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#Both are equally valid
computer-void · 7 months
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One thing they don't tell you about growing up is that you sometimes wonder if you're asexual or just terrified of human connection. Or both lmao
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I know that Luz and Hunter have already been suggested, but has Luz and Amity? Because Amity's absolutely autistic, and I'd be surprised if nobody's said her and Luz yet
autistic Amity is literally canon to me and yes! Luz and Amity had about the same number of submissions as Luz and Hunter earlier in the day, but that balance has now shifted towards Hunter.
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madelinetess · 1 year
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There are ships that work in every possible universe, and that are just so purely meant for eachother
But there are also the ships that I can't imagine working out anywhere else
It's as if some ships are gifts to any universe they appear in, while others were gifted with the most perfect universe just for them.
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willowtherock · 21 days
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Love seeing posts with characters or series I don't know that say things like "Their impact was huge" or "they changed the genre".
Because then I get to play the fun game that is trying to find out if this is some pillar of fiction I just happened to go this long without ever hear about or if this is just op's special little creature that is fundamentally changing their brain chemistry
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chaotic-carnifex · 7 months
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No hold on I'm gonna make an extra post about this:
I wouldn't choose to be alloromantic
If I were given the choice to either remain aro or become alloro again, I would choose aromanticism.
And I think a lot of people need to hear that.
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weedplantar · 1 year
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Everyone always talks about autistic people who hate being touched, but where's the representation for sensory seeking autistics who love hugs and would be cuddling with someone 24/7 if they could????
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warlenys · 9 months
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difference between hilson and huddy is that in s8e8 house hands wilson a gun telling him that it’s fake and that wilson should shoot him to prove it but. it isn’t fake. house just knew wilson would never do that. he trusted him with his life. cuddy would have shot him
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scootkiddo · 1 year
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I absolutely love pedro’s line delivery of “you have no idea what loss is.”
it’s a line that’s always stuck with me just because of how joel made a blanket attempt to invalidate ellie as that was how he would shield himself from relatability and shedding sympathy. but it’s also the cadence, the tone of his voice that has me bouncing off the walls. I remember when this was the only footage of joel from the show we had and people were quick to say “ugh he doesn’t say it with the same emotion.” but that’s the point! he’s consciously restraining himself from showing obvious emotion. just mere seconds ago he was visibly vulnerable with ellie. and then there was the sarah name drop. and his whole face shifted. the wall was back up. he rebuilt the barriers like The Contractor™️ he is and reacquired this deadpan demeanor because he couldn’t allow his vulnerability to seep through. the topic of his daughter was too sensitive. it adds such a specific weight to the line, by making it almost “robotic.” because in his mind he had to be. regression was a survival instinct. knowing just how delicate joel in the show is reinforces the notion that countering vulnerability through fabricated numbness is his go to. what a brilliant take from pedro
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kastlequill · 9 months
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ok, you were introduced into the fandom via ghost, same, but was it because you liked that he was hot or because you liked that he looked sad in the same way you're sad...
very important question
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connorsnothereeither · 3 months
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I think that what I’ve discovered, the error of my ways, if you will, is underestimating how outnumbered I am as a person who is already the constantly-warm human space heater in his relationship. I think the desire for someone who is big and will keep you warm is something I am fundamentally lacking in this hypothetical Wolf vs Aax scenario and you know what, I’ll live with that. That’s on me that’s personal taste.
I’ll stand by that you can’t discount the “Aax is always cold” as a reason he’s not as attractive because you know what, maybe that is attractive. Maybe I want my cuddles to be like built like a PC hydro cooling system so I don’t overheat at night.
I understand the Wolf love, absolutely, I’m not disagreeing, he’s not an incorrect answer. He’s just not the only answer.
There’s no “right answer” here gang there’s no winning the argument of personal taste-
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liam-summers · 1 year
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Bangel/Dangel + Parallels 
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possession1981 · 1 year
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THE BOYZ Roar Relay Dance
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compacflt · 1 year
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ice and his obnoxious ass academy ring are my fav part of TG 86'
does your mav have any thoughts ab his husband wearing that damn ring
he’s probably still a little bitter about it but it’s not like ice SHOULDNT be proud of going to the USNA or anything so what is he gonna do, ask him to take it off??
i have this image ive yet to incorporate into any of my writing where ice spends his whole life with the USNA ring on the fourth finger of his right hand & feels a little imbalanced. something’s missing. & then he marries maverick, and he has the wedding ring on the fourth finger of his left hand, and finally he is complete. he has both. he is both a great officer and someone capable of love. neither side is subservient to the other anymore. they coexist in harmony at the end of the day. and of course that’s something maverick would respect.
oh shit brb adding that image to my slider one-shot rn
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fromtheseventhhell · 8 months
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Aegon wasn't a rapist in Fire and Blood. Stupid producer/writer Sarah Hess only made Aegon so vile on the show because her woke feminist ideal of having Rhaenerya girl boss be a "saint" and be so pristine so that viewers had to like Rhaenerya instead of having actual fleshed out characters on both sides for the show.
Aegon's predatory behavior toward serving girls is straight from the book. As for the intent in the show's portrayal, Sara Hess and Clare Kilner have both spoken about believing Aegon to still be deserving of sympathy despite being a rapist; Sara Hess even more disturbingly talks about "upstanding men" who've committed sexual assault without having knowing it and tries to paint Aegon as not knowing what he was doing. So I'm not sure where you came up with this idea that Aegon was only portrayed as a rapist to push an agenda, but it's certainly not anything from the writers themselves. It seems like you're just upset that the Greens, despite their whitewashing, are being portrayed as the antagonists that they are. The Greens usurped Rhaenrya for being a woman. The writers can add more depth to their characters and give them other motivations, but there's only so much that can do when that's the main point of the entire show. It's not very surprising that the majority of the audience is aware of that and sides with Rhaenrya because of it.
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One of the notes on the sea serpent post had this to say and I think it’s a very good point!
I’d say it’s all in how you frame it. It’s the age-old question. Like, what is a dragon? Is it “any large mythical reptile”? Or is it “a mythical serpent from European folklore that originated in the Greek drakōn, itself almost certainly an exaggerated description of a python or other large snake”? The first description could include the Chinese long, the North American horned serpent, the South American boiúna, the Australian rainbow serpent… the second, meanwhile, is a lot more restrictive.
So, in this case, what is “the sea serpent”? If the description is “a serpent that lives in the sea”, then yes, Leviathan could indeed be one of the older versions.
However!
The legend of Leviathan is that of the chaos battle, the defeat of an older water or water-adjacent deity to create order out of chaos. This is derived from the likes of Lotan and Tiamat, and there’s a clear degradation of the concept, from chthonic deities gradually being demoted to dragons/serpents of chaos and eventually great beasts that inhabit our world. It’s complicated. Leviathan also sometimes has multiple heads, something which I don’t associate with sea serpents. Tangential but worth mentioning.
Serpents that live in the sea have existed for a long time. Laocoon and his sons were killed by them. Aelian mentions them. Jormungandr is a big serpent that lives in the sea.
But it was the Scandinavian sea serpent that created the modern conception of the sea serpent as a serpent that lives in the sea which exists, and can be seen. It precipitated the whole sea serpent craze. Sober eyewitnesses reported sea serpents from all over the world.
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Also it is literally called “sea serpent”. Not Jormundandr or Leviathan or Tiamat or whathaveyou, but “sea serpent”, not a proper name but the name of an animal. The great Scandinavian sea serpent is, indeed, referred to as such (sjøorm).
It was Olaus Magnus’ account that created a mythic landscape in which just about every unfamiliar thing in the sea became a sea serpent, from decomposed whales to long strands of kelp
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to large sea life towing marine debris
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to skim feeding sei whales
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to whale penises
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to stranded oarfishes
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to whales tangled in debris (or maybe just another whale penis)
So yes, Leviathan (and Jormungandr) precede the sea serpent, and could be considered the origins of the myth, I agree! But for a more restrictive definition, I would say the sea serpent as we know it was born with Olaus Magnus’ account.
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You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
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