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triptuckers · 4 months

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the comfort of home - percy jackson

Request: yes! "Hii, I just finished watching both episodes of PJO and I wept as I beheld Sally's maternal love unfold on the screen, knowing it before hand from the books. Thus, I was pondering if you might entertain a request—a tale where a daughter of Hades (angsty) forges a close bond with Percy, and Sally, in her gracious warmth bless her soul, adopts her into their lives because, after all, they're nearly kin, entwined by the delicate threads of almost-cousinhood." Pairing: percy jackson x hades!reader Summary: after a typical day for a demigod, you just need a safe space to go Warnings: mentions of fighting, injuries, blood, throwing up, swearing, angst Word count: 2k A/N: first of all anon are you a writer?????? bro those words..... pls write more !! thanks for your request, enjoy!

you're walking down the streets of new york city, feeling utterly miserable. you're soaked through because of the rain and you're hurt.

everyone knows that demigods don't exactly live a quiet life. especially kids from zeus, poseidon or hades. still, most of the times you're fighting for your life you're on a quest.

not simply on your way home.

but today was different. somehow you brought not one but all three of the furies down on you. you don't even know how, you weren't doing anything.

it was a tough fight, but you stood strong. you couldn't prevent the dozen little cuts that littered your body. you're bruised over and on top of that it started to rain, messing with your sight.

right now you're on your way to your foster home. but it's a slow journey. you're not sure you want to go there. and you're not sure how much the mist hides for them.

sometimes if you got home all bruised you told them you got in a fight. sometimes they didn't spare you a second glance.

you stop in the middle of the street. at this point you've been walking for so long you don't even notice the rain anymore.

you turn around, heading another way. there's one other place you could go. you're lost in thought, and most of the people don't pay you any attention. perks of living in new york, you guess. new yorkers just don't care.

when you get to the familiar building, you feel a sense of calm coming over you. somehow you always found yourself back here. as you walk up to the entrance, someone leaves just as you arrive, so you can slip in the door before it closes.

you walk the stairs slowly because of your injuries. every step hurts and takes tremendous effort.

when you finally get to the right floor and walk to the door, you just stand in front of it. you're fully aware you're dripping rainwater on the floor, but suddenly you can't bring yourself to knock.

why are you even here? you don't want to be a burden.

they've told you that you can always come over, no matter what. but it's late at night, it's raining outside, you're soaked.

you're standing there, debating wether or not to go in, when you hear a voice on the other side of the door.

the person is softly singing along to a song that's playing.

tears well up in your eyes as you recognise the song. you were the one to recommend it.

you raise your hand and knock on the door.

'coming!' says the voice.

moments later the door opens to reveal a woman.

her eyes briefly widen at the sight of you, scanning your body for injuries. then her eyes soften.

'oh, what happened to you, sweetheart?' says sally.

her gentle voice is what pushes you over the edge, breaking down in tears in front of her.

sally pulls you over the doorstep and closes the door. she pulls you into a hug, not caring that you're soaked.

you wrap your arms around her and cry. you let all of the anxiety rush out of you as sally rubs circles on your back and whispers soft words in your ear. you ignore your aching body and allow yourself to just be here in the moment.

after a while, sally pulls back and holds you at an arms length.

'I'm so sorry for dropping in like this, miss jackson.' you say softly.

'y/n, you know you're always welcome here. and I've told you to call me sally.' she says kindly.

you nod. 'is percy home?'

'he's out to the movies with grover. do you want me to ask him to come home?'

'no, he's out having fun. it's alright. could I just..'

'why don't you take a shower first, hm? I bet you're freezing.'

you sigh softly. that does sound good.

'yeah, alright.'

'you go take a shower, then I'll make tea and see if I can do something about that.'

she pointedly looks at the cut above your brow. you totally forgot that was there.

'I don't have any clothes.' you say softly.

'that's alright, just borrow some from percy. he won't mind.' says sally.

'thank you.'

you walk towards percy's room to get some clothes when sally calls your name, making you turn around again.

'you're not a burden, you know that right. we love having you over.' says sally.

you swallow back the new tears that threaten to fall. sometimes you forget she knows you so well.

'thanks.' you say, entering percy's room to get some clothes.

you pick a shirt, sweater and sweatpants form percy's closet before going into the bathroom.

you peel your soaked clothes from your body, hissing when you pull the fabric from your wounds.

turning on the water, you get in the shower, letting the water calm you down. you wash off all of the dried blood, dirt and sweat.

after drying off you put on percy's clothes, his scent surrounding you and comforting you.

you head back to the living room to find sally putting two steaming mugs on the table.

'we still got your favorite.' she says, sliding your mug towards you.

'thanks.'

'drink up, and tell me about today if you want. I'll see if we have some medical stuff left in the kitchen.'

you sigh, thinking back to today.

'I didn't even do anything.' you say. 'I was just walking down the road and I got this feeling I was being watched. I thought it wasn't a big deal but hey, demigod instinct, so I took a turn and went into an alley. sure enough, someone followed me.'

'someone or something?' says sally, returning with the first aid kit.

'someone at first. then the mist cleared and it was one of the furies.' you say. 'at that point I was just so done. I wasn't even on a quest so what the hell was she doing there?'

'how did you get away? you've fought a fury before, percy told me.' says sally, scooting her chair closer to you so she can clean the cut on your forehead.

'I have. it's okay if it's one. but then the other two showed up.' you sigh. 'at that point I was really annoyed. I think it was just annoyance that drove me at that point. they were clearly there because they were bored. they thought "hey smells like demigod, oh look it's the hades kid, let's mess with her."

'well, you're here now. you made it out.' says sally, finishing with the cut on your forehead.

'yeah. thanks again.' you say, sipping your tea.

'you don't have to keep thanking me.' says sally. 'you know you're always welcome here, you're practically family. I know you don't like your foster home. now, do you have any other wounds?'

you chuckle. 'only about two dozen little cuts and even more bruises. I've had worse, it's okay.' you say.

'it's never okay.' says sally. 'you and percy are way too young for this.'

you shrug. 'and yet we have to deal with it.' you say, rolling up your sleeves so sally can clean and bandage the cuts on your arms.

the next hour is spent by sally cleaning your wounds and bandaging you up as she tells you stories. you liked hearing her stories. ever since you first met her, it was one of your favorite things about her. she could tell stories in a way that felt like you were actually there, experiencing them.

just as she secures the last bandage in place, you briefly close your eyes, exhaustion getting to you.

'you can get some sleep, I'll tell percy when he gets home.' says sally.

'it's okay, I want to see him before I go to bed.' you say.

'alright, want to watch a movie of something?'

'movie sounds great.'

sally picks a movie while you sit down on the couch. it doesn't take long for you to doze off, even though you fight to stay awake. the fight with the furies was intense, so sally lets you sleep while she waits for percy to home home.

about halfway through the movie, the door to the apartment opens and percy enters.

'hey mom.' he says, taking off his shoes and jacket and dumping his bag near the door.

as he walks into the room, he notices a familiar sword leaning against the back of the couch. he frowns, he didn't know you were coming.

'is y/n here?' he says, walking over to his mom.

she nods, pointing to the couch.

percy looks over the back of the couch to find you fast asleep, wearing his clothes and your body littered in bandages and bruises.

'what happened?' says percy, walking around the couch.

'the three furies.' says sally. 'she didn't feel like going to her foster home.'

percy kneels before the couch, studying your face. he reaches out and traces one of the bruises on your cheek.

you stir awake from the movement, your eyes meeting percy's.

'hi.' you say softly.

'hey. you alright?' he says.

you nod. 'how was the movie?'

percy chuckles. 'it was good. you would have loved it. heard you got in a fight?'

'yeah. those damned furies.' you say. 'luckily your mom patched me up though.'

'you know my bed is more comfortable than the couch, right?' says percy.

you slowly sit up. 'I know. I wanted to stay awake til you got home.'

'and you did a great job at that.' says percy with a familiar twinkle in his eyes.

you hit him on the shoulder. 'you would have fallen asleep as well!'

sally watches the exchange with a smile on her face. moments like these make her especially happy you met percy.

'come on.' says percy, standing up and holding out his hand for you to take.

you take it and allow percy to gently pull you to your feet.

'thanks again sally.' you say as percy beings leading you to his bedroom to sleep in an actual bed.

'no need to thank me y/n. it's always good to have you around, even if it's like this.'

you and percy both say goodnight to her before entering percy's room.

'so, did you sugarcoat the story for my mom?' he says as you sit down on this bed.

'not really, I just didn't tell her all of the details.' you say.

percy raises an eyebrow at you. 'details like?'

'like how one of them punched me in the gut and I nearly threw up because of it.' you say.

'ew.' says percy, face scrunching up in disgust.

'you would have thrown up as well.' you say.

'but you managed to fend off all three furies on your own?' he says.

you nod, laying down. 'I think I bruised a rib, though. the rest is all small cuts and bruises. no broken bones this time. they looked like they were really fucking annoyed they could be bested by just one kid.' you say.

percy smiles, walking over to kiss your cheek, careful not to touch the wounds on your face. 'that's my girl.' he says.

'you got anything to do tomorrow?' you say, stifling a yawn.

'nope. we can spend the day here.' he says, walking over to the bed an laying down next to you.

'good.' you say. 'I just need to wash my clothes and clean my sword, and I should probably-' 'y/n.'

you look at percy.

'let's just relax tomorrow, okay? come on, you need sleep.'

you nod, moving closer to him.

as you're laying next to percy, feeling sleep get to you once more, you can't help but to feel a deep sense of gratitude.

sally didn't question why you showed up at her doorstep, but pulled you in her arms and sat with you to bandage your wounds and listen to your story.

percy listened to you as well and provided you familiar comfort you needed, telling you to relax.

you just know if something ever goes wrong, you're always welcome at the jackson household.

A/N: If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit/Max

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rdr2gifs · 2 months

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Each time Arthur has helped someone without expecting payment (that I can remember) because I’ve seen some weird takes circling around about how Arthur only cares about money/doesn’t help people (yet again)

He helped a city photographer take pictures and acted as his protector because he liked him

He helped a doctor retrieve a stolen wagon full of medicine, he wasn’t even asked to do so, he did it out of his own good will

He wanted to make an old cranky man happy and proposed finding his lost trinkets for him

He helped Deborah MacGuiness find dinosaur bones out of curiosity. He didn’t receive any financial reward for it. Just a few trinkets and he was satisfied

He risked his life for Marko Dragic’s experiments (his main motivation in this mission was again, curiosity)

He rescued a boy being held hostage by the gunsmith in Rhodes

He rescued people from being trafficked and gave them a large sum of money (he could’ve kept it for himself) for a better life

He helped Mr. White and Mr. Black gain freedom and even helped them again after they got themselves into trouble

He rescued Charles Chatenay on at least 3 different occasions

He instantly hurried to retrieve Sister Calderon’s cross even though he has never met her before

In his first encounter with Marjorie and Bertram, he helps to calm Bertram down and is understanding even though Bertram gave him trouble. He even puts the bartender in his place after he speaks about Bertram in a degrading manner

He agreed to help a man get rid of nigh folk occupying his property and after he payed him with only a rat pelt, Arthur didn’t get angry and still asked him if he’d be really fine on his own after knowing he wouldn’t be able to pay

He let a homeless man hug him and listened to what he has to say

He helped to save Jamie from becoming a cult member and stopped him from taking his life

He helped a boy look for his lost dog

He saved an injured man’s life after driving him to a doctor

He helped a woman get rid of a body after she claimed she had to kill the man in self-defence

He donated to the poor and even to build a shelter for war-veterans

He taught Charlotte how to survive on her own

He tried to save a crazed village out of his own good will

He helped a war veteran retrieve his prosthetic leg and helped him hunt

He helped a man look for his lost friend in the snowy mountains

He helped Rain’s Fall retrieve sacred items important to his people

He helped to retrieve stolen medical supplies for the Wapiti tripe

He saved Captain Monroe’s life after hearing he was in danger

He helped Beau and Penelope escape from their terrible families

He has saved many hunters from getting mauled, given many ladies a ride home, saved people from dying of poisoning, helped gather herbs, helped a lost New Yorker find his way to the town, helped save many people’s lives (lady being held hostage in her own house in Lemoyne, folk getting tortured by The Murfees or Lemoyne Raiders etc.)

Let’s not forget the fact that Arthur is a provider for over 20 people. He cannot be running around and risking his life for free for everyone he meets. He needs money. Even so, he has helped all the people above for no reward and out of his own free will. When I see someone say that Arthur is only motivated by money and never helps people otherwise, I just instantly assume they stormed through the story and didn’t pay any attention. The encounters listed above make up the majority of chance encounters/side quests and in almost all of them he is helping people. 80% of these are also pre-diagnosis.

He has a hard time accepting any compliments or gratitude for his good deeds and always downplays himself. Even in the main story he is never thinking about himself and he always puts others first.

“You did not ask for anything, you only gave”

The encounters where he does require payment pale in comparison to those in which he doesn’t, and even so they are very justified as they are often dangerous, time consuming or straight up ridiculous. It’s weird to assume Arthur only helps people for money when he doesn’t want to deliver love letters, interview dangerous people and sneak into heavily guarded properties for free.

#writing this so I don’t get brainwashed in the future by people #claiming Arthur’s indifferent to everyone and everything unless they give him money #obviously this is based on high-honor #obviously Arthur has done terrible things in his life but I feel like majority of players just straight up ignore this??#I know I mentioned this many times already but I am forever annoyed by people saying Arthur only started helping people after getting sick #arthur morgan #text post #red dead redemption 2 #rdr2

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moondirti · 11 months

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animalic (5)

← chapter four // series masterlist

pairing: miguel o'hara x f!reader rating: mature word count: 3.4k summary: an unwelcome confrontation warnings: enemies to lovers, violence, blood and injury, mentioned death, fighting, angst, morally questionable characters, miguel o'hara is not nice notes: this chapter caused several headaches and i don't even like the end result, but i can't pick at it forever sooo. enjoy!

While you’ve never been renowned for making the most accurate of assumptions, there are certain patterns you’ve come to expect in order to have survived this long. To never have a glass of orange juice after brushing your teeth, or maintain eye contact while being threatened. That a kilogram of antimatter produces ten billion times the energy of chemical combustion upon annihilation, and that any quantity larger than that should not be contained.

Of such paradigms, you’ve noted only one to be entirely reliable. That a spider-hero would always fight crime, whatever the greater good.

“Absolutely not.”

You might’ve been mistaken.

“Those people are in danger, O’Hara.” You strain, trembling against the cough battering your chest. Your diaphragm spasms with every stride he takes, crushed against the curve of his broad shoulder, desperate to make up for lost breath.

He lets the plea hang, countenance obscured from your view. With the way he carries you now, all that meets your eye is navy – navy, and the bright red geometry stretched over the brawn of his back. The nanotech suit warps to fit every muscle, glinting as they push forward to meet the sun. And it dips, right between his shoulder blades, lining a clear contour of the anatomy he fails to hide. A dosser of intercostal sinew. Tapered laterals, cinched to curve at–

Your core broils uncomfortably, and his grip tightens around your knees, levelling up to the degree of his treatment thus far. After slinging off that rooftop, he’s made sure to keep you particularly close, like the effort could prevent your powers from manifesting. Like you could make it happen.

(Though, he doesn’t know that you can’t.)

But he’s smarter than that. If nothing else, it serves as a cautionary gesture. A reminder. You’re disarmed – quite literally – the only force between your nose and the sidewalk being the behemoth of a man whose body you’re strewn across. And, if you could control it – transcend the material at any given whim – it would be the extent and end of your efforts. Not with the neon webs binding you, nor your clear lack of skill.

The wind quivers with the distant sounds of calamity. You’re drawn back to the very real situation at hand.

“You make for a lousy excuse of a spiderman if your first instinct isn’t to save them!” You raise your voice, hoping to be heard over the sirens that blare towards the destruction. By counting them as they pass – two, four, six – you’re able to assign a severity to it. But it isn’t, won’t be, enough. You’d heard the screeches; primordial, clawing out from beyond the capabilities of an ordinary threat. You’d felt them – seeping into your bones, grating the spongy marrow – until Miguel had gathered enough obduration to reel you in the complete opposite direction.

Speaking of–

You tilt your head upwards, surveying the street down which he runs. It’s deserted, yet the presence of its civilians is slower to leave, a molasses that slinks towards locked doors. It’s thick with an apathetic acceptance, bordering on resignation – bitter and not unlike your own resting inclinations. You’ve never known an evacuation to happen this fast, especially this far out from the scene; people are stubborn like that, refusing to face what isn’t in front of them. That is to say, they might be used to it.

“You’re not even going the right way, dickhead!”

Of all things, that makes him stop.

(Of course it does.)

Your form flops uselessly as he turns to make sense of his surroundings. There’s the sign – 30 St and 7th – which should give any New Yorker an idea, but he doesn’t linger on it. Instead, he shoots a web to wrap around the railway of a fire escape, propelling the both of you onto an accompanying balcony. Swallowing the bile that swells along your throat at the sudden jump, you shoot him an incredulous look, which he chooses to ignore as he drops you to the floor.

His mask retreats, hair bouncing upon escape from its smothering embrace. For all that he tries to hide his pinched lips, you sense the scepticism emanating off him in waves.

You take a moment to stew over it, examining him while he calculates the path of your previous chase. From the convenience, to the corner, and into a nearby store lot. Perhaps he hadn’t been paying notice – which you sincerely doubt, considering the efficiency with which he treats everything else. Could he really be unfamiliar with the layout of a city his job is to protect? Or–

It occurs to you steadily, washing up on the fringes of your arrogance; a realisation in pieces.

Nueva York. 2099.

A metropolis. Likely one with no grid system.

Your cackle beckons his attention, severe stare snapping to your grin.

“We’re on Seventh.” You specify.

He cocks his head, nostrils flaring. Warning or question – you have a hard time deciphering the difference.

“The convenience was on Sixth and Third. You know, third avenue, East of Fifth?” You push it, spurred by your awareness that he, in fact, does not know.

“¡Ándale pues! What exactly is your point?”

“We continued down east until you bit me, judging by the way the sun hit the lot upon rising. But now, we’re on Seventh, on the other side of Fifth.”

His jaw clicks, pulsing in irritation. You toe the line of what you can get away with, how long you can drag this out before he decides you’re not worth the trouble.

“West. You’re heading West, and–” Wriggling, you adjust your posture into one more reflective of your current pride. “If you have any hope of finding that day pass, then you’re gonna need to go back.”

The bid translates, weighty, bubbling like the arid smoke off nuclear strife. He processes it, understands – you watch as it unfolds in that intimidatingly intelligent glare – yet the circumstance takes a while to establish itself. Even when it does, he doesn’t grant you the satisfaction of a full blown breakdown. No. His hands just find his hips, chin sloping to the sky.

“No puedo más, no puedo más, no–”

You probably shouldn’t rub it in any further.

“Since it’s on our way–”

"No." He snaps, voice laced with a prickling irritation that sears through his supposed indifference. The heat of it greets you, wiping the simper that had begun stretching your cheeks. “You must think this is some game, and while that might explain the shit you’ve pulled in the past, I have a responsibility. I can’t interfere with their canon.”

“So, what? You’re just gonna let them die?”

His expression lifts, brows rising expectantly, like he’s imploring you to shut up without his verbal confirmation.

Right.

It starts like a taut bowstring, straining as it verges on release.

On one end, there’s Apollo; drawing his arrow, a god amongst men. The direction with which he aims his weapon can be seen as prophetic – plague was always meant to befall the crowd at his mercy, their fates little more than a thread of mass design. Some call it righteous – epithets dedicated to his name – agreed upon by the same men who claim that rational means right. Some craft sculptures in his visage, this muse of the kouros, likening stone to flesh and deluding the observer that the two can be synonymous. Nietzsche, Bernini. You, yourself, had managed to believe that the muscle rippling below you could be anything but an Athenian tragedy.

You linger on how startlingly poetic it all is, and the string pulls tighter. You’ve never claimed to be a hero, but you have the instinct, just the same. He, on the other hand, seems entirely dismissive of the urge you assumed would wreck him too.

(Partially your fault. You know better than to expect the obvious from him – that’s his pattern.)

As the two of you veer closer to the havoc, the arrow discharges, striking the tension that’s kept you still thus far. When it snaps, it shatters, congealing to form a beset of sounds, sights, fear. Heaving sobs from a limping group of friends – the middle one rapidly losing blood from what you can tell. The pungent clog of burning debris, fed by the ash that lays suspended, mid-air. The painful creak of metal collapsing in on itself, peppered amongst the constant buzz of radio static. Miguel curbs to a stop, hidden in the notch of an alleyway, and uses the cover to reposition you in his carry. You go from slung over his shoulder to laid across his arms – not quite bridal style, but a placement similar enough that he retains a solid hold of you.

His mask comes back up, concealing the cynicism that had begun to creep up onto you both. You scoff at the unambiguity of the action, the parallel it poses to the reality at hand. He blocks himself to the obvious, the avoidable.

Glowering, you trace his line of vision to the encompassing wreckage. The street appears hauntingly familiar, thrumming with the hurried echoes of a recent memory. It lacks the colourful components – the vivid signage, the star speckled windows – yet, you recognize it all the same. The very avenue you frantically traversed only hours ago. Your companion, too, begins to grasp the truth, and you find yourself biting your cheek, a twinge of unease settling in as the revelation hits you: that perhaps you had divulged too much, far surpassing the realm of personal gain.

Yeah, the day pass is here. And you can only hope that he won’t find it.

For now, though, it appears to be the least of your worries.

A crimson creature prowls along the fringes of the decimated ruins – deliberate, relaxed, like a predator with its teeth already halfway dug in its meal – circling a man clad in a lab coat. Its size is menacing enough; standing at seven feet, with limbs as thick as pipes. Yet, what truly strikes you are the protruding bulges flanking either side of its jaw, and the white, emblematic eyes gazing out from upon its face.

“Spider-person?” You whisper, not so much looking for clarification as you were putting the possibility out there. Miguel is unwavering, dead-set on waiting the interaction out.

“Something like that.” He affirms.

“Y’know, I remember you, doc!” The creature jibes, its inflection nearing maniacal. “You sat on my jury! Yes, yes. Hard to forget a shiner like that.” Laughing, it points to the balding patch atop its victims head. He trembles, bowing in a silent cry.

“O’Hara–”

“Wraith.” He warns.

“Sixty seven years! Not even you look that old, ‘course you don’t understand how damning that sentence was! But you see, I got lucky. Some higher being must’ve taken pity on me, enough to grant me this miracle of a symbiote. Mhm, yeah–” He skips closer to his prey, considering him in the new light. “‘Cause now I can do things like…” A sharp blow echoes. The glassy spear, red as the flesh it extends from, skewers through the doctor’s chest, a spout of blood following through on the other end. “This!”

Miguel’s palm slaps over your mouth, knee supporting the portion of your body he releases whilst angling you away from the scene. You’re thankful for it, despite the overwhelming anger you bear against him. You’ve no trust in the horror that wracks you suddenly, all at once. It launches you back to that convenience, the robbery. How powerless you had been to stop the clerk from dying out, your hoodie fruitlessly wedged to her neck. You’d been spared the grief so far – the blur of the last day tamping to little more than an aching numbness. Yet you should have appreciated that it couldn’t last; guilt is far too familiar a prospect for you to have expected it to let off so soon.

(Your mistake.)

“Oops. Did that go through your heart? My bad, doc.” It howls, stuck in its own stand-up routine. “You’d been doing your… erm– civil duty, sure.” The loud squelch of gore triggers the imagery for you, regardless of your averted gaze. The limb-turned-spear being pried out from between his ribs, caked in bits of tissue.

Dead. You could’ve prevented it.

He could have.

From behind the veil of unshed tears, you watch as he ponders the risk of retracting his hand. You betray nothing, blinking back the hot dismay from your eyes, and instead meet his regard in cold defiance. Slowly, as though your apparent sensibility means anything, he removes the muzzle.

You contemplate screaming, to coax the creature from the group of people it has surrounded and make it Miguel's problem to handle.

Then, you remember your rather unsavoury predicament. How prone you are to harm with your limbs locked; you aren’t the best in combat, but you still could’ve stood a chance at survival if it wasn’t for your restraints.

Your captor reaffirms his grip, tucking you to his figure as he creeps up to a corner. His back remains glued to the brick wall, obscured in shadow. The stance is primed – far from the hesitant sidle he’d adopted before. It isn’t hard to figure out why; you see it too, buried under a pile of trash bags, on the other side of the road. Purple, luminescent.

The day pass.

As if on cue – choreographed by a sadistic deity with no favour for anyone involved – you glitch.

It doesn’t last long, but it’s enough for you to fall to the ground, erupting in a pained groan. The creature twists to lay its terror on your curled frame, shaded by a man who – despite his vast height – is dwarfed in comparison to its colossal self.

“Better start learning not to ignore my spidey sense! I’d felt you tiptoein’ over there,” It growls, neck stretching in preparation for attack.

“We’re not here for you.” Miguel urges.

“No? That hurts my feelings, and here I was thinking you wanted to be friends.” At the feral rip of its taunt, it lunges, tearing through the space separating you. The spider-man, in turn, dodges the barrelling assault, swinging in a blur of motion to a wreck not far off. You thank God for his flashy suit; the creature seems to forget you completely, pivoting to charge at him again.

You force yourself to look away, sickened at the unhinged savagery with which it thrashes. There are people still around, crippled by quickly debilitating injuries, the paramedics meant to aid them now amongst the lost. This is what you wanted – the opportunity to help – and of course you’re still hindered by the asshole who’d refused you in the first place. Desperation weighs heavy on your chest as your eyes scan the spoilage, seeking anything you could use to cut yourself free. And there, you catch it – the sharp end of a broken gutter, its jagged edge catching the afternoon sun.

Using your heels as anchors, you push yourself across the coarse pavement. It isn’t a long way, thankfully, but sweat already starts to dampen your shirt by the time you reach the potential lifeline. Angling yourself, you press the webs to the serrated metal, ready to start shoving. That is, until you remember Miguel; how he sat on your legs, his talons performing much the same feat. He made sure to hold your wrists apart, so you didn’t suffer damages he didn’t intend.

You remedy your approach, arms straining to separate, then thrust downwards. The telltale signs of your success come as pops, like elastic bands splintering. Then, it’s the easing pressure on your skin, irritated and surely marked in places where the binds come undone.

The makeshift blade catches your elbow once you’re halfway down, burying deep enough to touch bone. The world narrows to the searing intensity that blazes up your nerves, eclipsing all else. You almost forget your goal, your brain stirring signals to pull away, but the fight that rages in your peripheral is only growing more barbaric. Alarmingly, Miguel is losing.

If he dies, you’re next, and it’d all be in vain.

Biting your tongue, you stifle the pain and continue pressing. The gutter inches sideway, ripping through flesh and web like butter, the sleeves of your top mangling at its lip. Miraculously, you stay awake for the time it takes to finally get your arms loose. It’s harder to preserve that triumph when you sit up, though, dizziness distorting the plan of action you’d set for yourself.

(Get… get the people to safety. Then, your legs. No–

Free your legs, get the people to safety. And… what?

The day pass. Yeah.

But Mig–)

Your body moves with an unsettling disconnect from your own command. Unable to fully grasp the dissonance, you blanch in bewilderment as you navigate the clearest cut path through it all. A dance in a mechanical rhythm; pulling the webs off your calves, running over to the nearest civilian, and helping them up on their feet. And again. And again.

There’s a boy, young enough that you worry he doesn’t understand you’re harmless. His cherubic face is coated in a grey layer of dust, disturbed only by the tear marks that run from big eyes. His foot has been crushed, stormy blue blotching his knee. You dismiss the agony of your numerous wounds and crouch to pick him up, hugging him to your chest.

New squadrons of emergency services trickle in, careful to leave their sirens off as they round the corner. It’s an odd enough choice that it distracts you from the child’s fingers, which dig into your abrasion for purchase. An ensemble of prospects occur to you.

When you hand him off to an awaiting EMT, it clicks.

What’d the creature call itself? A symbiote?

(You haven’t always been science-oriented.

Freshman year of college, you’d joined as an undeclared major within the school of arts and architecture. ‘Course, you only had your general education requirements to fulfil at the time; useless classes that fit your self-imposed four day weekend, meant to do fuck all as your tuition went to waste. Needless to say, your ambition had been directed at more carnal pursuits.

Then, there was astronomy. It’d awakened your curiosity for the cosmos.

Astro 8, to be exact. Life in the Universe. Your post-midterm lesson had been on a recently discovered, space-faring civilization. Symbiotes – they were called – based on the initial assumption that they thrived in mutual beneficial relationships with other lifeforms. But the projection that flickered for its class of drowsy students entailed another truth entirely. Darkened bullet points in big, bold letters. Known weakness.

Fire, and sound.)

You sprint towards a nearby cop car, its door wide open and the driver's seat vacant. It’s instinctual, devoid of consideration. A singular objective dominates you, beyond the day pass – to kill that thing. Not for Miguel, who’s choked in its gnarled hand. Not for yourself, or your deep-rooted desire for heroism. No. Just for them – the boy and that group of friends, the doctor who still lays dead on the scene. For the sake of this world, and to reconcile the life you took just last night, as if such a trade-off could absolve you of the weight of your sins.

Stepping on the gas, you accelerate abruptly, gaining speed with every pothole you drive over. It looms ahead, crouched in front of a hollowed-out apartment complex, suffocating the futurist spider-man and vibrating with glee. If you can align it – aim and time it just right…

You activate the wail siren. Your hypothesis is validated when it screeches in response to the racket, throwing Miguel off to the side.

Good. He won’t be collateral.

You grab a gun from the cupholder on the dash, throwing it on the pedal to keep it down, then jump to the backseat.

The impact is seismic; a violent convergence of metal and brick and brawn that sends shockwaves rippling throughout your being. You become captive to the merciless momentum, forcefully propelled against the leather cushions. Chronic whiplash shreds upon the vulnerable muscles holding the weight of your concussed head; its talons raking through the fibres, pulling apart the once sturdy tissue. A relentless ring envelops the cacophony of noise, and silences it into one, tender hum.

You’re hauled out the window, detained in the embrace of some unspecified form, which settles above you for cover as the building comes crumbling down.

Or – not unspecified.

That mix of patchouli and musk.

Your consciousness turns to black as you're buried beneath the rubble.

chapter six →

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hotvintagepoll · 1 month

Text

Propaganda

Louise Brooks (Pandora's Box, Diary of a Lost Girl)—Louise Brooks started off as a dancer and went to work in the Follies before going to Hollywood. Disappointed with her roles there, she went to Germany and proceeded to make Pandora's Box, the first film to show a lesbian on-screen (not her but one of her many doomed admirers in the film), and Diary of a Lost Girl, both of which are considered two of the greatest films of the 20th century. She helped popularize the bob and natural acting, acting far more subtly than her contemporaries who treated the camera as a stage audience. After the collapse of her film career and a remarkably rough patch as a high-end sex worker, she was rediscovered and did film criticism, notably "Lulu in Hollywood," which Rodger Ebert called "indispensable." Also, christ. Look at her.

Vilma Bánky (The Son of the Sheik, The Eagle)—She's famous now for being a silent star ruined by the transition to talkies, unlike her frequent co-star Ronald Colman. I think that's a shame, as she has a real vivaciousness and charm in The Winning of Barbara Worth. In this *checks notes* western about environmental engineering, she rides around the desert and gets wooed by both Colman and a young Gary Cooper (good for her dot gif.) Even in stills from films that are sadly lost, I think there is a distinctive warmth and individuality to her. Also she is extremely hot in her extremely pre-Code dress in The Magic Flame.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Louise Brooks:

"Defined the style of the modern flapper. A gaze that could make a stone fall in love."

"Louise Brooks left a legend far greater than her real achievement as an actress, but even today few people have seen her films. In our own time, the fascination with Brooks seems to have begun in 1979 with a profile by Kenneth Tynan in the New Yorker, which revealed that the actress who made her last movie in 1938 was alive and living in Rochester, N.Y. Such was the power of Tynan's prose that people began to seek out her existing films, primarily this one, to discover what the fuss was about. What we see here is a healthy young woman -- she was 23 when the film was released -- with whom the camera, under G.W. Pabst's influence, is fascinated. There is a deep paradox in Brooks and her career: the American girl who found success in the troubled Europe between two wars; the vivid personality who briefly dazzled two continents but faded into obscurity; the liberated woman who had affairs with such prominent men as CBS founder William S. Paley as well as with women including (by her account) Greta Garbo but wound up a solitary recluse. And all of this seems perfectly in keeping with her most celebrated role in Pandora's Box. For despite her bright vitality, her flashing dark eyes and brilliant smile, Brooks's Lulu becomes the ultimate femme fatale, careering her way toward destruction, not only of her lovers but eventually of herself."

"She invented having bangs to indicate that you have borderline personality disorder"

"chances are if youve ever seen a "flapper girl" character or even just art of a generic flapper type made after the 20s it was based on her appearance - particularly the bob hairstyle! she had some pretty rough experiences through her life before during and after her tumultuous acting career which ended in 1938 but she made it to the 80s, wrote an autobiography and did a lot of interviews that she was never afraid of being honest in about her own life or peers of the age, and apparently was unabashed about some affairs she had with well known women (including greta garbo!!)"

"She read Proust and Schopenhauer on set between sets. She was one of the original flappers/new women of the 1920s. She had a one night stand with Garbo and was the inspiration for Sally Bowles in Cabaret. Truly a stone cold fox."

"on her wikipedia page it says her biographer said she "loved women as a homosexual man, rather than as a lesbian, would love them" and while i have no idea if this is true or not i thought that was very gender of her"

"despite being american she was big in german expressionist films and thus her aesthetic was unmatched!!"

So far ahead of her time in regard to portraying complicated women. Timeless elegance. "I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.” - Louise Brooks

Vilma Bánky:

I love Vilma Bánky! She was called "the Hungarian Rhapsody" and apparently had a thick Hungarian accent which I think is cute. Several men fighting over the same women can be very cliche but when I saw her in The Winning of Barbara Worth (1926) I got it because my god she really is that drop dead gorgeous. She's also a wonderful actress though, expressive yet natural. I read once that seeing her in The Dark Angel (1925)—a film now seemingly lost—inspired Merle Oberon to become an actress :)

This is more of a factoid but she was apparently the women's golf champion at Wilshire Country Club through the 1940s. [link] I just think she's neat.

I love herrrrr she’s my everything. Watching her kiss Rudolph Valentino in Son of the Sheik made me so flustered I had to pause the movie to cool down. She’s the prettiest the most beautiful the most incredible woman I’ve ever seen. I could look at a picture of her for hours

#vilma bánky #louise brooks #hotvintagepoll #fuck that old woman #ladies 2

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