#alexander abingdon

[yesterdaysprint]

Bigger & Better Boners, Alexander Abingdon, 1952

#1950s #history #midcentury #historic #vintage #malapropism #1952 #alexander abingdon #benjamin franklin #teachblr #teachers

[blackswaneuroparedux]

The principal purpose of politics is the evolution and maintenance of a securely established ruling class with a justified sense of its own honourable superiority.

- Sir Peregrine Worsthorne, ex-editor of the Sunday Telegraph

RIP. 22 Dec 1923- 4 Oct 2020

He was one of the most distinguished and outspoken editors of recent times – he worked at the Daily Telegraph between 1953 and 1961 and for 28 years at the Sunday Telegraph between 1961 and 1989, spending five years as deputy editor and three as editor. He was knighted in 1991.

He was widely considered among the most unpredictable and provocative columnists of his generation, as well as the most stylish. He was lauded as a fearless contrarian and an entirely original thinker. He saw himself as a romantic reactionary.

Born in Chelsea, London, on December 22, 1923, was the younger son of General Alexander Lexy Koch de Gooreynd, a Belgian banker who had served his country in World War One.

His mother was Priscilla Reyntiens, a London councillor and board member and supporter of mental health institutions, who was the granddaughter of the 12th Earl of Abingdon.

His parents separated when he was six and he scarcely saw his father again. His mother later married Montagu Norman, the then governor of the Bank of England. Norman couldn’t relate to children and so they put in a separate house with servants and butler on hand. 

He was educated at Stowe and not Eton, much to his chagrin. He claimed he he was seduced into a sexual tryst by George Melly, the jazz musician (a charge he denied) and he despised the common boys who were bright but had no social manners (talking about ‘mum and dad’).

He then went on to Peterhouse, Cambridge where he studied under great conservative and Christian historian, Herbert Butterfield. At Peterhouse he became part of small but influential High Tory intellectuals alongside Maurice Cowling and Herbert Butterfield.

The war interrupted his studies. Wortsthone was commissioned into the Oxford and Buckinghamshire Light Infantry, when he wanted to go into the Guards regiment. Another disappointment. But at least he had the benefit of also being educated at Oxford when recovering from an injury, under CS Lewis at Magdalen College.

He served well during the war. He took part in Operation Phantom during the Allied campaign in Italy and he served with and made firm friends with the future conservative philosopher Michael Oakeshott and Hollywood actor David Niven.

Unlike his close conservative friends Maurice Cowling and Michael Oakeshott, he didn’t go into academia but journalism.

During his time at the Telegraph, Mr Worsthorne, a life-long Conservative supporter, showed support for a return to colonisation, mourned the decline of the British Empire and was criticised for his views on homosexuality. He spoke favourably of Senator Joe McCarthy, Rhodesia’s Ian Smith, President Nixon, and Chile’s General Pinochet. 

He wrote an editorial piece in 1982 criticising politician Roy Jenkins for his tolerance of 'queers' and clashed with Sir Ian McKellen during a BBC Radio Three debate - prompting the actor to announce that he was gay.

He also clashed with Andrew Neil, then the editor of the Sunday Times, after he wrote a column comparing modern editors to playboys - which centred on Mr Neil's relationship with former Miss India, Pamella Bordes.

It was essential not to take Worsthorne too seriously, because he delighted in mischief-making and wilful provocation – one of his targets for remorseless ridicule was Andrew Neil, when Neil edited the abrasively Thatcherite Sunday Times. He ended up suing Worsthorne, who was famous for his silk shirts and Garrick Club lunches, for libel; he was awarded damages of £1, the then cover price of the Sunday Times.

“I wrote that in the old days editors of distinguished Sunday papers could be found dining at All Souls, and something must have changed when they’re caught with their trousers down in a nightclub,” Worsthorne told me when we met recently. “I had no idea he was going to sue. I was teasing. I occasionally run into him and we smile at each other, so it’s all forgotten and forgiven.”

He was deliciously contrarian. Worsthorne admired Thatcher and believed that the “Conservatives required a dictator woman” to shake things up, though he was not a Thatcherite and denounced what he called her “bourgeois triumphalism”. He expresses regret at how the miners were treated during the bitter strike of 1984-85. “I quarrelled with her about the miners’ strike, and the people she got around her to conduct it were a pretty ropey lot.”

In contrasrt to the modern Conservative Party he was pro-EU and increasingly felt the magic of old England was being lost that was leading Scotland to leave the Union, “What’s happening is part of the hopelessness of English politics. It’s horrible. I can’t think why the Scots would want to be on their own but it might happen. The youth will vote [for independence]. This is part of my central theme: the Scots no longer think it’s worthwhile belonging to England. The magic of England has gone – and it’s the perversity of the Tory party to want to get us out of the European Union when of course we’re much more than ever unlikely to be able to look after ourselves as an independent state because of the quality of our political system.

He was scathing of the modern bourgeois Brexiteers, “The people who want to get us out are obviously of an undesirable kind. That the future should depend on [Nigel] Farage is part of the sickness. I mean the real horror is for him to have any influence at all. And when you think of the great days of the Labour Party, the giants who strode the stage – famous, lasting historical figures, some of them: Healey, Attlee, who was probably the greatest, [Ernest] Bevin. I’m well aware that Labour in the good days produced people who were superior.”

Even after retiring from journalism he remained a staunch defender of the aristocracy in public life, “I’ve always thought the English aristocracy so marvellous compared to other ruling classes. It seemed to me that we had got a ruling class of such extraordinary historical excellence, which is rooted in England almost since the Norman Conquest....Just read the 18th-century speeches – the great period – they’re all Whig or Tory, but all come from that [the aristocracy]. If they didn’t come directly from the aristocracy, they turned themselves very quickly into people who talk in its language. Poetic. If you read Burke, who’s the best in my view, it’s difficult not to be tempted to think what he says has a lot of truth in it . . .”

RIP Perry. The last of the great High Tory titans.

#peregrine worsthorne #worsthorne #quote #british #icon #journalism #politics #british politics #society #culture #aristocracy #nobility #conservative #toryism #high tory

[usedcarheaven]

Edmund Crouchback (1245 – 1296),1st Earl of Lancaster, Leicester, and Derby was a member of the House of Plantagenet. He was the second surviving son of King Henry III of England and Eleanor of Provence.The monument inside of Westminster Abbey is attributed to Alexander of Abingdon or Michael of Canterbury and was probably constructed between 1296 and 1301.

[paintmug]

A little mixed media piece based on a sculpture I saw in the V & A of Queen Eleanor of Castile by Alexander of Abingdon. 

#art #my art #mixed media #mixed media art #gouache #oil pastel #coloured pencil

[lady-rian]

Five Days Before:

((Mood))

Earlier in the morning, Rian had made the journey up to a nearby overlook with a group of guards and wagons. Through the morning the pyre was built, heavy spruce logs had been cleaned and stacked. Alexander's wife, dressed in elegant lace robes, her hair had been washed and done with little forget-me-knot flowers braided through. Around the bottom of the pyre were bushels of wildflowers native to the Duchess' home. The cliff side looked over the late blooms of Ravenshollow's valley surrounded by the mountains of Alterac. 

After placing a bouquet carefully in the Duchess' hands, Rian stepped back looking over the last details through glassy eyes. For the sadness that came with such a day, the small touches and view were one befitting of royalty. With all that transpired in the world with turmoil and war, Rian made a point to see that the last memories of Isabella would be a beautiful one. As the day drew on, those who wished to pay their respects would arrive, they might note in the distance on the opposite side of the valley a rainbow begin to take shape.

All was calm in the keep, almost eerily so, after the family returned form the mountainside funeral pyre. The following morning half the forces would march to meet the King’s call. With the details falling into place, the Countess paced the halls unable to sleep. A small cry let off from within the nursery. The sound came with the weight of guilt and purpose. “I’m here, Sister Abingdon,” she announced. turning the corner as she entered the room. Rian moved to take up the small babe from the priestess. 

For the moment she was glad the woman couldn’t see the concern that riddled her features. “She’ll be fine, my Lady. You’ve my word.” Came Sahirra’s comfort. 

(( @house-kestavin​ @thaylynnkestavin​ @alexkestavin​ For mentions and pertinent. Apologies for the delay in story writing/posts been out of town the last week. Hoping to get caught up soon! ))

The intuition brought a side eye from Rian, who set to pacing the room and running a hand over Serenity’s back. “I’ve no doubt in that.” was the hushed response between hummed breaths of a quiet lullaby. The words were not entirely honest. It wasn’t the first time Rian had marched to heed a King’s call. Yet the weight of the building war and knowing the Banshee Queen held no limits held the subtle fear in place. Even in prayer, the Light seemed harder and harder to reach.

Forcing a smile, Rian laid the babe back to rest cradled in her arm. Her free hand giving a gentle caress over the soft plush of the child’s cheek. Rian’s whole world rested in the child’s deep blue orbs. While fear held, it was Serenity’s gaze that truly brought her comfort and courage. In those eyes the weight of the battle to come seemed less daunting and all the more necessary. “I’ll be home before you know it, dear one.” 

Once Serenity was calm once more, Rian placed a kiss to her brow and settled her into the bassinet. The priestess rose from her seat to take her leave with the careful caress across the Countess’ shoulders on the way out. Before she made it to the end of the hall, the soft sound of a lullaby on an old violin began to emanate from the nursery. For what remained of the evening, for what little time was left before the march, it would be cherished in quiet celebration of life, and family.

#House Kestavin #Ravenshollow #Rian Kestavin #Serenity Kestavin #BFA prestory #Night before they March.

[magica-pseudoacademica]

Italy

Last edited 2018-07-12

Articles

* Herzig, Tamar. “The Demons and the Friars: Illicit Magic and Mendicant Rivalry in Renaissance Bologna.” Renaissance Quarterly 64, no. 4 (2011): 1026-1058.

* --. “Witches, Saints, and Heretics: Heinrich Kramer’s Ties with Italian Women Mystics.” Magic, Ritual, and Witchcraft 1, no. 1 (2006): 24-55.

* Nelide, Romeo, Olivier Gallo, and Giuseppe Tagarelli. “From Disease to Holiness: Religious-based health remedies of Italian folk medicine (XIX-XX century).” Journal of Ethnobiology and Ethnomedicine 11, no. 50 (June 2015).

Chapters

Burke, Peter. “Witchcraft and Magic in Renaissance Italy: Gianfrancesco Pico and His Strix.” In The Damned Art: Essays in the Literature of Witchcraft, edited by Sydney Anglo, 32-52. Abingdon: Routledge, 2011.

* Herzig, Tamar. “Stigmatized Holy Women as Female Christs.” In Archivio italiano per la storia della pietà 23, edited by Gábor Klaniczay, 149-174. Rome: Edizioni di Storia e Letteratura, 2013.

Lopasic, Alexander. “Animal Lore and the Evil-eye in Shepherd Sardinia.” In Animals in Folklore, edited by J. R. Porter and W. M. S. Russell, 59-69. Cambridge, Ipswich, and Totowa: D. S. Brewer and Rowman & Littlefield, 1978.

* Vaz da Silva, Francisco. “Fairy-Tale Exchanges.” In Interactions: Centuries of Commerce, Combat, and Creation, Temporary Exhibition Catalogue, edited by Costanza Itzel and Christine Dupont, 177-182. Luxembourg: Publications Office of the European Union, 2017.

* Weinstein, Roni. “Kabbalah and Jewish Exorcism in Seventeenth-Century Italian Jewish Communities: The Case of Rabbi Moses Zacuto.” In Spirit Possession in Judaism: Cases and Contexts from the Middle Ages to the Present, edited by Matt Goldish, 237-256. Detroit, MI: Wayne State University Press, 2003.

Journals

* FOLD&R

#reference

[the-met-art]

Virgin and Child by Alexander of Abingdon, Medieval Art

Medium: Caen Limestone

Purchase, Edward J. Gallagher Jr. Bequest, in memory of his father, Edward Joseph Gallagher, his mother, Ann Hay Gallagher, and his son, Edward Joseph Gallagher III; and Caroline Howard Hyman Gift, 2003 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/474389

#arthistory #themet #alexanderofabingdon #metmuseum #MedievalArt

[didanawisgi]

A Divine Council is an assembly of deities over which a higher-level god presides.

Contents

1Historical setting

2Archaic Sumerian

3Akkadian

4Old Babylonian

5Ancient Egyptian

6Babylonian

7Caananite

8Hebrew

9Chinese

10Celtic

11Ancient Greek

12Ancient Roman

13Norse

14See also

15References

16External links

Historical setting

The concept of a divine assembly (or council) is attested in the archaic Sumerian, Akkadian, Old Babylonian, Ancient Egyptian, Babylonian, Caananite, Israelite, Celtic, Ancient Greek and Ancient Roman and Nordic pantheons. Ancient Egyptian literature reveals the existence of a "synod of the gods". Some of our most complete descriptions of the activities of the divine assembly are found in the literature from Mesopotamia. Their assembly of the gods, headed by the high god Anu, would meet to address various concerns.[1] The term used in Sumerianto describe this concept was Ukkin, and in later Akkadian and Aramaic was puhru.[2]

Archaic Sumerian

One of the first records of a divine council appears in the Lament for Ur, where the pantheon of Annunaki is led by An with Ninhursag and Enlilalso appearing as prominent members.[3]

Akkadian

The divine council is led by Anu, Ninlil and Enlil.[4]

Old Babylonian

In the Old Babylonian pantheon, Samas (or Shamash) and Adad chair the meetings of the divine council.[4]

Ancient Egyptian

The leader of the Ancient Egyptian pantheon is considered to either be Thoth or Ra, who were known to hold meetings at Heliopolis (On).[5][6]

Babylonian

Marduk appears in the Babylonian Enûma Eliš as presiding over a divine council, deciding fates and dispensing divine justice.[7]

Caananite

Texts from Ugarit give a detailed description of the structure of the divine council, where El and Ba'al are presiding gods.[8]

Hebrew

The Council of Gods, Giovanni Lanfranco (1582–1647), Galleria Borghese

Loggia di Psiche, ceiling fresco by Raffael and his school (The Council of The Gods), Villa Farnesina, Rome, Italy, by Alexander Z., 2006-01-02

In the Hebrew Bible, there are multiple descriptions of Yahweh presiding over a great assembly of Heavenly Hosts. Some interpret these assemblies as examples of Divine Council:

"The Old Testament description of the 'divine assembly' all suggest that this metaphor for the organization of the divine world was consistent with that of Mesopotamia and Canaan. One difference, however, should be noted. In the Old Testament, the identities of the members of the assembly are far more obscure than those found in other descriptions of these groups, as in their polytheisticenvironment. Israelite writers sought to express both the uniqueness and the superiority of their God Yahweh."[1]

The Book of Psalms (Psalm 82:1), states "God (אֱלֹהִ֔ים elohim) stands in the divine assembly (בַּעֲדַת-אֵל ); He judges among the gods (אֱלֹהִ֔ים elohim)" (אֱלֹהִים נִצָּב בַּעֲדַת־אֵל בְּקֶרֶב אֱלֹהִים יִשְׁפֹּט). The meaning of the two occurrences of "elohim" has been debated by scholars, with some suggesting both words refer to YHWH, while others propose that God rules over a divine assembly of other Gods or angels.[9] Some translations of the passage render "God (elohim) stands in the congregation of the mighty to judge the heart as God (elohim)"[10] (the Hebrew is "beqerev elohim", "in the midst of gods", and the word "qerev" if it were in the plural would mean "internal organs"[11]). Later in this Psalm, the word "gods" is used (in the KJV): Psalm 82:6 - "I have said, Ye [are] gods; and all of you [are] children of the most High." Instead of "gods", another version has "godlike beings",[12] but here again, the word is elohim/elohiym (Strong's H430).[13] This passage is quoted in the New Testament in John 10:34.[14]

In the Books of Kings (1 Kings 22:19), the prophet Micaiah has a vision of Yahweh seated among "the whole host of heaven" standing on his right and on his left. He asks who will go entice Ahab and a spirit volunteers. This has been interpreted as an example of a divine council.

The first two chapters of the Book of Job describe the "Sons of God" assembling in the presence of Yahweh. Like "multitudes of heaven", the term "Sons of God" defies certain interpretation. This assembly has been interpreted by some as another example of divine council. Others translate "Sons of God" as "angels", and thus argue this is not a divine council because angels are God's creation and not deities.

"The role of the divine assembly as a conceptual part of the background of Hebrew prophecy is clearly displayed in two descriptions of prophetic involvement in the heavenly council. In 1 Kings 22:19-23... Micaiah is allowed to see God (elohim) in action in the heavenly decision regarding the fate of Ahab. Isaiah 6 depicts a situation in which the prophet himself takes on the role of the messenger of the assembly and the message of the prophet is thus commissioned by Yahweh. The depiction here illustrates this important aspect of the conceptual background of prophetic authority."[15]

Chinese

In Chinese theology, the deities under the Jade Emperor were sometimes referred to as the celestial bureaucracy because they were portrayed as organized like an earthly government.

Celtic

In Celtic mythology, most of the deities are considered to be members of the same family - the Tuatha Dé Danann. Family members include the Goddesses Danu, Brigid, Airmid, The Morrígan, and others. Gods in the family include Ogma, the Dagda, Lugh and Goibniu, again, among many others. The Celts honoured many tribal and tutelary deities, along with spirits of nature and ancestral spirits. Sometimes a deity was seen as the ancestor of a clan and family line. Leadership of the family changed over time and depending on the situation. The Celtic deities do not fit most Classical ideas of a "Divine Council" or pantheon.

Ancient Greek

Zeus and Hera preside over the divine council in Greek mythology. The council assists Odysseus in Homer's Odyssey.[16]

Ancient Roman

Jupiter presides over the Roman pantheon who prescribe punishment on Lycaon in Ovid's Metamorphoses, as well as punishing Argos and Thebes in Thebaid by Statius.[17]

Norse

There are mentions in Gautreks saga and in the euhemerized work of Saxo Grammaticus of the Norse gods meeting in council.[18][19][20] The gods sitting in council in their judgment seats or "thrones of fate" is one of the refrains in the Eddic poem "Völuspá"; a "thing" of the gods is also mentioned in "Baldrs draumar", "Þrymskviða" and the skaldic "Haustlöng", in those poems always in the context of some calamity.[21] Snorri Sturluson, in his Prose Edda, referred to a daily council of the gods at Urð's well, citing a verse from "Grímnismál" about Thor being forced through rivers to reach it.[22][23] However, although the word regin usually refers to the gods, in some occurrences of reginþing it may be simply an intensifier meaning "great", as it is in modern Icelandic, rather than indicating a meeting of the divine council.[24]

See also

Sons of God

War in Heaven

References[edit]

^ Jump up to:a b Sakenfeld, Katharine ed., "The New Interpreter's Dictionary of the Bible" Volume 2, pg 145, Abingdon Press, Nashville.

Jump up^ Freedman, David N. ed., "The Anchor Bible Dictionary" Volume 2 pg 120, Doubleday, New York

Jump up^ E. Theodore Mullen (1 June 1980). The divine council in Canaanite and early Hebrew literature. Scholars Press. ISBN 978-0-89130-380-0. Retrieved 25 September 2012.

^ Jump up to:a b Leda Jean Ciraolo; Jonathan Lee Seidel (2002). Magic and Divination in the Ancient World. BRILL. pp. 47–. ISBN 978-90-04-12406-6. Retrieved 25 September 2012.

Jump up^ Virginia Schomp (15 December 2007). The Ancient Egyptians. Marshall Cavendish. pp. 71–. ISBN 978-0-7614-2549-6. Retrieved 25 September 2012.

Jump up^ Alan W. Shorter (March 2009). The Egyptian Gods: A Handbook. Wildside Press LLC. pp. 42–. ISBN 978-1-4344-5515-4. Retrieved 25 September 2012.

Jump up^ Leo G. Perdue (28 June 2007). Wisdom Literature: A Theological History. Presbyterian Publishing Corp. pp. 130–. ISBN 978-0-664-22919-1. Retrieved 25 September 2012.

Jump up^ Mark S. Smith (2009). The Ugaritic Baal Cycle. BRILL. pp. 841–. ISBN 978-90-04-15348-6. Retrieved 25 September 2012.

Jump up^ Michael S. Heiser. "Divine Council 101: Lesson 2: The elohim of Psalm 82 – gods or men?" (PDF).

Jump up^ ""Psalms 82:1"".

Jump up^ HamMilon Hechadash, Avraham Even-Shoshan, copyright 1988.

Jump up^ "godlike beings, in JPS 1917". Retrieved 18 March 2013.

Jump up^ "Psalm 82:6 KJV with Strong's H430 (elohim/elohiym)". Retrieved 18 March 2013.

Jump up^ "John 10:34". Retrieved 18 March 2013.

Jump up^ Freedman, David N. ed., "The Anchor Bible Dictionary" Volume 2 pg 123, Doubleday, New York

Jump up^ Bruce Louden (6 January 2011). Homer's Odyssey and the Near East. Cambridge University Press. pp. 17–. ISBN 978-0-521-76820-7. Retrieved 25 September 2012.

Jump up^ Randall T. Ganiban (8 February 2007). Statius and Virgil: The Thebaid and the Reinterpretation of the Aeneid. Cambridge University Press. pp. 54–. ISBN 978-0-521-84039-2. Retrieved 25 September 2012.

Jump up^ John Lindow (2002) [2001]. Norse Mythology: A guide to the Gods, Heroes, Rituals and Beliefs. Oxford, New York: Oxford University Press. p. 26. ISBN 9780195153828.

Jump up^ Viktor Rydberg (1907) [1889]. Teutonic Mythology. 1 Gods and Goddesses of the Northland. Translated by Rasmus B. Anderson. London, New York: Norroena Society. pp. 210–11. OCLC 642237.

Jump up^ Samuel Hibbert (1831). "Memoir on the Tings of Orkney and Shetland". Archaeologica Scotica: Transactions of the Society of Antiquaries of Scotland. 3: 178.

Jump up^ Ursula Dronke (2001) [1997]. The Poetic Edda (her translation of rǫkstólar). 2 Mythological Poems. Oxford, New York: Clarendon Press, Oxford University Press. pp. 37, 117. ISBN 9780198111818.

Jump up^ The Prose Edda of Snorri Sturluson: Tales from Norse Mythology. Translated by Jean Young. Berkeley: University of California Press. 1964 [1954]. pp. 43–44. ISBN 9780520012325.

Jump up^ Lindow, p. 290.

Jump up^ Lindow, p. 148.

External links[edit]

Translation of the Lament, from the Electronic Text Corpus of Sumerian Literature

Michael S. Heiser's Divine Council Website

#divine council #council of the gods #mythology #egyptian mythology #Greek Mythology #roman mythology #sumerian mythology #norse mythology #chinese mythology #celtic mythology #druids #Hebrew #akkadian #mythology campaign #annunaki #extraterrestrial

[yesterdaysprint]

Bigger & Better Boners, Alexander Abingdon, 1952

#1950s #history #midcentury #historic #vintage #malapropism #jesus #1952 #the bible #opossums #apostles #alexander abingdon #animals #definitions

[addictionrecoveryassistance]

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[neverendingparable]

Ω (Alex?)

send a Ω and i’ll put together a playlist of four songs for your muse

❝Wasted Wonderland❞ - Alexander Abingdon 

● Disintegrating // Myuu

● Suicide by Star // God Is an Astronaut

● Davesprite // Toby Fox

● Your Nails Look So Pretty // Hot Sugar

#dimensionalrocker #ask memes #playlist #music #i went by the vibes the songs gave me and if they fit to alex xP #sorrynotsorry for the homestuck song but it fIT

[leonardo-givenchy]

Citations

Works Cited

[1] Craik, J. (2003). The Face of Fashion : Cultural Studies in Fashion . Abingdon: Routledge. [2] Justyna Stępień (2017) ‘Savage Beauties’. Alexander McQueen’s performance of posthuman bodies, International Journal of Performance Arts and Digital Media, 13:2, 170-182, [3] Unknown. (2014, October 20). Alexander McQueen: Voss. Retrieved from Wordpress: https://vibenye.wordpress.com/2014/10/20/alexander-mcqueen-voss/ [4] The Museum of Savage Beauty. (Unknown). Prosthetic Legs. Retrieved from The Museum of Savage Beauty: https://www.vam.ac.uk/museumofsavagebeauty/mcq/prosthetic-legs/ [5] Bolton, A 2011, Alexander McQueen: Savage Beauty, Yale University Press, New haven. [6] O'Flaherty, M. C. (2013, September 23). London 1996: The greatest fashion show on Earth. Retrieved from Civilian: http://civilianglobal.com/gallery/london-1996-the-greatest-fashion-show-on-earth-alexander-mcqueen-dante-christchurch/

Photos Retrieved From

[1] http://www.livingly.com/runway/Paris+Fashion+Week+Spring+2012/Alexander+McQueen [2] https://www.vogue.com/fashion-shows/spring-2008-ready-to-wear/alexander-mcqueen [3] https://www.youtube.com/watch?v=nK_KA9U9rqo [4] https://vibenye.wordpress.com/2014/10/20/alexander-mcqueen-voss/ [5] https://www.scmp.com/magazines/style/fashion-beauty/article/2136262/5-times-alexander-mcqueen-made-history-fashion [6] https://www.flickr.com/photos/28470639@N02/5678876109/in/photostream/ [7] https://theartstack.com/artist/alexander-mcqueen/highland-rape-2010 [8] https://www.vogue.com/fashion-shows/fall-1996-ready-to-wear/alexander-mcqueen/slideshow/collection#7 [9] https://www.indiewire.com/2018/07/mcqueen-review-alexander-fashion-designer-documentary-1201985727/

Header Image Retrieved From

https://m2m.tv/watch/the-legacy-of-alexander-mcqueen/films

[newyorktheater]

Complete list of winners below,  in red with an * (Click on titles to get more information about the show.)

Those nominees with a heart mark (♥) are ones I voted for. (I’m a voting member of the Drama Desk.)

The complete list is below:

Outstanding Play

Admissions, by Joshua Harmon, Lincoln Center Theater

Mary Jane, by Amy Herzog, New York Theatre Workshop

Miles for Mary, by The Mad Ones, Playwrights Horizons

♥ People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong

School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical

Desperate Measures, The York Theatre Company

KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective

Mean Girls

Old Stock: A Refugee Love Story, 2b Theatre Company/59E59

♥ SpongeBob SquarePants

Outstanding Revival of a Play

Angels in America

Hindle Wakes, Mint Theater Company

In the Blood, Signature Theatre Company

♥ Three Tall Women

Travesties, Menier Chocolate Factory/Roundabout Theatre Company

Outstanding Revival of a Musical

Amerike-The Golden Land, National Yiddish Theatre Folksbiene

Carousel

♥ My Fair Lady, Lincoln Center Theater

Once on This Island

Pacific Overtures, Classic Stage Company

Outstanding Actor in a Play

Johnny Flynn, Hangmen, Royal Court Theatre/Atlantic Theater Company

Andrew Garfield, Angels in America

♥ Tom Hollander, Travesties, Menier Chocolate Factory/Roundabout Theatre Company

James McArdle, Angels in America

Paul Sparks, At Home at the Zoo, Signature Theatre Company

Outstanding Actress in a Play

Carrie Coon, Mary Jane, New York Theatre Workshop

Denise Gough, People, Places & Things, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong

♥ Glenda Jackson, Three Tall Women

Laurie Metcalf, Three Tall Women

Billie Piper, Yerma, Young Vic/Park Avenue Armory

Outstanding Actor in a Musical

Jelani Alladin, Frozen

Harry Hadden-Paton, My Fair Lady

Joshua Henry, Carousel

Evan Ruggiero, Bastard Jones, the cell

♥ Ethan Slater, SpongeBob SquarePants

Outstanding Actress in a Musical

Gizel Jiménez, Miss You Like Hell, The Public Theater

LaChanze, Summer

Jessie Mueller, Carousel

♥ Ashley Park, KPOP, Ars Nova/Ma-Yi Theater Company/Woodshed Collective

Daphne Rubin-Vega, Miss You Like Hell, The Public Theater

Outstanding Featured Actor in a Play

♥ Anthony Boyle, Harry Potter and the Cursed Child

Ben Edelman, Admissions, Lincoln Center Theater

Brian Tyree Henry, Lobby Hero, Second Stage

Nathan Lane, Angels in America

David Morse, The Iceman Cometh

Gregg Mozgala, Cost of Living, Manhattan Theatre Club

Outstanding Featured Actress in a Play

Jocelyn Bioh, In the Blood, Signature Theatre

Jamie Brewer, Amy and the Orphans, Roundabout Underground

♥ Barbara Marten, People, Places & Things, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong

Deirdre O’Connell, Fulfillment Center, Manhattan Theatre Club

Constance Shulman, Bobbie Clearly, Roundabout Underground

Outstanding Featured Actor in a Musical

Damon Daunno, The Lucky Ones, Ars Nova

Alexander Gemignani, Carousel

Grey Henson, Mean Girls

♥ Gavin Lee, SpongeBob SquarePants

Tony Yazbeck, Prince of Broadway, Manhattan Theatre Club

Outstanding Featured Actress in a Musical

♥ Lindsay Mendez, Carousel

Kenita R. Miller, Once on This Island

Ashley Park, Mean Girls

Diana Rigg, My Fair Lady

Kate Rockwell, Mean Girls

Outstanding Director of a Play

Marianne Elliott, Angels in America

Jeremy Herrin, People, Places & Things, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong

♥ Joe Mantello, Three Tall Women

Lila Neugebauer, Miles for Mary, Playwrights Horizons

Simon Stone, Yerma, Young Vic/Park Avenue Armory

*John Tiffany, Harry Potter and the Cursed Child

Outstanding Director of a Musical

Christian Barry, Old Stock: A Refugee Love Story, 2b Theatre Company/59E59

Teddy Bergman, KPOP, Ars Nova/Ma-Yi Theater Company/Woodshed Collective

Jack O’Brien, Carousel

♥ Tina Landau, SpongeBob SquarePants

Bartlett Sher, My Fair Lady

The LaDuca Award for Outstanding Choreography

Camille A. Brown, Once on This Island

Christopher Gattelli, SpongeBob SquarePants

Casey Nicholaw, Mean Girls

♥ Justin Peck, Carousel

Nejla Yatkin, The Boy Who Danced on Air, Abingdon Theatre Company

Outstanding Music

The Bengsons, The Lucky Ones, Ars Nova/Piece by Piece Productions/Z Space

Ben Caplan, Christian Barry, Old Stock: A Refugee Love Story, 2b Theatre Company/59E59

David Friedman, Desperate Measures, The York Theatre Company

♥ Erin McKeown, Miss You Like Hell, The Public Theater

Helen Park, Max Vernon, KPOP, Ars Nova/Ma-Yi Theater Company/Woodshed Collective

Outstanding Lyrics

Nell Benjamin, Mean Girls

♥ Quiara Alegría Hudes/Erin McKeown, Miss You Like Hell, Public Theatre

Peter Kellogg, Desperate Measures, The York Theatre Company

Helen Park, Max Vernon, KPOP, Ars Nova/Ma-Yi Theater Company/Woodshed Collective

Outstanding Book of a Musical

Tina Fey, Mean Girls

♥ Kyle Jarrow, SpongeBob Squarepants

Peter Kellogg, Desperate Measures, York Theatre Company

Hannah Moscovitch, Old Stock: A Refugee Love Story, 2B Theatre/59E59

Outstanding Orchestrations

Tom Kitt, SpongeBob SquarePants

Annmarie Milazzo and Michael Starobin (John Bertles and Bash the Trash, found instrument design) Once on This Island

Charlie Rosen, Erin McKeown, Miss You Like Hell, Public Theater

Jonathan Tunick, Pacific Overtures, Classic Stage Company

♥ Jonathan Tunick, Carousel

Outstanding Music in a Play

Imogen Heap, Harry Potter and the Cursed Child

♥ Justin Hicks, Mlima’s Tale, Public Theatre

Amatus Karim-Ali, The Homecoming Queen, Atlantic Theater Company

Justin Levine, A Midsummer Night’s Dream, The Public Theater

Adrian Sutton, Angels in America

The Hudson Scenic Studio Award for Outstanding Set Design of a Play

♥ Miriam Buether, Three Tall Women

Bunny Christie, People, Places & Things, St. Ann’s Warehouse/National Theatre/Bryan Singer Productions/Headlong

Lizzie Clachan, Yerma, Young Vic/Park Avenue Armory

Maruti Evans, Kill Move Paradise, National Black Theatre

Louisa Thompson, In the Blood, Signature Theatre

Outstanding Set Design for a Musical

Louisa Adamson, Christian Barry, Old Stock: A Refugee Love Story, 2b Theatre Company/59E59

Beowulf Boritt, Prince of Broadway, Manhattan Theatre Club

Dane Laffrey, Once on This Island

♥ Santo Loquasto, Carousel

David Zinn, SpongeBob SquarePants

Outstanding Costume Design for a Play

Dede M. Ayite, School Girls; Or, The African Mean Girls Play, MCC Theater

♥ Jonathan Fensom, Farinelli and the King

Katrina Lindsay, Harry Potter and the Cursed Child

Ann Roth, Three Tall Women

Emilio Sosa, Venus, Signature Theatre

Outstanding Costume Design for a Musical

Gregg Barnes, Mean Girls

Clint Ramos, Once on This Island

David Zinn, SpongeBob SquarePants

♥ Catherine Zuber, My Fair Lady, Lincoln Center Theater

Dede M. Ayite, Bella: An American Tall Tale, Playwrights Horizons

Outstanding Lighting Design for a Play

♥ Neil Austin, Harry Potter and the Cursed Child

Natasha Chivers, 1984

Alan C. Edwards, Kill Move Paradise, National Black Theatre

Paul Gallo, Three Tall Women

Paul Russell, Farinelli and the King

Outstanding Lighting Design for a Musical

Louisa Adamson, Christian Barry, Old Stock: A Refugee Love Story, 2B Theatre Company/59E59

Amith Chandrashaker, The Lucky Ones

Jules Fisher, Peggy Eisenhauer, Once on This Island

Brian MacDevitt, Carousel

♥ Jeanette Oi-Suk Yew, KPOP, Ars Nova, Ma-Yi Theater Company, Woodshed Collective

Outstanding Projection Design

David Bengali, Van Gogh’s Ear, Ensemble for the Romantic Century

Andrezj Goulding, People, Places & Things, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong

Peter Nigrini, SpongeBob SquarePants

Finn Ross and Adam Young, Mean Girls

♥ Finn Ross and Ash J. Woodward, Harry Potter and the Cursed Child

Outstanding Sound Design in a Play

Brendan Aanes, Balls, One Year Lease Theater Company/Stages Repertory Theatre/59E59

Gareth Fry, Harry Potter and the Cursed Child

Tom Gibbons, 1984

♥ Tom Gibbons, People, Places & Things, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong

Stefan Gregory, Yerma, Young Vic/Park Avenue Armory

Palmer Hefferan, Today is My Birthday, Page 73 Productions

Outstanding Sound Design in a Musical

♥ Kai Harada, The Band’s Visit

Scott Lehrer, Carousel

Will Pickens, KPOP, Ars Nova, Ma-Yi Theatre Company, Woodshed Collective

Dan Moses Schreier, Pacific Overtures, Classic Stage Company

Outstanding Wig and Hair

Carole Hancock, Harry Potter and the Cursed Child

Campbell Young Associates, Farinelli and the King

Cookie Jordan, School Girls;, or The African Mean Girls Play, MCC Theater

♥ Charles G. LaPointe, SpongeBob SquarePants

Josh Marquette, Mean Girls

Outstanding Solo Performance

♥ Billy Crudup, Harry Clarke, Vineyard Theatre

David Greenspan, Strange Interlude, Transport Group

Jon Levin, A Hunger Artist, The Tank/Flint & Tinder

Lesli Margherita, Who’s Holiday!

Sophie Melville, Iphigenia in Splott, Sherman Theatre, Cardiff/59E59

The Chase Award for Unique Theatrical Experience

Derren Brown: Secret, Atlantic Theater Company

Master, Foundry Theatre

Say Something Bunny!

Outstanding Fight Choreography

J. David Brimmer, Is God Is, Soho Rep

Steve Rankin, Carousel

♥ Unkle Dave’s Fight House, Oedipus El Rey, The Public Theater/The Sol Project

Outstanding Puppet Design

Finn Caldwell, Nick Barnes, Angels in America

♥ Michael Curry, Frozen

Charlie Kanev, Sarah Nolan, and Jonathan Levin, A Hunger Artist, The Tank/Flint & Tinder

Vandy Wood, The Artificial Jungle, Theatre Breaking Through Barriers

SPECIAL AWARDS

Sean Carvajal in Jesus Hopped the A Train

Edi Gathegi

Abena Mensah-Bonsu, Mirirai Sithole and PaigeGilbert in School Girls

Juan Castano in Oedipus El Reye

To Sean Carvajal and Edi Gathegi of Jesus Hopped the A Train whose last-minute entrances into the Signature production of this powerful play ensured it had a happy real-life ending

Ensemble Award: To Nabiyah Be, MaameYaa Boafo, Paige Gilbert, Zainab Jah, Nike Kadri, Abena Mensah-Bonsu, Mirirai Sithole, and Myra Lucretia Taylor of School Girls; Or, the African Mean Girls Play, whose characters learn the facts of life but whose portrayers taught us all a thing or two about the way things are.

Sam Norkin Award: To Juan Castano, whose varied performances this season in Oedipus El Rey, A Parallelogram, and Transfers not only make a complex statement about American life but also indicate great things to come for this talented performer.

  2018 Drama Desk Winners Complete list of winners below,  in red with an * (Click on titles to get more information about the show.)