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#I know everyone's busy and what not
electoons · 1 month
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I love the college of winterhold. everyone there is casually deranged and there's like an alarming number of students and staff who threaten you immediately when they meet you. it's always one of the first questlines I do. which makes it even funnier when you get made the arch-mage of the college. I'm level 12 and got through this questline knowing exactly 3 spells. what do you mean you want me to lead the college. this school CANNOT be an accredited institution
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spacedlexi · 4 months
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"sounds nice... having a partner"
#the walking dead game#twdg#violentine#clementine twdg#violet twdg#MAANN when clem says this in s3 JUST WAIT BBY#people who say clemvi has no basis like ep2 isnt just them working as a team for 2 and a half hours regardless of player choice#like be fr#clem telling louis that violet patching up the back wall is ok because she needed something to keep herself busy. married behavior#vi asking clem to help check in on everyone while she deals with the wall. their shared smile when she comes back outside :)#and then they sit in the leadership spot together overlooking the yard and everything theyve planned together coming to fruition :)#sorry i just think their romance set up in eps 1 and 2 is obvious as FUCK and im tired of (Some) people pretending it isnt#'i havent seen her warm up to someone in a long time' brody literally tells clem that vi seems to like her after its been 24 hours#after shes been a block of ice for a whole year. and clem just melted those walls down immediately while they fought walkers together#violet is so devoted to clem post ep1 its embarrassing for her#'i saw she had you pinned and i- shit i got So crazy...' sorry if you dont think shes in love with clem idk what to tell you#'i'll tear that boat apart before we leave without you' i know you would girlie!!!#the animators went CRAAZAYAYAYAY the way they look at each other... their little smiles at each other....even before the belltower#the way clem looks at her while they dance.... the way she puts her head down on her shoulder so contentedly....#and then she keeps her head on violets shoulder as she pulls away so clems chin gets dragged with it like she doesnt want to let go#'so you never forget that night' 'i never will' they are DISGUSTINGLY in love with each other it makes me physically ill#its 2024 and im still hearing 'i just didnt see it :/'. lazerbeams you#spaced art 2024
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crescentfool · 5 months
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orpheus and thanatos 💚
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yuridovewing · 2 months
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Hawkfrost and Brambleclaw dynamic to me
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chirpsythismorning · 3 months
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
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Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
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But then suddenly this shift continues, going in a direction he probably didn't expect.
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I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
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As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
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It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
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And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
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Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
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But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
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For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
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As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
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Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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commsroom · 5 months
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mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.
eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.
they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.
the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.
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jeysuso · 6 months
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#personally i think roman really likes la knight
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mishapen-dear · 4 months
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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jasontoddenthusiastt · 8 months
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“Stop excusing Jason killing just because he died!!1!111!!1”
We don’t excuse his killings, you ignorant fool. We actively encourage it.
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zarnzarn · 1 year
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oh he's crazy crazy
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obsob · 11 months
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drawings ive done this week for a competition!! probably the most ambitious thing ive drawn in my new style but im very happy with them! :3
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Note
Not sure if this theory makes any sense at all but I'm starting to believe that there's no time skip between Wally's phone calls and what we see/hear in the show's Media/Merchandise. If we see the Toyland call being made before the Homewarming episode then it would make sense that Wally's expecting Barnaby to come over soon. As well as the Homewarming sketch from the prior update. (I don't know, still kind of brainstorming this perspective)
that theory Does make sense and i've been considering it! the "timeline" is such a nebulous thing right now because we still... don't really know! there are too many variables and too many Maybes for any solid answer.
maybe the reality that the neighbors live in exists outside of time like you say, and like half of me suspects. there's so much reality fuckery already present, but I'm also... unsure of how much merit this holds given what we know / can infer about how time passes in Home. i'm putting this theory on a low shelf to look at but not prioritize
maybe it really has been 50 years, and Barnaby is either still around / Wally is still in contact with him, or Barnaby... isn't there. who knows, maybe Wally was just verbalizing some Wishful Thinking. i mean, Wally is a bit of an unreliable narrator, isn't he? we can't assume that everything he says is entirely accurate or truthful. and i mean, if it's been 50 years it makes sense that Wally would be pushing for connection / to revive WH. who knows how long he's been trying.
hm... i mean. it could be a mix of that and the Outside Of Time theory. who knows, maybe W is receiving calls from different points in the timeline - Wally may have started out just calling, and has just graduated to invading the WH website / getting pushy with the envelopes and media that's been sent to the WHRP. maybe Wally got tired of waiting for W to respond before W was even born. who's to say!
#i mean. idk the emphasis wally puts on Its So Quiet makes my brain tilt its head#it feels like wally breaking composure before he pastes the Facade back on with '-during homewarming'#that and just the way he phrased 'everyones usually so busy so its just me and home for a long while'#Usually so busy. Usually. why not Always? or Is?#usually.#and then the 'its just me and home for a long while'#the phrasing here has Connotations i think!#homebogging#welcome home speculation#wh speculation#OF COURSE. I HAVE TO DEBUNK MYSELF!#what we hear / see from Wally is - ironically - more genuine than the WHRP's or W's recovered media (save the eddie excerpts)#the WH media shows us the ideal homewarming - where everyone is getting into the spirit and spending time together and the like#but then wally could be telling us what homewarming is Really like - lonely. quiet.#WHICH MAKES SENSE THEMATICALLY! and it mirrors how christmas time is. its marketed as this joyful thing that brings people together#when in reality its lonely and stressful. i know i certainly never feel more lonely than i do at that time of year!#so there's just. layers. right now im simultaneously believing in the time discrepancy And them existing outside of time#im leaning on the first one but you know!#BUT!!! IM CONFIDENT THAT THE HOMEWARMING WALLY WAS CALLING FROM WAS NOT THE ONE WE SAW IN THE UPDATE.#wally spoke with enough familiarity about the time of year to make me think 'hes lived through many of these hasnt he'#it could be that time Has passed for the neighbors and its been many homewarmings.#it could be that it Started as what the commercials/update showed us.#but as time passed maybe it became a time where everyone just... Isolates for one reason or another. so now it's just quiet and lonely#im still rolling it all around in my head! many factors and implications to consider w/ this update!#Take All Of This With A Grain Of Salt As Usual!
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intotheelliwoods · 27 days
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I have one more thing I want to work on before I get back into updating 2AL regularly, but until then......
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jula483 · 29 days
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HUG. again 💙🤎
(x)
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introspectivememories · 3 months
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yknow the veil/kotteri image redraw meme? the one that's been going around on twt? now make it timber. bernard who goes on to be a famous model after grieves and does shoots all over the world. one day he does one for a gotham brand and he ends up plastered all over the city. now tim who has managed to miss all this just by virtue of being too busy being a vigilante and running wayne ent. steps out of his car one day and bam! directly across from wayne tower is this giant electronic billboard, displaying bear's new perfume ad. in it he's wearing a fur coat that's slipped down his shoulders to reveal the muscles rippling across his back. bernard looks over his shoulders and laughs, lips painted a pretty pink. the ad reads "all new scent 14 from beams: the scent of love. it's like burning" bernard winks coyly and tim is burning all right. rock hard in his too tight work pants.
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marblerose-rue · 1 year
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i may be a bit too late but here's squilf playing with her tail for the squilf anon!!! i hope they see this :,-)
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