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#IS THIS A ROBOT KILLER?!
starstruckshine · 1 year
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Dead by Daylight | Tools Of Torment | Teaser
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makuta-tobi · 11 days
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AI_COMM://708i:ASSETS/INFO//QUERY
IIIS TH1S F4SHI0N ACC3PTABL3?
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dragonroilz · 10 months
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two girls, rival schools, best friends, hotel trivago
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yoan-le-grall · 8 months
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sapphicrobotenjoer · 7 months
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Gotta love gay machines killing everything in their way
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thecomicoalman · 4 months
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Happy Holidays from Pneu-Con and friends!!
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cainternn · 6 months
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Your new post is kinda weird sorry. I know it’s a joke, but the animatronics are possessed by kids and the implications behind the actual image is just… Yeah.
i had a feeling people might take it the wrong way…im referencing the meme in the “mike ignoring his impending problems” way (which is the format of the meme) not the /other/ way
heres the meme with words that i didnt post bc they got in the way
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like cmon man dont make it weird
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isomaruuuu · 1 month
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ayyy-imma-ninja · 10 months
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Can we see what is under the SK boys clothes?
Not tryna be weird, I'm curious if they have the same chest pattern thing, or the same arm coloring, and what their legs look like because that isn't seen in game
No worries, not weird at all!
But it is strange to draw them without their attire X3 The sweaters make Sun look so big but he scrawny lol
Their bodies are more human-proportionate and not as lanky as they used to be. It took them a while to get used to the feeling of having actual feet, cuz I think the jester slippers they had couldn't be taken off X3c
They did keep their old colors, along with some design features. The buttons open their chest cavities. Sun liked the red of his buttons and kept it.
And of course they've got plenty of strength with these new bodies.
No one has ever seen them this way except for each other and the people who designed the bodies. They had clothes waiting for them once all systems were checked and approved.
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puterwantsyou · 5 months
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dweemeister · 2 months
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Instant reactions to the 96th Academy Awards
A rough night for me. But there have been rougher ones before. I imagine most of my comments put me in a very lonely minority, as has been apparent the last few months.
But here goes:
For all intents and purposes, yours truly was on the Killers of the Flower Moon train. An extraordinary crime epic from Scorsese, with astounding craftsmanship and fantastic performance from Lily Gladstone. More than what I previously believed possible, a major studio production went out of its way to make sure that its Indigenous American representation on-screen was as genuine as it could possibly be (still imperfect, as the film acknowledges, but what an effort). And yet, KOTFM goes 0/10. I've never had a favored Best Picture nominee be shut out in such a way before. And I'm not surprised at all by it. It was clear that non-American and non-Canadian audiences didn't get the context to the film (a criticism I understand, given the screenplay) and, in other quarters, folks thought it was too long (I admittedly have a higher tolerance for longer movies) and others have said something akin to the fact that they are getting tired over "racial guilt" movies from America. I'm not in the mood to respond to the last one. I think it deserved better tonight. I particularly think Lily Gladstone deserved better tonight.
Stat upheld: two non-white actresses have never won on the same night in Oscar history. History, in and of itself, was always against Gladstone.
Oppenheimer winning? Fine, I guess. It was my #4 choice of the ten Best Picture nominees. I guess Christopher Nolan was overdue, but I have always been a Nolan skeptic. The film certainly is his most humanistic, and I appreciate that. As for the narrative organization and editing trickery? It mostly serves to take me out of the movie. And I don't think Nolan truly understands what thematic film music can accomplish for his movies. I think RDJ should have had much more competition all season long, but he did not. Most people are gonna say this is the return of the Academy's favorite subgenre... the Great Man Biopic. But in composition and structure, Oppenheimer (and even Maestro) resembles very little of the past Great Man Biopics. It'll be interesting to see how history treats this movie.
I disliked Poor Things. I didn't care for its sense of humor, didn't agree with many folks' opinions that it was a magnum opus of female empowerment. I thought it was incredibly male gaze-y and troublingly sanitized its scenes of sex work. Jerskin Fendrix's score was unlistenable outside the context of the film and distracting within it. But it has four Academy Awards and people love this movie, so my opinion can go to heck?
Well done Da'Vine Joy Randolph for her win as Supporting Actress for The Holdovers. I truly hope this opens up a lot more new opportunities for her going for! Wonderful speech.
And speaking of wonderful speeches, both documentary winners got me very emotional. The Last Repair Shop is on YouTube for American and Canadian viewers, and it's simply wonderful. Perhaps the happiest I was all night long! And then came Mstyslav Chernov's speech after winning for 20 Days in Mariupol. Chernov had, arguably, the speech of the night. And I agree with him. I, too, wish he never had to make his film and that he never won this Oscar. But he did his job to document what happened in Mariupol. And for that he (and the Ukrainians suffering and dying in their war versus Russia) deserves our plaudits and support.
Once more, Hayao Miyazaki cannot be bothered to show up to an awards ceremony. It's hilarious! I would have voted Robot Dreams, but The Boy and the Heron is not a winner to sniff at. Spider-Verse will have one more shot.... whenever the third movie comes out?
Good lord, they selected the worst possible winner in Animated Short with War Is Over!. There's an unwritten rule that the Academy, among the fifteen nominated shorts, must select one which will piss me the hell off. And for the second straight year in Animated Short, they have done exactly that, choosing something akin to a soft drink commercial.
Billie Eilish and Finneas are now the youngest and second-youngest ever to win two Oscars, after Luise Rainer (Best Actress for 1936's The Great Ziegfeld and 1937's The Good Earth). That feels very, very weird. In both cases of this record.
The "I'm Just Ken" performance? Gentlemen Prefer Blondes (Like Ken)??? Busby Berkeley choreography? What do the kids say? Inject that straight into my veins? It was wonderful.
And speaking of nods to cinema history, I'm so glad they led off the stunt performers tribute with Charlie Chaplin, Buster Keaton, and Harold Lloyd. :,)
And congratulations to Godzilla Minus One and its Best Visual Effects win! After seventy years, Godzilla is now an Oscar-winning franchise, and its win percentage is 100%! Simply wonderful!
I think the moral of the story is that the Academy of Motion Picture Arts and Sciences (AMPAS) has been gradually internationalizing over the last decade. And the results of that were very clear tonight. Does that mean I'm too provincial in my tastes? I don't know. But wins such as Emma Stone's, Anatomy of a Fall, The Boy and the Heron, and Godzilla are demonstrative of that.
I'm glad this season is over. I certainly hope that Killers of the Flower Moon will be looked upon more kindly by history and time, without the bells and whistles of awards campaigning and a fuller understanding of why it was made the way it was.
This month has been fun! But now it's time to see movies again without the lens of awards for a long, long while.
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batstack · 9 months
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Something I've been thinking about in what I really like in Arknights' worldbuilding is... it feels like an answer to a genre of fantasy I really hate, that being the capitalist fantasy uplift genre. Like idk how common of a way to describe it that is, but I can't be the only one who's come across stories where the premise is that technology and trade concepts are introduced to some feudal fantasy society by the protagonists, with the promise of social revolution along with the industrial revolution, right? Like, so many stories buy into the capitalist mythos of industrialization as the solution to the inequality present in feudal societies, with new developments and enterprise promising to put everyone on the same playing field as the nobles with their magic once and for all.
Arknights, then, shows what that world looks like 100 years later, after said industrial revolution. Did you make sure to spread class consciousness across the populace, ensure worker ownership of production, and emphasize intersectionality? Did you at least make sure they knew they'd need to keep their unions?
No?
Well, I got news for you. Dark wizard overlords still preside over a stratified society plagued with prejudice, all that's changed is now some of them are titled "CEO" and their war golems have McRailguns (tm).
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kaeyapilled · 5 months
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they should put a pool table in the angel's share
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Me: there's no way I'll ever like FNAF they're too scary :(
Security Breach: *exists* *introduces friendly dad bear* *Sun and Moon exist*
Me:
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1000-THR "EARTHMOVER"'s brain fight arena
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February 12th, 2024 : 12 hours after the v1 incident
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