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#I'm having so much fun
okayto · 6 months
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Neopets is so funny right now. It's a 24-year-old website and half its pages haven't been updated in 15 years. Its ostensible audience is children. The core active audience appears to be nostalgic 20-40-year-olds. Old code means no accounts or pets can ever be renamed. The virtual pound is full of virtual pets named after Justin Bieber. It has an economy and inflation is rampant. New ownership is combating this with the stimulus of random super-rare items via daily quests and events, while the equivalent of Neopian Upper-Crust complain that their investments are deflating. You can't say seaweed or grapes.
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sappheux · 2 months
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(more) saw valentine's cards
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changeinenthalpy · 3 months
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HAPPY TROUT
@fish-daily
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cupid-tune · 4 months
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I MADE A DESCENDANT WOOHOO
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attentionhoard · 8 months
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tom wambsgans + text posts v1
(tom v2 / tom v3 / more succ text posts)
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artyfartyliz · 2 months
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out of the depths of hell and back, us spawn of the black and white cover our souls with robes of black, and take up the arms of night
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rochenn · 10 days
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Last Line Challenge
Rules: in a new post, show the last line you wrote (or drew) and tag as many people as there are words (or as many as you feel like). 
Many thanks to @charmwasjess for the tag, I've never gotten tagged in this challange before :DD
For writing, here's a little piece of Gone With the Light from yesterday! Girlie is going through it uh oh
“You cannot stay here.”
Asajj had been expecting something like this from the very moment a strange ship had followed her from space into Dathomir’s atmosphere. Surveying the wreckage later had revealed the body of an old colleague of hers—a bounty hunter whose name she could not recall. Someone on Dooku's list of favorite fetch-dogs. She curled her arms around her midsection.
“Mother…”
And here's a wip shot of that bending AU I've been thinking a whole lot about. Avatar!Anakin would be a fucking handful
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(this is going to be hell to color :'D)
No pressure tags: @prahacat @bolithesenate @catboydogma @kote-wan @alwayskote @battlekilt @ddeck @razzbberry @ivvmell @lualuadraw @phi-guy
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I'm going MAD with BOOPING POWER!!!!
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im the anon who sent that gaz ask and omg kyle's interlude was so good!!!!! im just giggling thinking of kyle wondering how much does she know? did she catch on somehow? fuck I have to take her out quick before she finds out how many projects ive finished and the whole time miss new girl is like. wow this guy fucking sucks at his job i want him gone from my hospital >:(
mans thinks shes gonna file a case with a police and she just thinks he's incompetent as shit
I'm so tickled. That's exactly what's happening.
CW: discussions of death and dying, autopsies, medical neglect
There’s something going on on the cardiac floor that you just… can’t quite put your finger on.
This isn’t the first hospital you’ve worked at, but you’re also new to urban healthcare, so you don’t want to rock the boat by being paranoid. But traffic from the cardiac floor is… steady. You’ve read the papers, know the stats like the back of your hand. And the cardiac floor is perfectly in line with expected trends. Every. Month.
There are fluctuations, of course. Plus or minus three to seven lives is nothing remarkable in cardiology. Macabre, maybe, but true. But that’s unnatural. In the seven months you’ve worked here, you’ve seen waves elsewhere in the hospital. The plastics floor had a month with zero deaths followed by a month of a persistent infection sweeping through the otherwise reasonably healthy patients. Oncology has seen a steady decline in patients sent your way, thank goodness. Even emergency and intensive care aren’t as fixedly consistent as the cardiac floor.
When you wonder about it aloud to the director, Dr. Martins just shrugs. “We have a good team up there. Very good at keeping things clean and double and triple checking their work.”
“But if that’s the case, then the number of deaths should be going down,” you point out.
Dennis gives you a rueful smile. “That’s not always how human bodies work, unfortunately. You know that.”
You do know that. Which is why the consistency grates against your nerves. So you decide to do a little digging.
The name that comes up the most often in the chart notes is one Kyle Garrick.
That’s actually not 100% accurate. He’s charting exactly the way he’s supposed to. And no nurse has complete, individual access to patients 24/7. But every dying patient he has access to is… perfect. Their blood work, labs, vitals, prognosis, medication adherence and refusal is almost too-the-letter, textbook precise.
The most obvious answer is that Garrick, and probably a couple of other nurses on the floor, are fudging the numbers.
The idea is infuriating. You hate the way the administrators keep changing medical record systems just as much as the next person, but inaccurate charting is a safety issue. People can, have, and do die because someone writes down the wrong timing for medications or assumes that a patient’s vitals are unchanged. If anything, this is probably worse than that. The fact that everything is so pristine probably means that some patients are just being written off. The nurses might be deciding who gets the excellent care the hospital is known for and who gets neglected.
You stay three hours late investigating the next cardio patient that ends up in your morgue.
After examining the body and reading, rereading, and re-re-re-reading his chart, you find it. A stutter in the dosages of blood thinners, a slightly higher blood pressure reading from someone who isn’t nurse Kyle fucking Garrick. Just enough evidence to have you testing the body with an aspirometer almost too late. And there it is. A fatal air embolism.
You want to scream, but the dead man doesn’t deserve that.
Three weeks later, sipping from your water bottle, someone calls into the office. “Knock knock.”
Dennis practically lights up. “"Good morning, Kyle. Been a bit since you've come to see us. Care for some tea?"
Your eyebrows shoot up. Dr Martins hates unexpected visitors. Then you look over your shoulder, and you understand. Even old queens aren't immune to pretty privilege. The man that’s leaning in the doorway is gorgeous. Maybe its because you work with dead bodies all day, but his eyes and skin seem to glow, even under the fluorescents.
"Can't," the man says, apologetically. "Just dropping someone off."
"Well, at least let me introduce our new nurse!"
The fact that you’re wiping crumbs off of your mouth over a paper plate is the only reason no one sees your face fall when you hear him say, “Nice to meet you. Kyle Garrick.”
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macabr3-barbi3 · 26 days
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another excerpt for something Vox/Reader I'm working on
Vox crowds into your space, the sudden rush of it making you drop into the couch behind you. He places a knee on the cushion next to you and leans in, arms coming up to bracket you against the cushions. Despite the lingering edge of fear at how he’s acting, it’s far more welcome than that lizard trying to box you in and corner you. “I will flash fry the floor of this shitty club to destroy anyone that even thinks about looking in your direction. And I would rip the heart out of every fucking demon in Pentagram City to ensure that no one ever lays a miserable, unworthy finger on you again.” He traces his fingers over the cuts on your thighs, his breath shaky as he looks down at them. “I wish I could kill him again for this alone. To bring you pain in any context besides pleasure is ụ̴̴̾̀͟͡n̫̫̘̗͕̲̲̎ͥf̰̰̯͕͊̃̊͞͞͞o͙͙̙̘̙ͤͫ͞ṛ̣̬̫̍͌ͩ͟g̬̬̱ͩ͋͟͟i̧̻̻͉̜͑ͪ̾͟v̹̹̘̼̞̻͆ͩ̓ͪ͢a͔͔̜̗̦ͩ̅̎b͔͔̳͈̊̆ͥ͂͜͝l͖͖̰̝ͭ̀͘ḛ̡̰̳͓̥ͬ͋ͪͧ.”
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anothertina · 1 year
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I’m finally done with them! 🖤💖
Heartache Jinx & Heartthrob Lux 
Heartache Ekko & Heartthrob Ezreal 
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overleftdown · 4 months
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farleigh analysis part 2, because the first post wasn't enough. this is going to cover all scenes set at oxford university that i find significant to my understanding of the character (this ended up including pretty much every scene with farleigh in it). once again... buckle up.
[0:03:48] farleigh: oh, he's got the scarf. hey, cool jacket! and the tie?
starting off with a banger! this is farleigh's first line, his introduction as a character. this is how the viewers are intended to see farleigh, at least for this portion of the movie. this is what i'd consider an outer-circle perspective of farleigh, how the majority of his classmates understand him as a person. catty and casually rude. it's significant how surface-level and mild this introductory piece of dialogue is. farleigh is pointing out how hard oliver is trying to appear mature and scholarly, because farleigh is too nonchalant to try hard to fit in (haha).
[0:07:10] farleigh: i'm so sorry. got completely lost- hi, nice to meet you. so sorry. tutor: you're farleigh start, i take it. nice of you to join us, finally. you're not a, uh relation of frederica start, by any chance? farleigh: uh, shes my mother. tutor: no! i knew her when i was your age, when we were both here! when she was frederica catton, before she went to america. farleigh: no way! oh my god, i'll tell her! she's gunna be thrilled that i'm being tutored by one of her friends.
and again, an outer-circle perspective. here you can see the supposed influence of farleigh's family title. "when she was frederica catton," signifying the beginning of the end of frederica's social rappour. farleigh is a product of his mother's abandonment of everything the catton's stand for; wealth, coldness, heartlessness. however, from this perspective, the one we've been introduced with, farleigh is still hiding in the ghost of his mother, before she moved, before she had him.
[0:07:48] tutor: not sure we ever spoke. farleigh: ...oh.
HEHEHEHEHE. i giggled.
[0:08:48] oliver: so you're picking apart the style of my essay instead of the substance? that's kind of... farleigh: kind of what? oliver: lazy? farleigh: it's completely valid to debate the rhetoric of an essay. it's not what you argue, but how. tutor: great point. oliver: yeah, especially if you haven't read any of the poems.
i think this dialogue is incredibly fitting for farleigh's character. as in, it represents how farleigh interacts with people at oxford, with the cattons. picking apart the style rather than the substance, because it's not what you argue, but how. using that comparison, oliver pointing out that farleigh clearly didn't read the material is synonymous with farleigh being clueless to how and why the cattons truly tick. this makes farleigh's socializing hollow by nature. whereas oliver... he does his research. he learns how the cattons function, what motivates them, what their dynamics are. he doesn't play into style or rhetoric; he doesn't need to.
[0:13:11] felix: oh, there he is! oliver! ollie! oliver, come here, mate! yeah, come here. come here. what? come here!
farleigh's face visibly drops, and he sits up straight where he's sitting beside felix. he's not disgusted, nor offended. he looks anxious. a few seconds later, as felix says "this is my fucking hero, right here," farleigh is giving oliver the gnarliest look. he's fidgeting with his hands, and you can see him swallow. i think he looks a healthy blend of angry and exasperated. as it's made known later in the movie, felix has a notorious savior complex. farleigh knows exactly what's happening.
[0:14:00] (shots) you can see that, between the last timestamp and this one, farleigh has been displaced to the other side of the table. previously, every single sighting of felix has farleigh glued to his side. standing right next to him. farleigh on the opposite side of the table as felix is very indicative of the very real threat that oliver poses to farleigh's stability.
[0:14:10] farleigh: it's your round, man! oliver: i should go to bed. farleigh: wait, no no no. you can't snake your way out of a round. oliver: i'm not. farleigh: it... looks like you are.
the most important thing about this scene that i'd like to point out is that oliver would not have, and should not have, stayed for his round if it wasn't an intentional plan. the nature of "buying rounds" was made clear and is clear. he reasonably shouldn't have stayed and specifically left when it was his turn to pay. that's gnarly. that's generally just rude.
[0:14:30] felix: farleigh. farleigh: what? felix: just cut him a break, mate. farleigh: what? felix: that round's gunna cost a fucking fortune. farleigh: pub rules, felix.
yes, i understand that farleigh is being intentionally confrontational. but felix consistently falls flat when "combating" the judgmental attitude of his family and classmates. although he did exactly what oliver wanted him to do by paying for the round, he lacks a genuine purpose behind his verbal condemnations. felix wants to believe he is morally better than his family, the people he surrounds himself with. because of this, he lacks passion. farleigh surrounds himself with whoever felix surrounds himself with; he has become part of felix's background noise. he has become another steppingstone to felix's upward climb to righteousness. another blurring, booing voice, antagonizing the people felix protects and defends.
[0:16:09] felix: yeah, well you know farleigh basically grew up with us. oliver: i didn't know you and farleigh were cousins. felix: mmm, my aunt, farleigh's mum, ran away to america when she was 19 to escape the cold-hearted english. ciggie? oliver: eh, i don't smoke. farleigh: dear aunty fred married a lunatic who pissed everything she had up the wall and a fair chunk of dad's money, too, until he had to finally cut her off.
(oliver did know that farleigh and felix were cousins tbh what a liar, can't believe he would lie like that. unbelievable. truly criminal).
at 0:16:10, farleigh watches felix and oliver sitting with each other at a party. this is played behind felix's voice-over, as he tells oliver about farleigh's family history. i find that so emotionally impactful. jealousy is a hard emotion to read on someone's face, but almost always, farleigh just looks sad. i often see him glancing down; this can often mean disappointment, insecurity, deep thought. at 0:16:27, you can see him briefly scrunch his eyebrows together as he watches felix light oliver's cigarette. he looks confused, judgmental, or surprised. the only thing i can compare this to is taking a bite of food that you didn't expect to taste horrible.
i wish we got to see more of farleigh and his mother, or at least what their dynamic entails. we know he asks (begs) james and elsbeth to give frederica money. we know that frederica was either too kind or too weak to cope with her family. we know that she was well-loved at oxford, or at least had some admirers. i find it poetic, that frederica ran from the english, and now her son is running back in place of her. i also wonder about farleigh's dad. there's no mention of him, past this scene; but if he's no longer with frederica, why would she still be cut off by the cattons? are the cattons really that cold to her, or is frederica still married? curiosity, man. i'm about to start making stuff up on the spot.
[0:16:42] felix: well dad, you know, he felt so guilty about the whole thing that he decided that he would pay for all of farleigh's education. oliver: lucky farleigh. felix: oh, fat load of good that's done him. he's been expelled from almost every school in england for sucking off the teachers.
at 0:16:50, farleigh is shown with a woman on his lap. she's more adult than farleigh. i think it's relevant, considering the voiceover.
i think an important word in this dialogue is guilt; it's a strong motivator among the cattons. yet, it's an inconsistent one. because the cattons guilt is so external as opposed to internal, there is a threshold at which their guilt feels resolved. they just have to convince themselves that they are charitable and therefore good. there is no real understanding of love, and what comes with it. there is no intrinsic need to support their family, simply because they are family.
i don't know what to say about farleigh and his relationship with authority. clearly, he has an unhealthy attachment to transactional and exploitative relationships. how does that complex interact with his social life? his family life? to live surrounded by money and to surround your life around money creates a need to quantify everything. it means you're trying to understand what you're worth, and what your actions are worth. this can also be a testament of farleigh's character; is he just unwilling to put more effort into school? is he unable to compete with the schools that he's attending through money instead of merits? yes, james is paying for his education, but since when? how long has farleigh attended school in england, and what schools did farleigh attend in america? there's a large difference in education. i digress. i find this detail about farleigh significant and upsetting in a lot of ways, and it would be just as upsetting if he really did just prefer transactional sex over doing his homework.
[0:22:27] (oliver sees felix at the bar without him) and this is where farleigh regains his place next to felix. the framing of the shot specifically includes farleigh and felix, centered together on screen. oxford is the only period in this movie where you can truly consider oliver and farleigh mutual threats. this is the limbo, where both of their minuscule actions could change the course of their relationship with felix. oliver and farleigh are both intimately aware that only one of them can exist at felix's side, only one of them can be felix's accessory. oliver's motivation to be in this position is infatuation. he hates what felix represents and loves felix as an individual. is this the same for farleigh? how much is farleigh motivated by his love for his cousin? how far devolved is their relationship, since farleigh realized he needed to play a game just to be treated with compassion by his family?
[0:26:30] farleigh: oh, nice tux. oliver: thank you. farleigh: wow! it's a rental, right? oliver: yeah- farleigh: yeah. yeah, the sleeves are too long. always check the sleeves! but still, not bad. i mean, you're almost passing. oliver: for what? farleigh: i don't know! a real human boy.
he's so petty, it's hilarious. there's not much to say about the majority of this interaction, other than the fact that farleigh is overcompensating for his own social insecurities. to be expected. i like that last line, though. "you're almost passing for a real human boy." does that have anything to do with oliver's poverty? maybe it's just a jab at his fashion choices. i think it's also safe to say that farleigh finds something legitimately unsettling about oliver. or maybe he really is just prepared to give felix's new project a tough time. there are a few reasons for farleigh to go out of his way to make felix's friends uncomfortable or inconvenienced; almost all of them are petty. venetia does the same. elsbeth, who shares felix's habit of hosting people, seems thoroughly entertained by oliver.
farleigh's oxford era is hard to get a read on. he's truly just... rude. he's also scared. his dynamic during the school year with oliver is so compelling to me, because oliver is still in a place of deep instability. he almost lost felix halfway through the year; he needed a high card to win him back. farleigh doesn't play cards, though. that's one of the biggest differences between the two characters. for all their similarities, the only action against oliver that farleigh seems to have is being mean. oliver is driven by an obsessive ambition to control, interfere, dominate. during the school year farleigh is shown, repeatedly, that he just wants to get through it. he's coasting, truly. he slides right back into place next to felix when the spot opens up, and he stays in the background. again; all style, no substance. no research. the cattons were never a game, to farleigh. they were just an uphill battle. they were his family.
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zero-pax · 12 days
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Day 2 of Roses/Smoke week C¤!
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Fic below !!!
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lynne-monstr · 6 months
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I remember when I first started watching the lotus casebook show and I saw the opening credits and was like, oh wow those three guys look tight. nice, I love an ot3 show. and then I saw the river cruise flashback and was so confused because, um it's not an ot3 show??? one of the husbands is actually the big bad murder man? okay.
and then I got a few more episodes in and realized wait, the grumpy one is both a rival AND a husband. that's when i realized this was the show for me.
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seven-oomen · 7 months
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“Yes, I do apologize, Schmi. Had I known you were comming Anakin tonight, I would’ve reserved an office space.” General Kenobi says as he strolls out of the kitchen, further in the back of the apartment. He’s carrying a tray with a tea set and some cups on it to a seating arrangement of two couches, a coffee table, and a lounge chair to his left at the other end of the room.
The general’s outfit is different from what he’s used to. Instead of his usual Jedi robes he’s wearing tight fitting clothes designed for lounging in a home, or to sleep in. It’s quite like his blacks, except the generals under tunic is light beige and his pants a warm brown, and quite flattering. It’s remarkable how much curve and muscle those Jedi robes hide day to day. Not that he pays attention to any of that… of course not. That’s not something a commander should ever pay attention to.
“Oh no you don’t have to go through the trouble, Obi-Wan. I won’t be long, I just wanted to check in.” Schmi says.
“I’m fine, mom. Nothing much has changed since my knighting. It’s just a steady stream of assignments.”
“And the usual shenanigans.” Cal cuts in, earning a glare from Skywalker.
“Is that so?” Schmi laughs.
“You know how Cal is, mom.”
“Hmmhmm. Commander? Might I see you for a minute?” Schmi says.
He hesitates, his eyes darting to general Kenobi for guidance or support. Kenobi offers no help whatsoever, instead he pours himself a cup of tea and sips it. His eyes meeting his own while a smirk plays at his lips. He’s enjoying himself a little too much in his opinion, all he can do is make sure it’s warranted.
He smiles as charming and warm as he can muster, which has an instant effect on Skywalker in that the general seems to be questioning all of his life choices. And has an instant effect on Kenobi, who’s eyes linger on him just a second too long for it to be accidental. Interesting.
“Madam,” He says as he steps into view of Schmi Skywalker. She seems like a lovely lady, really. Nothing like her son, both in appearance or personality, that’s for sure.
“Oh. I see why you invited him over, Obi-Wan.”
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aux-barricades · 1 year
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Dracula Daily's format made a lot of sense because you could pretend you had a bunch of friends telling you about their lives. Some days they would write a few pages, some days they wouldn't write anything because nothing had happened or because they were so busy they had to leave it for later... and it felt totally natural because that's how life goes.
Les Mis Letters, however, is hilarious because you have this one guy who stubbornly goes on the computer every single day to tell you about the life and political views of some random bishop. And it will only go worse.
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