Silver in werewolf folklore?
This is a bit of a ramble but lately I’ve been stuck on the concept that silver is the best weapon against a werewolf. People often suggest a connection to the (full) moon, but in a lot of werewolf folklore the moon has nothing to do with their transformation and it happens every night or certain nights in a pattern.
Interestingly, Curt Siodmak, screenwriter of “The Wolf Man” (1941), which launched the “modern werewolf” in all its glory, is sometimes stated to have completely invented the use of silver, or at least silver bullets (nytimes, maverick-werewolf). But I have seen the concept of using silver against werewolves in folklore from before 1941:
Ashliman compiled German folklore that mentions “a bullet of inherited silver” (Bartsch, 1879), “flintlock with a silver bullet” (Müllenhoff, 1921), and most interestingly:
At first they were powerless against them, until finally the students brought together all of the silver buttons that they had inherited, and with these they killed the werewolves. (Temme, 1840)
That mention of buttons immediately caught my attention, because while the publications about it I’ve been able to find are all from after 1941, in Dutch folkore there is a rather frequent mention that the best weapon against a werewolf is a silver coin, most commonly a ten cent piece (1 ; 2 ; 3 ; 4 ; 5 ; 6) This coin was usually loaded into a rifle, but one mentions holding it as a talisman.
Furthermore, in Dutch (and some wider Germanic) folklore werewolves are frequently treated as the masculine equivalent of a witch. And I could find mentions from before 1941 of witches being defeated by loading a rifle with silver coins (1934, 1932) or silver in general (1933). There is also a mention of a soldier loading a gun with finely chopped silver in order to chase away ghosts (1933, origin from before 1926) and this interesting piece of magic:
If one wished to shoot a ghost or witch, the rifle would not fire unless one rubbed a piece of silver on the flash pan , only then could one fire or would the flintlock give a spark. (1892)
In both the werewolf and the witch folklore the silver is not always fatal. But it’s described as the only thing that they can be shot with, or that will leave a scar, or a wound they can’t heal from. This certainly does not seem to be the norm though, I’ve seen far more folklore where the werewolves are either not harmed at all, or harmed with normal weapons.
In short, since Curt Siodmak was born in Germany to Jewish parents, I think it’s likely he was more inspired by local folklore than people give him credit for, but I’m very interested in any other (older) mentions of silver and werewolves in folklore. If anyone has anything to share, I’d love to see it!
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Republic Pictures Horror Collection will be released on May 21 via Kino Lorber. The two-disc set features four horror films produced by Republic Pictures: The Lady and the Monster, The Phantom Speaks, The Catman of Paris, and Valley of the Zombies.
1944's The Lady and the Monster is directed by George Sherman and written by Dane Lussier and Frederick Kohner, based on Curt Siodmak's 1942 novel Donovan's Brain. Vera Ralston, Richard Arlen, and Erich von Stroheim star.
1945's The Phantom Speaks is directed by John English and written by John K. Butler. Richard Arlen, Stanley Ridges, Lynne Roberts, Tom Powers, Charlotte Wynters, and Jonathan Hale star.
1946's The Catman of Paris is directed by Lesley Selander and written by Sherman L. Lowe. Carl Esmond, Lenore Aubert, Adele Mara, Douglass Dumbrille, Gerald Mohr, and Fritz Feld star.
1946's Valley of the Zombies is directed by Philip Ford and written by Dorrell McGowan and Stuart E. McGowan. Robert Livingston, Adrian Booth, Ian Keith, Thomas E. Jackson, Charles Trowbridge, and Earle Hodgins star.
All four films have been have been scanned in 4K by Paramount Pictures. Special features are listed below.
Special features:
The Lady and the Monster audio commentary by film historian Stephen Bissette (new)
The Phantom Speaks audio commentary by film historian Tim Lucas
The Catman of Paris audio commentary by film historians David Del Valle and Miles Hunter (new)
Valley of the Zombies audio commentary by film historians David Del Valle and Miles Hunter (new)
Valley of the Zombies audio commentary by film historian Tim Lucas
The Lady and the Monster interview with film historians Tim Lucas and Steven Bissette
In The Lady and the Monster, a scientist (Erich von Stroheim) and his two assistants (Vera Hruba Ralston, Richard Arlen) keep a dead criminal's brain alive.
In The Phantom Speaks, the vengeful spirit of an executed killer takes possession of a scientist to take revenge on those who wronged him, and a newspaper reporter becomes suspicious.
In The Catman of Paris, an amnesiac Frenchman (Carl Esmond) blames himself for deeds done with the mark of a beast.
In Valley of the Zombies, a woman falls under the hypnotic spell of a resurrected madman.
Pre-order Republic Pictures Horror Collection.
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“Even a man who is pure in heart,
And says his prayers by night,
May become a wolf when the wolfbane blooms,
And the moon is full and bright.”
October Country: evidently there are werewolves in the woods
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Novelist/screenwriter/director Curt Siodmak (August 10, 1902 – September 2, 2000)
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Lon Chaney Jr.-Barbara Payton "La novia del gorila" (Bride of the gorilla) 1951, de Curt Siodmak
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BLACK FRIDAY Reviews of Boris Karloff, Bela Lugosi crime horror hybrid - free to watch online
‘A man-made monster is on the loose!’
Black Friday is a 1940 American sci-fi-crime-horror film about a doctor who transplants a gangster’s brain into his professor friend’s body to save his life. However, there is a side effect that causes a dangerous split personality.
The movie was directed by Arthur Lubin (Hold That Ghost; Phantom of the Opera). It stars Boris Karloff. Although…
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