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#Marissa Louise
leighlew3 · 6 months
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Ayyye. Got it. 😈 @skyepatridge
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wwprice1 · 5 months
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Supergirl by Mariko Tamaki, Skylar Patridge, and Marissa Louise. Beautiful work!
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DC-RWBY #3 (2023)
DC
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cccovers · 1 year
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Catwoman #34 (October 2021) variant cover by Steve Lieber and Marissa Louise.
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smashpages · 5 months
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IDW Original ‘Golgotha Motor Mountain’ will bend minds next March
“… it’s probably the first Southern Gothic, action, sci-fi, drug-fueled body horror concoction ever made.”
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star-reyes · 1 year
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Action and Movement in Sword of Azrael #1-4
Writing: Dan Watters
Art: Nikola Čižmešija
Colors: Marissa Louise
Letters: Hassan Otsmane-Elhaou
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smillingcartoonist · 2 years
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Doom Patrol/JLA Special 1 # Cover
Clay Mann & Marissa Louise
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fromthestacks · 2 years
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Slam!: The Next Jam by Pamela Robin, Marina Julia, Marissa Louise, Brittany Peer, Jim Campbell
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graphicpolicy · 3 months
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Harriet Tubman: Demon Slayer #5 teases an origin and delivers some solid action
Harriet Tubman: Demon Slayer #5 teases an origin and delivers some solid action #comics #comicbooks
Following the collateral damage from issue #3, slave owners of the Wallace Plantation team up with a demonic entity to hunt Tubman. And a tease of Tubman’s origin! Story: David CrownsonArt: Courtland Ellis, Marissa Louise Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below. Atomic Empire
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readtilyoudie · 6 months
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SPELLS ON WHEELS VOLUME 2
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remedialreviews · 8 months
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The concept is good, the art is strong, but the story is lacking. Often, it feels like partner infidelity is given more focus than plot, which is frustrating. Character also takes a backseat. Still, a unique and refreshing spin on the legend!
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DC-RWBY #3 (2023)
DC
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englishmansdcc · 1 year
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Monomyth #1 review - Do You Believe in Magic?
Set for release in May is @MadCaveStudios' MONOMYTH #1 from @DavidTHazan, @Cecilia_LoValvo, @marissadraws, & @LetteringBear. In his review of the title @DarrenShulman says Fans of stories where a group of strangers are thrown into a mystery will like it.
Writer: David HazanPenciler/Inker: Cecilia Lo ValvoColorist: Marissa LouiseLetterer: Lucas Gattoni  Thanks to Mad Cave Studios for the review copy! Monomyth is one of those stories that throws a bunch of strangers together for mysterious reasons. In this case, those reasons have something to do with magic, which seems to be almost gone. The first issue has a lot to do, from introducing the…
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re-readingcomics · 2 years
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Comics Read 5/15-21/2022 
Continuing with things I bought last time I made an in person weekly run to the comic book store, this past week The Wilds written by Vita Ayala, main art by Emily Pearson, colors by Marissa Louise and Stelladia, and back up stories with additional art by Jessi Horadan, Chris Shehan, Isaac Goodheart, and Phillip Sevy published by Black Mask Studios. (No relation to the Amazon television series with the same name, which I am also watching) 
I bought it because of the cover, which a figure from the shoulders up wearing a bandana with a skull on it covering the lower half of the their face while the top part is dominated by some plant filled bushy looking hair. As I started reading, the coincidence of buying a comic book where a plague had led people to cover their faces whenever they go out at the start of one where masking while out would become so controversial really hit me. Reading it two years into COVID was an interesting experience. Some of it felt really prescient, particular the treatment of the runners in comparison to “essential workers” during the early days of COVID. Other parts relied on tropes that I have seen before in plague/zombie fiction, and seems a little out dated. A lot of what we are going through is dehumanizing, but generally not because of power mad scientists, who at least have understandable goals.
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Essentially, this is a zombie story, though with surprisingly little interest in the zombies. (That may change if there ever is a second arc, but thus far it appears that there isn’t.) The zombies are called either the “abominations” or the “flowers”. See,  the plague is a bacteria infection that leads to the infected also growing plants and fungi out of their body. In this way they are related to the “hungries” of M. R Carey’s The Girl with All the Gifts, its film adaptation and prequel, The Boy on the Bridge. The main female characters all have flower names, Daisy, Heather, Iris, etc. which could indicate that on some level the are closer to the “flowers” that they are trying to avoid than some of the men they work with and are betrayed by. The plot takes place long after the plague took over, so now people are concerned about the next generation, how fertility has decreased and babies who are born are highly susceptible to infection. The betraying men arrange for one of the female runners to be kidnapped so that her apparent genetic resistance to the bacterial infection can be studied. This keeps the tale from the very effective, if standard zombie fiction story beat of watching someone transform from human to zombie. Meanwhile the abominable flowers start working in hordes after mostly wandering alone for their existence. This probably would go somewhere if there was a second arc. In the back there is a section of the runners sitting around and telling stories of their craziest rides. 
I do want to praise the art for distinct character designs. They were mostly easy to tell apart characters who with good depictions of emotions. Sometime there were lines drawn over their faces that I think were for contouring, but mostly made everyone look exhausted. It was sometimes very effective for that. There was some irregularity in the depiction of facial hair, especially when the figures were at different distances from the frame. But over all I want to praise the art. The abominable flowers were especially evocative. I was generally disappointed by the book, but I still think it has promise for the creators’s future work.
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smashpages · 5 months
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Preview pages from Golgotha Motor Mountain #1 (IDW, March 2024) by writers Matthew Erman and Lonnie Nadler, artist Robbi Rodriguez, colorist Marissa Louise and letterer Hassan Otsmane-Elhaou
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theorderofthetriad · 9 months
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