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#DOES THE SHOOTING THING
ruporas · 1 year
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asking and receiving (bonus below readmore)
[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.
The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.
Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"
More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"
In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."
A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]
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[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#it took me so long to post this even after getting clarification about the maturity warning and stuff#bc i am so shy about it. SDGMKDSGMKSD I LIKE THIS COMIC BUT IM ALSO SO LIKE... AUGHHHH....#when i posted this on twitter though it was like... a few days after ep 11? ive always had the thought circling about vash deserving of#asking for things... and getting what he wants bc he never gets both. doesn't get the opportunity to ask and hardly does he get what he want#maybe the results can go in his favor but at some point along the way he'll still lose something bc nothing can ever go perfectly for him...#and he's usually the one begging and pleading with people to not. do something. it's not even asking at that point it's just straight up#please believe me. please trust me. please don't shoot that person. please don't kill anyone. please don't do it.#and wolfwood.... it was not always this lovey dovey ok. he wouldv noticed this habit miles away and they got into a fight about it the first#time they talked about it bc wolfwood is being hypocritical too. as he always is!!!! but i think as they get more intimate#wolfwood finds ways to make vash understand. smth smth insatiable want and love and desire for wolfwood that makes it much easier to ask.#wolfwood can also just be so compliant. sometimes. which is also an issue in of itself that id love to explore at some point#but he also just enjoys giving into vash fully and completely.#bc he loves him a lot. but anyway#i hope the id is comprehendible.... please lmk if there's something wrong with how im doing it asfdgkdsmgs#ruporas art
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treasureplcnet · 7 months
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inverness here they come!!!!
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rdr2gifs · 5 months
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''the morning light, when it comes to me, it was there but I could not see''
Arthur’s life was profoundly shaped by his self-hatred, lack of self-worth and disbelief in the existence of kindness in a seemingly dark and cruel world.
I strongly disagree with the statement that Arthur only became a ‘’better’’ man after being diagnosed with tb. His struggle with his true/inner self is apparent as early as chapter one. ‘’You are not who you think you are, sir… which is lucky’’
He has lived a rough life, raised by criminals and surrounded by violence ever since he was born. It was installed in him early that his value lied within being a violent enforcer and he has lived this life since, knowing nothing else. As a highly aware person, Arthur's actions weight heavy on his soul. He accepts that his actions have consequences. He knows that a person who has caused so much suffering is not meant to have happiness in life. His way of life has caused him to believe that he is not worthy of love or redemption. He doesn’t want to believe that a person like him could be capable of any good. (a thing to note here is that imo, Arthur’s actions near his death weren’t attempts at redemption but rather a strong desire to do right and possibly be his true self.) This is why he keeps living as he does as it’s the only thing he’s ever known, it’s the thing that brings him profit, praise from the person he looks up to and he is already damned so he might as well continue living this life anyway.
The internal problem Arthur faces is that this violent, cruel way of life doesn’t align with what I’d call his true self/ideals. He is torn between the harsh reality he has known and an unconscious yearning for righteousness/love. To be able to carry on with his actions he must enforce certain ideals within himself, such as: I am bad, ugly, nasty, ignorant, mean etc. He also decides to see the dark side of reality, telling himself that the world is a grim dark place and this is just as things were meant to be. This is why he feels so uncomfortable being complimented for his good deeds, because a bad rotten person like him should not be able to do good. It breaks the image he has built for himself and he doesn’t want that happening. This can be seen a lot during the ‘’Money Lending and Other Sins’’ missions where he is unusually mean (even for his standards) to each of the debtors. Imo, he acts this way because he must truly convince himself of being a terrible man to be able to carry out a job which revolts him so badly. In the last debt collecting mission with J. John Weathers, it can be seen in his face/expressions how much he is struggling to put on a tough, uncaring, heartless act. He needs to maintain a ruthless persona to survive in the world he knows. He must convince himself of his own cruelty.
''Forgive me, but that's the problem. You don't know you.''
Contrary to Arthur’s beliefs, he is a naturally kind-hearted person who is unconsciously drawn towards kindness. And yes, even before he was diagnosed with tb. This can be seen in the people he respects the most and, in his willingness to help strangers (notice how he often does unnecessary acts of service for total strangers such as: carrying their things, holding out hands etc. even though they had already troubled him). Despite the life he has lived, Arthur does not enjoy violence, he does not enjoy hurting people. He doesn’t want to dominate over others. He thinks mostly about others and not about himself. This fact alone is very telling of his character.
He writes about Charles, a man who he truly respects: ‘’He’s a better man than me. He does not need to think to be good. It comes naturally to him, like right is deep within as opposed to this conflict between GOOD↔EVIL that rages within me.’’ A man who is not struggling with his inner self would not have written this. To me this clearly implies an inner desire to be a better man. He writes about his mentors: ‘’I love Dutch like a father, but in many ways, I love Hosea even more. He’s kind and fair and like a human being. Dutch is something else.’’ Clearly showing a preference for Hosea who is of a more gentle nature and shows genuine kindness. Unsurprisingly, these are the people who see through his dumb/though act and encourage him to drop it.
When he comes across Brother Dorkins for the first time, he writes: ‘’(he)was one of those innocent people who make you feel better about human beings and about yourself a little. Must be odd to see all that goodness in the world. Place always seemed dark and brutal to me.’’ Expressing how he does not see goodness in the world, implying lack of good examples/kindness/good experiences in his life. Yet, the monk leaves an impression and imo, this encounter (seeing genuine goodness) disrupts Arthur’s perception of what the world truly is. ‘’Just as evil begat evil your whole life long, so good may begat good’’ (what strengthens my belief in this, is the following, symbolic scene of Arthur realising the consequences of his actions right after picking up a crucifix. He was aware of them before sure, but is unable to truly ignore them now having seen it right in front of his eyes). If only Arthur was presented with more examples of goodness in his life.
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''You have it in you... I can tell!''
His desire to do as much good as possible after realising he won’t live long is instant. This would not be the mindset of someone who did not already possess kindness in his heart. ‘’Know glory and forget about shame.’’ Arthur’s shame and self-loathing caused by his previous actions were what was holding him back from allowing kindness into his life. Knowing that he has limited time left has not made him into someone he wasn’t before. The diagnosis was a catalyst, allowing him to embrace that love/goodness truly does exist and accelerate the process of chipping away from the persona he has made for himself. This was a newfound understanding for him as in the past he was rejecting any notion of kindess. In himself and perhaps the whole existence of it. ‘’You keep hidden all that matters, even from yourself.’’
After being diagnosed, he writes: ‘’What kind of a man have I been? What kind of a man am I? What world is this we live in? A land of fury or a place of love? Am I being prepared for eternal damnation? Am I past any kind of saving? Is that all fairytales? Man ain’t got much good in him. I ain’t got no good in me… I don’t think and yet I see goodness. I see it. If not in me, in good folk. In Abigail and her love for Jack. In that silly monk. In Downes, I guess. Begging not for himself but for the poor, even though he was near starving himself. Maybe I don’t want salvation. Part of me has always longed for death.’’ This entry perfectly shows how deep Arthur’s self-loathing goes and just how much it has damaged him. As his journal allows a look into his true feelings, he truly does not see a single good thing about himself. He knew for a long time that the way he lives is detestable but he could not let go of it. Not because he didn’t want to, but because it’s all that he has ever known. He didn’t believe in anything else. This sudden acceptance of goodness has allowed him to see clearly, which was obscured from him before, and for the first time, enabled him to act free of past regrets for what is right.
⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪
Arthur’s redemption is not about becoming a good man. It is about finding the strength to change and recognise your true self despite a lifetime of self-loathing and breaking free from destructive beliefs of the past.
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In Arthurian legends a stag is a symbol of the unending quest of spiritual knowledge/enligtenment
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hunterrrs · 5 months
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looking all bruised and haunted out there by yourself babygirl?
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orcelito · 7 months
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showing off the commission i got from @ruporas for my fic, In the Next Life!
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i'm still so incredibly excited about this. it's been some months since the story event that caused these scars, but i wanted SO BADLY to be able to see what they'd actually Look like... & Here They Are.
ruporas rendered the scars So Well, i just cant stop Looking at them... there's a Fresh & a Healed version, which ruporas was kind enough to give me without additional charge (Thank U Again😭😭) so i get to see what it looks like at different stages.
Lichtenberg Figures. in terms of actual scarring, lightning strikes that people survive don't tend to leave permanent scars, but the lichtenberg figures that they (usually temporarily) leave behind are just So Cool... Now, what happens when you get someone who can survive an amount of electricity/lightning that would be Frankly Lethal to any normal human person?
This :]
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nattikay · 8 months
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[...] He presses a quick peck to her lips before crouching down until he’s level with her stomach. He leans forward and peppers kisses around her belly button, rubbing soothing circles against the extended skin with his hands. “And I missed you too, littlest one,” he whispers. “I wanna give the baby a kiss too!” Neteyam says, crowding against Jake to leave his own kiss on the curve of Neytiri’s belly. Jake laughs and scoots over, making room for the baby's big brother to show his love. Kiri shifts and leans into Neytiri’s side, causing Neytiri to wrap an arm around their daughter. Kiri places a hand on her mother’s belly and pats it gently as if reassuring the baby that she’s there and ready to be the best big sister possible. Lo’ak pushes himself under Jake’s arm and curls into his side – his little arms tight around Jake’s neck. He doesn’t offer to kiss or touch Neytiri’s belly. Out of all the kids, he’s the one struggling with the idea of a new sibling the most. Jake thinks it’s just because Lo’ak has been the baby for as long as he can remember and is afraid of his place in the family being usurped. Jake hopes that once the baby is born, Lo’ak will realize that he isn’t being replaced and grow to love his new sibling. [...]
-Chaos Theory by WriterInWhite
this scene was just sooooooooo cute, I had to draw it!! 😭 this is the kind of fic we need more of plz fandom im begging
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somegrumpynerd · 3 months
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This little interaction made me so happy! Killer really fought through Dream to give Cross his necklace back
Asjlkhdkgkd I'm so glad you liked it!! I had fun putting a little story into that one ^^
And, because I am normal and don't think about these guys for hours every day, here's some backstory:
When Cross first joined, Killer actually took to him pretty quickly (Dust and Horror did not get warm welcomes). Which is to say he immediately started flocking to Cross to annoy him and compete with him on missions. Cross didn't have the benefit of knowing Killer already to see these were affectionate annoyances, so to him Killer was just some guy who had a problem and wouldn't leave him alone.
During that mission, Nightmare was calling a retreat when he put a hand to his chest and realised the heart locket was gone. Killer saw him looking all around frantically and had a good idea what was lost, since it was the one thing Cross would absolutely not part with since he joined. So, Killer ran back out towards the stars to look for it, because why learn self preservation now. It was the first thing to convince Cross that Killer actually was being (relatively) friendly, despite all the annoyances.
And also, a doodle of the afterwards of that picture
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because it's probably the only time he's managed to get Killer to shut up lol
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lunar-system · 5 months
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Izzy Hands: The Moon.
Re-imagined from the traditional Ride-Waite-Smith tarot, this version of the Moon shows Izzy taking the shape of a lone Lover, longing for what he cannot reach.
Longer exploration of the card's symbolism under the cut.
Symbolism of the card
I initially meant this card to be specifically Izzy's, but he is once again unseparable from Ed. Though the moon itself is depicted as Ed, it is through Izzy that I interpret the journey of the card. Feel free to invent your own interpretation as well!
In the original version of the Moon we see a dog, a wolf, and a crayfish. Izzy takes the place of the wolf, marking him as wild and untameable. He is accompanied by a dog, symbolizing his loyalty. The crayfish has retreated, and we can see a monster lurking in the depths of the water, reminding us of the beasts that lie within.
Rachel Pollack (2011) writes: "The Moon signifies the dangerous time between the end of one world structure and the beginning of another. On the emotional level it can indicate the strange state when something powerful has ended and you find yourself thrown back on your instincts."
In the card Izzy already has his wooden leg. He his stepping into his role as the Unicorn, marking a shift in his loyalty and his place in the world. His reign as Blackbeard's first mate is ending, and a whole new world order is being imagined.
Ed is also seen in a new light. With his short beard, he is at the end of his captaincy, possibly even at the end of his piracy. He as the Moon is illuminated by the light of the Sun, personified by Stede in another card, The Sun.
Izzy bears witness to their combined light, unreachable to him on the ground. He teeters at the edge of the water illuminated by that very light, and is faced with a choice. Will he turn, follow the path and try to reach the unreachable? Or will he explore the unknown waters in front of him?
In tarot, water symbolizes emotions, intuition and subconscious. Pollack writes: "Here in the unknown territory our animal selves take over. We cannot suppress the wild emotions but only travel through them." The message of the Moon beckons Izzy to step into the water and face his emotions.
However, there are also dangers in the murky waters of the subconscious. Pollack continues: "The Moon card calls forth powerful dreams, visions, and the power of the feminine." In tarot water is a feminine element. Izzy, a beacon of masculinity, has in the past confused the feminine with the monstrous. He is now dared to invite the feminine within him to the surface. His posture already mirrors that of the feminine lover from the Lovers-card. It also calls back to the Fool, to someone at the beginning of their self-discovery.
Tl;dr: Izzy, the Fool and the Lover, is on a journey from one world to another. Will he follow the path and try to reach the unreachable, or will he find the courage to plunge into unknown waters?
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A comparison between the original Rider-Waite-Smith card from 1909 and the re-imagined version
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Izzy's pose mirrors the feminine Lover
Sources
Image source: Pamela Colman Smith, 1909, republished as Tarot of A. E. Waite, 2016, AGM-Urania, Germany
Text source: Rachel Pollack, A Journey of 78 Steps, 2011, as cited in the booklet for instruction and guidance of Tarot of A. E. Waite, 2016, AGM-Urania, Germany
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introspectivememories · 4 months
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multiple fears actually
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hyumjim · 2 years
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Every time a verdict is handed down on some horrible killer a bunch of armchair jurors flip out about how he deserved the death penalty. Wait til I tell u that the death penalty should be abolished entirely because the state does not have the right to kill people, ever, no matter who they are. People do not have the right to kill other people and the death penalty grants state officials this right based purely on power. Anyway, ask yourself who benefits from the death penalty. When a person has caused grievous harm there is no way to undo that harm. Their death doesn’t undo it— that is what is so tragic about hurting other people. No amount of suffering they experience will change what they did. The families of the victims will grieve no matter what. If it’s for their benefit, ask yourself: if someone badly harms me or someone I love, does that give me the right to see them die? At what point do I get to decide who lives and who dies?
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starflungwaddledee · 4 months
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I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)
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hear me out: peter pan (2003) window scene
been staunchly avoiding typing too much on most of these but i have some thoughts about this one!
you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?
i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.
i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.
he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground.
you know i could see it.
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cityghoull · 2 months
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Obsessed with this Cate Blanchett Vogue China shoot by Szilvester Makó
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a-heart-of-kyber · 1 year
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Someone should do a meta analysis on the propaganda of the persona of Dirtyhands and how it colors the unreliable narration of the other characters' perception of Kaz and his actions, on top of the fandom's tendency to believe the same as well.
Things like the phrase "Kaz Brekker didn't need a reason." Despite the obvious of him having a reason for Everything.
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from this concept:
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I now have a very cool, very soft, and entirely hand-made 2017 Louie plush !!!!!!
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Very silly tail ⬇️
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He has a completely functional pull-apart jacket zipper !!!
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Also completely functional: the pockets 😼
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And here is also a closeup on the little phone
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He is made up almost entirely of fleece, all hand-sewn. His shirt and some of his eyes are felt (also the scar on his foot). He's stuffed with polyfill . He's weighed down with lentils 😭 His pattern is made custom by me :) I'm not sure exactly how long he took, but I'd guess some amount of months. Maybe 2, but maybe only a few weeks of collective actual work days
He does also have a dog toy type squeaker in him
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twokisses · 3 months
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can i be rabid about an nsfw snowbaz concept really quick? bc i can't stop thinking about baz taking simon back to pitch manor (post-awtwb) just to check out the grounds and make sure it's okay, and let simon fly around without restriction for once. and i can't stop thinking about baz taking simon on a proper tour of the house and them ending up in baz's childhood bedroom, where the memories of his desperate mournful fifth year wank sessions feel too close to the surface, and suddenly simon is sprawling onto the bed, making some thoughtless comment about what it would have been like to be baz in this room, but all baz can register is simon snow on his childhood bed. and when simon sees baz's frozen expression and asks what's wrong, baz can't keep the shivering yearning truth from escaping him. he tells simon what he's thinking. and simon decides yeah, he'll make it so that baz's fantasies don't have to stay fantasies. he does make love to baz on that bed. and all baz's lonely painful memories of the feel of these sheets and the sight of that headboard are written over with the feel and sight of them now, while overcome with pleasure and love for a simon who is actually right there with him. and what i can't stop thinking about is the poetry of simon tying baz up while he makes love to him. in that bed, where being taken by simon was previously a ludicrous thing baz could only have in his imagination, and the feel of his own hands were the only things he could have in reality - to now have them tied up and out of the way, so all this real, grounding, wracking pleasure can only be coming from simon, simon himself, nobody else, no other way? sexy healing times
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quietwingsinthesky · 5 months
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
#i am so enthralled by this concept you have no idea#also like. i mentioned in rose’s section how this is a genuinely scary situation for her.#but to be clear. it is for all three of them the moment they realize that this Is Not Their Doctor#because theyre suddenly on a ship going through time ans space with. almost a stranger. and one who has proven that he’s break laws#fundamental to his worldview rather than let them go#doctor who#rose tyler#martha jones#martha girl get the fuck out of there oh my god#the doctor comes out looking the worst in her section rip to him for not handling her leaving him in a normal and healthy way very well#i think it would be very funny if the doctor said goodbye to her and then immediately went. ‘oh! right! martha is the only thing keeping me#from jumping off a cliff! brb i need to get martha back at whatever cost!’ sir go to therapy#donna noble#also also to be clear im not trying to insult rose in her section thats just how she is#remember that time her boyfriend turned into plastic in front of her and she. didnt notice. or that time the doctor was being strangled in#the other room and she. didnt notice.#rose tyler girl that you are. you never know what the fuck is going on around you and i love you for that. how are you still alive.#REMEMBER THAT TIME SHE GOT BACK FROM AN ALTERNATE DIMENSION AND DIDNT EVEN NOTICE THE DALEK ABOUT TO SHOOT THE DOCTOR IN THE FACE#ROSE TYLER. GIRL. LOOK LEFT AND RIGHT BEFORE CROSSING A STREET AT LEAST#donna’s here is the most fucked up i think because even if this situation is ‘resolved’ and she goes back to her doctor like. how does she#keep going with that fact in the back of her mind at all times. that he can and will do this to her. that he’ll take himself and everything#else away from her while she begs him not to.#angst <3
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