdo) or being cursed for eternity (no mob boss worth his salt gets involved with the supernatural in a way that leads to them cursing them), while iskall continuously sees how much more he can get away with before making this guy snap.
meanwhile meanwhile, in JOEL'S b-plot, mysterious stranger from the woods (and secretly a shapeshifting fox), etho, owes joel five dollars, and he WILL get those five dollars back, dammit. in truth etho, despite being a trickster spirit, was actually originally going to pay those five dollars, but both of them have descended so far into the bit at this point that it'd be weird to stop harassing each other and they'd kind of miss it. meanwhile, everyone in the village has wildly different opinions on what on earth is ACTUALLY happening between them.
all of these plots eventually collide to become something increasingly stupid, probably, it would just need to be the world's silliest situational comedy/sitcom type fic where things get more convoluted before they resolve. do you all see the vision,
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Hypothesis: Aziraphale HATES that Crowley is living in his car.
Supporting evidence:
The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.
He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.
Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.
It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.
Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?
He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).
He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.
That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.
(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)
Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.
And it hurts him.
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