Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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you know what's so disappointing? the way people keep saying 'don't be afraid to portray mental illness and disability in media!! in your art and writing!!! normalise it and don't shun it!!!' and then the MOMENT you bring up a symptom that's too messy and uncomfortable to handle, they take a fuckin u-turn and go "UM no that's bad. like. you're a bad person if you do that. that's weird and it makes me uncomfortable so it's wrong."
here's the thing!!!!!!! it's not convenient!!!!! it's not simple!!!! i can't be honest and keep writing about how depression paints your whole world blue and all that shit!!!!!! because guess what!!!! depression and disabilities and borderline personality disorder and SO many other things are just. not neat and clean or easily consumable. they WILL make you uncomfortable and sad. they WILL make you feel bad. honesty is not easy. it's not meant to be.
and dehumanisation of sociopaths and psychopaths is genuinely distressing. not all of them!!! are!!!! bad people!!! it's a medical condition!!!! a mental illness!!! a person's illness doesn't make them bad. their actions and the decisions they take decide that and I am SO sick and tired of people watering down every complex human trait and toxic behaviour as good and bad and right and wrong. don't you see!!! some things are simply just. human. that's all. people fuck up. badly, sometimes. but that doesn't mean they are not people. I'm not saying you should forgive everyone and become a full time saint. you are entitled to your anger. i'm just asking you: don't take away a person's right to err and still be considered human. not all actions fall in the neat divisions of right and wrong. some things just are. grow some balls if you want to see true suffering in media. because it is Not easy or pretty. not even close. you will be conflicted and uncomfortable and troubled. make peace with that fact.
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I know mahiru is often seen as not smart (his official stats from the guidebook give him a 2 out of 10 for tactics and I think the mental stat is more about mental stability?) and sure he's not a tactical genius like mikuni or touma (both have 10/10 in tactics) but mahiru is extremely socially/emotionally intelligent, which is an intelligence often overlooked in favour of "classic" intelligence (like being good at math or things like chess).
But unlike other characters mahiru knows when to stand his ground and when to lay low and change a person's view slowly over time.
Misono wasn't on his side in the beginning, even saying mahiru could be his servant when mahiru agreed to work with him, but mahiru quickly picked up on the fact that misono was lonely and offered to be his friend. Now misono trusts him completely and recognizes that mahiru's strength lies in gaining allies.
Shuhei openly hated vampires and treated them as things and mahiru responded by humanizing them, listing examples of vampires acting just like normal people, laying the first stone for shuhei to stop wanting to kill all vampires.
He was the one who proposed the idea that tsubaki would come to rescue lilac because tsubaki sees his subclass as family and he was right.
Neither lawless nor licht were overly impressed by him when they first met him, but by the time he asks them to rescue tsurugi especially lawless is one of his biggest supporters.
In C3 he understood that he wasn't going to be able to move if he opposed them and joined them instead, allowing him and the other eves to meet. He also correctly concluded that getting tsurugi on their side was key because he was central to C3's/touma's plans and in the end it saved his life and allowed him to stop touma.
Mahiru consistently trying to protect tsubaki's subclass might also come in handy soon. They might not like C3, but both lilac and sakuya can vouch for mahiru as a person they can trust not to kill them and to aid them in stopping tsubaki from destroying himself.
And stopping tsubaki by convincing him to stop is perfectly logical. A servamp can't be killed as far as we know. Combat only gets you so far. If C3 want to create a lasting co-existence between vampires and humans getting both sides to stop killing each other and to learn to forgive is the only way.
Trying to solve this conflict through conversation and not violence is neither shortsighted nor childish, it's the only reasonable solution.
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idk if this is still the case but when i was really In It in animorphs feelings a couple years ago because i was unemployed for the first time in my adult life / temporarily living alone in the last house my family lived in / freaking out about climate change / generally Going Through It, and like poking around the animorphs scene on tumblr, there was this notion commonly expressed that rachel and tobias were "toxic," the major piece of evidence for which was the scene in 33 where she "tries to trap him in human morph." which like first of all i'm SOOOOOO SORRRY that the fucking fifteen-year-olds secretly fighting a guerrilla war in which their greatest threat is the mind-controlling slugs they're trying to save humanity from but their second greatest threat is the diminishing hourglass of their collective sanity as they all have to work steadily harder and more desperately to not just completely lose their shit entirely from all the violence and literal 24/7 constant threat and murder that is happening, like i'm sorry two literal children who have managed in this ongoing horror show to forge a bond of loyalty and affection and care and attraction and understanding that can act as a kind of solace neither of them have any other way to access, sorry those actual murder babies sometimes have some communication problems. lmao. but also it's insane to me that people read that scene (in which they're dancing to, i'm not making this up, iris by the goo goo dolls - i mean they don't tell us the song but it's a slow goo goo dolls number that even tobias knows, so - they're dancing to iris by the goo goo dolls at a school dance that is not going well because they are both awkward about the newfound public Officialness of their relationship and rachel who is the only one of them who has ever been capable of socializing like a normal person is in a particularly bad mood because of the emotional hangover of her starfish adventure [great concept executed terribly in the previous book], and then like after two entire minutes of letting himself feel some nice emotions tobias spots the clock and starts leaving to go demorph and then rachel runs after to him to awkwardly attempt to share that she is very fucked up about how insane she has become and she wants to hold on to things like school dances and also this is all happening in a hallway by a student poster on red tailed hawks that states their lifespan of a handful of years in the wild, it's so good) as rachel trying to trap tobias in morph, when like, first of all, "good thing happening -> time to punish myself for feeling nice for 5 whole seconds " is like THEE tobias thought pattern because he's the number one kidlit trauma baby of all time, like truly the first time i dove back into the series i was struck by how well his narrative voice captures Child Of Insane Family Dysfunctionality, he is NOT a reliable narrator on this, but also second, and more saliently, like, believing this scene is rachel attempting to trap tobias in morph requires that you believe rachel, all by herself, made a plan in advance and then attempted to execute it, which is a skill we literally never see her demonstrate even one fucking time outside of the comfortingly familiar hunting ground of the mall
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I made a prompt some time ago and my brain couldn't let it go so I want to write an actual fic about it. But I need your help to do it.
You can find the prompt I'm talking about here. To summarize it quickly because I know it ended up kind of long. Dani was traveling around the USA and met/befriended some people, heroes and villains include. And then she left to see another place. It wouldn't be a problem if before she left, she said goodbye. She didn't so now they she got kidnapped and are panicing.
I have some ideas, some serious chaos I mentioned (about 2500 words and counting) or super serious chaos if things'll go properly, who knows, some Dani hangs out with Duke during his patrols and is low key his sidekick (5500 words and counting, everything on paper because why not?), both in much different places on a timeline, untouched but thought about idea for Dani and Conner clone budding AND one bit for when she met Flashfam and one when she asked Harley Quinn and Poison Ivy for autographs for Jazz and Sam.
But here is a thing. All I know about DC is from dpxdc tag and some fics on AO3. Also from dpxdc of course. So it means I don't know a jack shit about people outside of Batfam.
So, what I'm asking for is, if you have ideas who else Dani could mess with or/and links to fanfics with your favorite characterizations or character analysis here or on AO3, any way of communication you are comfortable with is open, please send it (maybe not in actual mail that would be both creepy and unreasonably expensive)
I can't exactly watch movies/cartoons because I fear my computer wouldn't survive that (I had a moment of black screen two times in the last twenty minutes and three more temporary freezes, how is this thing still running, and how it became my most reliable internet connection device?)
Anyway, send the links I beg you
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