Tumgik
#I am rambling whoops
nico-the-overlord · 1 year
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I feel like Roman would experiment with hairstyles, don't you think?
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YES YES HE WOULD
In making changes he did change his hair style
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At least with these two looks, sorta (and I mean change with how left image hair is tied up, right the hair is swirled a bit instead of nothing being done to either)
But he’d probably love to go more intricate (I am fairly sure he even stated to wanting Thomas to dye his hair rainbow back when Thomas had his hair purple)
If not limited by this show being in live action I’d love to see him randomly changing his hair style drastically
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elyserie · 9 months
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Fate's Refusal to Honour (or at least properly research) Depictions of Non-Japanese Figures 2: Electric Bogaloo ft. Wandjina from the Current JP Summer Event
Disclaimer: While I am an Australian, I am NOT of Aboriginal or Torres Strait Islander descent. Therefore, I am coming at this issue from an outsider's perspective. If there is an Aboriginal person, or more specifically of the Mowanjum people from the Kimberly regions, please PLEASE correct me if I am wrong on any front.
The culprit behind the events of the current Summer story in the JP servers has recently been revealed to be Wandjina, a creator Dreamtime figure from the Mowanjum people's culture.
In any other context, I would be thrilled to have an Australian figure in FGO, but the problem here is the figure they use.
Wandjina are sacred to the Mowanjum people, and therefore one needs to go through Aboriginal Law to obtain the right to use the Wandjina's image.
In Australia, this resulted in an actual conflict between a non-indigenous artist and aboriginals. You can read more here, but one quote to note is from an Aboriginal man of the Darug people, Chris Tobin: "Aboriginal law is very specific on what you can and can't do with wan[d]jinas." Another quote on this topic is made by the owner of an Aboriginal art gallery, Adrian Newstead: "Only a few Aboriginal artists ever win the right to depict wan[d]jina, and only then after years of initiations and ceremonies..."
I am NOT attaching an image of FGO's iteration of Wandjina due to this. Not only is her appearance only Aboriginal on a surface-level with her 'dot art' aesthetic (dot art* is only a recent addition to Aboriginal culture, created back in the 1970s), having no resemblance to an Aboriginal person (note, that while many Aboriginal people are white/pale, FGO continually chooses to depict people of colour as light skinned as possible. And yes, I know she's blue, not white. There is literally no records of her being blue skinned; is this because Wandjina's are associated with rain????) but she is also not very Wandjina looking? These figures do not have mouths, have large eyes meant to resemble the eye of a storm and are typically depicted with elaborate headdresses. That little glowing boomerang on her head is not exactly elaborate. And WHY does she have a boomerang??? Because she's Australian???? By that logic, every Japanese figure needs to have a katana. #GiveMurasakiaKatana2023.
There is also the issue of Cnoc na Riabh. While it is funny to think that she's a foreigner because of an Australian influence, Yaraan-doo is also another Aboriginal figure. And it is slapped onto a white girl for a fan service event. I'd just rather Fate leave Aboriginal culture alone and just do, like, Ned Kelly or something if they're going to continue like this.
More resources and info under the read more!
You'll have noted in the quotes that I've edited an 'n' into wanjinas. This is so I didn't confuse anyone: both can be the correct spelling! I just stuck to what I thought FGO was using for their Wandjina.
Here's an overview of what wandjinas are and their inappropriate use in art: https://www.creativespirits.info/aboriginalculture/arts/what-are-wandjinas
Here's another page about an inappropriate use of Wandjinas (note: it's only a short synopsis about a documentary that covered the incident, I'm uncertain if you would be able to get access to the documentary outside of Australia): https://www.creativespirits.info/resources/movies/who-paintin-dis-wandjina
It should also be noted that the two websites I've linked above are from the website Creative Spirits. While it is run by a non-Indigenous person, the person behind it is currently transitioning it to be an Aboriginal owned and run resource. You can read more about how this site is run in his About page.
*If you want to know about dot art's origin, here and here are some resources on them. However, this article brings up something interesting that I would like to bring back to FGO Wandjina's dot art aesthetic. It notes that "the term 'dot painting' stems from what the Western eye sees when faced with contemporary Aboriginal acrylic paintings" (emphasis mine). All three articles note that dots were used to obfuscate sacred symbols and artifacts so that those who were not initiated into their cultures could not see what these figures were. In that case, what the hell is the dot art seen on Fate's Wandjina supposed to represent? In this article, it talks about the symbolism in Indigenous art. Fate's Wandjina has none.
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cat-clawz · 9 months
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jounosparticles · 5 months
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reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover
OKAYOKAY YAY!!!!! this will be fun >:)
a huge suegiku analysis:
okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.
tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.
an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.
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basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).
i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.
despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.
but this is where he's different around jouno.
firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.
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the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.
anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.
yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.
because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.
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also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm
anyways
another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.
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mmmm theyre both so pretty.
once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.
arguably, this can be shown again in the pushups scene.
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tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.
anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!
oh. but im not done talking about this. not at all.
the other huge display of emotions for tetchou was everything that went down with kenji.
as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:
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ooog tetchou is so pretty. i love that left panel so much
using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.
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starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.
i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.
however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.
now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.
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as well in the anime, his eyes soften when kenji offers to help.
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after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.
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the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.
also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.
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he seems almost distraught, which is a huge contrast to his typically-composed self.
and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.
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he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.
he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.
it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.
and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.
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he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.
and in this panel, we see he's extremely angry towards kenji's lack of response.
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lets compare this to the first time tetchou fought the agency.
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in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.
now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.
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it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.
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he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.
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and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.
one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.
to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.
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as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.
firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.
and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).
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clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.
also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.
we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.
another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.
of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.
some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.
jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.
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jouno talking to an enemy, for reference ^ i also just really love this page hehe
the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?
my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.
yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.
anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3
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i love my sillies :)
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ironunderstands · 2 months
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Don’t attack me but I really like radioapple, I think it’s so funny, but I could never see it genuinely becoming a relationship. However I must say that stupid rivalry, to stupid rivalry with begrudging respect is a top 10 character dynamic, and Alastor/Lucifer execute it perfectly.
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kaladinkholins · 3 months
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i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.
so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.
putting the rest under the cut because it ended being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.
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okay note that nonbinary is an umbrella term, and applies to a vast range of gender identities, but it's my personal preference to use it as is, simply because i'm not a fan of microlabels. more power to you if you are though, but anyway.
essentially when i refer to mizu as nonbinary it means that i interpret mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that by nonbinary it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.
also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.
the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.
which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.
anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no one way to identify as anything, and everyone views gender in a specific way.
so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.
me, personally, i view her as nonbinary but not necessarily or always transmasc because i still believe femininity and womanhood is an inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised identity, hates herself for being a racial Other. hates that she has no home in her homeland. these are not queer or feminist themes, but postcolonial ones.*
* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—
nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.
on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.
thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.
as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns but this is a personal preference. i find it's easier, plus it's what the creators use, and because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does.
also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my stance.
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so anyway yeah that's my incredibly long rambling post.
TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.
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sandwichedbread · 10 months
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since poultry man is back I thought I’d make a proper sketch of my design and I also added my really cool weapon ideas
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It is i! The one who collects the random facts!
(And forgets if my questions have been answered or not!)
Can Pep do the whole "Take off my head and throw it at Peppino" thing? Like he did in Pizza tower? Since in this Au he's more... melty.
(I have offhandedly mentioned it a few times, but yes, Pep can remove his head like in game (anything that happens in game, assume he can do). The fact that he is 'melty' does not affect his ability to do so - unless he is upset and unable to hold his form, making parts of his body fuse into each other
In fact, all clones (Fake Peppinos and Peppiclones alike), can remove their heads, and it's kind of a bonding experience to swap heads for a while hehe
Anyway, Pep brain jumpscare raugh!!!
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verdantglow · 2 months
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Hiiii, hellooooo, I saw your Homestuck au and I love it. Love your art !!! I wanna eat everysingle one of them they are so-
Ok so, I had a few questions if you don't mind like, how did Scar and Grian met? Like- how they become moirals? Aaaand what would be the quadrants between Mumbo, Scar and Grian
Aaah hi! & thank you so much! (I’ve never had someone say they wanted to eat my art, that’s such a high compliment, omg…)
So Scar & Griann. They met while playing the VR version of Flarp around mid adolescence!
Actually, the VR edition of Flarp is how all the various groups of characters know each other. When they were around 7-8 sweeps old, they all signed up for & played a VR Flarp called Third Life. After the campaign ended, they stayed in touch & over the years they’ve played four more campaigns over VR, occasionally adding in more players. (This is very odd for Flarpers & really just for trolls in general. Maintaining relationships outside of your quadrants once you’re an adult & off planet is exceedingly rare, but this group is now around 12-14 sweeps & just finished playing the Secret Life module together.) (…There might be something to be said about the complex shipping chart that has developed holding them together in some ways.) (But mostly they’re just all friends, for whatever shade & value of friendship is possible as an adult troll.)
Anyway! Back to Scar & Griann! Griann ‘accidentally’ (no one is sure how accurate that word is) led to Scar’s first death in the Third Life campaign. We can guess that either Griann really thought Scar wouldn’t die or he just is piss poor at thinking things through, ‘cause killing a sea dweller, even in a game, when you were not supposed to… Well let’s just say that Griann vowed his first life to Scar & Scar, whether by dint of being the friendliest sea dweller you’ve ever met or because he was genuinely placated by the vow, didn’t pursue revenge IRL as he was entitled to by troll custom.
(It’s important to remember here that 1. Griann is a mutant candy red blood & 2. everyone was around the age where blood colour starts showing in your eyes, making it harder to hide your hemostatus. Given Griann wasn’t a full adult, so there was just a tint of red to his irises, during the Third Life campaign most of them assumed Griann was a rustblood. & a such a low blood killing fucking royalty out of turn, frankly most of them were pretty damn shocked that Scar accepted the vow instead of killing Griann on the spot, at least in game. It was very much a defining moment for everyone’s thoughts of Scar.)
So Griann & Scar teamed up & feelings… happened. Most of the rest of the crew saw their relationship as a somewhat forced moiraillegence, Griann placating Scar for his own safety as well as that of others while voicing his desire to leave the partnership to almost anyone who’d listen. By the end of the campaign, the forced part fell off people’s estimations, as Grian obviously became closer & closer to Scar. But it still seemed like a pretty cut & dry moiraillegence, albeit a kinda dysfunctional one, given how much death & destruction Scar still enacted on everyone.
When they were asked about their fresh moiraillegence after the campaign, they both just kinda smiled & nodded, trying not to think about all the confusing vacillating make outs that happened on Monopoly Mountain. & they’ve been living in ??? ever since.
Now, Mummbo Jummbo. My favorite jade blood. (My only jade blood lol.) He & Griann have known each other since they were grubs & have always been pretty much inseparable, despite Mummbo not picking up VR Flarp until the group’s second campaign.
No one knows what the heck is going on between Griann & Mummbo. They are utterly, helplessly devoted to each other in a way that everyone speculates whether they flushed or maybe ashen or ??? Like. Scar & Griann, while they keep up the image of them being moirails, anyone who really knows them can see quadrant vacillation clear as day. That’s not too out of the ordinary. But Mummbo & Griann? Extremely odd by troll standards, particularly adult troll standards. They seem to swing between pity friends & hate friends, as many troll friends do; they just do it at an intensity & velocity that most trolls find baffling outside of quadrants.
(The truth is Mummbo’s quadrants are completely empty & he prefers it that way. Aroace king right here. If you ask if, he’ll just say that quadrants are too much fuss & confusion for him. Though it is worth noting that Mummbo’s main point of reference for what quadrants look like for a long time was whatever the fuck Griann & Scar have going on, which, is, uh, not particularly stable & frequently somewhat unhealthy. Love them though.)
Mummbo & Scar become good pity friends after being introduced by Griann post-Third Life campaign, though they also have their hate friend days. Heck there have even been a few times that others have suspected Mummbo was pitch flirting with Scar (like during the Secret Life campaign when Mummbo said, rather loudly, in public, something to the effect of ‘get good.’). But really it’s a case of the hate friendship aspect of their relationship flaring & Mummbo being utterly clueless to flirting of any kind, even when he seemingly is the one doing it.
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nikoisme · 3 months
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So about a year or two ago i rescued a kitten. My dad called me out one night because there was a kitten stuck in the car engine. So I went outside at 10pm, right as i was about to go to bed, and spent several hours trying to get it out. She kept going deeper and deeper and i was afraid she would hurt herself. I got her out in the end, but the poor thing was absolutely terrified. She ran out and hid behind a lot of cabinets and stuff in the garage. So the next day i spent hours in an absolute downpour trying to get her out. And I did! But tHEN SHE RAN TO THE SHED AND HID THERE. The next morning i went outside as soon as the sun started to rise and went to get her out for good. Mind you the kitten hadn't eaten or drank the entire time. I spent several hours of trying to get her out, just talking to her and trying to calm her down. She kept meowing and meowing but was too scared to go out. After a while she would stop meowing so i couldn't figure out where she was, so i'd wait out a bit before calling out again. But then she stopped responding altogether. I tried luring her out with food, i tried knocking, heck i even tried meowing and mrrping at her (i know cats usually don't meow at each other but hey. i was desperate). Finally I decided to bring my own cat there. My cat meowed once. And the kitten came running out, meowing as well. I gave her some food and looked after her for a few days. She was still terrified but at least she wasn't stuck anywhere hahaha I was just glad she was safe and could eat and drink. She now lives with my neighbor and she's grown so much 🥺 it feels so nice seeing that once scrawny, dirty, terrified little kitten now content and happy and cared for.
Yeah i remembered this and wanted to share the silly story :D
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cathalbravecog · 11 months
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So I gave in and done it - Drew my Minecraft sona / skin, Larimar with Cathal since the two have some design similarities both being CRT TV inspired TV head robots... Let's just say yeah, there's perhaps a few reasons why I got so attached to Cathal like this, yeah?
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deepfriedpaddymayne · 11 months
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I know I roast Augustin for this moment all the time but also the more I look at it the more I want to bang my head against the wall because like. my immediate reaction to this is "my man how touch starved do you have to be to enjoy yourself in this situation" but we KNOW he's not touch starved. we see him be very physically comfortable with his friends. which brings me to my other question which is HOW REPRESSED do you have to be to enjoy yourself in this situation
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ophelliate · 4 months
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little snippets from the mutant mayhem official script that i enjoy
screenplay's found in this article that micah retweeted. read away!
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spiritsglade · 1 year
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@otomerson​ hi quick apologies bc. 1. i can’t draw people 2. this is extremely rushed because i read endless dreaming on a thursday night in one sitting adn missed my alarm and was nearly late to class and i’m still not over that so. i had the vision of sunny waking up to all his friends collapsed over the floor and i needed to share.
endless dreaming is a post good end omori fanfic that i cannot recommend enough i’ve known it for less than 48 hours it has made me feel emotions i canont comprehend
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amserpand · 7 months
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tumblr, since you're my favorite, you get the only in progress pic i remembered to take of the carving for this piece :)
this block is 2.5"x2.5" unmounted linoleum, printed with an ink pad on mostly regular neon copy paper. like most of my single color pieces, i sketched straight into the block with sharpies/fineliners, tinted it with a stamp pad, and got right to carving! i'm still getting used to the power grip cutters over the speedball ones--theyre sharper but also since the blade is Not just a bent sheet of metal i've been struggling a bit cutting at the right angles. curves are giving me some trouble! but they also cut a lot easier and are better to hold, so it's worth it to get used to them.
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i've been accumulating carved blocks, taking casual little prints to conventions and zinefests to trade! so a few people out there in the world have got my first lino prints in distribution.
when i get a chance, i'll do a proper print run, and add them to a shop (which doesn't currently exist but will!)
and, dont tell anyone, but i have a two color print in the works! that one's taking some more planning though.
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strangefable · 7 months
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what d&d class is your oc?
tagged for this uquiz by the lovely @jillvalentinesday, @cassietrn, @inafieldofdaisies, @voidika, @josephseedismyfather, @direwombat, @poisonedtruth, and @theelderhazelnut, thank you all <3
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Ranger
You are a Ranger, an explorer of dangerous territories. You are fearless and cunning, traits necessary on your travels, but you tend to be closed off from others and overly pragmatic. Your connection with nature and skill with weaponry will carry you through most battles, and your sneakiness will let you avoid the ones it will not.
There isn't any other class that suits her. She's not got the magic for druid, but her fighting style keeps her out of direct warrior/barbarian types. Archery and nature, exploration and knowing the lay of the land, and using it to advantage? That's Micah. She's at home alone in the woods, but with party members she's off her footing, unsure how to interact or engage. Trusts comes hard for her, but a fearless ability to throw herself into danger? Yeah, she's got that in spades.
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Rogue
You are a Rogue, a skilled adventurer who uses guile and expertise to your advantage. You are often seen as stealthy and precise, aiming for your opponent's weakest points, but you can master various other skills to aid you on your journey. While you tend to be underhanded and greedy, you can also be daring, clever, insightful and charismatic.
Sneaky. Underhanded. Guile. Charm. Greed. Loose Morals. What else could Lil ever be but rogue?
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Artificer
You are an Artificer, an adventurer who wields science in place of magic. While your foremost trait is intelligence, you're built tougher than most others who place their faith in their brains. You are inventive, curious and occasionally reckless, all traits that get you both into and out of trouble on your adventure.
I admit it, I took the quiz for her a few times until it returned the right result. Intellect and knowledge, melding science and magic, those are Bright's Things. No matter how much the quiz kept trying to make her a traditional magic user, she's just not. She's extremely reckless, but it's not out of malice or a drive for power; it's simple curiosity. And a love of shiny things. She's clever but not wise; she's quick but not strong or nimble.
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Paladin
You are a Paladin, a warrior sworn to an Oath, whether it be to a god, a king, an ideology or oneself. As a divine soldier, you are well equipped to strike down evil, but must follow a code of your choosing to retain this power. While you are limited somewhat by these bonds, you are also the most driven and determined member of your group.
tbh i've never considered what would suit Lore, but honestly? yeah, she's very driven for good, for what she sees as moral and right, for the betterment of the people, though i don't know if she could be defined as a soldier or warrior. she's about practicality and function over form or style, but she'd balk at the idea of serving a god or a king. her goal is always to help people, especially those who have no voice and no power. she fights hard, but she prefers diplomacy and compromise whenever possible, to save as many lives as she can. she's one of my purest, most good characters.
i realize i'm kinda late on this one, but i'm passing on tags, anyway. (feel free to ignore me<3) @henbased, @adelaidedrubman, @v0idbuggy, @legally-a-bastard, @damejudyhench, @mars-colony, @strafethesesinners, @thisisrigged4, @mediocre-life-span, @harmonyowl, @marivenah, @socially-awkward-skeleton, @florbelles, @trench-rot, @wrathfulrook, @simplegenius042, @incognito-insomniac, @gayafsatan, @shallow-gravy, @turbo-virgins, @chazz-anova, @confidentandgood, @aceghosts, @jacobseed, @vampireninjabunnies-blog, @fourlittleseedlings, @clonesupport, @unholymilf, and anyone else who wants to do this, please say i tagged you <3
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