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#THAT WHEN SHE'S DESPERATE

demigods-posts · 9 months

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canonically, percy isn't aware of the crushes people have on him until it's too obvious to deny — like when annabeth kissed him, or when nico straight up told him. and since percy isn't aware of rachel's crush on him until the beginning of tlo, that means there was a point in time when rachel was actively trying to get with him and he had no idea. and it's not even his fault lol. he just only saw her as his good friend and just thought her advances were her being friendly. i just have to see this in action.

#percy jackon and the olympians #pjo #pjo text post #pjo headcanon #percy jackson #rachel elizabeth dare #just imagine rachel taking percy to an expensive event and holding his hand #and percy's all:#'oh my friend is probably anxious of big crowds. let me hold her hand because friends help each other in their time of need🥰'#or rachel taking any chance she gets to grab his bicep or touch his shoulder #and he's all:#'rachel is a very affectionate person. it's cool tho. so am i when i'm around people i care about. rachel is such a cool friend🥰'#i desperately need someone to write a fic or sum lol

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ipledgeawaymysanity · 4 months

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Imagine you fall in love with a god. His eyes always peer at you through your son and for his safety you give up everything. EVERYTHING. your dreams. your safety. your relationship. your potential. your love. you tolerate a horrid HORRID man and his addiction and his abuse and the pain...for him...your son. the one who smiles like the sun and has the eyes of the ocean.

AND THEN everything you have kept him away from, comes rushing for him at the bloody doorstep and not only do you have to let him go to his father's world, you also have to leave him not knowing if he'd actually stay safe...

THIS is why i loved that detail in the books that Sally was against sending Percy to camp...because she had given up everything for him. Despite all her strength and motherly love you have to admit there was also a co-dependency between them. Only she could keep Percy safe and Percy could only trust her because he was a 'problematic child'. They loved each other but it was bound by desperation too...

While the show could not express it in the detailed way the books did I still love how that tension was so palpable. Especially when she was struggling and stood in the rain listening to music...because not only does the water soothe... it hides away the tears too.

#im not staying this is a strained relationship...because it is not #but also...had percy not found a home when he did #had sally not had her space when she needed it #they would not have grown into their potentials and fates #they grew when they were away from each other tied by love #not together tied by desperation and fear #sally jackson #pjo #percy jackson #pjo show #im so sorry for the rant...but not really?? hehe #annabeth chase #percabeth #grover underwood

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thefrogdalorian · 19 days

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I was watching Chapter 15: The Believer yesterday and something stood out to me that I guess I'd never really thought about before...

When the Juggernaut is getting attacked by the Pirates, we see several shots of Din struggling without his armour. It's a new way of fighting for him and he struggles to adapt at first.

He quickly rallies and skilfully fights them off, though. But more pirates soon appear and after fighting them off, Din is thrown backwards. He sees several pirates approaching.

Din lies down in defeat, powerless to fight them off without his armour or weapons. Knowing his death is likely imminent, without hope of survival.

Instead of giving up and accepting defeat, he does not allow himself to wallow in despair and mystery. After sighing deeply he steadies himself and gets right back up:

Facing down death as the pirates approach, he does not show weakness or fear.

He doesn't allow himself to be cowardly, or dwell on his likely impending doom and the fact he has failed in his quest to rescue the child he loves so much...

Instead, Din stands there with his fists up, outnumbered and without weapons, prepared to fight to the end even in the face of certain death...

Fortunately, of course, the TIE Fighters appear to save the day and Din succeeds in his quest to rescue Grogu and, well, you know the rest.

But I think this little moment in one of the best episodes is such a good insight into his character.

Standing up with his fists clenched like that, outnumbered and hopeless but refusing to accept defeat is perhaps one of the most Mandalorian things he's ever done. Yet only a few minutes later he removes his helmet and that act leaves him rendered an apostate in the eyes of his people. Told he is a Mandalorian no more, even.

It's kind of heartbreaking because he really did not deserve to be told that. Mandalorians are proud warriors, who never give up. Being a coward is the worst insult in Mando'a, their ancient language. Here, Din showed that he is nothing of the sort.

Din Djarin is as honourable a Mandalorian as they come.

#din djarin #the mandalorian #star wars #din thoughts #din djarin brainrot #my gifs #I JUST HAVE FEELINGS ABOUT HIM I LOVE HIM SO MUCH he deserves endless forehead kisses #imagine telling this man he is no longer a mandalorian #the armorer when i cATCH YOu #jk i like her i think shes amazing and i loved her arc in season 3 #but din is so incredible #he GETS what it means to be mandalorian even though he wasn't born one and i need to hUG HIM RN ITS SICK AND TWISTED #i also desperately need sleep bc ive been busy the past two days lol but i really needed to get these thoughts out #because i lovve HIMMMMMMMM

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sawtual · 7 months

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amanda on her knees crying to john how she cant do this without him she cant succeed him she needs him. her on her knees and him sitting, looking down to her, holding her face. shes lower than him and they both see it this way its so terribly real

#AMANDA ON HER KNEES SEND TWEEEET I LOVE IT WHEN SHES SO DESPERATELY FAITHFUL #text #saw #saw x spoilers #saw x #amanda young

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tyttetardis · 3 months

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Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

#David Tennant #Macbeth #Donmar warehouse #Cush Jumbo #I messed up this recording sooooo bad #I didn't see people pull out their phones to record it so I didn't dare do that either...#and man did I get a shitty recording out of it :(#and the audio ain't great either...Craig was sitting the furthest from me and didn't have a mic so can be a bit difficult to hear at times #Cush was sitting the closest to me (not that close - I was still in second row!) and David was sitting next to her #while I didn't have a perfect frontal view - the angle I was at did mean that I still got a perfect view of David's adorable smiles <3 #and all his other lovely facial expressions as he often looked to Cush when she was talking and replied to her...#which made it FEEL like he was looking in my direction *sigh*#and he looked so good with his comfy cardigan - skin tight jeans - and his glasses!#You know I have seen David quite a few times by now - but I'm pretty sure this was the first time I saw him wearing his own glasses!#I desperately wish I had managed to capture some pictures or a video---because OMG! He was so lovely <3 #Oh didn't know there was a text limit...or that I had written this much...guess I'm continuing in a part 2

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cowlvent · 5 months

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clara reaching back into the unknown darkness for several long, agonizing seconds "i'm right please god say i'm right" AND THEN SHE IS!!!!!!!!!!!!!!!!!!!!! the core of their relationship plays out right there: clara can and will defy death, and the doctor will always save clara, even when it seems impossible. (and it's crucial that this is the first really doctor-y moment he has as twelve.) the growth and distortion of these fundamental beliefs drive the two of them to their eventual end.

#going through deep breath induced madness here on this day #that shot of her reaching out into the unknown darkness. yeah it's bouncing around my brain like a windows screensaver #something about it makes me so. like. you can physically FEEL the nothingness there and the desperation+fear she has. whew #also “i'm right aren't i say i'm right” and thats when he grabs her. Where do i even begin with that #clara oswald #twelfth doctor #twelveclara #dw #clara + dr

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