A historic gold pendant and chain, believed to be associated with Henry VIII and Katherine of Aragon, has been revealed by the British Museum.
The artifact, made of gold and adorned with red and white enamel, was discovered by a metal-detectorist in Warwickshire and reported to the local Finds Liaison Officer of the Portable Antiquities Scheme, who then informed Historic England.
An archaeological excavation was conducted at the site to gather more information about the item and its location, reports Historic England .
Duncan Wilson, Chief Executive of Historic England noted:
A Symbol of Henry’s First Love
Henry VIII was the king of England from 1509 until his death in 1547.
He was well known for his six marriages and his role in the English Reformation, which led to the Church of England breaking away from the authority of the Pope.
Katherine of Aragon was Henry's first wife and was a Spanish princess who was highly respected by the English people.
The couple were married for over 20 years, but their marriage was annulled by the Pope, leading to a long-standing political and religious crisis that ultimately resulted in England breaking away from the Roman Catholic Church .
The pendant, which is heart-shaped and attached to a 75-link gold chain via an enameled “hand,” is thought to date back to the early 16th century, between 1509 and 1533, with the most likely date being around 1521.
The front of the pendant features the red and white Tudor rose symbol, intertwined with a pomegranate bush, which were the symbols of Henry and Katherine.
The back of the pendant features the letters H and K, for Henry and Katherine, in Lombardic script, linked by ribbon and featuring the legend "TOVS + IORS".
According to experts, the pendant may have been produced quickly for a special event, such as a joust, and could have been used as a prize or worn by those participating.
Its design is similar to the horse bards used at a joust in Greenwich in 1521.
Perhaps this was a trinket from a joust in which Henry himself participated.
He was known as a skilled jouster. However, in 1536, he was torn from his horse and injured, knocked unconscious for 2 hours.
The location of this event was unknown until just 2 years ago, when it was revealed to be Greenwich Palace.
Showcasing British Antiquities
The pendant is being showcased by the British Museum to mark the launch of two annual reports, the Treasure Annual Report for 2020 and the Portable Antiquities Scheme Annual Report for 2021.
The Portable Antiquities Scheme, which is funded by the British Museum and the Department for Digital, Culture, Media, and Sport, records archaeological finds made by the public to advance knowledge and increase public interest in history.
The reports show that 45,581 archaeological finds were recorded in 2021, including 1,085 Treasure cases, with 96% of these discoveries made by metal detectorists.
The counties with the highest number of PAS finds in 2021 were Gloucestershire, Suffolk, and Lincolnshire, with significant numbers also recorded in other counties such as Buckinghamshire, Hampshire, Kent, and Wiltshire.
The discovery of the Henry VIII and Katherine of Aragon pendant highlights the significant contribution that everyday people, who enjoy metal detecting as a hobby, can make to the field of archaeology.
By recording these finds, they are helping to deepen our understanding of Britain's rich and fascinating past.
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Diving for Pearls - Women in Shipbuilding
In 2021 I posted this image for International Women’s Day. I didn’t really have much information about the image other than this page on the Tesside Archives website.
Last week I saw an article about an exhibition called Women in Shipbuilding being held at the Common Room in Newcastle. The exhibition is part of a Historic England project to reveal the largely untold story of how, during the…
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When I joined the MSc course of Architectural Conservation at the University of Kent, I didn’t know much about British heritage and practice. Driven by my passion for historic sites, I came to discover astonishing architectural styles and historic preservation practices and philosophies. The ‘Conservation Principles’ module confronted me with some tricky questions. Should a historic building be saved partially or totally? Why do we care about its preservation? When was the building destroyed and what has been lost? How should we preserve? I soon realized that answers based only on personal views and culture can be biased… Only by studying the cultural, geographical, socio-economic and political context of a historic building can we really understand its significance and proceed to restoration.
There are different attitudes to conservation. It was fascinating to compare philosophies as different as those of Violet le Duc, John Ruskin, Cesare Brandi, and Camillo Boito, as well as conservation charters such as those of Venice and Athens. In addition to conservation philosophy, the programme introduced us to historical societies, charities, trusts, funding bodies and community involvement regarding heritage. I realized that besides understanding the UK planning system, one should be familiar with the work of amenity societies and funding bodies. After all, successful historic preservation in the UK lies in the combination of a robust legislation with the work of societies such as the Society for the Protection of Ancient Buildings (SPAB) and the Victorian society, organizations such as English Heritage, and funding bodies such as the Heritage Lottery Fund.
After this initial focus on policies, laws and philosophies, it was time for action… I was very excited to hear that the Spring Term module ‘Intervention at Historic Sites’ (January through April) would be delivered in collaboration with the SPAB and would be based on the Society’s ‘Old House Project’, the preservation of St. Andrew’s Chapel, near Maidstone. Alas, I missed the first guided visit to the chapel. Visiting it a few days later with a classmate was one of most exciting moments of the programme. This was a unique chance to experience an unspoiled medieval building, which is very little known. Formerly part of the Cistercian Boxley Abbey, the chapel was converted into a dwelling in the 16th century. Abandoned for decades, the chapel is now in an advanced state of decay, but is not entirely derelict. Some of its features, such as the late-Gothic mullioned window, the Tudor chimneys, the post-dissolution half-timbered extension, and the early 20th-century fireplaces survive and reveal the complex history of the building.
Drawing the chapel, looking at its decay, retracing its history, and reflecting on repair methods was rewarding, and designing a proposal of adaptive reuse added to the pleasure… Here are some samples of my analysis of the decay of the chapel.
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What lies beneath? Sowan legacy donated to leading libraries
A rich seam of information detailing what lies just a few inches beneath our feet as we travel around Croydon, London and wider afield around the country has been donated to two major libraries for researchers to… ahhh… dig into.
Going underground: Paul Sowan’s legacy library is being put to good use
The collection of more than 500 books about mining, minerals and underground infrastructure is…
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