EH, this just DOESN'T HAVE A CONTEXT, and I tried to come up with something where it can be written, BUT 2 WEEKS HAVE PASSED, AND I HAVEN'T COME UP WITH ANYTHING :D
676 notes
·
View notes
okay i have to say i am actually a strong defender of Snake That Makes You Evil. it sounds stupid on paper but thats only if u take it at face value? i do actually think the concept is crazy good what with the venom slowly corrupting how garmadon thinks about things and him being fully aware but unable to stop it.
its also not Just the venom that makes him evil. in the spinjitzu brothers books you can actively watch the fsm and wu and… really EVERYONE around garmadon become more and more wary of him despite not much really changing. it becomes a permanent blight on him that he is repeatedly told he needs to cure. but he hasnt really even changed in his own eyes
i personally prefer it to have been a pure fateful accident but the involvement of the overlord in the bite makes it arguably even more tragic. it becomes more than a childish mistake. garmadon was doomed from the moment he was born.
48 notes
·
View notes
everything about bellumbeck makes me go insane. i don’t even know how to express half of it. the way everyone is in mortal danger during that fight. linebeck is forced to try and kill link right after saving his life. the one time he’s actually taking part in a boss battle with link he’s the boss he’s fighting. the way bellum seems to take his time grabbing him. the fact that bellumbeck never really pays any attention to ciela and bellum just grabs and restrains her instead of putting her out of commission or straight up killing her. one of his attacks is a spin attack much like link’s and we can assume that linebeck has probably seen link do a spin attack at some point. the way bellumbeck’s helmet is designed to look vaguely similar to linebeck. if bellumbeck kills you when you have a purple potion it plays the same sting as when a phantom catches and attacks you. this is the second time this link has had a sword fight with another human as his final battle but this time he is effectively fighting alone. of the main cast linebeck is the most detached from the rest of the group and is the only one to be an enemy. bellumbeck’s helmet opens after some attacks and right before he’s defeated. linebeck’s character theme utilizes harpsichord and excludes piano and bellum’s boss theme utilizes piano and excludes harpsichord. bellumbeck’s theme includes both and for the first half and near the end of the song they play the exact same melody at the same time. linebeck is suggested to be unable to fight or properly protect himself in battle for the entire game and then in the final boss in a twisted, awful way he finally gets a chance to be a competent fighter capable of defending himself. does any of this make sense
103 notes
·
View notes
guys i just had a dream that i was doing p-1 and i finally beat whatever was there instead of flesh prison and i got to minos prime and i was going to do speedrun strats but i was like "omg i forgot sawblade" so i restarted level to equip it but i already had it on so i was like:
11 notes
·
View notes
kinda cool how in season one eleven escapes the lab thinking she's the monster & in season four eleven escapes the lab again knowing she never was and that none of what happened was ever her fault.
and how in season two she goes on a journey to figure out part of her past and is told by another of the lab's victims that she needs to find strength in pain and anger & in season four we saw that it was her mother calling her by her real, human name and telling her that she loved her that gave her enough strength to overpower evil and banish it from their dimension, not the hurt and rage she felt at her being taken away. and that again, she was able to perform a miracle and bring her friend back to life by thinking of the love she showed her and the way she had always treated her like she was a human being.
she and her story are just really cool, methinks.
123 notes
·
View notes
— Denethor was a proud man, tall, valiant, and more kingly than any man that had appeared in Gondor for many lives of men; and he was wise also, and far-sighted, and learned in lore.
— He was Aragorn son of Arathorn, the nine and thirtieth heir in the right line from Isildur, and yet more like Elendil than any before him.
— [Denethor] was as like to Thorongil as to one of nearest kin, and yet was ever placed second to the stranger in the hearts of men and the esteem of his father. At the time, many thought that Thorongil had departed before his rival became his master, though indeed Thorongil had never himself vied with Denethor, nor held himself higher than the servant of his father.
110 notes
·
View notes
any music-related hot takes?
Mate, I started off as a radio tower illegally broadcasting music that was censored by the BBC. I only have music-related hot takes!
Our take of the day is that anyone who thinks punk must stick to a specific aesthetic is not punk, and it's almost always trying to censor even if they might say it's "preserving" it. (Spoiler: their ideas of "aesthetics" are mostly just, you know... it's saying something awful without saying it because you know how bad it sounds? What's that word again? Is it dogwhistling, or is that something else?)
Mind you, it's not as common now as it was in the 2000s, in part because people were gatekeeping against pop punk (which is a different subgenre, chrise, leave them be) and then reached even further to target actual punk groups, but there was a good chunk of time where geezers who were into the early punk scene would mock any new group for being posers, and most of the time, the people they were pitching a fit about were women, minorities, or young people (ah, yeah, hating on the youth: the most punk thing of all, apparently!) As if British punk would be what it is today without people like Poly Styrene, who basically invented the subgenre of Riot Grrl over a decade before it was recognized and fits into all the groups that are now apparently posers. She'd go on stage with a cute bow in her hair and pastel jumper and skirt and braces like she just left school picture day, then scream her head off about identity and oppression so hard that venues had to pause shows to fix the sound systems!
And - And as if punk at the time wasn't constantly toying with how people dress or sound or look, and pushing revolution, all the stuff that people get weird about nowadays. "Oi, these young wannabes don't look like The Clash!" The Clash are great, and also they would have kicked your skull in for being an elitist bigoted prick. Multiple groups can be great! Just admit you became old and boring and Tory-fied just like the parents you used to rebel against, and can't handle a genre that's - that's based on anarchy unless you can look at it through nostalgia.
5 notes
·
View notes