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lizzygrantarchives · 1 year

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Interview Magazine, February 14, 2023

FRIDAY 12:30 PM JAN. 13, 2023 LA

LANA DEL REY: How’s it going, sweet girl?

BILLIE EILISH: Lana, dude. Thank you for thinking of me. I am absolutely stoked out of my fucking mind.

[Laughs]

You were my lock screen on the first phone I ever got.

Oh my god.

I knew for months before I got my first iPhone that it was going to be that fucking photo of you with the bee on your lip.

You know what’s funny? That bee picture was for Interview Germany.

No way. I remember showing everybody. I grew up homeschooled, but we still had…

I’m so fucking jealous of that.

It was pretty tight, but we still had talent shows even though we didn’t have a school. I was all up in the talent show singing your stuff.

What?!

Dude, come on.

Do we have any footage? [Laughs]

Oh yeah. I sang “Brooklyn Baby” at the last one I did. I’d film myself covering your songs and pretend that I was gonna blow up on YouTube from them, and then they’d get two views.

And you did.

No I didn’t! [Laughs]

Well, later in life. I remember seeing the first videos of you singing and I said to my managers, “She��s the one.”

Oh my god.

I was like, “This is the girl. She isn’t just talented. You can tell she’s kind.” It didn’t feel like you were aspiring to be anything. It’s crazy to have that magical quality.

Lana, please. We’re here to talk about you, for the love of god. You’re putting out another album [Did You Know That There’s a Tunnel Under Ocean Blvd]. How are you feeling? Are you dreading it? Are you excited? Are you nervous?

All of it, as usual. At first, I was super excited because I started it with Mike Hermosa, a DP and cameraman who, as far as I knew, was not a musician. Every Sunday morning, he’d lie around and play these licks on his guitar. One day, I was like, “Do you think I could record that?” Then I’d sit down and start singing. After five months we went into the studio with the guys I know from Echo Park, like Drew Erickson, Benji, and Zach Dawes. Later, I found out they were composing for all these great people like Weyes Blood and Father John Misty and Pink Floyd. Mike was like, “I’ve never been in a studio, so I don’t really feel like I should be a session player.” And I was like, “I know it’s a lot to go into that ISO booth and play what we have been playing for fun, but just try it.” Then Drew would come in and record these beautiful strings. I would talk about wanting a little bit of a spiritual element and we talked about working with Melodye [Perry] and Pattie [Howard] and a couple of women who had toured with Whitney Houston, which was just unfathomable to me that I could be in the same room with them. So that started building one element of the sound for maybe one-fifth of the album.

Amazing.

For those nine months, I was as comfy as could be. Then, things started leaking and I wasn’t sure how. It brought back all this weird tension of, “I know it’s not about money, but what else are they seeing if they can somehow transcribe all the words in the song?” I started getting nervous about peripheral things, and then I told everyone I wanted to wait until August because I wasn’t feeling ready. Then, as things started to leak, I thought, “You know what? It has been done for a year, so I’ll just move ahead with it.”

Wow.

I feel differently on different days. It’s all about the process, not so much the results. Now, I feel good about it. The shoot we just had, that was the biggest production I’ve ever been on and it went so well. I was nervous about the interview, because when me and Mel [Ottenberg, Interview’s editor-in-chief] talked about it, I was like, it could only be only Billie or John Waters. When they said you wanted to do it, I was so happy.

I can’t believe you even thought of me. But dude, this has been done for a year?

September 2022 was the very last song I wrote. It’s a song called “Margaret,” about Jack Antonoff’s fiance [Margaret Qualley]. I was like, “You know what? I want to write a song for him.” It lands right in the middle of the album. It’s funny, this album felt totally effortless. When I did Norman Fucking Rockwell!it was about world-building, whereas this was straight vibing.

I love that. You can hear it in the music that you’re feeling yourself. It feels like you’re comfortable. You sound like you’re surrounded by good people. I would love to hear, specifically with this album, and also in general, how much of your writing is based on reality or fantasy or other people’s experiences. That was one of my biggest inspirations from you—your storytelling abilities and your ability to write from a character’s point of view. I find it a lot easier to write a song if it’s not about my life and if it’s not true. [Laughs]

Which is funny because they sound like they’re straight from you. Last night, I had a conversation with my friend Jack. Something had happened when he was in New York and he was telling me about it, and we were kind of worried. He was like, “I know you get it because you’ve gone through dot-dot-dot. You’re so brave.” I laughed and I was like, “Brave is the last word I would use to describe myself.” So much of my life is sitting at my metaphorical desk alone and writing. But with this album, the majority of it is my innermost thoughts. Some of the songs are super long and wordy like “Kintsugi” and “Fingertips.” I was almost nervous to send the voice notes to Drew Erickson.

Yeah.

I’d go on a seven-minute rant with a repetitive melody. It would be exactly what I was thinking about, mostly family and whether everything was going to pan out alright in the end. I had been reading so many articles that my father and I followed up on over the last ten years about the discovery of telomeres and the extinction of death and how we’ve always been edging towards this point in science where that would be a possibility. With my dad and my brother and sister all living together, that was on my mind. So much of this album is based on the concerns or hopes in my mind. With past stuff, I would talk about the garden of evil and good and bad, but I really was meeting some characters. Like they used to say, “When girls got to Hollywood, they were fresh off the boat.” I didn’t hear that term until later, but I did meet some people that I thought were really cool who were like, “Do you want to go to the Guns N’ Roses concert?” And I would be like, “Yeah.” Then, somehow I would be sitting in a garden and I would see David Lynch behind a red curtain with a cigarette. Some of the people I was hanging out with, I found out later, were unsavory characters, and so they played a part in the writing.

Right.

For instance, when I got to L.A. I was mostly touring. I didn’t know that many people. It took me a long time to figure out where my roots were. I had a lot of random experiences that I wrote about, and at the time, they made me really happy because I was like, “I’m not just watching someone else live their life, I’m living my life,” which was new for me because I’ve always been so shy. I don’t write well when I’m not happy, which is funny because there is a blue tone to the songs. It was like 90 percent reality. I think the storytelling vibe that people get is because I was just in awe of the things that were going on. Coming from a farming town, L.A. was never a possibility. My brother and sister and I always say, every time we drive through a perfectly symmetrical palm tree lane, we feel like we’re on a set. Maybe it was my lens on how heightened everything felt. God, I’m very long-winded. I just recently realized that I talk a lot.

[Laughs] I love it. I feel like I’ve never listened harder in my life. I feel like a student.

That makes me so happy. The one good thing about listening to this class is that I’m a trustworthy teacher. If anyone ever wants to learn how to get through a storm and know that all things pass, I can teach that class. [Laughs]

Yeah, man. You’ve also been doing this for so long.

I was just thinking about that.

I’m really curious, and you can feel free to say fuck off, but you are so romanticized online, specifically different eras of you and your music and your visuals. You were always the coolest of the cool in my world, but I was wondering if having older versions of yourself romanticized later in life might give you this feeling of, “When I was doing that, you guys did not give me that same validation and gratification.”

Yes. I was thinking about this last night actually, if it’s better to be initiated into that club where it’s like, “She’s wonderful,” right away. Once things grew on YouTube, I expected that there was going to be this very niche lane where I knew that I could thrive, but it didn’t really go that way. I quickly shifted right into the middle lane where everyone could see it and could hear the music. As soon as that happened, I knew I was in for it, but I didn’t know to what extent. In the beginning, I was following the mantra: “It’s all about how you feel, not about what other people think.” I had never thought that one day Bruce Springsteen would say something like, “I think she’s one of the most beautiful American songwriters” after Sasha Frere-Jones said, “Change your name, change your face, and try a new career,” and Jon Caramanica was going off about whatever—this was in The New Yorker and New York magazine, and I lived in New York. [Ed. note: The previous quote cannot verifiably be attributed to Sasha Frere-Jones. You can read his 2012 New Yorker piece on Ms. Del Rey here.” All of a sudden, I was walking down the street as I always did, and people would throw elbows at me. I was like, “Oh my god, no way did that actually happen. Someone recognized me and gave me a shove.” Or in San Francisco, I was eating at a bistro and a woman threw a book about feminism at my face. I thought I was completely in for it. I thought that all I could do was just keep touring. So, I toured for nine years and kept my head down. I didn’t think anything could ever get elevated to the point where, for instance, Interview magazine would say, “You’re on the cover.” Even still, it’s like, “Really?”

No way.

When things shift radically in your life you have to almost want to have a radical perspective shift. You can’t force it, but if you stay calm, all of a sudden, it comes. I know that the process I went through is not the process a lot of people went through. Everyone gets their fair share of think pieces, but there were definitely some 60-page articles about me being the face of feminine submission and the pro-domestic whatever. That was quite tough, because at the time, I was just trying to figure things out. Now, you hear a lot of singer-songwriters and rappers talking about how things really are in their lives, and a lot of it is super messy. And everyone’s like, “The storytelling is amazing, and I love that they’re baring it all.” I always felt with me that there was some catch-22 and I wasn’t sure what it was for a long time. Then, I cracked the code and realized they were tapping into the fact that there was something a little weird and different going on with me, but I didn’t really know that. And so it actually was a blessing because I got to figure out what they were tuning into—what they said was so dark—that I didn’t see. I was like, “What are they seeing in this shadow side that I’m not seeing?” That opened a door for me to think about the way everything had gone from when I was little up until now. And so, that was a very shrouded gift.

It’s so fascinating to hear you talk about that. I relate to so much of it. And also, this was all happening to you in such a different time.

The era was definitely different. I remember talking to friends at that time where they were like, “Are you afraid to make one misstep?” I was like, “Yeah, I do feel like one wrong step could ruin everything.” That’s why I was very tentative and didn’t talk too much. Whereas now, people have all these brand deals and things where it doesn’t really matter if something goes wrong, because there’s always the next thing.

But also, they don’t ever let anything go. You literally can’t make a single mistake ever. No matter what you do to redeem yourself, it doesn’t matter. They decide that’s who you are and that you deserve death.

Right. I think that also, people are being a lot more careful with what they say. I remember my first big interview with Rolling Stone for Ultraviolence. He asked me about the song “Sad Girl.” Where it goes: [sings] “I’m a sad girl, I’m a sad girl, I’m a sad girl.” He said, “At 29, don’t you feel uncomfortable calling yourself a girl?” I was like, “You mean instead of?” And he said, “Well, a woman. I mean, you’re like 30.” I was really caught off guard because I wanted to talk about how I mixed my own album with this guy Robert Orton. Then, I said, “Well, what about that Jennifer Lopez song [‘Girls’] or the Beyoncé song ‘Girls Run the World’? I think she’s older than me.” And he was like, “That’s different. That’s a fun song.” I don’t feel like those kinds of questions get asked anymore. For me, it was trial by fire. It’s definitely a different era now.

I have trouble remembering this when I feel very hated and disliked.

Which is such a crazy concept to me with you, but yes.

Well, you should know that in my eyes, you could do no wrong. But I have this inevitable feeling of, “Oh, everyone hates me.” With the world of TikTok and social media, there is a level where it’s kind of true, because there are these videos. I’m lying in bed last night, and I go on TikTok because I’m falling asleep, and I just want to be mindless for a second, watch some funny videos.

Totally.

I keep scrolling and I’m thinking, “Billie, put your phone away. You’re getting tired.” Then I swipe to the next one and it’s a video with millions of likes and it’s something about how I’m a horrible person. And all these comments are like, “I’m so glad that you guys are seeing through her.” And I’m like, “Damn.”

That is so hard for me to fathom. You know what I think? It’s always the nice ones. [Laughs] I feel you’re almost—I don’t know what the word is, not impermeable, but it’s almost like there’s a shield around you. I think that’s because you have revealed so much that there is nothing to say about you. With me, if people feel like there’s a veneer, there’s so much to reflect off of that. I’ve never read anything crazy about you until, of course, anytime dating comes into the picture, that’s whenever things get crazy for me, but then it goes away. But I always felt like there’s just such a warmth there between you and your family. It just made me feel like you’ve got that shield.

I do. It’s really true. You need to shut up about me because you’re being too serious. [Laughs]

I’m going to stop.

Also, you should know that any time you ever felt like any part of the world was against you, nobody else thought that. Because I find myself thinking everybody hates me when really, that’s such a tiny sliver of reality.

It can definitely limit your beliefs in terms of what the future holds. It’s like, “Is the way people talk about me going to change the way people relate to me every day?” Because every day is still so normal for me. I mean, there are things that are not normal, but I wanted to have the same encounters and be able to observe people in a coffee shop the way anyone would. If your circumstances are negative, of course you have to accept that, but it’s so important to not focus on a negative situation that you don’t really have anything to do with. It’s a ride that you’re on, and you have to just keep on tuning in to what you want.

Right.

Sometimes what I wanted was to move and be in the Midwest, and that clashed with what people thought was right. I had to dig really deep into my gut and be like, “Do you really want to do this? Do you want to make a career change?” Because I love to sing, but it’s been, like, 16 years or something. I felt like I had made this deal with the press, that because I hadn’t given very much information, I was entitled to a certain amount of privacy. But what was interesting is that it had the complete opposite effect. But it was so important for me to maintain this feeling that I could still go rogue, and I could still fucking have my ear to the streets and be at the same clubs as all my friends on the East Side.

Getting back to your music, I want to know about the album artwork. I want to know about where you were and what was going on and how you thought of the title.

Mike Hermosa and I, the first song we wrote was, “Did you know that there’s a tunnel under Ocean Blvd.” I was spending a lot of time in Long Beach and I had read that there was a tunnel sealed up under the Jergins [Trust] Building. All of the mosaic ceilings were still perfectly preserved, but no one could get in. I had also been listening to a lot of Harry Nilsson. He has this song called “Don’t Forget Me.” That sentiment plus this man-made tunnel that was sealed up but was so beautiful, I liked the idea of putting them together. I knew right off the bat that that was going to be the title. The artwork is by Neil Krug, who’s done a lot of my covers. My original cover was nude, then I thought about it, and I was like, maybe not right now, because there are some other things I want to do where I feel like that could get in the way. For each shot, we were really specific about the idea and the mood. He took 65 shots in a row and we used every single one of them, because I told him I didn’t want him to just shoot, shoot, shoot, I wanted to take my time and think about what I wanted to express in my face.

They’re so beautiful. I don’t know which one is the cover, but I saw a bunch of the shots.

That’s the other thing. At first, the title was definitely going to be Did You Know That There’s a Tunnel Under Ocean Blvd, and then I fucking panicked and I went to Neil’s house and said, “I know this is fucked up, but I’ve changed the title. It’s going to now be called, ‘Did You Know That There’s a Tunnel Under Ocean Blvd Pearl Watch Me on Ring a Bell Psycho Lifeguard.’” He was like, “What the fuck?” I was like, “I’m not telling anyone. Just mock it up.” He mocked it up, but we realized that maybe it was a bit much to have six titles in one. Then, he was like, “This is reminding me of a format that I’ve always wanted to play with. What if we just used one title, but then we filled the rest of the page with everyone who’s featured and everyone who engineered it?” He mocked that up on the portrait shot and I was like, “You did it.” That was a really psychotic day because I was like, “Am I willing to literally burn everything down to the ground by having some strange, nonsensical title?” But that’s a really good lesson because even with the nude photo, it was like, I might not have used it, but there’s definitely something there. The idea behind it was, instead of being exposed for things that weren’t true, I wanted to reveal something about myself that I actually thought was beautiful, but in the end, I got nervous about doing that because I was like, “Is this an artistic inspiration that came to me or is this a reaction to something I feel is critical about me?” I never liked to do anything in response to something that’s fear-based or based on what people think about me. I don’t know if that’ll ever come out, but if it did, I would just want to make sure it came out when I thought it was super fun and not because I had to show something to people. That part of the process was a little tumultuous, because I was feeling open, but then I closed down again and wanted to play it safe. But the good thing is that the songs are so wordy that if you listen to them carefully, they’re revealing in the same way the photo would’ve been. I was like, “Okay, I’ll let the songs do the talking for now.”

Yeah, man. You really paved the way for everyone. People have been trying to look and sound like you since you first started. I talk about this with Finneas [Eilish’s brother]. You changed the way the music industry hears and sees music, and you changed the way people sing.

[Laughs] That’s amazing because you do that.

It’s because of you, dude.

The only thing that matters is that I like it and that you and people in your world like it, because for me, it’s about separating the wheat from the shaft. Tapping in with good people and letting that be your North Star. Actually, the text you sent me out of the blue—I don’t even know how you got my number—was on one of the craziest days where I was sitting in front of the Burbank Airport watching the planes take off, which I had never done before. I was sitting on the side of the road because that day I had to make a really important decision. I was feeling really nervous about it, because I’m always the kind of person who doubles back on my important decisions. Then, you literally texted me saying something like, “I love you, and without you, I wouldn’t have been able to do certain things.” I texted my friend Anne, and I was like, “I made the right decision because Billie texted me.” I thought I needed to hear something completely different from someone else, and I got this awesome synchronicity that let me know I was in the right place at the right time.

Wow.

I will also say, in terms of everyone who’s paved the way for me, the way Cat Power delivered her songs in the ’90s and in the early 2000s, and even now—we’ve toured together and I’ve told her so many times, “I should be opening for you.” I was a high soprano, which you can kind of tell in the way that I talk, but her low tones, I would practice them the way she sang that song where she’s like, [sings] “Bay-be-doll.” I was like, “Oh my gosh, I could sing like that.” I realized I had a low register too. And when I learned that she played a big concert in New York with her back turned to the audience, that was when I realized I might have a chance. Then, I watched this documentary when I was 20 called The Devil and Daniel Johnston with my boyfriend at the time, Artie Levine, and seeing that Daniel was super different and he had a bit of a cult following, I realized there might be a chance here. I definitely had my muses, but it was so much later on in life because I didn’t move to New York until I was 18, and that was when I first heard anything other than Eminem, country, and NPR. All of a sudden, I got a fucking crash course in music.

Everything you’re saying is blowing my mind out of my skull. You will never understand how much of an impact that you have had on me in my life.

I definitely won’t, I can promise you that. But you know what? If it did anything for you, how amazing is that? Because you actually like what you do.

God, dude. Okay, well, I have to go, but I just want to say that I am always going to ride and die for you. I’m so excited about this album. I’m telling you right now, you’re the coolest of the cool.

That is hilarious.

Well, you need to shut the fuck up and listen.

Here’s the thing. It’s good to know that the coolest of the cool can still be so messy because it’s like—

It doesn’t matter.

There’s no competition. Your life is your art. I just feel lucky that you said yes, because I couldn’t see it any other way.

Thank you for thinking of me at all.

It’ll be such a blessing to look back on when this prodigious girl—woman—reminded me of the fact that there are so many ways to look at things, and that it’s all a matter of perspective. The only thing that matters is that the people that you’re obsessed with, like the way I am with you, love your stuff too. It’s such a beautiful place to start creating from. Thank you for that.

Thank you. Oh my god.

Our little flattery interview, but honestly, that’s how it is. It was always you.

Originally published on interviewmagazine.com with the headline Lana Del Rey and Billie Eilish Fall in Love, and in the March 2023 issue of Interview with the headline Lana Del Rey by Billie Eilish.

#2023 #Did You Know That There's a Tunnel Under Ocean Blvd #Interview Magazine #Billie Eilish

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thelowkeygeek · 5 months

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Check out the latest LOWKEY GEEK #youtube video! POOR THINGS (2023) Movie REACTION & REVIEW | Emma Stone, Mark Ruffalo, Yorgos Lanthimos by LOWKEY GEEK! ***CORRECTION*** I incorrectly stated that this was an A24 movie when in fact it is a film by Searchlight Pictures. Super apologies on this but I'm soo used to Yorgos Lanthimos working with A24 I just made that assumption. SORRY! Here are my quick thoughts and reaction to the new film by Yorgos Lanthimos called Poor Things starring Emma Stone, Mark Ruffalo and Willem Dafoe. I saw this at New York Film Festival and have been DYING to talk about it! 🔔 Consider Subscribing: https://ift.tt/mlqz1ix 🎧 Listen on Spotify: https://ift.tt/4LTzIWm 🎧 Listen on iTunes: https://ift.tt/4ALH69s ► The gear we use on this channel: https://amzn.to/3L79c1Y ► Sign up for Surfshark VPN and get 85% OFF + 2 Free Months: https://bit.ly/3ZLU5Cn ► Get 3 months of UNLIMITED DATA for only $15/mo with Mint Mobile: https://ift.tt/GOZkae3 ► Fever events and experiences: https://ift.tt/oSF6Mad ► 80s Tees: 30% OFF with code WINTER30: https://ift.tt/A8mLSEn ► Bulletproof Coffee - 20% Off with code LOWKEYGEEK20: https://ift.tt/rN9P8pG ► Entertainment Earth - 10% OFF In-Stock Items Plus Free Shipping On Orders $40+: https://ee.toys/LOWKEYG Other Great Content ---------------------------------- ► Movie Review & Out of Theater Reactions: https://youtube.com/playlist?list=PLsH8u5sKE6YH2jORSfkqtudOJX2KFFJkK ► The Trailer Park: Trailer Reactions: https://youtube.com/playlist?list=PLsH8u5sKE6YETuoR2B2Y1ulc_TfFKkyGZ ► The MovieTime Podcast: https://youtube.com/playlist?list=PLsH8u5sKE6YFrFx7-xandmlAgLWoUwIhc ► The Talking Talk Podcast: https://youtube.com/playlist?list=PLsH8u5sKE6YG3kXuSkEzu2PGgnjvU70Kc ► Special Events & Travel: https://youtube.com/playlist?list=PLsH8u5sKE6YGUo9x5FHnbideFkmHV_lAM ► Japan WOW Now: https://youtube.com/playlist?list=PLsH8u5sKE6YFX48uPJl5FwipHSTGis9Qy ► LOWKEY GEEK Gaming: https://youtube.com/playlist?list=PLsH8u5sKE6YHHmgt_YpmNFEbOi0d52hic ► One-Shots: https://youtube.com/playlist?list=PLsH8u5sKE6YGDDThqnXOa9FOLYtvAjFNK Follow Us --------------------------------------------------- Twitter: https://twitter.com/the_lowkey_geek Instagram: https://ift.tt/OhftiS4 Threads: https://ift.tt/xLdamSC Follow the Team on Letterboxd ----------------- Blake Wolf: https://ift.tt/CwBoSFi Rene A. Zelada: https://ift.tt/2r53LjI Movie Info --------------------------------------------------- Poor Things (2023) Written by: Tony McNamara Directed by: Yorgos Lanthimos Synopsis: Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation. Starring: Emma Stone; Mark Ruffalo; Willem Dafoe; Ramy Youssef; Margaret Qualley; Jarrod Carmichael #poorthings #emmastone #moviereaction #yorgoslanthimos #willemdafoe #markruffalo #moviereview #lowkeygeek ***Please note that as an affiliate partner and as an Amazon Influencer, I earn from qualifying purchases through the links provided above at NO ADDTIONAL COST to you and NO INFLUENCE on any content produced. Commissions earned go towards the support and funding of this channel. Thanks! via YouTube https://youtu.be/pfXRlXC3Xzo

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agnetafrieberg · 4 years

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#margaret qualley #just ...#wow #i guess #*

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tabloidtoc · 3 years

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Star, May 3

You can buy a brand new copy of this issue without the mailing label for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Shiloh Jolie-Pitt

Page 1: Christina Aguilera at 40 -- she talks about child stardom, learning to love her body, and what she wants her daughter Summer to know

Page 2: Contents, Renee Zellweger, Phoebe Dynevor and James McAvoy at the BAFTAs in London

Page 3: Mariska Hargitay and Law & Order: SVU co-star Ice-T take a selfie during a break from shooting the cop drama in NYC, Heather Graham at the beach in Mexico, stepping into the America's Got Talent studio Sofia Vergara elevated her casual cropped jeans with strappy platform sandals in L.A., Jason Momoa cutting a rug with an unidentified partner ahead of filming a scene for his upcoming fantasy film Slumberland in Toronto

Page 4: Colton Underwood comes out -- saying he's the happiest and healthiest he's ever been, the former Bachelor clarifies his orientation

Page 5: Lena Dunham is no stranger to controversy, so it comes as no surprise that her foray into fashion design has also come under fire as she partnered with a plus-size label to create the capsule collection 11 Honore x Lena Dunham, but the kicky line quickly came under fire as critics are calling it tone-deaf, mediocre and not inclusive at all since its largest size is a 26 and some are even going so far to call Lena a grifter who gained weight in order to make money off the plus-size community but Lena, who underwent a hysterectomy at 31, has pointed to early menopause as the cause of her straight-up gut -- while Lena refuses to be intimidated by bullies, she is listening to the complaints about sizes and is planning to address it

* Once a cautionary tale of the perils of child stardom, at age 40 Macaulay Culkin is a father himself as he and girlfriend Brenda Song welcomed a son, Dakota -- he's finally overcome his demons and Brenda has been a huge influence on his life and helped him get back on the straight and narrow and he's even pursuing acting again, shooting season 10 of American Horror Story; his life has taken such a positive turn

* A year after announcing her split from Jay Cutler, Kristin Cavallari is seeing the upside of divorce, saying it's made her a better mom in some ways because she has her kids half the time now so when she has them for her week, she is so incredibly present with her kids Camden, Jaxon and Saylor and she is not distracted by her phone or anything else; she is with them -- Jay and Kristin each have the kids 182.5 days a year and court papers also revealed that her ex is allowed two phone calls and two FaceTime or Skype calls a week and vice versa so now every moment is precious and if someone is having a temper tantrum or something, she remains calm because she knows that she is losing them in a few days

Page 6: Gwen Stefani is widely thought to have had some help in the nips and tucks department, and as her wedding to Blake Shelton approaches, he is starting to object to her constant tweaking of her face -- she's always messing with it by getting more fillers and Botox and Blake is afraid of what he'll see at the altar and he's freaking out at Gwen's increasingly extreme beauty routine which is becoming increasingly over-the-top; Gwen can barely move her face to smile at him anymore and it looks weird -- while he frets, he's trying to reassure his wife-to-be because Blake thinks she's beautiful just the way she is

* As an executive producer on the long-running Law & Order: SVU, Mariska Hargitay has tasked the writers to come up with more storylines featuring one of her favorite characters: defense attorney Trevor Langan, played by none other than her husband Peter Hermann -- Mariska and Peter originally met and fell in love when Peter guest-starred on the show and she loves to keep that magic alive by bringing him back to play Trevor but the trouble is he is busy with his own gigs as a series regular on Younger and his recurring role on Blue Bloods and Peter loves working with his wife, but he has his own acting career apart from Mariska -- still, he may soon have his day in court because Peter understands how Mariska feels and is trying to work his schedule to allow him some guest spots in the near future

Page 8: Star Shots -- Lenny Kravitz with a guitar flaunted his well-sculpted midsection during a stroll on the beach, Suki Waterhouse with her on-the-go grub on the set in Liverpool

Page 9: Louisa Jacobson and Taissa Farmiga and Denee Benton on the set of The Gilded Age in NYC, Conan O'Brien sipped on a soda at lunch in L.A., Katy Perry in the American Idol bathroom

Page 10: Kate Hudson with mom Goldie Hawn and kids Ryder and Rani, Kate Hudson twirled solo modeling in a pal's swimwear collection, Jude Law's daughter Iris Law who will make her acting debut in Danny Boyle's upcoming Sex Pistols biopic makes a call in London

Page 12: Kelly Osbourne handed out items at a food distribution event as the Islamic Center for Southern California, Dwayne "The Rock" Johnson in the gym, despite a no-social warning a cheeky Nicole Kidman shared a pic from the set of Aaron Sorkin's Being the Ricardos in which she portrays Lucille Ball

Page 13: Anabella Sciorra and Donnie Wahlberg gloved up for a Blue Bloods scene in NYC, Heidi Klum and husband Tom Kaulitz started their morning during a walk on the beach in L.A.

Page 14: Travis Barker showed off his body art stepping off a Hollywood tour bus shirtless after filming a music video, a cheerful Britney Spears gave a fun look into her wardrobe in a pink floral frock, Scott Disick and Amelia Hamlin color-coordinated for a walk near the beach in Miami

Page 16: Lamar Odom and Aaron Carter put up their dukes to promote their Celebrity Boxing Match in Philadelphia, Priyanka Chopra Jonas and husband Nick Jonas at the BAFTAs in London, Ellen DeGeneres on the phone during a stroll in her main hood of Montecito

Page 18: Normal or Not? A denim-on-denim clad Jay Leno scratched an itch while filming a project in Los Angeles -- not normal, dressed in a Siggi sweatshirt Katie Holmes picked up some seasonal blooms on Manhattan's Upper East Side -- normal, Kate Beckinsale multitasked during a car ride by applying undereye patches -- not normal

Page 19: Gavin Rossdale appeared to be pleased with his Kitson purchase by doing a little dance after leaving the popular L.A. store -- not normal

Page 20: Fashion -- stars wow in statement-making capes -- Gisele Bundchen, Charlize Theron, Zoey Deutch

Page 21: Greta Gerwig, Elle Fanning

Page 24: Justin Bieber: How Love Saved Me -- the formerly troubled pop singer gives praise for wife Hailey Bieber

Page 25: Olivia Wilde and Harry Styles' romance has already cooled and the pair are giving each other space -- turns out Olivia and Harry don't actually have much in common -- the two jetted to London after wrapping Don't Worry Darling, but they were soon waylaid by their respective responsibilities as Olivia has been spending time with her kids Otis and Daisy while her ex Jason Sudeikis shoots Ted Lasso while Harry, who was spooked by how quickly intense things got, is gearing up for his role in My Policeman -- for now, the two have decided to reassess things when they're back in L.A., which leaves the window open for Jason, whose strategy was to let her and Harry fizzle out, then see where she is at, and it's going according to plan

* Jennifer Lopez calls off her relationship with Alex Rodriguez

* Carrie Underwood and Mike Fisher are better than ever after overcoming a rough patch, one that had their inner circle convinced they were headed for divorce -- Mike had a serious roving eye that made Carrie anxious and she would treat him like he was Mr. Underwood and tensions between the two were at an all-time high when the pandemic hit, forcing the two into extra one-on-one time, but as it turns out, their new routine is just what they needed because they set boundaries, divided up tasks and put time aside for fun things and they prioritized romance, which has made all the difference -- Carrie and Mike are re-committed to their marriage and they've been through so much so much and neither wants to throw it away

Page 26: Cover Story -- Brad Pitt and Angelina Jolie's model kid -- Shiloh Jolie-Pitt the gorgeous teen is ready for her close up, but Brad and Angie are at odds about Shiloh's new passion -- Shiloh's been experimenting with girlier styles lately, including growing out her hair and she's at the age where she's starting to change things up -- Brad isn't thrilled about Shiloh's modeling dreams and idea of her walking into the lion's den gives him cause for concern -- Angelina began modeling at 16, just one year older than Shiloh and Shiloh knows that's what set her mom on her path to fame and Shiloh is constantly asking Angie about the pros and cons of the modeling world

Page 29: Model Kids -- these celeb offspring also know how to strike a pose -- Hailey Bieber, Sofia Richie, Amelia Hamlin, Lily-Rose Depp, Brooklyn Beckham, Paris Jackson, Kendall Jenner, Corinne Foxx, Ireland Baldwin, Margaret Qualley, Kaia Gerber, Leni Klum, Patrick Schwarzenegger

Page 30: Prince William and Prince Harry: Behind Closed Doors -- the estranged princes are forced to reckon with their rift as the royal family gathers for Prince Philip's funeral

Page 32: High Anxiety -- it's not so simple for celebs who struggle with panic attacks -- Emma Stone, Stephen Colbert, Amanda Seyfried

Page 33: Hugh Grant, Ryan Reynolds, Ariana Grande

Page 36: Beauty -- nail it -- self-care essentials to score the perfect at-home manicure and pedicure -- Kaley Cuoco

Page 38: Style -- cute cases -- step up your tech, and fashion, game this season with a trendy cellphone cover -- Rosie Huntington-Whiteley

Page 40: Entertainment

Page 48: Parting Shot -- Corey Feldman embraced wife Courtney Anne Mitchell as the two ventured out for a romantic outing in L.A.

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reversecreek · 3 years

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snickers feverishly at myself for bringing in a 5th... who do i think i am? unstoppable? invincible? suddenly ripples my titanium plated pecs. maybe so. u can find her pinterest here n her playlist here.

* margaret qualley, cis female + she/her | you know bradley milligan, right? they’re twenty-four, and they’ve lived in irving for, like, all of their life? well, their spotify wrapped says they listened to looking for knives by dyan like, a million times this year, which makes sense ‘cause they’ve got that whole snow angels trampled through by your father’s footprints, casually reading a newspaper that’s catching flame & stubbing a cigarette against the wing mirror of a parked cop car thing going on. i just checked and their birthday is november 11th, so they’re a scorpio, which is unsurprising, all things considered. ( nai, 24, gmt she/her )

HISTORY:

bradley has this memory of meeting her grandmother for the first time n everything in the room was frozen still. even the air. she didn’t feel like she cld move n she got the impression this is how it’d always been in the milligan lineage. the only thing that was allowed to act of it’s own accord was her grandmother’s eyes as she tracked every slightest flinch of muscle. when her father left the room her grandmother reached out and took bradley’s hand n bradley looked at this like it was smthn she’d never seen before until her grandmother leaned close and all she could stare at was a nicotine stain on one of her front teeth. “he’s cold, isn’t he? he’s always been cold. i don’t think he’s mine.” bradley could tell from how tight she held her hand that he was. she could tell by the way she smiled as she said it, too. the way she felt obliged to smile back.

growing up in a huge white house in aquila drive w pruned hedges sounds idyllic n looks it too. swanky cars w tinted windows in the long driveway. always men filing in and out under the cloak of night wearing expensive suits n smiles worthy of a politician’s billboard. bradley’s mum alyssa thought so too n that’s hw she got into this whole mess tbh. tony milligan is very good at advertising. he cld package a jarred human heart as strawberry jam and convince u to spread it on ur toast if he wanted to. he could make u smile politely as u ate ur own.

alyssa ws this very pretty blonde kind of mysterious presence in a room. everyone wanted to kno her story or fk her but noone rly treated her like a person more just like a puzzle to solve. john green syndrome alert..... literally manic pixie dream girled bt on turbo charge. there were vague whispers she’d run away from home when she appeared in town out of nowhere bt nothing concrete. tony decided he wanted to crack the case n once he set his mind to something there was no changing it. they wound up embroiled in a whirlwind romance. head over heels. he came at romance hard and fast as a freight train. alyssa knew he was into shady things but not quite the full extent of it n honestly she didn’t care bc she wanted security n a family to call her own n tony promised that. they were married within a year.

tony came frm money bt he wanted to carve his own path n make his own legacy. destined fr greatness he’d tell her. we’re destined for greatness. it sounds nice doesn’t it! alyssa thought so too.

(drugs mention tw) slowly over the yrs he essentially forged his own crime organisation tht only grew. he opened a strip club down the seedier side of irving called ‘no angels’ n this became the front thru which his gang ran drugs in the back (predominantly coke n they pride themselves fr having a Superior Blend apparently) as well as laundering cash n this also was kind of their home base to hang

(abuse tw) their marriage increasingly lost it’s shine n alyssa came to realise she’d been sold a lie n she didn’t rly know this person or what he was capable of right around the time bradley was born. by then it was kind of like Wow i am rly in this n there is not an exit door huh. i won’t go into details bt things were not good at all. bradley witnessed n experienced a lot of things she shouldn’t have growing up. she didn’t understand why other kids drew home in all these different coloured crayons like they were bright places to be. she didn’t understand why everyone got so excited when the bell rang at the end of the day bc she just felt sick. she rationalised tht this was normal when she was younger bc sometimes kids talked abt the monsters under their beds giving them nightmares n she thought mayb they were talking abt their dads too. as she got older she realised tht actually her world wasn’t the same as anyone else’s n she also realised no-one wld ever be able to tell her why. she started becoming friends with the angry feeling in her chest tht she used to try and swallow around this time. often she’d wander the mall for a while to put off going home. smoke on random park benches. watch trains rattle thru town from the vantage point of a random rooftop.

(abuse, missing person implied, murder implied & grief tw) when bradley was 12 she woke up and all of her mum’s clothes were gone frm their drawers. no shoes anywhere. a framed photo of them at the beach holding bradley as a baby vanished from over the mantelpiece. when bradley asked her dad what was going on, tony essentially said “it was exhausting her. being here. being your mother. she didn’t want to do it any more, so now she’s gone” n then he hugged her. little details leaked into the mix over the yrs. at one point tony dismissed her as having flown overseas to a foreign country to drink in the sun like she’d always wanted even tho alyssa always told bradley she liked the snow best (once she even walked outside as it fell in a thin lace nightgown when tony was out n when bradley said “mom you’re gonna get cold” she only tugged her down and made her do snow angels until her lips looked blue). the most significant memory bradley can never shake from her head is her mother cupping a yellow tulip at the park n saying she hated them. when bradley asked why she only turned and smiled at her as she stroked the hair from her face n then said “because they look so happy”. after bradley’s mum vanished a long flower bed at the bottom of the garden was suddenly overrun with dozens of freshly planted yellow tulips. whenever bradley looked at them out of her window she got this sickly feeling in the pit of her stomach like she was visiting a cemetery. she suspected what had happened to her mum (especially as rumours circulated within tony’s organisation abt alyssa being unfaithful with someone tht used to work fr him) bt she cld never bring herself to truly accept it. thus she ws stuck in this strange purgatory state of not-quite-anger at her mum for “leaving” and not-quite-grief.

bradley rly started to transgress in school after her mum was gone. alyssa was always kind of a character when she’d pick bradley up (wasn’t doing well n acted kind of ‘eccentric’ i suppose u cld say) so tony managed to spin it all as a child acting out in the wake of an unfit mother uprooting n abandoning. bradley became........ interesting. JKHGFSSKJGHFSGHSKFGHFG. she’d snap n resort to violence very easily. very desensitised to it. students were kind of scared of her tbh. as this progressed into proper high school she got in w the more rowdy popular crowd solely bc she was so fking.... wild for lack of a better word. rly would just do anything fr the thrill. had no sense of ‘i shouldn’t do this bc it’s dangerous’. partied harder than anyone. bit back harder than anyone. no filter. hung w a lot of guys honestly bc they had less morals n either found her scariness cool or wanted to fk <3

(hospitalisation, depression & drugs tw) she’s had. a few stints in psychiatric institutions fr various reasons tbh. missed a small chunk of her senior yr fr this but it wasn’t widely known just kind of rumoured. she showcases a lot of similar symptoms to her mum who struggled w severe depression (which was difficult to cope w when ur husband was often pouring ur prescription down the drain fr kicks) n in order to compensate fr the lows she takes a lot of things to kick them into highs. drinks n snorts too much. bradley i love u bt i’m begging u to seek healthier coping mechanisms......

as the yrs went on (especially once alyssa had gone) tony rly started trying to integrate bradley into the business side of things...... she literally. is named bradley bc he was expecting a boy n he was like well let’s still call her bradley. n had in mind she’d still fulfil the role he wanted her to of being his little protege so to speak.... both sexist n ugly all in one fell swoop...... an example of this is he literally. bought her a mint green switchblade for her 14th birthday n named it tinkerbell bc it would “die without attention” aka using it. tht sounds like a healthy gift to give a child tony congratulations sis <3

in an ideal world bradley wld have gone to uni to study psychology bc she jst wants to know how the fk her dad is literally like that bt she probably stuck around n is now managing no angels along with billy n marco (billy’s in her dad’s gang n is, u guessed it, a cunt, n marco is his sort of right hand man so to speak) bc tony’s in the closest neighbouring city overseeing a second ‘no angels’ opening up there to expand into a franchise n widen their income margins. bradley wld also be sort of used as a honey trap type deal once she got older if they needed to lure ppl places n sometimes still is bt it depends. the guys in the club all know not to mess w bradley bc she’s tony’s daughter n literally kind of scary herself sometimes bt there’s also this certain allure tht comes with being the boss’ daughter n it kind of comes across in how they act or talk abt her. yes i will kill them all n no i won’t feel bad abt it <3

think that’s kind of all u need to kno history wise... blinks one eye out of sync w the other..... runs to personality

PERSONALITY:

a phrase i wld always use to describe bradley in old intros is “like a cup of black coffee with one grain of sugar that u don’t taste until the last sip”. also dark chocolate. lime. liquorice. she’s an acquired taste n i feel like u either love her or u hate her.

cannot express how unpredictably chaotic she is..... frequently throws a drink in a stranger’s face jst to start something bc she’s bored. loves to hurl cheese slices across the room so they slap onto someone’s face out of nowhere. likes smashing things. stubbing cigarettes out on faces in framed family photographs. will literally pick a lock n then smash the window besides it to defeat the whole purpose just bc she found how neat it was boring. does anything fr the adrenaline n thrill. gets into far too many fights n fights dirty. probably been thrown out of every bar in town at least three times. banned from a bunch too.

she’s witty bt she has a dark sense of humour..... can be quite mean.......... loves to roast ppl for no reason........ honestly has some nathan young frm misfits aspects in that sense like jst seems untouchable emotionally n like she doesn’t take anything seriously n is fking outrageous about it.....

has this quality abt her tht kind of scares herself sometimes. it’s like she recognises parts of her dad in her. she’s very perceptive (bc she’s had to be over the yrs trying to read every micro-expression of her dad’s to predict what’s next) n like emotionally intelligent in a way which is ironic bc her own emotions r just an absolute minefield.... bt. she can read people quite well. gets this eerily calm look abt her sometimes n it’s jst like god what’s. she thinking. what’s she’s gna do. i’m shaking. a cool n controlled kind of rage can often be scarier than the explosive type n bradley does that well. grits my teeth n tugs on my collar....

very strong on the surface. hates being vulnerable. has this ingrained idea that crying is childish or rly any kind of emotional display within herself. 50% not taking things seriously 50% angry. tht’s how she comes across....... internally? whole different story. bt ppl don’t see that.

very cavalier abt some things. will flash her tits n not even think abt it. jst very out there...... one of her closest friends is a homeless man named joe who wears neon purple fishnets on his head n loves to spit on ppl from over an underpass. finds eccentric ppl like this funny n surrounds herself w them. loves to be kept on her toes.

LOVES driving stolen cars down the wrong side of the highway. it’s a lot.

fiercely loyal to a fault to a select few bt if u wrong her personally this can switch pretty quick. quite a force to b reckoned w n will hold a grudge. bt like. if ur a Chosen One she’d bury a body for u no questions asked.

WANTED CONNECTIONS

deals to u: bradley isn’t like full time into dealing bt she does do it sometimes.... treats it kind of like a hobby bc the lesser ranked can do tht shit as far as she’s concerned bt.. sometimes also jst gets bored n is like. why not. might be chaotic. mayb they’ll try to rob me <3 we love the thrill <3 or like..... if ur friends w her she’ll deal to u n no she will not do a friends discount <3 or if she does there will definitely be some sort of stipulation attached <3

high skl crew: if ur muse is local n ws an absolutely demonic hell spawn in high skl tht went to 1974547254 parties n was outrageously chaotic n rude then. bradley probably was friends w them <3 her friendships tend to be surface level bt they’d definitely go out a bunch bt whether they actually knew a lot abt her life is debatable bt we could explore options fr this

people who work at no angels: no angels is her dad’s strip club in irving that she kind of helps to run now. it’s kind of a shifty environment. the place where ud have an outrageous bachelor party. u go for the first time w a fake id n u get served bt u also get ur wallet stolen n ur convinced someone spat in ur drink n u also kind of think there might b a hit on u now after u made eye contact too long w a broad shouldered man smoking in a back booth. scary environment. testament to her dad as a person. maybe ur muse is a dancer there or works the bar or security or whatever u name it....

ma’am are u ok?: ur muse found bradley passed out across two bus seats one time in smudged dark eyeliner a silver slip dress n the world’s chunkiest combat boots this town hs ever seen. sometimes she winds up in spots like this when she goes too hard n it’s absolutely dangerous n reckless bt that’s jst bradley <3 mayb they forged an unlikely friendship frm this strange meeting or maybe even? dare i say it? a romance? opposite worlds colliding? good influence? let’s go crazy. release ur inhibitions. feel the rain on ur skin.

hook-ups: bradley’s cavalier abt this stuff..... very unemotional typically..... mayb we cld do an unrequited thing that wld be angsty n fun altho i won’t lie i don’t kno if she’d be the one to catch the feelings.... she rarely sleeps over bt once when she woke up in someone’s bed she hiked over to straddle them carefully as possible so they wldn’t wake up n then pressed her knife to their neck as a fun little surprise where she said boo when they opened their eyes.... she’s a lot clearly.

watermelon slugger, hiiii: bradley has this habit where she gets a bunch of watermelons n then goes to a rooftop n throws them over the edge to watch them explode when they hit the pavement.... maybe ur muse almost got hit by one once n were like WTF???????? another quirky meet cute moment like the bus one <3 can’t stop w them <3 maybe she randomly invited ur muse to do it w her when they were like. a stranger of f the street. she was bored. decided to adopt them as a science experiment. we cn elaborate on this probably....

ouch charlie: similar territory bt she also sometimes shoots pedestrians w a bb gun from rooftops. mayb ur muse wld always get hit by one on a certain route they walked n finally one day they saw her head ducking down behind a ledge n then they see her in the street one day n are like HEY IT’S YOU............. WTF? n bradley’s like ya i’m christ risen again it’s a lot to take in i know...

rly jst anything... mutually destructive friends... exes.... in one rp a character tried to get close to bradley so he cld write an expose all book about her n her family which i found so fking funny so i’ll request that again.... people she’s fought.... ppl whose gf/bf she’s fk’d n it’s caused enemy status.... someone whose place she broke into and shaved their eyebrows off in the night only to draw them on again in crudely thin permanent sharpie lines.... roommates cld be fun n sexy i’d love that actually.... jst anything rly. go wild. kisses everyone tenderly on cheeks.

#irvingintro #abuse tw #missing person tw #implied murder tw #grief tw #hospitalisation tw #depression tw #drugs tw #death tw #i think tht's all of them....... cor blimey......

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laynemorgan · 3 years

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wow i've followed you for years and i feel like people have just been needlessly rude to you the entire time.

anyway new show rec for you: Maid, on netflix. young mom who goes to hell and back to provide for her kid (tw: drugs, alcohol, emotional & physical abuse)

Lmaoooo lord only knows. But yes maid is already on my list! I love Margaret Qualley.

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irvinghq · 3 years

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hi admins ! i can't decide between odessa young and margaret qualley for a fc .. which of the two would be preferred ? Tysm <3

ohhhh wow such impeccable taste. i love both so this is a hard one but if i'm being honest about it my heart really lies with margaret. i actually only just dropped a character with her face so i'd love so much to see her on the dash again. it’s what she deserves. queen of sharing the same birthday as me. tumblr user @courtesybath will also be shaking and howling (in ecstasy) over the arrival of either of these faces but especially margaret.

#oc rp #appless rp #town rp #mumu rp #beach rp #answered

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brvdleymilligan · 3 years

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HLO slinks in thru a bead curtain.......... truly sry this took me so long to concoct bt i’m here now, hand on hip, smiling coyly at u all...... i’m nai n i’m rly excited to b here so i’ll just dive right in!! u can find bradley’s pinterest board here n her muse tag here. like this or hmu for plots!

[ cis female, she/her, margaret qualley , twenty-four ] i can’t be sure, but i think i just saw BRADLEY MILLIGAN drive onto the parkway. don’t they know we’re not supposed to be driving on that haunted road right now? maybe it has to do with the fact that they’re so +RESILIENT and -VOLATILE that makes them feel UNPHASED about everything going on. i guess we could also chalk it up to the fact that they’re always reminding me of LEMON IN A FRESH CUT, THE AMBER BLINK OF AN ANGRY ALLEY CAT, GRINNING WITH BLOOD ON YOUR TEETH. either way, i hope they get back safely. [ nai, she/her, 24, gmt ]

aesthetics: singeing a hole in your fishnets with the cherry of a menthol, spitting a pistachio behind the bar just to hear it ping off the nozzle top bottles, lemon in a fresh cut, a war torn poppy standing alone in an empty field, pressing thumbs to yellow bruises, stomping over flowerbeds when there’s a path right besides it, dangling over ledges just to feel your chest jolt, a snarling rottweiler that needs muzzling, limp feet poking out behind a door, ‘I PROMISE I DON’T BITE’ scrawled on a name tag, slapping a bald head in front of you at the cinema like it’s a bongo, not owning a single jacket that isn’t stolen, driving a stranger’s car down the wrong lane against the screaming traffic, hair more feral than a wolf cub and eyes smudgier than a coal mine.

BACKGROUND:

ok SO. her father owns a strip club in crescent hill named no angels. it’s kind of.... a seedy establishment i won’t lie. hs a red glowing sign like it’s lighting up a window in amsterdam. cigarette butts floating in oil slick puddles outside. unsavoury characters crawling all over like rats in a sewer. despite this it’s a legitimate business on the surface of things n it does pretty well in trade. it’s like.... that place people warn u NOT to have ur bachelor party at unless u fancy urself the type tht willingly enters a lion’s den bt tht almost??? adds to the allure in a way??? ppl r like wow so sketchy it’s the thrill of a lifetime........ i mean run while u still can bt go off i guess

it isn’t Confirmed Public Knowledge bt it’s pretty heavily implied thru the rumour mill that bradley’s father is the head of a gang of rly............ Not Nice people. all the ppl that work for him u would hands down NOT want to run into in a dark alley. while things seem legitimate on the suface it’s pretty clear they’re into shady dealings n the townsfolk that suspect that would indeed b correct! the club’s a front for a drug business n they’re also washing n running counterfeit cash thru it. they probably also have their hands dipped into a few other local businesses to run their cash thru these too n keep it all seemingly by the books so nobody comes sniffing around. they even r friends with a member of local law enforcement that’s working w them for a cut so they honestly have all bases covered to keep things airtight n foolproof. perhaps a business in reed too which bradley oversees bt i haven’t given this Too Much thought as of yet??

so ya she’s grown up fairly local most of her life n would maybe be known around town as such.................. the milligans r certainly Interesting as far as families go so like. it honestly wldn’t surprise me if ppl nudge elbows when they see one of them coming n immediately walk in the opposite direction. just quite an intimidating presence...... they’re like caged animals where ur specifically instructed NOT to stick ur fingers between the bars bc they WILL bite

on a more personal note her dad is pretty much the worst human being alive n bradley hs like….. a lot of issues with herself as a result of years of toxicity n abuse

in terms of more family bkground info her mum’s name was alyssa n she vanished when bradley was 12. jst like…. into thin air. nothing. no note. zilch. gan! n when bradley asked her dad abt it his response was essentially “guess she didn’t love us enough to stay”. as bradley’s got older tho n become (without intention) more involved in the business side of things, it’s become pretty clear there was far more to the story.

(abuse tw) they had a horrible marriage n tony ws emotionally manipulative at the best of times, violent at worst, which didn’t help the fact tht alyssa ws struggling a lot w severe depression n rly just… not in the mindset to b dealing w anything else, even where motherhood ws concerned. bradley p much… would look after her a lot n they’d both b scared of her dad n it was just a whole unhealthy mess.

(death implied tw) anyway im rambling bt basically tony (bradley’s dad) gt wind of alyssa sleeping w men tht worked fr him n he just… got rid. bradley’s kind of worked out over the yrs tht her mum didn’t jst leave on her own accord n tht something must hav happened to her bt she’s too scared of her dad to ever directly accuse him

when her mum went all of her dad’s cruelty pretty mch got channelled straight onto her. it ws diluted between two before bt as u can probably imagine her upbringing was jst…. a steep downhill decline

(drugs implied tw) she learnt ways 2 deal w the incurring trauma bt they weren’t healthy ones at all! bsically jst. will do or take anything fr the distraction. chases a thrill like it’s the only way to remind her she’s alive. has absolutely no regard fr her own wellbeing n often gets other ppl in trouble too bc she’s so insatiably reckless

(hospitalisation tw) she hd….2 separate stints of psychiatric hospitalisation n she never tlks abt it. like ever. acknowledging she’s been vulnerable is her worst nightmare n bc of the way her dad raised her she always thinks any sign of struggling within herself is weakness. truly does…. not kno how to properly emotion

CUT TO!!!! the present. she’s currently living at the motel which is like. the least homely place she cld ever live rly but bradley loves making her life uncomfortable n doesn’t rly believe in growing sentimentally attached to anything if she cn help it <3 probably gets into arguments all the time w her neighbours it’s a whole thing.... atrocious at feeding herself has breakfasts frm the vending machine like her organs aren’t screaming fr vegetables.... plays music too loud n sometimes vanishes for days at a time without a word. she’s a lot.

i honestly feel like the murders haven’t rly phased bradley too hugely....... i won’t lie she probably genuinely is like. oh maybe it’s smthn to do w my dad. n just blinks the other way not rly that phased. on some subconscious level i think she rly just thinks........ death follows her wherever she goes n is like. this is just life for me! kind of depressing. holds her hand bt then screams n pulls away when she inevitably bites me.

PERSONALITY:

the kind of sour cherry only certain people have a taste for

once drank a bottle of whiskey, insisted she could still do a cartwheel and accidentally kicked an old man’s front tooth out in the process. proceeded 2 collapse into a flower bed and laugh so much abt it that she cried

barely takes anything seriously 50% of the time and is angry the other 50%

if she was a coffee she’d be black with five grains of sugar that you couldn’t taste until the last sip

(alcoholism tw) high functioning alcoholic. if u ever see her w a coffee cup u jst kno tht one sniff will confirm high alcohol percentage. honestly idk hw she does it her liver must b yellin

loyal to a point of fault. if she cares abt u (rare) and u murder a man in cold blood (not so rare in the broad scheme of bradley’s life) she’ll brawl anyone that says ur guilty

honestly wld probably fight a person over anything. sometimes she’ll jst be having a bad day n she’ll burst n take it out on whoever says the wrong thing. minefield!

has the worst luck in romance…. ever. ALL her past bfs hav been absolute beasts n as a result she has the ‘romance is dead n love is a lie’ mentality. definitely NOT a romantic. very cut n dry abt these things. sex is mostly just sex n she’d kind of scoff at anyone that wanted more from her

mostly wears stolen clothes from strangers and jackets that swamp her. huge chunky stomping boots with steel toe caps that would RLY bruise if they gave u a kick. hair is p much always a wild mess n she usually hs kind of smudgy/smoky makeup bcos apparently she’s allergic to combs and generally looking presentable… relatable content. the only time she rly looks put together is when she has to do something/go somewhere/see someone on behalf of her father....... he kind of uses her as a sort of. honey pot sometimes fr shit his gang get up to it’s like. not! a way u should ever utilise ur daughter but :/ i cannot stress enough how much i wna drop kick him in the neck

she’s v sarcastic. blunt. kind of has a habit of…. assessing a person n she’s quite perceptive bc she’s been trained to b by the way she always has to monitor her dad’s expression fr the slightest emotion change. she’s very confident n can p much mke a conversation out of whatever if she feels like it. independent too like she hs a bunch of (predominantly surface connection) friends bt she doesn’t care abt going out places alone n does this often. she’s probably kind of known around town bt itd b a 50/50 balance between bein known as intimidating n bein known as that one girl tht always gets into anarchy

likes: drunken snow angels that drag on so long they flirt with pneumonia, stealing cars, throwing watermelons off rooftops to watch them explode, shooting pedestrian’s with bb guns from hidden spots on rooftops.

dislikes: telling the truth, tulips so yellow it’s like they’re gloating, playing music loud enough to fry your brain and serve it on a piece of toast, going home.

PLOTS:

someone tht works at the ‘no angels’ strip club?? either as a dancer or bartender or whtever. just a forewarning it’s probably gna b a pretty….. seedy and Not That Pleasant environment bc it’s like. a crime hotspot inevitably bc it’s a gang hangout so. ur chara wld truly be in fr a rollercoaster ride to say the least

(drugs tw) she deals coke fr her dad’s gang so perhaps ur muse buys off her

anyone….. she’s brawled in the past like. she’s literally a menace i cnt express this enough. wil jst randomly throw a drink in someone’s face fr no reason bc she’s bored. she’s probably pissed off 1000 diff ppl in 1000 diff ways. the possibilities r endless n i jst think tht’s a sexy prospect!

fwbs perhaps??? exes??? (probably ws a tumultuous relationship honestly bradley is. a handful...... it’s also rly not often she ties herself down tbh so this would maybe have to b discussed/be circumstantial/kind of rare)

mayb someone tht she met at an aa meeting when she hd to go fr a court mandated thing one time after bein arrested fr public indecency. i feel like there’s probably a rly expensive statue somewhere thts fancily sculpted n she like. did a flying kick n broke the dick of it off n gt arrested fr it

ppl she……. Goes Wild Goes Crazy w. truly jst the most self destructive person alive so anyone w a similar mindset wld b a hellish bt fun combination

on the contrary a gd influence cld b nice perhaps? like someone tht genuinely cares abt her n she jst doesn’t kno hw to compute it

maybe people who r her neighbours that live at the motel too??

OH it could b fun if ur muse runs or works at a local business maybe like. a bar? idk? n bradley n ur muse have developed a rapport bc she frequents the place n is................ a Character

um. honestly the world’s our oyster. hmu n we cn brainstorm if none of tht catches ur eye!

#parkway.intro #abuse tw #death tw #drugs tw #hospitalisation tw #alcoholism tw #depression tw #i believe tht covers it...........#FLINGS this like a harpoon

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365days365movies · 3 years

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January 7: The Nice Guys (2016) (Part 1)

Wow, a contemporary movie one week in! Will wonders never cease.

Continuing the trend of action-comedies, I’m watching a more modern one today! Interestingly enough, though, The Nice Guys from 2016 has a link to yesterday’s film, Last Action Hero. And that link is one Shane Black.

These days, Black, is probably best known as the director of Kiss Kiss Bang Bang, Iron Man 3, The Predator, and of course, The Nice Guys. Along with writing all of those films, he’s also written Lethal Weapon, The Monster Squad (my faaaaaav’rit), Lethal Weapon 2, and...Last Action Hero. How’s that for a thruline, huh?

Well, it’s a 23 year gap between these two movies, so let’s see how Black’s characteristically irreverent writing and comedic styles have improved! ROLL TAPE

Recap

Misty Mountains is dead, to begin with.

Starting off with a bang, huh? I can dig it. The death of Ms. Mountains, an “adult film star” in the year 1978. brings us into an investigation led on two separate fronts. Jackson Healy (Russell Crowe) is a tough-guy-for-hire, who tends to say hello with a punch to the face. He’s hired by a young woman named Amelia (Margaret Qualley), who asks her to get rid of a couple of guys tailing her.

And who is that guy? It’s Holland March (Ryan Gosling), a sad and mildly alcoholic private detective and single father. At the bhest of Misty Mountains’ aunt, he’s investigating a sighting of the adult film star by her aunt, after her alleged death. That investigation has led to Amelia, who was last seen at that location.

Also, you see that GIF above? Of a man in a full bathtub and a nice suit? That’s the energy we’re gonna get from this movie. And again...I can dig it.

Jackson finds Holland, leading to his already characteristic greeting face-punch, alongside a beatdown, an arm break, and perhaps the greatest scream in all of cinema.

youtube

And I’m gonna front load this next comment with a spoiler alert for my opinions of this movie.

The acting in this movie is perfect. On all sides. There’s not a bad performance in the bunch, and Gosling and Crowe constantly steal the show. And the crazy thing? They aren’t even my favorite characters! They’re #2 and 3, respectively, for sure. And #1? I’ll talk about her a little later.

Jackson heads home, and he’s assaulted by Keith David (whom I adore in anything he’s in) and another thug (Beau Knapp) in his apartment. Jackson gets beaten by Knapp, who isn’t easy to describe. Too bad there isn’t a name or defining feature to him.

Ah. Blueface it is! And for the record, that’s actually how he’s credited. Anyway, these thugs are after Amelia for unknown reasons. Jackson gets loose, a firefight ensures, Blueface KILLS THE NEIGHBOR (and we NEVER REVISIT THAT), and the henchmen get away. Now Jackson’s apartment is ruined, his fish are dead (yeah, Blueface killed his fish), and he’s pissed. Wonder who can help with that?

Cut to a birthday party for Holland’s daughter, Holly March (Angourie Rice), my favorite character in the film! I adore Holland and Jackson, but Holly’s Penny-like confidence and attitude won me over very quickly. She’s definitely her father’s daughter, even if she isn’t often happy about that particular fact. Her dynamic with both characters is fantastic, and Rice is one of the best child actors I’ve seen in a good while. Although, considering last week’s entry, that isn’t necessarily difficult at the moment.

But OK, Jackson offers to pay Holland to find these thugs (and save Amelia), and Holland reluctantly agrees. And our buddy-cop-esque partnership comes together!

After “interviewing” Amelia’s protect group (who are protesting pollution by pretending to be dead on some steps) in a very funny set of exchanges, they meet Chet (Jack Kilmer), a movie projectionist and friend of Amelia’s. He tells them that her boyfriend Dean recently died in a fire. Dean made “experimental” films (read: porn...for now), and Amelia was involved in the making of one of these movies. They visit the burned house and meet this kid:

He reveals that the film was linked to Misty Mountains, and that the producer was well-known porn producer Sid Shattuck. We head to his place after that, and see a rip-roaring Great Gatsby-style party. Fake unicorns, Earth, Wind, and Fire playing (possibly, could be a cover band), and just pure ‘70s energy. By the way, the ‘70s energy is strong with this film. Atmosphere is completely suffused with the tastes of the decade. Which is funny, because I’ve said something similar for the past two films, yeah? Never mind. This one has them handily beat, when it comes to period authenticity.

Where were we? Oh, right. So, Holland goes swimming with mermaids.

He’s probably just going to question them, or something.

Holly snuck into the party (as she wants to help, like the little boss she is), and arguably does a better detective job than her dad, who’s just backflipped off of a building and lost his gun. Yup. He’s also found Amelia (sort of), along with someone else...

Wonderful shot. And Holland’s reaction is hilarious. I love this movie.

Anyway, that’s the body of Sid Shattuck (Robert Downey Jr., a common Shane Black collaborator), which means that everyone working on this one “experimental film” is dead. Well, everyone but Amelia, and Chet. Not for lack of trying, in the case of the former.

Holly’s been found out, and taken by Blueface to find out where Amelia is. And, hey, she’s right there! As Blueface fires at her, Holly closes the door on his hand, causing him to miss, and allowing both of them to escape. Meanwhile, Jackson fights Keith David at the party, and Holland...well, Holland’s drunk, in case you hadn’t figured that out. Eventually, Jackson finds Holland, they dispose of Shattuck’s body (for some reason), Amelia escapes, Blueface ends up getting hit by a car, and Holland drunk drives into a tree.

Don’t drink and drive, kids.

Jackson hears Blueface’s last threats, then, uh...puts him out of his misery. The team (including Holly, now) comes together, and the police arrive. And the plot thickens. Why?

Kim Basinger! AKA, Judith Kuttner, Amelia’s mother. Judith here works for the DoJ, and is going up against the porn industry becaus of alleged ties to the Vegas mob. Which, she believes, is why her daughter decided to be in one, as their relationship isn’t...great. Amelia, for her part, believes that her own mother wants her dead, and has hired thugs to kill her. Geez. Judith obviously denies this. To find and protect her daughter, Judith hires our intrepid duo.

And that’s a good place to pause. Be ready for Part 2!

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scturnine · 4 years

Photo

i’m making this list of plots i’ve been wanting to do along with fcs i’m down to use/want to play against. if you want to plot together, send over a dm! you can definitely like this too, but sometimes i just forget to check the notes. my about me is here and my rules are here. i’m very bored, so i’m super active at the moment. * means i really need :))

plots

* a pop star and her backup guitarist/tour manager/opening act/some sort of somebody that would be on tour. cute flirtation during rehearsals. tour bus antics. late night kisses on the balcony of a hotel room under the moonlight. paparazzi catching the loving gazes. rumors starting to swirl. just yes.

literally any musician/normal person plot pls

i want a plot where a fan sneaks into a concert by claiming s/he’s one of the band member’s girlfriends (or boyfriends) and the security asks the band member and they’re like yeah we’re dating even though they’re noT AND THEY BECOME LIKE A GROUPIE AND HOOK UP BACKSTAGE OK

muse a and muse b have been paranormal investigators for years, they spend their time speaking about the supernatural world & performing house calls. the two come face to face with a heinous haunting and it has now become their job to expel the spirits from that house. and just when they think they’re finished, they realized the spirit has followed them home.

modern bonnie and clyde x

* plot based off robbers by the 1975. 1975 robbers inspired plot with two people living off the little money they have and what they knick from the gas stations they rob. super romantic road trips, dangerous robberies, sentimental nights on their floor bed.

small musician who plays at little venues and the bartender start getting involved and have a cute romance while the musician begins to grow.

pirate captain (f) and captain of the navy (m) fall for each other after they’ve been playing cat and mouse for months when they come face to face once again and one of them is severely injured. the other helps the injured and their relationship continues to change.

two actors or musicians, one’s younger and the other is more of a veteran who’s lost their spark. the older one is increasingly jealous of the other who has been winning all the awards lately, and now they have to work together on a project like an album or movie.

* tbh i kind of want a plot based around two celebs whose characters are a ship in the show they’re on and the’ve always been really close friends, always goofing off behind the scenes and having a grand old time, and are crazy comfortable aroud each other but then the time comes where they have to do a sex scene and it’s like a revelation of “wow they’re really good looking… their hands feel so nice on my skin like this…their lips are so warm and soft… they’re good at kissing….i wonder what this would be like if it were real” and it gets really awkward/cute and they always get flustered around each other because they can’t stop thinking about it and PLEASE

please come at me with some phantom of the opera or old timey forbidden love 1800s type of shit because i live for it and i want to make edits of our eventual ships with photoshop that i just cracked. xoxo i’m a good writer i swear. my rules and about page are on my page, and i have a discord if you’d like to talk or write on there!

oh to be an aggressive hockey guy who gets into fights during matches and has to be patched up afterwords by the exasperated medic who has a soft spot for me who’s always telling me to be careful and sometimes we fight over my reckless attitude and maybe it gets heated one night and the medic yells “i care about you asshole!!” and i need to reevaluate our every single interaction

bodyguard/celeb plot

plot based off killing eve !!

1700s witch and witch hunter

* older mob boss or whatever who runs a few money laundering business falls in love with a 20-something year old bartender at one of his bars

les mis plot les mis plot les mis plot les mis plot idc WHICH CHARACTERS

any mob plot tbh i love that shit

wanted opposites

* nick o’malley

* matt healy

kendrick sampson

kian lawley

zazie beetz

dylan llewellyn

* thomas doherty

keira knightley

harry fuckin styles

gregg sulkin

victoria pedretti

luke hemmings

* oliver jackson-cohen

jack davenport

richard madden

jodie comer

james norton

jack lowden

theo james

wanted faces

courtney eaton

astrid berges-frisbey

adelaide kane

victoria pedretti

margaret qualley

zazie beetz

sydney sweeney

madison eiseman

felicity jones

probably more i’m not thinking of rn but i’m pretty chill

#1x1 #1x1 rp #rp #indie rp #plot call #— ⌜ wanted ⌟#— ⌜ plot ⌟

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grigori77 · 4 years

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2019 in Movies - My Top 30 Fave Movies (Part 2)

20. FROZEN 2 – so, another year, then, and once again Disney doesn’t QUITE manage to net the animated feature top spot on my list, but it’s not for lack of trying – this long-awaited sequel to the studio’s runaway hit musical fantasy adventure is just what we’ve come to love from the House of Mouse, but more importantly it’s a most worthy sequel, easily on a par with the much beloved origin. Not much of a surprise given the welcome return of all the key people, from directors Chris Buck and Jennifer Lee (who also once again wrote the screenplay) to composer Christophe Beck and songwriters Kristen Anderson-Lopez and Robert Lopez, as well as all the key players in the cast. It’s business as usual in the kingdom of Arendelle, where all is seemingly peaceful and tranquil, but Queen Elsa (Idina Menzel) is restless, haunted by a distant voice that only she can hear, calling to her from a mysterious past she just can’t place … and then she accidentally awakens the four elemental spirits, sending her homeland into mystical turmoil, prompting her to embark on a desperate search for answers with her sister Princess Anna (Kristen Bell), ice harvester Kristoff (Jonathan Groff), his faithful reindeer companion Sven, and, of course, living snowman Olaf (Josh Gad). Their quest leads them into the Enchanted Forest of Northuldra, a neighbouring kingdom, ruled by simple, elemental magic, that has remained cut off from Arendelle for decades, where they discover dark, hidden truths about their own family’s past and must make peace with the spirits if they’re to save their home and their people. So, typical Disney family fantasy fare, then, right? Well, Frozen 2 certainly dots all the Is and crosses all the Ts, but, like the original, this is no jaded blockbuster money spinner, packed with the same kind of resonant power, skilful inventiveness and pure, show-stopping WOW-factor as its predecessor, but more importantly this is a sequel that effectively carves out a fresh identity for itself, brilliantly taking the world and characters in interesting new directions to create something fresh, rewarding and worthwhile on its own merit. The returning cast are all as strong as ever, Menzel and Bell in particular ably powering the story, while it’s nice to see both Groff and Gad getting something new to do with their own characters too, even nabbing their own major musical numbers; there’s also a welcome slew of fresh new faces to this world, particular Sterling K. Brown (This is Us, Black Panther, The Predator) as lost Anrendelle soldier Mattias and former Brat Pack star Martha Plimpton as Yelena, leader of the lost tribe of Northuldra. Once again this is Disney escapism at its very best, a heart-warming, soul-nourishing powerhouse of winning humour, emotional power and child-like wonder, but like the first film the biggest selling point is, of course, that KILLER soundtrack, with every song here a total hit, not one dud among them, and there are even ear-worms here to put Let It Go to shame – Into the Unknown was touted as the major hit, and it is impressive, but I was particularly affected by Groff’s unashamedly full-bore rendition of Lost in the Woods, a bona fide classic rock power ballad crafted in the fashion of REO Speedwagon, while the undeniable highlight for me is the unstoppable Show Yourself, with Menzel once again proving that her incredible voice is a natural force all in itself. Altogether, then, this is an absolute feast for the eyes, the ears AND the soul, every inch the winner that its predecessor was and also EASILY one of Disney’s premier animated features for the decade. So it’s quite the runner-up, then …

19. ONCE UPON A TIME IN HOLLYWOOD – since his explosion onto the scene twenty-seven years ago with his runaway smash debut Reservoir Dogs, Quentin Tarantino has become one of the most important filmmakers of his generation, a true master of the cinematic art form who consistently delivers moving picture masterpieces that thrill, entertain, challenge and amuse audiences worldwide … at least those who can stomach his love of unswerving violence, naughty talk and morally bankrupt antiheroes and despicably brutal villains who are often little more than a shade different from one another. Time has moved on, though, and while he’s undoubtedly been one of the biggest influences on the way cinema has changed over the past quarter century, there are times now that it’s starting to feel like the scene is moving on in favour of younger, fresher blood with their own ideas. I think Tarantino can sense this himself, because he recently made a powerful statement – after he’s made his tenth film, he plans to retire. Given that OUATIH is his NINTH film, that deadline is already looming, and we unashamed FANS of his films are understandably aghast over this turn of events. Thankfully he remains as uncompromisingly awesome a writer-director as ever, delivering another gold standard five-star flick which is also most definitely his most PERSONAL work to date, quite simply down to the fact that it’s a film ABOUT film. Sure, it has a plot (of sorts, anyway), revolving around the slow decline of the career of former TV star Rick Dalton (Leonardo Dicaprio), who languishes in increasing anonymity in Hollywood circa 1969 as his former western hero image is being slowly eroded by an increasingly hacky workload guest-starring on various syndicated shows as a succession of punching-bag heavies for the hero to wale on, while his only real friend is his one-time stunt double, Cliff Booth (Brad Pitt), a former WW2 hero with a decidedly tarnished reputation of his own; meanwhile new neighbours have moved in next door to further distract him – hot-as-shit young director Roman Polanski (Rafal Zawierucha), riding high on the success of Rosemary’s Baby, and his new wife Sharon Tate (Margot Robbie). Certainly this all drives the film, along with real-life events involving one of the darkest crimes in modern American history, but a lot of the time the plot is largely coincidental – Quentin uses it as a springboard to wax lyrical about his very favourite subject and pay loving (if sometimes irreverently satirical) tribute to the very business he’s been indulging in with such great success since 1992. Sure, it’s also about “Helter Skelter” and the long shadow cast by Charles Manson and his band of murderous misfits, but this is largely incidental, as we’re treated to long, entertaining interludes as we follow Rick on a shoot as the bad guy in the pilot for the Lancer TV series, visit the notorious Spahn Ranch with Cliff as he’s unwittingly drawn into the lion’s den of the deadly Manson Family, join Robbie’s Tate as she watches “herself” in The Wrecking Crew, and enjoy a brilliant montage in which we follow Rick’s adventures in Spaghetti westerns (and Eurospy cinema) after he’s offered a chance to change his flagging fortunes, before the film finally builds to a seemingly inevitable, fateful conclusion that Tarantino then, in sneakily OTT Inglourious Basterds style, mischievously turns on its head with a devilish game of “What If”. The results are a thoroughly engrossing and endlessly entertaining romp through the seedier side of Hollywood and a brilliant warts-and-all examination of the craft’s inner workings that, interestingly, reveals as much about the Business today as it does about how it was way back in the Golden Age the film portrays, all while delivering bucket-loads of QT’s trademark cool, swagger, idiosyncratic genius and to-die-for dialogue and character-work, and, of course, a typically exceptional all-star cast firing on all cylinders. Dicaprio and Pitt are both spectacular (Brad is endearingly taciturn, playing it wonderfully close to the vest throughout, while Leo is simply ON FIRE, delivering a mercurial performance EASILY on a par with his work on Shutter Island and The Wolf of Wall Street – could this be good enough to snag him a second Oscar?), while Robbie consistently endears us to Tate as she EFFORTLESSLY brings the fallen star back to life, and there’s an incredible string of amazing supporting turns from established talent and up-and-comers alike, from Kurt Russell, Al Pacino and a very spiky Bruce Dern to Mike Moh (in a FLAWLESS take on Bruce Lee), Margaret Qualley, Austin Butler and in particular Julia Butters as precocious child star Trudi Fraser. Packed with winning references, homages, pastiches and ingenious little in-jokes, handled with UTMOST respect for the true life subjects at all times and shot all the way through with his characteristic flair and quirky, deliciously dark sense of humour, this is cinema very much of the Old School, and EVERY INCH a Tarantino flick. With only one more film to go the implied end of his career seems much too close, but if he delivers one more like this he’ll leave behind a legacy that ANY filmmaker would be proud of.

18. CRAWL – summer 2019’s runner-up horror offering marks a rousing return to form for a genre talent who’s FINALLY delivered on the impressive promise of his early work – Alexandre Aja made a startling debut with Switchblade Romance, which led to his big break helming the cracking remake of slasher stalwart The Hills Have Eyes, but then he went SPECTACULARLY off the rails when he made the truly abysmal Piranha 3D, which I wholeheartedly regard as one of THE VERY WORST FILMS EVER MADE IN ALL OF HUMAN HISTORY. He took a big step back in the right direction with the admittedly flawed but ultimately enjoyable and evocative Horns (based on the novel by Stephen King’s son Joe Hill), but it’s with this stripped back, super-tight man-against-nature survival horror that the Aja of old has TRULY returned to us. IN SPADES. Seriously, I personally think this is his best film to date – there’s no fat on it at all, going from a simple set-up STRAIGHT into a precision-crafted exercise in sustained tension that relentlessly grips right up to the end credits. The film is largely just a two-hander – Maze Runner star Kaya Scodelario plays Haley Keller, a Florida college student and star swimmer who ventures into the heart of a Category 5 hurricane to make sure her estranged father, Dave (Saving Private Ryan’s Barry Pepper), is okay after he drops off the grid. Finding their old family home in a state of disrepair and slowly flooding, she does a last minute check of the crawl-space underneath, only to discover her father badly wounded and a couple of hungry alligators stalking the dark, cramped, claustrophobic confines. With the flood waters rising and communications cut off, Haley and Dave must use every reserve of strength, ingenuity and survival instinct to keep each other alive in the face of increasingly daunting odds … even with a premise this simple, there was plenty of potential for this to become an overblown, clunky mess in the wrong hands (a la Snakes On a Plane), so it’s a genuinely great thing that Aja really is back at the height of his powers, milking every fraught and suspenseful set-piece to its last drop of exquisite piano-wire tension and putting his actors through hell without a reprieve in sight. Thankfully it’s not JUST about scares and atmosphere – there’s a genuinely strong family drama at the heart of the story that helps us invest in these two, Scodelario delivering a phenomenally complex performance as she peels back Haley’s layers, from stubborn pedant, through vulnerable child of divorce, to ironclad born survivor, while reconnecting with her emotionally raw, repentantly open father, played with genuine naked intensity in a career best turn from Pepper. Their chemistry is INCREDIBLY strong, making every scene a joy even as it works your nerves and tugs on your heartstrings, and as a result you DESPERATELY want to see them make it out in one piece. Not that Aja makes it easy for them – the gators are an impressively palpable threat, proper scary beasties even if they are largely (admittedly impressively executed) digital effects, while the storm is almost a third character in itself, becoming as much of an elemental nemesis as its scaly co-stars. Blessedly brief (just 87 minutes!) and with every second wrung out for maximum impact, this is survival horror at its most brutally, simplistically effective, a deliciously vicious, primal chill-ride that thoroughly rewards from start to finish. Welcome back, Mr Aja. We’ve missed you.

17. SHAZAM! – there were actually THREE movies featuring Captain Marvel out in 2019, but this offering from the hit-and-miss DCEU cinematic franchise is a very different beast from his MCU-based namesake, and besides, THIS Cap long ago ditched said monicker for the far more catchy (albeit rather more oddball) title that graces Warner Bros’ last step back on the right track for their superhero Universe following the equally enjoyable Aquaman and franchise high-point Wonder Woman. Although he’s never actually referred to in the film by this name, Shazam (Chuck’s Eugene Levy) is the magically-powered alternate persona bestowed upon wayward fifteen year-old foster kid Billy Batson (Andi Mack’s Asher Angel) by an ancient wizard (Djimon Hounsou) seeking one pure soul to battle Dr. Thaddeus Sivana (Mark Strong), a morally corrupt physicist who turns into a monstrous supervillain after becoming the vessel for the spiritual essences of the Seven Deadly Sins (yup, that thoroughly batshit setup is just the tip of the iceberg of bonkersness on offer in this movie). Yes, this IS set in the DC Extended Universe, Shazam sharing his world with Superman, Batman, the Flash et al, and there are numerous references (both overt and sly) to this fact throughout (especially in the cheeky animated closing title sequence), but it’s never laboured, and the film largely exists in its own comfortably enclosed narrative bubble, allowing us to focus on Billy, his alter ego and in particular his clunky (but oh so much fun) bonding experiences with his new foster family, headed by former foster kid couple Victor and Rosa Vazquez (The Walking Dead’s Cooper Andrews and Marta Milans) – the most enjoyably portions of the film, however, are when Billy explores the mechanics and limits of his newfound superpowers with his new foster brother Freddy Freeman (It Chapter 1’s Jack Dylan Glazer), a consistently hilarious riot of bad behaviour, wanton (often accidental) destruction and perfectly-observed character development, the blissful culmination of a gleefully anarchic sense of humour that, until recently, has been rather lacking in the DCEU but which is writ large in bright, wacky primary colours right through this film. Sure, there are darker moments, particularly when Sivana sets loose his fantastic icky brood of semi-corporeal monsters, and these scenes are handled with seasoned skill by director David F. Sandberg, who cut his teeth on ingenious little horror gem Lights Out (following up with Annabelle: Creation, but we don’t have to dwell on that), but for the most part the film is played for laughs, thrills and pure, unadulterated FUN, almost never taking itself too seriously, essentially intended to do for the DCEU what Guardians of the Galaxy and Ant-Man did for the MCU, and a huge part of its resounding success must of course be attributed to the universally willing cast. Eugene Levy’s so ridiculously pumped-up he almost looks like a special effect all on his own, but he’s lost none of his razor-sharp comic ability, perfectly encapsulating a teenage boy in a grown man’s body, while his chemistry with genuine little comedic dynamo Glazer is simply exquisite, a flawless balance shared with Angel, who similarly excels at the humour but also delivers quality goods in some far more serious moments too, while the rest of Billy’s newfound family are all brilliant, particularly ridiculously adorable newcomer Faithe Herman as precocious little motor-mouth Darla; Djimon Hounsou, meanwhile, adds significant class and gravitas to what could have been a cartoonish Gandalf spoof, and Mark Strong, as usual, gives great bad guy as Sivana, providing just the right amount of malevolent swagger and self-important smirk to proceedings without ever losing sight of the deeper darkness within. All round, this is EXACTLY the kind of expertly crafted superhero package we’ve come to appreciate in the genre, another definite shot in the arm for the DCEU that holds great hope for the future of the franchise, and some of the biggest fun I had at the cinema this past year. Granted, it’s still not a patch on the MCU, but the quality gap finally seems to be closing …

16. ALITA: BATTLE ANGEL – y’know, there was a time when James Cameron was quite a prolific director, who could be counted upon to provide THE big event pic of the blockbuster season. These days, we’re lucky to hear from him once a decade, and now we don’t even seem to be getting that – the dream project Cameron’s been trying to make since the end of the 90s, a big live action adaptation of one of my favourite mangas of all time, Gunnm (or Battle Angel Alita to use its more well-known sobriquet) by Yukito Kishiro, has FINALLY arrived, but it isn’t the big man behind the camera here since he’s still messing around with his intended FIVE MOVIE Avatar arc. That said, he made a damn good choice of proxy to bring his vision to fruition – Robert Rodriguez is, of course, a fellow master of action cinema, albeit one with a much more quirky style, and this adap is child’s play to him, the creator of the El Mariachi trilogy and co-director of Frank Miller’s Sin City effortlessly capturing the dark, edgy life-and-death danger and brutal wonder of Kishiro’s world in moving pictures. 300 years after the Earth was decimated in a massive war with URM (the United Republics of Mars) known as “the Fall”, only one bastion of civilization remains – Iron City, a sprawling, makeshift community of scavengers that lies in the shadow of the floating city of Zalem, home of Earth’s remaining aristocracy. Dr. Dyson Ido (Christoph Waltz) runs a clinic in Iron City customising and repairing the bodies of its cyborg citizens, from the mercenary “hunter killers” to the fast-living players of Motorball (a kind of supercharged mixture of Rollerball and Death Race), one day discovering the wrecked remains of a female ‘borg in the junkyard of scrap accumulated beneath Zalem. Finding her human brain is still alive, he gives her a new chassis and christens her Alita, raising her as best he can as she attempts to piece together her mysterious, missing past, only for them both to discover that the truth of her origins has the potential to tear their fragile little world apart forever. The Maze Runner trilogy’s Rosa Salazar is the heart and soul of the film as Alita (originally Gally in the comics), perfectly bringing her (literal) wide-eyed innocence and irrepressible spirit to life, as well as proving every inch the diminutive badass fans have been expecting – while her overly anime-styled look might have seemed a potentially jarring distraction in the trailers, Salazar’s mocap performance is SO strong you’ve forgotten all about it within the first five minutes, convinced she’s a real, flesh-and-metal character – and she’s well supported by an exceptional ensemble cast both new and well-established. Waltz is the most kind and sympathetic he’s been since Django Unchained, instilling Ido with a worldly warmth and gentility that makes him a perfect mentor/father-figure, while Spooksville star Keean Johnson makes a VERY impressive big screen breakthrough as Hugo, the streetwise young dreamer with a dark secret that Alita falls for in a big way, Jennifer Connelly is icily classy as Ido’s ex-wife Chiren, Mahershala Ali is enjoyably suave and mysterious as the film’s nominal villain, Vector, an influential but seriously shady local entrepreneur with a major hidden agenda, and a selection of actors shine through the CGI in various strong mocap performances, such as Deadpool’s Ed Skrein, Derek Mears, From Dusk Til Dawn’s Eiza Gonzalez and a thoroughly unrecognisable but typically awesome Jackie Earle Haley. As you’d expect from Rodriguez, the film delivers BIG TIME on the action front, unleashing a series of spectacular set-pieces that peak with Alita’s pulse-pounding Motorball debut, but there’s a pleasingly robust story under all the thrills and wow-factor, riffing on BIG THEMES and providing plenty of emotional power, especially in the heartbreaking character-driven climax – Cameron, meanwhile, has clearly maintained strict control over the project throughout, his eye and voice writ large across every scene as we’re thrust headfirst into a fully-immersive post-apocalyptic, rusty cyberpunk world as thoroughly fleshed-out as Avatar’s Pandora, but most importantly he’s still done exactly what he set out to do, paying the utmost respect to a cracking character as he brings her to vital, vivid life on the big screen. Don’t believe the detractors – this is a MAGNIFICENT piece of work that deserves all the recognition it can muster, perfectly set up for a sequel that I fear we may never get to see. Oh well, at least it’s renewed my flagging hopes for a return to Pandora …

15. AD ASTRA – last century, making a space exploration movie after 2001: A Space Odyssey was a pretty tall order. THIS century, looks like it’s trying to follow Chris Nolan’s Interstellar – love it or hate it, you can’t deny that particular epic space opera for the IMAX crowd is a REALLY tough act to follow. At first glance, then, writer-director James Gray (The Yards, We Own the Night) is an interesting choice to try, at least until you consider his last feature – he may be best known for understated, gritty little crime thrillers, but I was most impressed by 2016’s ambitious period biopic The Lost City of Z, which focused on the groundbreaking career of pioneering explorer Percy Fawcett, and couldn’t have been MORE about the indomitable spirit of discovery if it tried. His latest shares much of the same DNA, albeit presented in a VERY different package, as we’re introduced to a more expansive Solar System of the near future, in which humanity has begun to colonize our neighbouring worlds and is now pushing its reach beyond our own star’s light in order to discover what truly lies beyond the void of OUTER space. Brad Pitt stars as Major Roy McBride, a career astronaut whose whole life has been defined by growing up in the shadow of his father, H. Clifford McBride (Tommy Lee Jones), a true pioneer who led an unprecedented expedition to the orbit of our furthest neighbour, Neptune, in order to search for signs of intelligent life beyond our solar system, only for the whole mission to go quiet for the past sixteen years. Then a mysterious, interplanetary power surge throws the Earth into chaos, and Roy must travel farther than he’s ever gone before in order to discover the truth behind the source of the pulse – his father’s own ill-fated Lima Project … this is a very different beast from Interstellar, a much more introspective, stately affair, revelling in its glacial pacing and emphasis on character motivation over plot, but it’s no less impressive from a visual, visceral standpoint – Gray and cinematographer Hoyt van Hoytema (who, interestingly, ALSO shot Interstellar, along with Nolan’s Dunkirk and his upcoming feature Tenet) certainly make space look truly EPIC, crafting astonishing visuals that deserve to be seen on the big screen (or at the very least on the best quality HDTV you can find). There’s also no denying the quality of the writing, Gray weaving an intricate story that reveals far greater depth and complexity than can be seen at first glance, while Roy’s palpable “thought-process” voiceover puts us right into the head of the character as we follow him across the endless void on a fateful journey into a cosmic Heart of Darkness. There is, indeed, a strong sense of Apocalypse Now to proceedings, with the younger McBride definitely following a similar path to Martin Sheen’s ill-fated captain as he travels “up-river” to find his Colonel Kurtz-esque father, and the performances certainly match the heft of the material – there’s an impressive collection of talent on offer in a series of top-quality supporting turns, Jones being just the icing on the cake in the company of Donald Sutherland, Liv Tyler, John Ortiz and Preacher’s Ruth Negga, but the undeniable driving force of the film is Pitt, his cool, laconic control hiding uncharted depths of emotional turmoil as he’s forced to call every choice into question. It’s EASILY one of the finest performances of his career to date, just one of the MANY great selling points in a film that definitely deserves to be remembered as one of the all-time sci-fi greats of the decade. An absolute masterpiece, then, but does it stand tall in comparison to Interstellar? I should say so …

14. BRIGHTBURN – torpedoing Crawl right out of the water in the summer, this refreshing, revisionist superhero movie takes one of the most classic mythologies in the genre and turns it on its head in true horror style. The basic premise is an absolute blinder – what if, when he crashed in small-town America as a baby, Superman had turned out to be a bad seed? Unsurprising, then, that it came from James Gunn, who here produces a screenplay by his brother and cousin Brian and Mark Gunn (best known for penning the likes of Journey 2: the Mysterious Island, but nobody’s perfect) and the directorial big break of his old mate David Yarovesky (whose only previous feature is obscure sci-fi horror The Hive) – Gunn is, of course, an old pro at taking classic comic book tropes and creating something completely new with them, having previously done so with HUGE success on cult indie black comedy Super and, in particular, Marvel’s Guardians of the Galaxy movies, and his fingerprints are ALL OVER this one too. The Hunger Games’ Elizabeth Banks (who starred in Gunn’s own directorial debut Slither) and David Denman (The Office) are Tori and Kyle Breyer, a farming couple living in Brightburn, Kansas, who are trying for a baby when a mysterious pod falls from the sky onto their land, containing an infant boy. As you’d expect, they adopt him, determined to keep his origin a secret, and for the first twelve years of his life all seems perfectly fine – Brandon’s growing up into an intelligent, artistic child who loves his family. Then his powers manifest and he starts to change – not just physically (he’s impervious to harm, incredibly strong, has laser eyes and the ability to disrupt electronic devices … oh, and he can fly, too), but also in personality, as he becomes cold, distant, even cruel as he begins to demonstrate some seriously sociopathic tendencies. As his parents begin to fear what he’s becoming, things begin to spiral out of control and people start to disappear or turn up brutally murdered, and it becomes clear that Brandon might actually be something out of a nightmare … needless to say this is superhero cinema as full-on horror, Brandon’s proclivities leading to some proper nasty moments once he really starts to cut loose, and there’s no mistaking this future super for one of the good guys – he pulverises bones, shatters faces and melts skulls with nary a twitch, just the tiniest hint of a smile. It’s an astonishing performance from newcomer Jackson A. Dunn, who perfectly captures the nuanced subtleties as Brandon goes from happy child to lethal psychopath, clearly demonstrating that he’s gonna be an incredible talent in future; the two grown leads, meanwhile, are both excellent, Denman growing increasingly haunted and exasperated as he tries to prove his own son is a wrong ‘un, while Banks has rarely been better, perfectly embodying a mother desperately wanting to belief the best of her son no matter how compelling the evidence becomes, and there’s quality support from Breaking Bad’s Matt Jones and Search Party’s Meredith Hagner as Brandon’s aunt and uncle, Noah and Meredith, and Becky Wahlstrom as the mother of one of his school-friends, who seems to see him for what he really is right from the start. Dark, suspenseful and genuinely nasty, this is definitely not your typical superhero movie, often playing like Kick-Ass’ deeply twisted cousin, and there are times when it displays some of the same edgy, black-hearted sense of humour, too. In other words, it’s all very James Gunn. It’s one sweet piece of work, everyone involved showing real skill and devotion, and Yarovesky in particular proves he’ll definitely be one-to-watch in the future. There are already plans for a potential sequel, and given where this particular little superhero universe seems to be heading I think it could be something pretty special, so fair to say I can’t wait.

13. STAR WARS EPISODE IX: THE RISE OF SKYWALKER – wow, this one’s proven particularly divisive, hasn’t it? And I thought The Last Jedi caused a stir … say what you will about Rian Johnson’s previous entry in the juggernaut science fiction saga, while it certainly riled up the hardcore fanbase it was at least well-received by the critics, not to mention myself, who found it refreshing and absolutely ingenious after the crowd-pleasing simplicity of JJ Abrams’ admittedly still thoroughly brilliant The Force Awakens. After such radical experimentation, Abrams’ return to the director’s chair can’t help feeling a bit like desperate backpedalling in order to sooth a whole lot of seriously ruffled feathers, and I’ll admit that, on initial viewing, I couldn’t help feeling just a touch cheated given what might have been if similarly offbeat, experimentally-minded filmmaker Colin Trevorrow (Safety Not Guaranteed, Jurassic World) had stayed on board to helm the picture. Then I got home, thought about it for a bit and it started to grow on me, before a second viewing helped me to reconcile all everything that bugged me first time around, seemingly the same things that have, perversely, ruffled so many more feathers THIS TIME. This doesn’t feel like a retcon job, no matter what some might think – new developments in the story that might feel like whitewash actually do make sense once you think about them, and the major twists actually work when viewed within the larger, overarching storyline. Not that I’m willing to go into any kind of detail here, mind you – this is a spoiler-free zone, thank you very much. Suffice to say, the honour of the saga has in no way been besmirched by Abrams and his co-writer Chris Terrio (sure, he worked on Batman V Superman and Justice League, but he also wrote Argo), the final film ultimately standing up very well indeed alongside its trilogy contemporaries, and still MILES ABOVE anything we got in George Lucas’ decidedly second-rate prequels. The dangling plot strands from The Last Jedi certainly get tied up with great satisfaction, particularly the decidedly loaded drama of new Jedi Rey (Daisy Ridley) and troubled First Order Supreme Leader Kylo Ren/Ben Solo (Adam Driver), while the seemingly controversial choice of reintroducing Ian McDiarmid’s fantastically monstrous Emperor Palpatine as the ultimate big bad ultimately works out spectacularly well, a far cry from any perceived botched fan-service. Everyone involved was clearly working at the height of their powers – Ridley and Driver are EXCEPTIONAL, both up-and-coming young leads truly growing into the their roles, while co-stars John Boyega and Oscar Isaac land a pleasingly meaty chunk of the story to finally get to really explore that fantastic chemistry they teased on The Last Jedi, and Carrie Fisher gets a truly MAGNIFICENT send off in the role that defined her as the incomparable General Leia Organa (one which it’s still heartbreaking she never quite got to complete); other old faces, meanwhile, return in fun ways, from Anthony Daniels’ C-3PO FINALLY getting to play a PROPER role in the action again to a brilliant supporting flourish from the mighty Billy Dee Williams as the Galaxy-Far-Far-Away’s own King of Cool, Lando Calrissian, while there’s a wealth of strong new faces here too, such as Lady Macbeth’s Naomie Ackie as rookie rebel Jannah, Richard E. Grant as suitably slimy former-Imperial First Order bigshot Allegiant General Pryde, The Americans’ Keri Russell as tough smuggler Zorii Bliss and Lord of the Rings star Dominic Monaghan as Resistance tech Beaumont Kin. As fans have come to expect, Abrams certainly doesn’t skim on the spectacle, delivering bombastic thrill-ride set-pieces that yet again set the benchmark for the year’s action stakes (particularly in the blistering mid-picture showdown between Rey and Kylo among the wave-lashed remains of Return of the Jedi’s blasted Death Star) and awe-inspiring visuals that truly boggle the mind with their sheer beauty and complexity, but he also injects plenty of the raw emotion, inspired character work, knowing humour and pure, unadulterated geeky FUN he’s so well known for. In conclusion, then, this is MILES AWAY from the clunky, compromised mess it’s been labelled as in some quarters, ultimately still very much in keeping with the high standards set by its trilogy predecessors and EVERY INCH a proper, full-blooded Star Wars movie. Ultimately, Rogue One remains THE BEST of the big screen run since Lucas’ Original Trilogy, but this one still emerges as a Force to be reckoned with …

12. JOKER – no-one was more wary than me when it was first announced that DC and Warner Bros. were going to make a standalone, live-action movie centred entirely around Batman’s ultimate nemesis, the Joker, especially with it coming hot on the heels of Jared Leto’s thoroughly polarizing portrayal in Suicide Squad. More so once it was made clear that this WOULD NOT be part of the studio’s overarching DC Extended Universe cinematic franchise, which was FINALLY starting to find its feet – then what’s the point? I found myself asking. I should have just sat back and gone with it, especially since the finished product would have made me eat a big slice of humble pie had I not already been won over once the trailers started making the rounds. This is something new, different and completely original in the DC cinematic pantheon, even if it does draw major inspiration from Alan Moore’s game-changing DC comics mini-series The Killing Joke – a complete standalone origin story for one of our most enduring villains, re-imagined as a blistering, bruising psychological thriller examining what can happen to a man when he’s pushed far beyond the brink by terrible circumstance, societal neglect and crippling mental illness. Joaquin Phoenix delivers the performance of his career as Arthur Fleck, a down-at-heel clown-for-hire struggling to launch a career as a stand-up-comic (badly hampered by the fact that he’s just not funny) while suffering from an acute dissociative condition and terrible attacks of pathological laughter at moments of heightened stress – the actor lost 52 pounds of weight to become a horrifically emaciated scarecrow painfully reminiscent of Christian Bale’s similar preparation for his acclaimed turn in The Machinist, and frequently contorts himself into seemingly impossible positions that prominently accentuate the fact. Fleck is a truly pathetic creature, thoroughly put-upon by a pitiless society that couldn’t care less about him, driven by inner demons and increasingly compelling dark thoughts to act out in increasingly desperate, destructive ways that ultimately lead him to cross lines he just can’t come back from, and Phoenix gives his all in every scene, utterly mesmerising even when his character commits some truly heinous acts. Certainly he dominates the film, but then there are plenty of winning supporting turns from a universally excellent cast to bolster him along, from Zazie Beetz as an impoverished young mother Arthur bonds with and Frances Conroy (Six Feet Under, American Horror Story) as Arthur’s decidedly fragile mother Penny to Brett Cullen (The Thorn Birds, Lost) as a surprisingly unsympathetic Thomas Wayne (the philanthropic father of future Batman Bruce Wayne), while Robert De Niro himself casts a very long shadow indeed as Murray Franklin, a successful comedian and talk show host that Arthur idolizes, a character intentionally referential to his role in The King of Comedy. Indeed, Martin Scorsese’s influence is writ large throughout the entire film, reinforced by the choice to set the film in a 1981-set Gotham City which feels very much like the crumbling New York of Mean Streets or Taxi Driver. This is a dark, edgy, grim and unflinchingly BRUTAL film, frequently difficult to watch as Arthur is driven further into a blazing psychological hell by his increasingly stricken life, but addictively, devastatingly compelling all the same, impossible to turn away from even in the truly DEVASTATING final act. Initially director Todd Phillips seemed like a decidedly odd choice for the project, hailing as he does from a predominantly comedy-based filmmaking background (most notably Due Date and The Hangover trilogy), but he’s actually a perfect fit here, finding a strangely twisted beauty in many of his compositions and a kind of almost uplifting transcendence in his subject’s darkest moments, while his screenwriting collaboration with Scott Silver (8 Mile, The Fighter) means that the script is as rich as it can be, almost overflowing with brilliant ideas and rife with biting social commentary which is even more relevant today than in the period in which it’s set. Intense, gripping, powerful and utterly devastating, this truly is one of the best films of 2019. If this was a purely critical Top 30 this would have placed in the Top 5, guaranteed …

11. FAST & FURIOUS PRESENTS HOBBS & SHAW – summer 2019’s most OTT movie was some of THE MOST FUN I had at the cinema all year, a genuinely batshit crazy, pure bonkers rollercoaster ride of a film I just couldn’t get enough of, the perfect sum of all its baffling parts. The Fast & Furious franchise has always revelled in its extremes, subtle as a brick and very much playing to the blockbuster, popcorn movie crowd right from the start, but it wasn’t until Fate of the Furious (yup, the ridiculous title says it all) that it really started to play to the inherent ridiculousness of its overall setup, paving the way for this first crack at a new spin-off series sans-Vin Diesel. Needless to say this one fully embraces the ludicrousness, with director David Leitch the perfect choice to shepherd it into the future, having previously mastered OTT action through John Wick and Atomic Blonde before helming manic screwball comedy Deadpool 2, which certainly is the strongest comparison point here – Hobbs & Shaw is every bit as loud, violent, chaotic and thoroughly irreverent, definitely playing up the inherent comic potential at the core of the material as he cranks up the humour. Dwayne Johnson and Jason Statham take centre stage as, respectively, DSS agent Luke Hobbs and former SAS black operative Deckard Shaw, the ultimate action movie odd couple once again forced to work together to foil the bad guy and save the world from a potentially cataclysmic disaster. Specifically Brixton Lore (Idris Elba), a self-proclaimed “black superman” enhanced with cybernetic implants and genetic manipulation to turn him into the ultimate warrior, who plans to use a lethal designer supervirus to eradicate half of humanity (as supervillains tend to do), but there’s one small flaw in his plan – the virus has been stolen by Hattie Shaw (Mission: Impossible – Fallout’s Vanessa Kirby), a rogue MI6 agent who also happens to be Deckard’s sister. Got all that? Yup, the movie really is as mad as it sounds, but that’s part of the charm – there’s an enormous amount of fun to be had in just giving in and going along with the madness as Hobbs and the two Shaws bounce from one overblown, ludicrously destructive set-piece to the next, kicking plenty of arse along the way when they’re not jumping out of tall buildings or driving fast cars at ludicrous speeds in heavy traffic, and when they’re not doing that they’re bickering with enthusiasm, each exchange crackling with exquisite hate-hate chemistry and liberally laced with hilarious dialogue delivered with gleeful, fervent venom (turns out there’s few things so enjoyable as watching Johnson and Statham verbally rip each other a new one), and the two action cinema heavyweights have never been better than they are here, each bringing the very best performances of their respective careers out of each other as they vacillate, while Kirby holds her own with consummate skill that goes to show she’s got a bright future of her own. As for Idris Elba, the one-time potential future Bond deserves to be remembered as one of the all-time great screen villains ever, investing Brixton with the perfect combination of arrogant swagger and lethal menace to steal every scene he’s in while simultaneously proving he can be just as big a badass in the action stakes; Leitch also scatters a selection of familiar faces from his previous movies throughout a solid supporting cast which also includes the likes of Fear the Walking Dead’s Cliff Curtis, From Dusk Till Dawn’s Eiza Gonzalez and Helen Mirren (who returns as Deckard and Hattie’s mum Queenie Shaw), while there’s more than one genuinely brilliant surprise cameo to enjoy. As we’ve come to expect, the action sequences are MASSIVE, powered by nitrous oxide and high octane as property is demolished and vehicles are driven with reckless abandon when our protagonists aren’t engaged in bruising, bone-crunching fights choreographed with all the flawless skill you’d expect from a director who used to be a professional stuntman, but this time round the biggest fun comes from the downtime, as the aforementioned banter becomes king. It’s an interesting makeover for the franchise, going from heavyweight action stalwart to comedy gold, and it’s a direction I hope they’ll maintain for the inevitable follow-up – barring Fast Five, this is THE BEST Fast & Furious to date, and a strong indicator of how it should go to keep conquering multiplexes in future. Sign me up for more, please.

#frozen 2 #Once Upon A Time In Hollywood #crawl #crawl movie #Shazam!#Alita Battle Angel #ad astra #Brightburn #star wars the rise of skywalker #joker #joker movie #hobbs and shaw #2019 in movies

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