She really saw Finch bring his trophy husband as his plus one and couldn't resist complimenting him on his arm candy the way a waiter would show approval of the meal you ordered, ft. Finch's little smile and eyebrow waggle of agreement.
you know whats my favorite part about this scene.... its how will notices that mike is upset, and sits next to him but he doesnt even ask whats wrong. he doesnt have to. just his presence makes mike feel comfortable enough opening up to him.
he sits next to mike for just a few seconds and thats enough to lead mike into telling him whats wrong and explaining what is going on.... and you know how much of a big deal it is to get MIKE WHEELER, #1 bottler of emotions, to open up??? that easily???? he feels so safe with will that he doesnt hesitate to share with him his doubts and worries, even when he struggles so much to do so with literally anyone else
mike and will truly understand each other so much that they dont even need words and that means so much to me
steve, robin, chrissy, and nancy starting a band together. each have their own kind of more classical musical training with robin being in marching band and steve, chrissy, and nancy all having Rich People Music Lessons as children, but everyone's shocked when they decide to turn that talent towards a punk band called Baby and the Girls
and they start off kind of small, with their Gimmick being the disconnect between their more prep/normie visual aesthetic and the angry, violent tone of their music. steve's the singer (he has a lovely voice, kind of warm and croony until he really starts screaming), chrissys the drummer (she's so tiny you can barely see her behind that thing), nancys the bassist (solid, dependable, gets a little smile on her face whenever she's got a particularly sexy baseline bc she knows the bass is what makes a song a fuck song), and robins on guitar (and keyboard, and violin, and one time an accordion which is still her favourite song to perform. basically whatever other instrument the song calls for she's got it)
and they get kind of a following not just for their angry music criticising the government and society and the like, but also because of how unabashedly queer they are. chrissy/nancy/robin have all visibly flirted with each other during concerts and no one's quite sure what the deal is there. steve performs like 75% of their shows in full drag as Baby (hence the band name) and winks flirtatiously at both male and female audience members alike
eventually they get Real Big, and get signed to an actual record label. despite knowing how queer they were before signing them, it's still like the early 90s so the label makes them tone it down a bit. song lyrics get a little more ambiguous (but not if you actually like. listen to them. i mean steve sings about eating a wide variety of fruits and vegetables in a way that like. We All Know What The Peach Is Steven), steve's not allowed to perform in drag anymore (although he does lose a suspicious amount of bets whose forfeits 'force' him to perform in a dress. new fans are baffled at how bad this guy is at bets), and the band name has to change, becoming Stevie and the Girls (the label wanted it to just be 'steve' but they compromised)
and over the course of their career, at some point they end up on a talk show with the Other Band From Hawkins, corroded coffin. the host is clearly angling for a punk/metal standoff, maybe Known Non-conformist eddie munson will call them posers for wearing so many pastel colours, or since everyone knows that steve chris and nancy at least used to be pretty popular in high school maybe there's some lasting high school drama to up their ratings
and yeah, their ratings skyrocket for that episode, but only bc steve and eddie reveal they've been dating since 1987
oh my god jrwi sounds so penis smp sometimes. just thought the phrase “the jrwi heart transplant scene” and was thrown back to shittypenis in the electric chair
Since @same-shit-different-century is probably in the middle of her OotP re-read by now, i'm suddenly remembering my favourite Hermione quote of all times
i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3
You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.
But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!
Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title
Sorry what’s up w the Ethan slater stuff? I know him only from your posts / SpongeBob stuff
HI HELLO please buckle in
yep -- the same guy from the spongebob musical, and my posts abut the spongebob musical.
he blew up completely and now the general public knows him as 'ariana grande's new boyfriend' - their relationship seems to have started off the back of co-starring in the upcoming wicked musical film adaptation.
it's just been like. a monkey's paw curling sort of a way for him to get catapulted to fame, as i had always really enjoyed him as a performer (as spongebob, yes, but also in the other roles i'd seen him in,) and my biggest hope back around 2017 was that he would continue in and be really successful in theatre, get a lot of broadway roles, maybe take on some existing parts i thought he'd really suit, like seymour in little shop or ogie in waitress.......... but instead he booked the role of boq from wicked in a massive hollywood film production instead, where he met ariana grande. THE ariana grande.
and then yeah. at some point, he and grande broke up with their respective partners, (slater leaving both his wife AND newborn son) jumped into a new relationship, and now the whole wider internet knows who he is but certainly not for the right reasons.
there's been speculation regarding whether or not grande and slater had cheated on their previous partners before their relationship began with various sources coming out of the woodwork saying "yes they did" and others saying "no they didn't" -- humans are all perfectly capable of making stuff up, the media especially, so i simply don't know who to trust and i admit it had completely shattered my whole good impression of him - PLUS it gave the wider internet an absolutely awful first impression of him, resulting in, yeah, the (frankly, unflattering, sometimes downright cruel) memes of him popping up on twitter and, as i discovered yesterday, in non-theatre youtubers' videos who would literally never have heard of him if not for the slater-grande romance 🥲
FULL COVERAGE of the situation as it was happening can all be found on the lovely @notasimpleslater's blog under the tag 'ozgate' if you want to delve deeper!
What I feel for Alabaster is the same as what I feel for Percy and Nico.
I love them. But, before I give them even a scintilla of happiness, I have to subject them to the most excruciating pain I can possibly think of at the time of writing.
The plans I have for Hecate's son - how I plan to hurt him emotionally and scar his very being by making him face the ghosts of his past while dealing with things of the present... 🤌
if S3 doesn't give us significantly more Colin scenes, it'll be a failure
Colin is completely underdeveloped as a character. He has gotten just about 0 POV. All we know about him is either filtered through Penelope or in an ensemble scene with everyone else. And at this point, even if S3 is half and half, it still won't be fair. To balance out the discrepency, it should at *least* be 75% Colin and maaaaaaaaybe 25% Pen because we've gotten nothing for him
I ship Polin, I like Pen, but I'm over getting Pen's POV all the time. We've had enough of it. We've certainly had an unfair amount of it in comparison to his. I'm sick of seeing all the Whistledown behind the scenes and all her quiet contemplative moments when Colin doesn't so much as get 5 minutes focused on him being on the boat, or on his travels, writing his letters or talking through a problem to himself.
I love Colin. He's my absolute favorite character. And it sucks to have a favorite character who is *supposed* to be a lead but has had a grand total of nothing. Bton stripped him of character qualities and threw them onto Benedict, gave Colin like 5 lines, and filtered near all his 'development' through Penelope. Aside from his 'everyone says that [I'm Daphne's favorite]', our literal second scene of Colin is through Penelope's eyes. Everything he says, everything he does: it's always through Penelope's eyes. And I'm over it. I wanna see the world through *Colin's* eyes. And it would only deepen the narrative if we do.
Listen, the directors and showrunners have called Colin 'stupid' or 'dim' or 'not smart enough for Penelope'. The fandom has been rather blatant with their disregard of him, calling him boring, that he's not leading man material, writing him as a cardboard cutout in fics, assuming he's an empty charmer (hmmmm, just like what he's upset about in the books), and it's all because he's been denied a narrative. Colin is a rich, nuanced character. He's funny, he's kind, he's compassionate, he rejects toxic masculinity, he's got imposter syndrome like nothing else, he has a very unique role in his family and experienced a very unique perspective after his father died, he has hobbies (writing, boxing, fencing, studying, traveling) and strong values. But we've barely gotten any of it. Sure, we're *told* some things about him, but we never *see* it.
So if S3 is going to be his time to shine, his season, his falling arse over elbow in love era, they *have* to give us his perspective, and I don't fucking want it all to be his perspective about Pen. I am *tired* of Colin as an extension of Penelope. Penelope has had so much room and time and care to be a character on her own. Colin has gotten nothing. And that kind of dynamic does not a good love story make. And if all that underdevelopment wasn't to pull an Uno Reverse on us and give us a season that focuses on him and builds him up, what was it even for?
As I'm writing little practice excerpts for my oc projects I realize that before I can even think of making anything truly cohesive I need to properly plan out a timeline. One exists in my head of course but I need to iron out the creases. Does anyone know any good websites for making timelines like this?
tbh i don’t even think miguel’s breakdown rant about miles’ existence as “anomaly” spiderman causing the death of 1610 peter is even about peter, or even quite abt miles. it’s about the idea that somehow 1610 peter could’ve shut down the collider if it weren’t for miles, even though miles’ presence didn’t actually affect peter’s death in any way. it’s about the idea that peter could’ve prevented a reality - that is, anomalies getting slingshotted throughout the multiverse - that miguel feels like he’s buckling under the emotional burden of (”And all this time, I have been the only one holding it all together!”). But even that’s not quite it, it’s about the fact that Miguel has been sitting on the resentment of feeling like he’s utterly alone in this burden, when in reality he’s not. When he created a structure designed to help share that burden between people who should understand it the most. But he won’t - can’t - ask for help bearing the emotional burden because it’s not even quite about the anomalies, it’s about Gabriella. But you deserve to suffer for it, you deserve to hurt. You dwell and grieve her and a mistake you won’t forgive youself for over and over again, all while hiding away and refusing to confide in the people who care about you how badly you’re spiraling, all while a part of you resents them for not knowing, even as they couldn’t know.