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pennyblossom-meta · 23 days

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L Lawliet: a deep dive into the expanded universe pt.01

EDIT (07/04/2024): Added some imgs.

Apologies for being so late to give this a follow up to @maevearcher's meta which can be found here and here. As usual, she’s made excellent points and I'll try to answer the ones which caught my eye.

Since this post ended up gaining a life of its own and becoming a bit too long, I’m splitting it in 2 or 3 parts. The core of the content for part 01 starts after under the button to Read More.

Here we talk about L's humanity.

I'll start with a disclaimer of my own: while I consider the manga as the base for the story, I'm very much open to the expanded DN universe as a complementary study of the characters and their motivations — sometimes even filling in the blanks for some of the background mysteries, such as the dynamics of Wammy's House and how L's successors view him.

To further clarify: by canon I mean the manga and any works by Tsugumi Ohba as the base material. I think @maevearcher and I are more or less in agreement on that, from what she mentioned in her own posts. As she said, the written word is indeed the baseline truth.

The expansion of the DN universe also has its own very special set of problems; for example, in many ways, L:CtW (L: Change the WorLd) commits the sin of overindulgence by throwing in considerations that, arguably, go against canon. Besides the ending where L lives for a final 23 days and Watari dies, the portrayal of Near in the movie (though in the novel he's also walking a fine line between becoming partially and very much OOC) is also a point of contention. I confess that I really wasn't fond of the way they portrayed Misa as a potential crush of L given canon insights on his opinion about Light whether in the role of Kira or as a person (pg.64 of Vol 13: How to Read, henceforth referred to as V13:HTR), but aligning L to become more humane and forgiving was at least interesting.

The same happens with the live action movies, the 2015 series, and the musical. At least the game Spiraling Trap isn't clashing with canon elements — that I could tell. The main plot is separate from the events of DN and the dating sim is a little slice of heaven into L's thoughts and emotions which I dearly love.

However, while L:CtW does indeed overindulge, the novel AN:LABB (Another Note: LA BB Murder Cases) gives us a singular glimpse into L through the eyes of Mello while keeping the events mostly accurate to the main plot, even with its slight deviations. It's certainly an optional perspective to the core of DN, but one that I always found very insightful. In V13:HTR, Obha mentions how he would’ve liked that there were more novels about L and how he solved previous cases, in a similar fashion to how Nisio Isin approaches AN:LABB. Here’s what Ohba says in pg.61 of V13:HTR:

(...) I didn’t think up much for [L’s] past. For him to be in such an influential position, he must have solved an amazing amount of cases, but I have no idea what kind of cases they were or how he solved them. But I would love for NISIOISIN, who wrote the Death Note novel, to write more stories about that (...)

This means that, to some extent, even the original author, Ohba, accepts AN:LABB as close to canon — or rather, as canon as it can get given the creative liberties allowed to a third party writer. To that point, Nisio Isin took L’s capoeira demonstration during the Yotsuba arc and made it a whole thing in the novel, with L taking inspiration from Naomi Misora’s skills. However, given the importance of that event, in the main story, L takes a while to even remember Misora so we can infer that either the stress of the case is getting to him OR learning capoeira and subsequently Misora’s role in it didn’t leave that much of an imprint on him because true canon didn’t really put that much emphasis into it. Either way, it’s an extrapolation that works. The technicalities can be overlooked given how ambiguous the scene is, as there is more than room to deduce a different past.

At the same time, I am an apologist that there are shared characteristics to L throughout the different mediums. My own interpretation of L's character has the manga as a baseline, but the expanded universe has taught me that there are sides to him that might not be so easy to perceive in dialogue bubbles or illustrations alone. Little things like L's addictive personality or the way he represses feelings are visible in the manga but caught beautifully in the novels, for example.

Going from the written word into the screen also represents a loss of the purity achievable only within the narrative in-book, where you can extrapolate and reach your own conclusions without being subject to the bias of sound and movement — though manga aggregates the visual to words and with it an altogether different dimension of meaning. That's one of the many things I enjoy about elements of fiction introduced through books; the stillness of the images and the narrative are more complex. Every time the baseline gets adapted, it loses something or that something shifts to fit into the perception of others. It ceases being pure and its essence is fundamentally shattered. Like the concept of a musical score on paper that gets played by an orchestra, there will never be an adaptation as good as the source material because it breaks the illusion.

While I can certainly extrapolate and accept the loss, I find that the written word from the novels, the tone of a VA's voice and the body movements in a live action still complement the manga well, despite narrative clashes.

About L’s humanity

Recently I've been re-watching the anime and it's incredible how Alessandro Juliani's understanding of the character resulted in such a well-rounded voice for L. I actually prefer the EN version to the JP because of the voice acting. It's superbly brilliant, even if L becomes less listless. He's certainly still aloof, but his aggressiveness is portrayed more vividly; in contrast, L in the manga feels a bit more dangerous and scary to me due to the range of expressions that the anime didn't manage to add in due to time and budget constraints. If anything L tones down how dangerous he can be. He does this on purpose so that he can trick and trip his adversary, as can be seen during his earlier interactions with Light. At times, L makes a mockery of himself, apparently placing himself in the position of a more demure individual while sharply observing the world around him and forming conclusions.

As to @maevearcher ‘s first point:

(...) An image of this lonely autistic genius, locked inside the confines of his ways, waiting for the right person to come along and save him from the banes of his solitary existence…until he meets Light and realises there’s someone out there who he can relate to, for understanding and stuff. I personally don’t buy too much into that.

The depth to which L relates to Light can be overestimated, but not without reason. Theirs is mostly an adversarial relationship with varying deviations throughout the expanded universe, but if we solely consider the manga then we get this comment from Ohba regarding whether L has any friends on pg.64 of V13: HTR:

Nope. And when he says that Light is his first friend that’s a big lie. He never considers him a friend. He probably secretly thinks really negative things about him.

During the Yotsuba arc, L is at a disadvantage. Light has turned the tables, tricked him into what Beyond Birthday could not do and thus gained a solid position into rendering L almost powerless to charge him. To elaborate on the latter point: BB wanted to create the perfect, unsolvable crime to humiliate L, making him lose, and thus “spend the rest of his life trembling in fear of B’s shadow” (pg.163, AA:LABB); L would know who the guilty party was but wouldn’t be able to prove it or bring that person to justice. As such, L would not be able to solve the mystery. At the end of the novel BB fails due to Misora’s quick thinking and that’s that. However, Light has several advantages that BB lacked, starting with his own social position, charm and the impeccable reputation of a model student and the prized son of a police chief who helps solve cases every now and then.

We can argue that, what truly happens in manga canon, is L and Light showing how much they respect each other for their detective skills, forming a sort of strange kinship within the cat and mouse game, especially when Light loses his memories of the Death Note. The game thrills them and they enjoy pushing each other’s buttons. No one else has ever challenged them like this. That being said, the first time they meet up for coffee after the tennis match, L is observing Light like a hawk, keeps testing him for a reaction and seems somewhat irritated at how much Light talks. I would venture a guess that L doesn’t actually like Light that much, even when he loses his memories. He might even find Light a nuisance when he waves the flag of morality — though this is a common problem L is confronted with when dealing with the Task Force, in particular Chief Yagami and Aizawa. This also places him at another gruesome disadvantage, as he’s surrounded by people who openly dislike and criticise his methods. The Task Force is also extremely wary of the way L pursues Light and think he’s being stubborn without proof to substantiate his reasoning. Ironically, it’s Aizawa, one of L’s most critical subordinates, who initiates Light’s downfall years later once he starts to consider L’s suspicions in light of Near and Mello’s tactics.

Both L and Light respect the game, no matter where it takes them. I would further make an educated guess that Light even preyed on L’s vulnerabilities during the Yotsuba arc, predicting how L might fall into depression for failing at the game. Light was more than capable of understanding that L’s competitive and childish side would make him a sore loser, especially given that he had already “lost” the first round of battles just by showing his face. Even if there is a sliver of friendship between both during Light’s months of amnesia, it’s dead and buried the moment he becomes Kira again.

My conclusion here would be that, while what happened with Light was extreme, it was also somewhat similar to Beyond Birthday’s eternal enmity towards L: the challenge, the need to humiliate and take down the greatest detective, one of the most brilliant minds to ever walk the Earth. There are some notable quotes from AA:LABB that reference what it is to be L, surrounded by future challengers and individuals who both look up to L and want to prove they’re better than him:

Pg.69

By simple arithmetic, L's ability in 2002 was the equivalent of five ordinary investigative bureaus, and seven intelligence agencies (and by the time he faced off against Kira, those numbers had leapt upward several more notches). This is easy to think of as a reason to respect and admire someone, but let me say this as clearly as possible: that much ability in one human is extremely dangerous. Modern danger management techniques rely heavily on diffusing the risk, but his very existence was the exact opposite. In other words, if someone was planning to commit a crime, they could greatly increase their chances of getting away with it by simply killing L before they began. That was why L hid his identity Not because he was shy or because he never left the house. To ensure his own safety For a detective of L's ability, self-preservation and the preservation of world peace were one and the same, and it would not be correct to describe his actions as cowardly or self-centered.

Pg. 117

L was the goal of everyone in Wammy's House. Everyone of us wanted to surpass him. To step over him. To step on him. M did, N did, and B did. M as a challenger, N as a successor. B as a criminal.

Pg. 160:

B approached Naomi Misora, calling himself Rue Ryuzaki. Rue Ryuzaki - L.L. For anyone from Wammy's House, there could be no higher goal than identifying yourself with that letter - and Beyond Birthday seized this case as his chance.

One of the biggest problems with these quotes is that they paint a very complicated — and, ultimately, suffocating — picture of what it is like to be L. Ohba himself mentions Watari’s predisposition towards collecting geniuses from all over the world and what Wammy’s House has turned into, under the snippet for Watari’s character (pg.60 V13:HTR):

He’s a guy who cultivates detectives for fun. That’s kind of terrible, isn’t it?

Everyone profits from L. Watari becomes richer than ever. Wammy's House becomes breeding ground for geniuses who end up dreaming of a life where they enjoy constant thrill and challenge. However, in order to do so, the dream cannot be complete until the successor crushes the original; until M, N, B and A defeat L. At least one of L’s successors couldn’t handle the pressure and committed suicide. B, known as Backup, runs away from the orphanage and goes on a murder rampage. Having never met L in person, he deduces several personality quirks that the “original” demonstrates, going as far as exacerbating them in order to be creepy and repulsive. Mello, who boasts of having met L in person and being privy to stories about how he defeated several other detectives (then taking their aliases as a trophy) both fervently admires L and wants to step on him.

Step on him. That’s quite the turn of phrase. It does sound scary, doesn’t it? To be surrounded by people who would take the opportunity to pull you down, no matter how much they admire you. They want to be you, to prove that they’re better than you. It’s game and ego. Life and death. Winner and loser.

And that’s perhaps the most blatant summary in approved canon of what it is like to be L that we’ll ever get. We can, of course, argue that Watari cares about L. He’s not only his handler, but also the one who brought him into Wammy’s House. It’s fairly clear that he nurtured (and even enabled) some of L’s most distressing character traits, though I wouldn’t necessarily say it was with a purely utilitarian agenda. It’s perfectly acceptable to extrapolate how Watari might’ve wanted to keep L, a child of great intellectual genius, happy by allowing him to be challenged and properly educated. In fact, AN:LABB (pg. 145-46) even gives us L’s perspective on the kindness that justice can achieve, which is confirmed within the expanded universe to be similar to Watari’s teachings as L confronts Kujo in L:CtW.

"I have nothing to do with him," L said. "To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgment. Certainly I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice." "Only... in justice... " Misora gasped. "Then ... nothing else matters?" "I wouldn't say that, but it is not a priority." “You won't forgive any evil, no matter what the evil is?" "I wouldn't say that, but it is not a priority." "'But..." Like a thirteen-year-old victim. "There are people who justice cannot save." Like a thirteen-year-old criminal. “And there are people who evil can save." "There are. But even so," L said, his tone not changing at all. As if gently admonishing Naomi Misora. “Justice has more power than anything else." "Power? By power ... you mean strength?" "No. I mean kindness." He said it so easily. Misora almost dropped the phone. L The century's greatest detective, L. The detective of justice, L. Who solved every case, no matter how difficult... " ...I misunderstood you, L." "Did you? Well, I'm glad we cleared that up."

I would, once again, venture another educated guess that, while Watari’s primary reasons for starting a program of successors to L was noble, it ultimately backfired on an individual level. Society wise, the letters, as L calls them in L:CtW, are a force for good. They solve crimes, help law forces around the world to keep peace. Some of them even become scientists like Dr Kujo — though she becomes the main antagonist in the spin-off novel. However, the pressure this kind of lifestyle fostered creates a group of individuals who are highly competitive and manipulative. Some, like A, can’t handle it. Even L has his own troubles, being called a reclusive sociopath, possibly by the police forces who treat him as a utility rather than a person. He’s someone they admire and resent, who is tolerated given how effective he is at cracking down cases.

This passage from L:CtW paints a grim picture of the way L suppresses his own feelings as he breaks down for not being able to prevent Maki from being kidnapped (pg. 150-51):

"Light...it hurts. My heart--" It was a hurt that L Lawliet had suppressed, that he had to suppress in order to continue his existence as the peerless Detective L. How had the world's top detective been described in regard to facets of his personality rather than his ability as a detective? He had been called a kinky detective who relished bizarre murders, a human computer capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath. What L thought of such estimations of his personality only L could know. But no one could truly understand L. How L did not and could not forget the faces of thousands of victims. Who could comprehend the man who had lived his life, and had to live confronting all the lives that ended prematurely, the tears of grief-stricken survivors, the devaluing of life as a daily reality. How was it possible to measure the pain of such a man? Was it a strain so heavy that L's back curved under all its weight? Was it an agony so terribly to leave the indelible dark circles around his eyes? Was it a feeling so bitter that every bite he took needed to be coated in sugar? The chronically rounded shoulders, the inevitable dark circles, the eccentric tastes--L suppressed the pain of being a champion of justice, but the evidence of the pain was moulded into his very body.”

Even within the clear disparity from the official canon, this passage slaps. It humanises L further, making the detective become a person and not just a machine who is content with his lifestyle. I know there’s a tendency for those who prefer the manga to see L as someone who is unabashedly himself and perfectly alright with the life he lives. I would argue that the Kira case was not only the most difficult challenge L ever faced, but also a series of moments where he had to be at his best — and at his worst. He had to do everything within his power to solve the case, not only because of his pride but because of what he considers to be his sense of justice. Saying with such confidence ‘I am justice’ is a rather cheesy and childish thing to say out loud, though I read it as both what started as a child’s stubbornness and what L became, as he positioned himself as a barrier to prevent crimes.

L suppresses himself, represses his emotions; he tries to control them, as Fu Takashi says in an interview, he is “dependent on games or battles of the mind”. Perhaps this is a consequence of the foundations of his personality. Despite L’s innate stubbornness, it could be argued that this is as much his fault as it is Watari’s, who didn’t nurture L’s social skills as he should have when he was a child. By not having an outlet outside of his hobby, L is trapped in a prison of his own making. Superficially, L is a “smart guy who hates losing”, but what about the rest? What about the things that make him human, the connections with others? In the same interview, it is mentioned how L feels lonely and needs affection. But what affection can you get when you isolate yourself from the world and keep everyone at arm’s length? He’s not a machine. Even machines become obsolete with time, and need outside help to keep functioning.

As for the latter point, if everyone around L is trying to step on him, humiliate him and surpass him, then it’s only natural that his emotional defences would be up. Aside from Watari, whose loyalty he can count on, he’s alone. L has no one else. And everyone around him will have a dangerous, significant probability to betray him.

Next in part 02: About romance, having someone close and intimate, the meaning of the Monster speech.

Tagging @rinneroraito, @flametrashira and @sharkiethrts who might be interested in this meta.

#death note #l lawliet #death note meta #light yagami #spiraling trap #l lawliet headcanons #l lawliet x reader #watari #mello #mello death note #nate river #mihael keehl #near death note #beyond birthday #another note #l change the world #l death note #l lawliet death note

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theygotbitchesinmedia · 23 days

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okay so here is her review: https://arkadymartine.wordpress.com/2015/09/27/the-traitor-baru-cormorant-a-reviewresponse/

admittedly its from 2015- i haven't poked around to see how she may have changed how she feels about it, and i know she did blurb seth's recent scifi novel (Exordia), so there's no bad blood there or anything. it's also a positive review, in general- she ends with this sentence: "I highly, highly recommend this book; I have not thought so much about something I read in a long time."

i am also coming into this as someone who has read all of seth dickinson's work for the game destiny, where he was near-singlehandedly responsible for a good oh… 80% of the interesting women (& overall interesting concepts lol!) in the game, and his writing of one of those characters in particular as a complex and flawed character got him bullied viciously off of all social media. if you've tried to find his social media presence and havent found anything, that's why. so i mayhaps have a little more emotion in the game.

THAT SAID. here are some specific parts from her review i find really fucking annoying! and color the way i feel about Memory & Desolation, despite them being so incredibly targeted at me as a classics person AND someone who fucking loves the specific sub-genre of scifi her novels are.

"[Traitor] asks a question which I find compelling as a student of an empire and as a queer woman. That question is: what do we gain by complicity? What do we – we barbaroi, we women, we queer people, we imperialized – what do we get when we say yes? When we say yes I will hide my true nature? When we say yes I will subsume myself into the beautiful machine? When we say can we speak English? Or the literature I love just happens to be written by straight white men – and mean it, too, mean it with the kind of depthless love that a person can have for a text that speaks to them, which holds up a mirror to them?"

i dont think the use of the greek word for barbarian does anything here (she also keeps coming back to the greek term orthos in her review, which also pisses me off lol), i dont think empire is a "beautiful machine," and i don't think the invocation of identity politics is useful. like. i know she's a byzantine scholar but if your first association with empire is purely a finite Historical Empire instead of, like, modern US imperialism, or British colonialism, you are going into this discussion with a certain set of values and opinions! a set of values and opinions that let you call an empire a "beautiful machine" in all earnestness. this claim probably seems unsubstantiated and nitpicky now just from this excerpt but ill come back to it with more i promise. on the idpol front, she also says immediately after this that she does believe that straight people can and should write queer people, but that they should listen to queer people when they point out those errors. she then continues:

"But then, critique: there are two points on which I think Dickinson’s portrayal of a queer protagonist has faltered, and I think both of these errors arise from the fact that he isn’t part of – as far as I know at the time of writing this review – a queer community. Firstly, I disbelieve Baru’s awareness of her own desires… …For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person… Secondly, I wonder where queer people in Falcrest are…"

theres more to these excerpts, but. i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core? moreover i think the way seth does it with svir is very very well done, and illustrates the hypocrisy of empire in a way that does NOT seem like what martine is asking for here!!!

"Why am I invested? I myself am a student of empire. I’m a Byzantinist. My academic work is about empire and its seductions; it is the animating principle of my professional life. And: I am myself someone who loves order over disorder. Who looks for systems in all things. Who is comforted by structures; who is concerned deeply with propriety. But here’s my real criticism of this book: I don’t buy the seduction of the Masquerade. And I think if this book fails, it’s there: in that its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil." … "The Masquerade isn’t civilized. It’s civilization, but I don’t recognize it as civilized, and this is a problem with a constructed empire. An empire relies on itself as the definition of civilization – I would footnote here Ann Leckie’s Imperial Radch as a SFnal example of an empire which is built on this principle, and which, for this reader at least, achieves the facsimile. (But then my ancestors were not enslaved, we were exterminated; not annexed, but exiled. Perhaps I like the Radch better than the Masquerade because I can find a place for myself in it, and cannot imagine a place within the Masquerade someone like me would ever be safe –)"

and THIS. THIS RIGHT HERE IS MY BIGGEST PROBLEM. critiquing the masquerade as not "seductive" enough, calling it too evil to have people join it- how does someone miss the point THIS badly??? like. are you FUCKING serious??? how do you read a book about the immense violence of colonialism and your problem is that it is boohoo too violent for people to join willingly. google literally fucking anything the US has done ever!!! and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!

and i think this particular approach bleeds into her books. i read them at Least 2 years ago, so this is mostly vibes-based, and i will avoid spoilers.

there is such a focus on the allure of the imperial core, on the "beautiful machine" of the empire as she calls it. there is violence done, but it is abstracted away from the wealth of the imperial core. there are no economics there. the empire sees her independent station as a backwater, and there is some cultural tensions there, but there is no realistic violence and exploitation! it is not clear at all what maintains the empire, besides some abstract idea of trade. i also don't know what her Point is with the naming & language conventions, which are very clearly inspired in part by ancient Mayan- e.g. the empire and core planet are called Teixcalaan. and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan

and on the ~representation~ front, i also don't think she does a better job than seth tbqh!!! i felt like the characters getting together came out of nowhere and felt anticlimactic- there is also not the tension i think there should be with the main character being an ambassador-ish and the love interest being… idr. junior intelligence officer iirc? idk! and for all her critique of baru's desire for women not feeling "real" or present enough, i do not remember the main character in Memory having any real focus on it!

i enjoyed Memory just fine, but i don't think it says anything interesting or novel or even critical about empire, and i found her review of Traitor extremely shallow and useless, if very revealing about her own outlook on empire lol!!!

this has been at best Minorly proofread and edited but im not like, writing an academic essay on the matter and so i apologize for any inconsistencies.

oh man thanks for this this is really interesting. i went and read the whole thing and i agree a ton with your critique. i'm going to stick my thoughts below the cut because i went on for a bit here, in typical fashion.

i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core?

NO BUT EXACTLY... for starters this is explicitly a novel about colonized people taking place in a colony where none of the major characters are from the empire. where, when, and how would we take the time to explore what queerness looks like for them and more importantly, like you've asked, why the hell should that be a priority for the narrative in this case.

in terms of 'i found this to be an unrealistic depiction of queer desire' 9/10 times i feel like what that means is 'i found this to be an unrelatable depiction' which is an entirely different critique. i know i'm working with two additional books worth of context that martine isn't working with here. but even taking into account just the characterization we have for baru in traitor i think this is suuuuch an unfair complaint. i'm gonna pull the entire quote she says about baru's sexuality here because i have additional specific gripes with it.

Firstly, I disbelieve Baru’s awareness of her own desires. In the first portion of the book, I do not ever feel the weight of Baru’s own awareness of her sexuality; there is an absence of carnality, a kind of intellectual version of lesbian desire which is, to me, inconsistent with the sort of desire I expect. Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. Further, considering how very much the Empire of Masks and Increastic philosophy criminalizes the sin of queer desire, I wish Baru had struggled more with the nature of her desire. For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person. This markedly improved in the second half, where Baru notices women in a way she does not notice men.

For starters, it is insanely hypocritical to me to complain that her desire both isn't carnal enough and she processes it too intellectually, but that she isn't struggling enough with it. Baru intellectually processes things! That's her entire character from the getgo! She also has a difficult time conceptualizing other people as fully realized beings with their own agency. These character traits paired together don't make for a particularly passionate and carnal relationship to her sexuality. She is also, at her absolute oldest in this book, 21! (Or 22? I can't remember. I know she spends 3 years in aurdwynn) and has spent her entire youth being groomed to be a scholar. Of course detached intellectualism is her primary way of navigating all things. Why wouldn't it be?

Baru primary motivation is to save taranoke, she wants to save the taranoki way of life, and part of that way of life includes an acceptance of nonhetero nonmonogamous relationships. Sure, a different character arc may have involved baru actually internalizing and then having to break free of the trappings of race, gender, and sexuality that the empire tries to impose upon its citizens. but that's not baru and acting like this is a writing flaw rather than a character choice is insane to me.

There's absolutely no reason for Baru to lie awake at night pontificating about how wrong and dirty of her it is to want to have sex with women because we are never lead to believe even for a minute that Baru puts any emotional weight in incrasticism. She doesn't conceptualize it as sinful she conceptualizes it as illegal!

And "Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. " is killing me in particular because like. Yeah. Tain Hu is baru's first love. thats the point. But beyond that this is just not being able to see anything other than what she's looking for because i think the chapters covering baru's childhood make it pretty clear that her feelings for aminata and cousin lao (im not double checking the name but im pretty sure it was this) are deep and strong. the fact that they're not as explicitly and straightforwardly romantic and sexual as her relationship with tain hu doesn't change that, and in fact, points to baru's struggle with/development of her sexuality that she claims was somehow missing in this book.

like i just simply can't see anything here but someone who is seeing an emotional landscape they can't relate to and assuming that means it's flawed writing. skill issue frankly.

She's also fucking insane for acting like the masquerade is too cartoonishly evil to be appealing. once again im going to post her full quote here because i think its important to see

its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil. It punishes sexual “deviants” with mutilation and death. It murders children callously. It inflicts plague and withholds vaccines. It lobotomizes its own emperors for the sake of convincing its populace that the emperor is just. Most of all, the Masquerade is a eugenicist empire: it is explicitly founded on not purity of bloodline but on purification of bloodline, on making people useful to it. It makes people: it breeds them carefully, it indoctrinates them through schools, it uses drugs and operant conditioning to transform their minds and make them into automata tools. It commits every atrocity that a modern Western reader recognizes as abhorrent. This is a problem. It is a problem because we are asked, as readers, to believe that there are reasons besides blackmail that a person would willingly become an agent of the Masquerade. We are asked to imagine that the Masquerade is a beautiful machine.

for starters. "It commits every atrocity that a modern Western reader recognizes as abhorrent." MODERN WESTERN EMPIRES DID, AND OCCASIONALLY STILL DO, MOST OF THESE THINGS!!! THIS IS US! WHAT ARE YOU TALKING ABOUT!!! I FEEL INSANE!!!!

I think the book makes it more than explicitly clear why the empire is appealing??? it has all of the capital???? its building schools and sewage systems and importing food and goods and teaching reading and writing??? baru's own internal narrative often shows her own strife at the fact that the empire has made genuinely incredible scientific advancements that offer significant improvements in quality of life to many, many people. martine actually acknowledges this in the next paragraph of her review, and then brushes it away as not being good enough. why? what about that doesn't convince you?

she is seeming to hugely ignore the fact that in the case of aurdwynn specifically, the bureaucracy of the empire is coming in to unseat feudal aristocracy! what the masquerade offers may not be particularly tempting to most of that ruling class, but its economic opportunities are more then believably appealing to the common people. i think this is made pretty clear when baru's ploy to use the fiat bank to make loans to the aurdwynni people and basically lessen the massive tax burdens from the duchies wins her huge favor with the public.

and frankly even for the ruling class the potential economic benefits are massive too if you're willing to participate in the empire properly. yes the empire doesn't have Moral appeal. it doesn't fucking have to. it owns pretty much every economy outside of the oriati mbo. the fact that that's not enough for her is as you've pointed out really really showing her biases and blind spots. 'no reason besides blackmail' MONEY!!!! MONEY! IT'S MONEY! THIS IS A BOOK ABOUT ACCOUNTING! HOW DID YOU MISS THAT!!!

and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!

And this is really it for me too, yeah. It's gross. It's absolutely gross. "An empire isn't believably appealing unless I, personally, find it appealing" there are people alive who are eugenicists, who love community policing, who believe in race science. the masquerade is an empire for them. the thing about empires is that they are only actually empowering for an incredibly small subset of people, and the fact that You, Specifically, Arkady Martine can't imagine being one of those people in this instance doesn't make it not believable. This is a shatteringly individualist way of engaging with a work.

As for your points about the way she handles empire in her own book obviously i can't have anything to say there because i haven't read it yet, but i do absolutely agree with you on this bit:

and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan

1000% i don't think this is reductive of you. whether or not you're consciously saying anything is one question but it's a choice that absolutely doesn't exist in a vacuum. out of curiosity i googled her to see if she was of mayan descent or anything and maybe she chose that due to some personal ties to the subject matter but she doesn't seem to be. which of course i don't think means she can't or shouldn't draw any inspiration from there but i do think all of these sorts of choices are meaningful

i don't really have much to say here to round off a conclusion but. wow. deeply deeply telling review that does not particularly make me want to read anything she has written beyond this.

#long post #lb baru cormorant #ask

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canyousonicme · 25 days

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Doctor Who: Big Finish, Alex Kingston Team for New River Song Stories

Alex Kingston will return as River Song for a new round of Big Finish's Doctor Who audio dramas set AFTER "Silence in the Library."

Now that Steven Moffat is back writing for Doctor Who, fans are speculating about whether River Song will be back. Alex Kingston certainly hasn't made it a secret that she would love to play the character again. But River Song never really went away. She's been headlining a River Song series in audio dramas from Big Finish for years since she had her final story on Doctor Who. Now she will star in The Death and Life of River Song, a brand-new series of full-cast audio dramas coming soon from Big Finish Productions. It's like a whole new season of River Song adventures – and the latest.

In case you didn't know, River Song is an archaeologist from the 52nd century, born and raised to be an assassin, destined to marry her intended target, and to have many of her own adventures too – Professor River Song's very messy timeline began (or maybe ended) when she first appeared in the 2008 Doctor Who TV episode Silence in the Library. Since then, Kingston has reprised the role in her own series of Doctor Who audio spinoffs, including The Diary of River Song, which ran from 2015 to 2023. Now, in August 2024, she will return in a brand-new series, The Death and Life of River Song.

The first box set in the series, Last Words, is written by Robert Valentine. It begins with River, after settling down to an afterlife in the Library's computer core, finding herself waking up in Earth's future, her consciousness having been temporarily transferred to a new body.

Alex Kingston said that River's stories at Big Finish have moved beyond her death in Doctor Who: "We have gone post-Library! We've done another episode in the past where I was within the database, which I loved, and I thought that's the only way you could go forward with River, given her situation. So, I was actually really surprised when this box set came my way and that we are now so far advanced in the history of Earth that she is able to be brought out as data and put into a cloned body. So very, very clever!"

Producer David Richardson added: "When every single day during the recording, your leading actress says "This script is brilliant," you know you're onto a good thing. Even better, at the end of the last day, Alex popped the script in her bag and announced that she loved Last Words so much she was taking it home to keep and treasure."

The Death and Life of River Song: Last Words is now available for pre-order exclusively here, either as a collector's edition four-CD box set for £29.99 or as a digital download for £22.99 per volume. Big Finish listeners can also pre-order a bundle with Last Words as well as Volumes 2 and 3 of The Death and Life of River Song, which are both due for release in 2025, for just £80 (collector's edition CDs + downloads) or £66 (downloads only). [X]

#I'M SCREAMING BECAUSE WHAT DOES LAST WORD MEAN #Alex Kingston #Doctor Who #River Song #Steven Moffat #Big Finish #2024 #I HAVE TRAUMA

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expectiations · 26 days

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River Song returns from the dead

Alex Kingston stars in The Death and Life of River Song, a brand-new series of full-cast audio dramas, coming soon from Big Finish Productions.

An archaeologist from the 52nd century, born and raised to be an assassin, destined to marry her intended target, and to have many of her own adventures too – Professor River Song’s very messy timeline began (or maybe ended) when she first appeared in the 2008 Doctor Who TV episode Silence in the Library.

Since then, Alex Kingston has reprised the role of River numerous times for Big Finish Productions, including in her own series, The Diary of River Song, which ran from 2015 to 2023. And, starting in August 2024, she will carry on the role in a brand-new series, The Death and Life of River Song.

The first box set in the series, Last Words, is written by Robert Valentine. It begins with River, after settling down to an afterlife in the Library’s computer core, finding herself waking up in Earth’s future, her consciousness having been temporarily transferred to a new body.

Alex Kingston said: “We have gone post-Library! We’ve done another episode in the past where I was within the database, which I loved, and I thought that’s the only way you could go forward with River, given her situation. So, I was actually really surprised when this box set came my way, and that we are now so far advanced in the history of Earth that she is able to be brought out as data and put into a cloned body. So very, very clever!”

Producer David Richardson added: “When every single day during the recording, your leading actress says “This script is brilliant”, you know you’re onto a good thing. Even better, at the end of the last day, Alex popped the script in her bag and announced that she loved Last Words so much she was taking it home to keep and treasure.”

The Death and Life of River Song: Last Words is now available for pre-order exclusively here, either as a collector’s edition four-CD box set, for £29.99, or as a digital download, for £22.99 per volume.

Big Finish listeners can also pre-order a bundle with Last Words as well as Volumes 2 and 3 of The Death and Life of River Song, which are both due for release in 2025, for just £80 (collector’s edition CDs + downloads) or £66 (downloads only).

All the above prices include the special pre-order discount and are subject to change after general release.

Please note that Big Finish is currently operating a digital-first release schedule. The mail-out of collector’s edition CDs may be delayed due to factors beyond our control, but all purchases of this release unlock a digital copy that can be immediately downloaded or played on the Big Finish app from the release date.

#the death and life of river song #post-library river song #professor river song #river song #big finish #river song news #big finish audios #doctor who eu #doctor who #alex kingston #akex kingston news #dweu #doctor who expanded universe #dw #i pond queue

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religion-is-a-mental-illness · 10 months

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By: Bridget Phetasy

Published: Jun 22, 2023

Unless you’ve been living under a rock, you’ve probably witnessed the backlash to Pride. There have been mass boycotts of Bud Light after the beer company partnered with trans woman and TikTok influencer, Dylan Mulvaney, sending her a custom can to celebrate her first year of “girlhood.” Target was next to come under fire for its Pride display targeting children and their “tuck-friendly” bathing suits for women.

This set the stage for the most divisive Pride month in some time. First, the boycotts. Then videos of angry parents at school boards went viral. Conservative radio hosts and commentators vowed to make Pride “toxic” to brands. But it’s not just conservatives who are pushing back; according to a recent Gallup poll, even Democrats have seen a drop in the acceptance of same-sex relations.

Which begs the question: what happened to Pride? After decades of progress for gay rights, growing acceptance of gay marriage and the normalization of same-sex relationships, Pride is unexpectedly political again. Why?

In search of an answer, I spoke to prominent LGBT thinkers and writers, many of them dissenting voices when judged against the views of many LGBT advocacy groups. Their answers surprised me. Across the board they all said some version of “this was inevitable.”

“When it comes to gay issues, conservatives largely lost the culture war,” Katie Herzog observes. “But something about recent trends has reignited that passion — and issues that seemed resolved are up for debate again. I guess the Nineties really are back.”

“The core reason for the backlash is pretty simple: children,” Andrew Sullivan explains. “The attempt to indoctrinate children in gender ideology and to trans them on the verge of puberty has changed the debate. Start indoctrinating and transing children… and you will re-energize one of the oldest homophobic tropes there is: ‘gays are child molesters.’”

Glenn Greenwald largely agrees: “What destroyed the culture war consensus was their cynical and self-interested decision to transform the LGBT cause into one that no longer focused on the autonomy of adult Americans to live freely — which most people support — but instead to demand the right to influence and indoctrinate other people’s children.”

“They are calling them ‘trans kids’ and medicalizing them at an early age. Lying about puberty blockers. Lying about young girls getting irreversible surgery and so on,” says trans man Buck Angel.

In 2015, the Supreme Court ruled in favor of same-sex marriages, and with bipartisan support it seemed there was a consensus on this one culture war issue, as well as broad support for the legal rights of trans adults to be free from discrimination. The war was largely won. But rather than shutting up shop or refocusing their efforts on parts of the world where gay and lesbian people faced serious discrimination, activists and NGOs moved onto the transgender issue.

“There are countries in the world where you can be executed for being gay,” says James Kirchick, author of Secret City: The Hidden History of Gay Washington. “That’s what the Human Rights Campaign [America’s foremost LGBT campaign group] should be saving its ire for.”

An average person will likely refer to this shift as “woke” and wonder how “the trans stuff” is suddenly everywhere, all at once. Parents are baffled when three out of four of their twelve-year-old daughter’s friend group “identify” as boys or, even more confusingly, nonbinary. People started putting pronouns in their social media bios, on their work résumés and in their email signatures. Biological men are competing in women’s sports and being placed in women’s prisons. In medical magazines and birthing classes, women are suddenly referred to by dehumanizing terms such as “birthing persons” and “uterus havers.”

“It’s like a new enforced public holiday thing and people smell a rat,” says Douglas Murray. “The wiser people realize that something weird is being smuggled in. This isn’t just like, ‘don’t beat up your gay neighbor.’ It’s like ‘there is no such thing as gender.’ ‘There is no such thing as sex.’”

We’ve arrived here thanks to a confluence of forces. Perpetual victimhood pushed by activist groups that need a reason to exist and continue collecting money. The corporatization of Pride. The hijacking of the movement by gender ideology.

“You can’t dress toddlers up in extreme political propaganda while lecturing the parents on committing child abuse for not transitioning their kids and expect everyone to keep quiet,” trans writer Chad Felix Greene tells me.

To a normal, not especially political person going about their life, it can seem like gay culture is everywhere. Pride was once just a day to have fun, go to a parade, and “for those who have just come out as a way to cement their self-confidence in public” as Sullivan says. Now every June it becomes “the Holy Month of Pride” as Murray dubs it. Corporations change their social media logos to rainbows (unless, of course, it’s their Saudi account). Pride™️ has become so accepted it’s inescapable.

On the surface this might look like capitalism at work. These companies just want the gay dollar! Though there’s some truth to that, there’s also an undertow dragging these huge corporations down. They aren’t making decisions that are in the best interest of their shareholders; they are acting out of concern for their social credit score.

“These corporations aren’t getting any gay dollars from these fiascos. Gays hate corporations at Pride,” said publicist Mitchell Jackson. “Worst of all, these corporate campaigns just backfire on LGBTQ people. Gay rights are now being threatened again because big-box stores needed to sell tucking underwear.”

Jackson is exasperated that corporations listen to the advocacy groups in an attempt to do the right thing: “Corporations go to these groups for advice, hoping to avoid a woke controversy, and they get led into a hornet’s nest — and then these non-profits can fundraise off of the Bud Light controversy of the week.”

“What changed is that LGBT activist groups could not afford to obtain victory,” Greenwald says. “When activist groups win, their reason for existing, and their large budgets and salaries, dry up. They always have to push debates into whatever places Americans resist. They also have to be losing, have a claim to victimhood, a reason to assert that they are righting the bigotry of Americans.”

“It’s so tragic because we’ve reached this moment when gay people have finally won mainstream acceptance for the first time in, like, 2,000 years of history,” Kirchick said. “It’s OK to be gay pretty much everywhere in America — and there are obviously pockets where it’s still a problem, I’m not gonna deny that — but majorities of Republicans support gay marriage. I’ve seen it in my own life as a thirty-nine-year-old gay man: it’s a lot easier to be gay now than it was six years ago. And just when we’ve reached this moment, these activists have decided, in our name as gay people, to just piss off America and to make them think that we are a threat to their children.”

“I am so upset that my community has been co-opted and has been used for some other agenda,” Angel told me. “The work we have done to get here is profound and should never be forgotten. All we want is to live our lives just like you, but of course that’s not what you see now with the people driving the LGBTQIA+++++ bus.”

The real slippery slope hasn’t been the gay rights movement, as right-wing pundits often say. “When I see some of them going after Pride, they appear to blame gay people for the nonsense peddled in the name of Pride today — when in truth gay people are the victims of it,” comedian Andrew Doyle said.

At the heart of the problem is the fact that LGBT was never the package deal that most people consider it to be. “LGBT people don’t exist,” says Sullivan. “We’re very different from each other.”

Generally speaking, it’s “the Ts and the Qs” that insist it’s all or nothing. Trans activists demand acquiescence to all their demands no matter how insane and pseudo-scientific, push to allow men in women’s shelters and allow kids to be put on puberty hormones or you’re committing genocide. People are are increasingly saying, “OK — it’s nothing then.”

“I think gays and women in general are bearing the brunt of the gender ideology nonsense,” Murray said. “And it has itself piggybacked like some kind of parasitic entity onto gay rights.”

“Gender identity ideology is essentially anti-gay,” said Doyle. “Gay rights were secured through the recognition that a minority of people are instinctively orientated towards members of their own sex. Gender identity ideology seeks to break down the very notion of biological sex and claim that it is unimportant.”

Underneath the rainbow facade are illiberal forces such as “queer theory” that have been eroding the classically liberal foundation of the original civil rights movement that won gay and trans folks the rights they have now. We’ve gone from “love is love” to trans women insisting if a lesbian doesn’t want to suck their lady dick, they’re a fascist.

If you’re confused, that’s the point; confusion and contradiction are features, not bugs. In order to understand how this happened, and why, you need specialized knowledge. The average person can’t explain exactly what’s going on, because it’s nonsensical, you can only intuit it; but call it out and you’re dubbed a bigot — and so you retreat, keeping your head down while the gender borg marches on.

The temperature has been raised further by the Biden adminstration’s unambiguous embrace of this ideology. The White House is quick to paint anyone doubting the wisdom of what they euphemistically call “gender-affirming care” for minors as a knuckle-dragger, even though the overwhelming majority of Americans support a ban on such care and many liberal, tolerant European countries have banned it or scaled it back.

No wonder dyed-in-the-wool Democrats who disagree with the idea of biological men in women’s spaces — or are confused about the pseudo-religious idea that you were born in the wrong body, and wonder whether or not pausing puberty is even possible — are terrified to speak out.

“It was once ‘live-and-let-live’ said Sullivan, “Now it’s ‘embrace the ideology — or else.’”

Herein lies the problem with Pride. You can no longer opt out of the ideology. The trans activism changed everything. It is coercive. It is everywhere. Big Tech acts as an enforcer, in conjunction with the state, policing language, pronouns, exacting punishments for refusing to repeat the mantras “trans women are women” and “gender-affirming care is reproductive freedom.”

“I know many gay activists from yesteryear who are coming out of retirement to address this new anti-gay movement which has usurped Pride,” said Doyle. “It doesn’t help that all criticism of Pride is interpreted as homophobic or transphobic. These are important conversations. Like most culture-war issues, we need to stop thinking of this in terms of ‘left’ and ‘right’. These things are irrelevant. There are left-wing gay people and right-wing gay people — and all of them are harmed by Pride in its current form.”

The backlash is veering into a full-blown moral panic. “I’m seeing a lot more people online talking about gay people as though we are all pedophiles who want to groom children into becoming cross-dressing strippers, and a lot of what’s going on feels like good old-fashioned bigotry rearing its ugly head once again,” said Herzog.

Might the public backlash to Pride push moderates and independents to the left the way the overturning of Roe v. Wade did? From an optics perspective, attacking Pride can often look like attacking the whole LGBT community; just from what I’ve witnessed online, an unsettling amount of homophobia is rearing its head, using boycotts as cover for bigotry. Last week a video went viral that showed Muslim children stomping on the rainbow flag while their parents cheered them on.

“I don’t want to name names but there are certain conservative commentators who are using the backlash against LGBTQIA plus to include a backlash against gays,” says Murray. “But I think it’s inevitable because not enough gays try to do the decoupling that I’ve tried to do myself in recent years and say, ‘Sorry, not my party.’”

Yet the decoupling has begun and it seems to be the only way to navigate our way out of this moment without throwing the baby out with the bathwater. #LGBwithouttheTQ and the #LGB have been trending on Twitter almost every day in June. Even if people don’t understand the forces at work, I think most Americans are smart enough to make the distinction between their gay loved ones and friends and some of the more insane gender stuff.

Like most things, this requires nuance. “You have to say, ‘we respect the rights of adults to undergo a gender transition,’” says Kirchick. “And ‘we want full equality and non-discrimination for transgender people in society, but there are real live debates about at what age it’s appropriate to administer these sorts of medical treatment to kids.’”

“Keep biological sex as a central characteristic in the law and culture,” Sullivan says. “Gender can be added, but can’t replace.”

“I think many LGBT people see this mess but are scared to lose friends and community if they speak up,” said Angel. “But it’s our duty as LGBT members to call this out. To show the world that these people are not a representation of us.”

#Bridget Phetasy #gender ideology #queer theory #pride month #pride #authoritarianism #gender cult #gay rights #homophobia 2.0 #woke homophobia #backlash #pride backlash #leave kids alone #religion is a mental illness

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haaaaaaaaaaaave-you-met-ted · 1 year

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Soul of Innistrad by Adam Paquette

#Magic the Gathering #MtG #MtGM15 #Core Set 2015 #Magic 2015 #Soul of Innistrad #Innistrad #Fantasy #Art #Adam Paquette #Wizards of the Coast

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refreshdaemon · 6 months

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youtube

VIDEO: Magic: The Gathering: Core Set 2015 Clash Pack vs. Born of the Gods Battle the Horde

#Magic: The Gathering #Core Set 2015 #MTGM15 #Born of the Gods #MTGBNG #challenge deck #Youtube

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declanlikesmusic · 10 months

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never got into vaporwave probably, what projects should i listen to for an introduction??

I always love this question. Finding the best primers to the whole of the vaporwave landscape and introducing new people to them is one of the many things with this genre that I just find so fun. I'm going to try to be as succinct as I can, but I am going to shoutout a lot, specifically twelve, so go ahead and take your time with these.

Macintosh Plus – Floral Shoppe (2011)

The biggest vaporwave album of all time. I will tell you now that this album is by no means perfect, it has quite a mixed reputation among fans & outsiders of the genre, but this is the album to single-handedly define the genre's core ethos in such a highly-concentrated way. If nothing else, this should give you a taste of what inspires and influences the genre most.

Chuck Person's Eccojams Vol. 1 (2010)

By all accounts, this is the very first vaporwave album and to this day, nothing sounds quite like it. A classic array of disorienting, hazy & psychedelic loops of old popular songs that still sound fresh and wholly enveloping.

猫シ Corp. – HIRAETH (2014)

This one here is to help people gain a better understanding of what your typical standard vaporwave album often sounds like. It's quite varied in a number of subtly different styles & approaches to traditional vaporwave with some ambiance sprinkled in as well.

SAINT PEPSI – Hit Vibes (2013)

Now we're getting into the individual subgenres of vaporwave and while there's a few traditional vaporwave tunes sprinkled in here for variety, this album birthed & defined the genre of future funk with some of the best dance bangers you'll find in the scene. Lots of classy tunes on here, it's an absolute jam.

Blank Banshee – Blank Banshee 0 (2012)

Up to this point, every album I've shared has been intensely sample-based. This album still carries some samples, but it has original beats & synths to establish another subgenre known as vaportrap. It's a great beat tape with some classic tunes and I also recommend its sequel too, which is my favourite vapor album of all time.

ESPRIT 空想 – virtua.zip (2014)

Carrying on from the last album, this one almost doesn't use samples at all and when it does, it's usually an extra sound or instrument at most. I'm putting this here to establish that even basic vaporwave can be crafted from original compositions and the results are short but great.

t e l e p a t h テレパシー能力者 – 現実を超えて (2014)

What makes vaporwave the way it is and not like any other genre adjacent to it is its intensely heavy focuses on atmosphere more than anything else. So naturally, you're going to see a lot of bridges to ambient music. This first example is the subgenre of slushwave, which crafts the same excellent vaporwave tunes, but additionally filters them through such a wash of effects that transform them into psychedelic & blissful dreamscapes.

식료품groceries – 슈퍼마켓Yes! We're Open (2014)

The next subgenre in this vein is mallsoft, which answers the question of vaporwave being set in the tall & wide spaces of shopping centres by placing relaxing tunes in pools of reverb and letting them sprawl from the loudspeakers of the area's corners. This album is the first big one to establish that with a unique setting and gorgeous sample choices.

2814 – 新しい日の誕生 (2015)

The last of these ambient subgenres is dreampunk, which is a lot like vaportrap in that it heavily relies on its own compositions with very few samples while still retaining the genre's focus on nostalgia, this time set in the melancholic & rainy nights of the urban city through what is at least the second biggest album in the entire genre.

death's dynamic shroud – I'll Try Living Like This (2015)

I'm gonna end this list with a few of the genre's weirdest corners. Vaporwave is constantly wide open to new & unique ways of experimentation and this album stands as the best example of that. Wholly unique aesthetic choices, completely innovative sampling techniques and an overall opus of incredibly strange, surreal & psydchedelic soundscapes.

Infinity Frequencies – Computer Death (2013)

After that, I'll close this list with two examples of an abstract subgenre known by two names. They're synonymous to the greater community & world of music, but I see them as two different approaches. They're both defined by the creation of intensely haunting, isolated & loops of mysterious soundbites extracted from the likes of television & radio. Signalwave is what I use to describe the more accessible & musical end of that sound and this start of a trilogy is the best example for it.

░▒▓新しいデラックスライフ▓▒░ – ▣世界から解放され▣ (2012)

On the other hand, I will leave you with what I consider to be the most divisive vaporwave record of all time. This album defines what is more commonly known as broken transmission and it is much more obtuse, glitchy, dark & surreal to listen to depending on the album. You're going to listen to this and either love it, hate it or sit inbetween. People have taken it as a joke while others view it as a work of art. Approach this one at your own discretion.

That's it! Those are the first 12 vaporwave albums that I will almost always recommend every single one of you to check out first. The greater landscape of vaporwave doesn't start & end with these albums, but instead, they give you the best surface level primer to help dip your toes in to such an amazing genre of music.

#vapor #vaporwave #vaporwave music #album recs #music recommendation #future funk #vaportrap #slushwave #mallsoft #dreampunk #signalwave #brokentransmission #electronic music #experimental music #plunderphonics #music

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lowkeyrobin · 2 months

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Heyy :) Can you please write headcanons of dating quackity, but in his earlier eras? (like 2019-21 maybe) ❤

ooooo yes of course!!! ; fun fact I've been watching him since 2018 or so (I don't mean this in a "Oh I'm cooler than you way) ; thank you for the request!! this was fun as hell ; I tried to kinda do it in a chronological order but yeah, I did like stuff and then more details of relationship if that makes sense yk???

QUACKITY ; 2019-2021 era

warnings ; language, talk of drugs, jokes about sex

genre ; fluff

word count ; 858

masterlist

Raiding Club Penguin with him and Axel was a core memory for you. It was the first true time, however cringe it sounds, that you saw Alex as your best friend.

he'd always try to make you laugh, especially on stream

such a little tease

back in the olden days, we had those Discord server 'wtf is that food' videos

you guys rank some of them and how likely you'd eat them

also ranking Discord memes

so many of them were dumb shit or weird shipart from like 2015 deviantart LMFAO

"guys I know me and y/n are dating but that doesn't mean compare us to Shrek couples!"

"I thought Thanos was your true love?"

"He-He is! Oh my God, stop being so desperate, y/n. ugh"

once he got invited to the Dream SMP, you were all ears and proudly taught him how to play Minecraft

you made his alt skin with the tuxedo, which he didn't wear often, but used in lore some time later

youd often help him with lore ideas

he also got you invited into the SMP where he introduced you to some of his new friends

you knew schlatt and some others, but most of these people were new and it was nice meeting all of them

the fiances are established and then you and quackity are already a think and you also like karl, which creates a weird love rectangle with an open end because you and sapnap are sharing the other two 💀

lore goes fuckin crazy with that

while Karl's off making Kinoko Kingdom and Quackity's running Las Nevadas, you're building El Tropicana, off in the far away jungle biome

Alex would usually stream and translate Mexican soap operas, which you joined in for sometimes

you'd give the characters different voices and twist their words up a bit to make it more entertaining for chat

the amount of drug talk that went into that was wild

also the amount of queer kids bullied in those schools?? yikes on bikes

also the one with that girl who got in trouble for kissing a boy on the playground or whatever that was?? Jesus christ man

youd both act put the scenes on occasion and use Tiger as whatever kid was being yelled at if she was in the room with you

taking a break halfway through stream for him to play guitar and for you to karaoke to fuckin Bo Burnham

also making fake joints out of paper he had laying around and "lighting them up" aka setting paper on fire next to a PC and your faces

Jackbox streams with the Feral Boys until 3am>>>

Paranormal Activity in the middle of the night went so fucking crazy

teaching Bad how to play GTA is your favorite memory with those two

playing horror games and watching him play horror games with Karl while he visited him

how dare he leave you all alone (you couldn't go because you had a busy schedule)

your chats shipping the hell out of you and your dsmp characters

hella fanart and fanfictions man

try not to laugh streams where you always ended up laughing before the ten minute mark because of him

he purposefully does shit to make you laugh

reading fanfiction on stream was a regular activity especially for y/s/n

youd rank the book on a scale from one to ten and how accurate to real life they were

"nahhhh that one doesn't have enough Thanos, two out of ten"

"yknow what... were gonna have our own tier lists... okay?"

"damnit... does this mean I'm not getting laid later?"

"what"

promoting the quackityhq merch religiously

also stealing whichever beanie he wasn't wearing, either the LAFD one or the plain black and blue one

him tying you to a chair and forcing you to laugh was a common stream plot

tweets that were either very inconspicuous about drugs, very sexual, or very old married couple vibes

youd both be frequently trending on twitter

hot wings or dare streams with Bad >>>>

playing girls go games and hoping you wouldn't give his PC a virus

sitting in the inflatable pool fully clothed, playing with children's bath toys

he'd for sure be the type to fall for his best friend

whether it be all the way back then or just now, he could go forever without feeling any feelings but one day they'll show up and the nervousness begins

he'd lend you a hoodie if you were cold in his room and he just straight up begs you to keep it

lots of just staring at you while chat ships you, like genuinley just zones out on your pretty face

would probably doubt his feelings at first and talk to his mom about it and she's like "boy you have a crush. Go ask them the hell out, you're a handsome young man, I'm pretty sure they like you too"

"mOooOooOoOoM"

genuinley spoils you with no good reason and after a while you just accept it

he starts sending good morning and good night texts

he'll repost (or reblog) (he has a secret tumblr) fanart of you two, especially if it's shipart

will constantly send you clips of movie characters making out or kissing and say "this should be us"

#lowkeyrobin #mcyt x reader #mcyt preferences #mcyt oneshot #quackity x reader #alex quackity x reader #quackity oneshot #quackity headcannons #quackityhq x reader #quackity #qsmp x reader #gender neutral reader #gn reader #they/them reader

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thegildedbee · 4 months

Text

Sherlock Fic Recs: Christmas Edition {2023}

❄️ Gather ~ ☃️ ☃️ ☃️ ~ 'round and 🎉 make 🎷merry🍹, all ye fic-loving fandom elves -- 'tis the season to shine a spotlight🕯️on Sherlockian Christmas fics!!! Here are some of my favorites -- I tried to pick ones that I haven't seen mentioned in recent lists that have been in my tumblr stream. Whether they're new to you, or just a reminder to re-visit faves, enjoy!!! ❄️ [In order of the year they were published.] ........................................................... 1. I'm Not His Date [2014] by objetpetita [ 17,029 words / T ] :: It all starts in a Boston coffee shop, where English professor Sherlock Holmes upends a visiting John Watson in a clever and fun "meet cute" (or "meet irritating-pompous-insufferable") in a whirlwind of Sherlockian proportions, and we're off to the races. There is a snowfight on the Common, Death Driving Miss Daisy: Lacan and Popular Culture, a Harry & Clara Christmas Eve wedding, witches, and a very boozy department party. It's as adorable as my favorite Christmas rom-com film, The Holiday. And it starts off with a corker of a first sentence: "It was morning, it was zero bloody degrees, everything around him was unfamiliar and American and cold, and John Watson was right on that inhuman precipice between still drunk and terribly hung over."

2. 5,687 (Approximately) [2015] by prettysailorsoldier [ 6,771 words / T ] :: Just a few years post-uni, Sherlock is enduring the agonies of a long-distance relationship with his boyfriend, who is on deployment in Afghanistan. During those times when John's on leave, the last people Sherlock wants to see are the idiots at the Met, so they've never caught sight of John and think he is a figment of Sherlock's imagination -- especially since he can't get home that Christmas. The set-up is sketched out with delightful fic flair, and the ending is not only sweet, but satisfyingly punitive [ c/o a very bamf John ]. The text messaging is some of my favorite writing in the Sherlock fandom -- their relationship in all of its multi-dimensionality comes through beautifully.

3. The 12 Truths of Christmas [2016] by @breath4soul [ 3,321 words / T ] :: This is a fic that has at its core the surfacing of unspoken emotional attraction betweenJohn and Sherlock via a very fun concept: “In place of some appalling or imbecilic gift inflicted upon me in the name of tradition on Christmas day, I propose that you provide me with one previously unknown fact about you for each day leading up to Christmas. 12 in total, John.” #9 has all the feels, and is a tour de force -- every time I re-read it it makes me break out in a smile, even though I know what's coming. Sherlock breaks out somewhat more: "Sherlock feels a flood of heat in several places at once. He stands up quickly and walks to his violin. He plays wild, erratic snaps of quick-paced music." The author has a whimsical and entirely understandable note to add: "You may fall in love with John reading this - I did." 4. The Romance Was There [2017] by @apliddell [ 4,011 words / G ] :: The author deserves an award for this being one of the best uses of Harry Watson in a fic, and of HW by Sherlock in a fic :-) 221B has never been cozier, Sherlock has never been more winsome, and John is a species type model of John in all of his clueless Johnness. The narrative dances along and sparkles and shines as seduction evolves, and Sherlock's rogueish charm is on full display. There's a poignant and endearing confessional letter, plus there's a Sherlock/Jeremy Brett reference that is absolute perfection in serving its role in helping the narrative quickstep the night away. 5. The Man in Aisle Ten [2020] by @blogstandbygo [ 1395 words / G ] :: Sherlock has several mysteries to unravel in the midst of Harrod's on Christmas Eve: what is the perfect gift for John? why is he having so much trouble identifying the perfect gift for John? and, incidentally, along the way to solving those, a local one. Luckily, Sherlock has Moira, master department store sleuth, to lead him to the solution. This fic is a small, perfect gift -- rather like the story's denouement --and is as witty as all of SBG's fics are. This is a veritable Peppermint Schnapps Hot Chocolate of a fic, warm, rich, sweet, delicious, tingly, and you'll find you reach the last bit much too fast, immediately requiring a refill. [ And there's a splendid podfic by @podfixx ! ]

..........................

*fic repost recruits, perhaps??? ❤️ @totallysilvergirl, @7-percent, @discordantwords, @helloliriels, @elwinglyre, @mydogwatson

#bbc sherlock #sherlock fic rec #johnlock #sherlock fic #reposting :-) helps the love go 'round xoxoxo #christmas #objetpetita #prettysailorsoldier #breath4soul #apliddell #standbygo

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