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#Robert Goldman
monkpool · 3 months
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briefcasejuice · 2 years
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gazing in his eyes fr
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why-i-love-comics · 2 years
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Daredevil #2 - "The Red Fist Saga II" (2022)
written by Chip Zdarsky art by Marco Checchetto & Matthew Wilson
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lunaspidermanson · 3 months
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Father Matthew and Father Robert
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comicsiswild · 1 year
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Daredevil (2022) #2
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papermoonknight · 2 years
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Daredevil (2022) Issue 2
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captainsvscaptains · 5 months
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Battle of the Captains
Round 4 Poll 8
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Propaganda
what could I possibly say that his name doesn't already convey? He's The Dread Pirate Roberts. He does not take prisoners.
No propaganda for Elizabeth yet
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bestofcaryelwes · 4 months
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Cary as Westley in, 'The Princess Bride' (1987) ✨️
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Butch: What happened to the old bank? It was beautiful. Guard: People kept robbing it. Butch: Small price to pay for beauty.
- William Goldman, Butch Cassidy and the Sundance Kid: Screenplay (1970)
In a brilliant William Goldman script peppered with memorable lines, the first exchange sets the tone of this classic Western movie. Butch looks around a bank at closing time, chatting with the security guard as he perhaps sizes up his next job.
“What happened to the old bank? It was beautiful.” “People kept robbing it.” “That’s a small price to pay for beauty.”
Right away, Goldman establishes Butch as a charismatic mouthpiece for the quip-ready screenwriter, contrasting nicely with the Sundance Kid, Robert Redford’s taciturn sharpshooter. But he’s also created two heroes who break the western mold, neither justice-seeking white-hats nor grizzled, sneering black-hats, and not as traditionally masculine as either party. Butch is a man who appreciates beauty and art, but doesn’t have the stomach for violence; it’s not until late in the film that we (and the Kid) discover that he’s never shot a man before and he looks sickened to have to do it. He’s a pleasure-seeker above all else: robbing banks and trains are his way to make an easy living and enjoy whatever sinful freedoms his vocation affords him.
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Audiences in 1969 were all too happy to embrace the light, quippy irreverence of Butch Cassidy and the Sundance Kid after a turbulent summer, and Goldman, director George Roy Hill, and the two impossibly handsome stars made them feel cool for doing it. True Grit had performed well earlier in the year as a throwback to the genre’s past, giving John Wayne a proper victory lap, but Butch Cassidy was thoroughly modern, a star-making vehicle for Newman and Redford that reflected a need for the genre to turn the page and that feels as much of its time as it does authentic to Wyoming in the late 1890s. With Katherine Ross at the centre of a love triangle between friends, the film attempted to bring a French Jules and Jim vibe to the American mainstream, taking a lesson from the French new wave on how to revive old Hollywood craft.
It still works spectacularly well. There’s an alchemy up and down the production. Redford possesses easy charm, which parries so well with Newman’s smarts that the two would run it back again with Hill a few years later in The Sting.
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The pop doodling of Burt Bacharach’s musical score is about as far from a traditional western score as possible, but it somehow meshes with the sepia sheen of Conrad Hall’s photography, which burnishes the legend of these two men while their story is still being told. And while Goldman’s screenplay dances on the edge of glib, it’s lively and sophisticated, with a strong theme about the capitalist forces that really tamed the Wild West.
Butch Cassidy and the Sundance Kid is such a rollicking good time that it takes a while to notice it’s about the end of the line for its heroes, whose celebrity is already widespread when the film opens and ultimately hastens their demise. “Your times is over and you’re gonna die bloody,” warns a sheriff, prophetically, in an early scene, and the film is mostly about Butch and Sundance getting chased out of America by hired guns and dying at the hands of the Bolivian army. 
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They’re mostly guilty of stealing from the wrong guy: EH Harriman, the railroad tycoon, spends more trying to catch them than they rob from his safes, but it’s an opportunity for a powerful man to send a message about who’s really in charge. Guys like Butch and Sundance can handle local lawmen and half-hearted posses, but they can’t fight progress. The EH Harrimans along with the the Rockefellers, JP Morgans, and the Carnegies and of the world - the original robber barons - would make certain of that.
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monkpool · 1 month
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briefcasejuice · 1 year
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tbh zdarsky should've been exploring this lack of free will storyline with mike instead of matt. i think it would be interesting if mike was struggling to figure out if he was actually making any of his decisions or if he was perhaps wholly influenced by matt's subconsciousness, the nord stone or simply the fact that he's constantly in this limbo of trying to be as real as possible. it's actually really funny how zdarsky has developed this whole character to control the really Bad parts of matt's life now and then yet even after mike has reset reality to fit in his existence, goldy's never once mentioned mike; that just leaves so much more room for potholes which were entirely avoidable if he weren't trying to juggle as many characters as main characters as possible
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why-i-love-comics · 2 years
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Daredevil #1 - "The Red Fist Saga" (2022)
written by Chip Zdarsky art by Marco Checchetto & Matthew Wilson
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lunaspidermanson · 3 months
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Mermaid Matt and mermaid Goldy!
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comicsiswild · 2 years
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Daredevil (2022) #1
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Working Girls: An American Brothel Circa 1892, Photographs by William (Billy) Goldman (1856-1922)
From Robert Flynn Johnson’s “Working Girls” (An American Brothel, Circa 1892: The Secret Photographs of William Goldman). Gliteratti Editions, 2018
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captainsvscaptains · 5 months
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Round 2 Part 8 Poll 1
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Propaganda
what could I possibly say that his name doesn't already convey? He's The Dread Pirate Roberts. He does not take prisoners.
Crow is what's called a "spore eater", which protects her from physical harm but also causes severe dehydration. Like most spore eaters, she feels the tradeoff is not worth it, so she manipulates her crew into piracy so they'll be desperate enough to venture into the dangerous seas where the dragon Xisisrefliel lives, as Xisis is reputed to be able to "cure" spore eaters. (It turns out that the cure requires ongoing maintenance from the dragon in order to be ongoingly effective, so her plan was flawed to begin with.)
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