okay, so i have questions about victoria hand.
during the fall of shield, shes trying to find out the true loyalties of the agents in the hub. she pulls in trip and simmons, puts them in front of a firing squad, and tells them they can either swear loyalty to hydra or die. which, worked out for them, but what about everyone else?
because it sounds to me as if her strategy just in general was that. pull in random office clerks and give them that choice. which, great for weeding out agents who might potentially convert to hydra, but like...???
Thats not taking the fight to Hydra? How is that helpful?
personally, i would say whatever the fuck the person pointing a gun at me wants me to say. doesnt mean id later go through with it. thats just sheer survival tactics.
which means that she was basically killing random agents left and right, who just wanted to not die and told her what they thought she wanted to hear, because in her mind everyone who wasnt willing to literally die for shield was already as good as hydra.
am i missing something here? is this a writing oversight? cause if its not holy shit thats some robespierre levels of tunnel vision.
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Blacked out in front of my tablet and woke up with sketches of my Touchstarved mc + Kuras my beloved. woops
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In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more)
And the only way I know how to do that is talking too much so heres a far too long slug essay-
Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others)
Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.
To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)
And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.
Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.
The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.
They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making.
So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them.
What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again.
But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early.
But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy.
Its can so yuri
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I wish I could tell the original artist that this drawing permanently changed the entire direction of my life in 2009. I want to shake their hand, look them in the eye, and admit I would not be who I am today if this drawing didn’t exist.
EDIT: Original artist is @ivynajspyder !!!!
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hm. human Sundown....
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Taking a break from my usual programming to talk about Megara from Disney's Hercules being an awesome, flawed, complex, female character who has a very compelling arc.
The backstory, given by Hades, is that Meg sold her soul to him so her lover could live, but he left her for someone else. This makes her one of the very few Disney women who actually has romantic relationship baggage and experience. She is also older than Hercules (I think unique in Disney) though I think she's still mortal and within a normal lifespan. But the point is, she thought had the "Disney princess" perfect sacrificial romance, but then was betrayed.
She does fall in love and begins to believe that Hercules is a really good person, which inspires her to be better as well. Then Hercules finds out that Meg has been working for Hades the whole time and is heartbroken and betrayed. Meg sacrifices herself to save him, JUST LIKE BEFORE, but this time, she did pick a better guy and her sacrifice was honoured. Hercules probably has a far better reason to abandon Meg than previous boyfriend, but he doesn't: he goes to the underworld, retrieves her soul, and then, in another huge personal sacrifice, opts to stay with her instead of joining the gods on Mount Olympus.
She is shown as cynical, amoral, and sarcastic; not seeming to mind that she's helping Hades attempt to overthrow the other gods. Even though she likes Hercules, she agrees to attempt to find his weakness when Hades offers her personal freedom (that seems to be lifted from the story of Delilah and Samson, by the way). While she is a slave to Hades, that doesn't fully excuse her actions because we learn that she can refuse to serve him. Her motivation seems to primarily come from her not really thinking humanity is worth saving after her betrayal.
I loved this movie so much as a kid and I think I imprinted on Meg like some sort of baby duck. I love her song, I Won’t Say (I’m in Love) and how she struggles to get over her cynical views of relationships and men. But now, I'm amazed that she exists at all. She's a femme fatal who tried to take down the hero of the story and she both survives and gets a happy ending! She commited the Ultimate Narrative Woman Sin: she used her sexuality against a hero! She does make a huge sacrifice, dying to save both Hercules and the world, but in most stories she would have saved him and died (permanently). Instead, she's completely forgiven and Hercules risks his life to bring her back.
I love her. I love her story. She's the best. Can we have more of her please?
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OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
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How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:
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For the Reluctant Follower Jeremy & Animatronic Vanny AU, I just have more that I finally want to get to share, so:
I mentioned it originally in the first post, but while she was made, and nearly completed, everyone just quickly stopped her progress as quick as it had started.
While there were some complications with her during the process, it wasn’t really the reason for why everyone stopped. Whoever originally wanted Vanny to be built simply made the decision to not have her any longer—simple.
But rather than destroy what they already had, Vanny was simply stored away somewhere else in the Pizza Plex, deactivated. Everything else planned for her was scrapped (her greenroom, etc).
Because of all of that, Vanny never got to meet the rest of the Glamrocks, and vise versa—they were never even told about her. Though, they undoubtedly would’ve met her if she was finished.
Reluctant Follower Jeremy discovered her not too long after he and Glitchtrap arrived at the Pizza Plex, and that was when Glitchtrap made the decision to use her, too. He didn’t want just Jeremy.
Due to her not being entirely finished or anything, malfunctions are rather... frequent, for her.
Similar to Roxy, Vanny is capable of seeing Reluctant Follower Jeremy (whenever he happens to be wearing his rabbit suit, at least).
She may also potentially still have that... glitchy affect, but I’m not too certain. While the animatronics can see her here, and not see Jeremy at all (- Roxy), she still at least messes with their vision a little.
While still wanting to get Gregory, she leaves most of the other parts (such as chasing) to Jeremy. Here, Vanny does something else.
I imagine that Glamrock Freddy and Gregory would run into her somewhere in the Plex, and she’s just like: “I’m not acting like the others :) I don’t know what’s going on, I just activated :)”
And while Glam. Fred is surprised by this new bunny, Vanny ends up accompanying him and Gregory, while trying to ‘help’ him out the entire time.
While her goal is to just, first, gain the two’s trust, and then bring Gregory to Jeremy and Glitchtrap—at least once there’s the perfect opportunity (ex: Glam. Fred is off charging, Vanny is the only one with Gregory).
Sooo.... yeah.
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
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I'll be chilling and then I'll remember the way Nico Robin screamed "I want to live" and then oopsie I'm on the floor sobbing, completely overcome by hope
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remember when the doctor and missy literally had this exchange?
doctor: two hearts.
missy: and both of them yours.
like... it really happened. i keep re-reading it. i made it my blog name. i think about it all the time. and i still can't believe it happened. we really got this. this is insane
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okay but listen,,, listen,,, are you listening,,, I cannot stop thinking about how the cauldron loves elain and its just... SO interesting to me that the MOMENT she pops out from the depths she's given a mate. there were any number of people there that could have been "assigned" to her ( if ur picking up what I'm putting down lmao ) the cauldron peered into her soul and saw all of her wants and needs and gifted her with the person that embodied all of those things and then some.
I will never stop thinking about this actually.
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Japan’s concept of confession and why Ochaco might not confess
“Confession” is a big deal in a country as subtle as Japan. Not all people have the courage to confess, but when starting official relationships confessions are often expected. This is what I know confessions to be like in the world of manga: Person A talks alone with Person B and shares with them the secrets of their heart. “I like you please accept my feelings.” This usually ends either with them going out or A being rejected by B. The usual reason for the rejection is “I like someone else.”
I’ve been having some more ideas about the day Izuku fell into Kacchan’s arms and how what Kacchan did for him was almost confessional in a way. He told Izuku what was in his heart, why he bullied him and that no matter how much he tried, he just couldn’t escape him. He called him “Izuku” and we saw the impact this had on Izuku’s face.
Izuku just couldn’t believe that Kacchan was calling his name properly for the first time in 12 years, it completely shocked him, and after apologising for everything, he told Izuku, “Come home, let’s do this together. We need to help each other in this fight against AFO.”
The conclusion of this confession was that Izuku acquiesced to 1-A’s request for him to return, but it was only really possible because his attachment to Kacchan triumphed over his motivations to stay away. It was Kacchan who broke down his walls with his apology. It was Kacchan who filled him with hope that things would be better, and Kacchan who finally hammered into Izuku how important it was for him to be part of the collective. That his inclusion was very wanted and needed, and that he in turn can rely more on everyone as well. That together, they can push forward, trusting in and helping each other.
I think what hurt Izuku the most during his solo arc was being away from his friends, but especially Kacchan. Because that day in the rain, he literally gave up on his solo vigilante mindset for him. After hearing Kacchan’s unbelievable words he had patiently longed to hear for years, it was impossible for Izuku to stay away from him any longer. As he passed out, he stumbled a few steps towards Kacchan who, without missing a beat, caught him in his arms and gently held him. This embrace told us “From now on it’ll be different. I’m gonna be here for you, Izuku.”
So to recap all of that... Kacchan became vulnerable and spilled what was in his heart, Izuku accepted his desires, with it all culminating in them becoming closer. Which is just like a successful romantic confession!?
I think after watching this all go down, something inside Ochaco clicked. A lot of the class are rushing over to Izuku when Kacchan catches him because they’re just so worried about him, but a few of them, Ochaco included, stay standing back. It doesn’t make much sense at all. But we’re given a zoom in of her without knowing any of the thoughts going through her mind.
They got Izuku back, but she doesn’t really seem all that happy. Momo says to her “this is just the first obstacle we aren’t done yet” and she agrees. Ochaco knows that there’s still more they as a group need to do for Izuku to make his return happen. But the fact that there’s a few panels dedicated to zooming in on her staying put, her almost emotionless face (mirroring Shoto’s) while she’s watching Kacchan save Izuku and his new unbridled intimacy he has with him - could be telling us that there’s something else she’s processing.
Is this moment somber for her because she realised the person Izuku needs the most is none other than the person he has openly admired since she first met him? The very same person who always bared his fangs at Izuku because he was scared him getting close?
Was Ochaco witnessing the beginning of something new between them and suddenly finding herself sidelined as a contender for Izuku’s affections?
Somehow… this could be what it was all about. And that’s why I think there’s a good chance Ochaco gave up her crush on Izuku for good when she witnessed Katsuki return his love and embrace him after that emotionally-charged apology. After this, a more defined distance between her and Izuku appears visible in their next scene together. A respectful distance of Izuku’s own choosing.
It was like a definitive line had been drawn out that can’t and perhaps shouldn’t be crossed. Maybe they both understood that the person Izuku wanted close by his side has always been Katsuki. That desire wasn’t simply a pipe dream to Izuku anymore, it had become reality. And who is Ochaco to get in the way of that?
And then it’s almost like she is bookending Katsuki’s confession to Izuku with a confession of her own about Toga, putting a close to the Izuocha chapter and she makes a comment which feels double in meaning. “I guess that means we are the same.” or You love a boy, just like I might love a girl. (To put it bluntly)
And Izuku remembers this line again after he gets separated from Kacchan and Ochaco is telling him to go. Go back to Tenko. Go back to your Kacchan.
The concept of “knowing how someone feels because you love them and always watch over them” comes up from time to time in manga. In a way, that’s also a reason why Kacchan and Izuku understand each other as deeply as they do and they aren’t afraid of showing it off. They were always watching each other from a safe distance and learning things about each other in this way. I think during chapter 322, this concept is what was happening to cause such a realisation in Ochaco. (And it’s also for this reason Tsuyu, who never had feelings for Izuku, still doesn’t get it.)
It was hard for her, knowing everything she does about Izuku’s deep attachment to Kacchan, to learn that Izuku’s affections for him weren’t one-sided and they were now closer than ever before… That’s why I don’t think she’ll want to get in the way by confessing anymore. If Kacchan’s apology was intended to be compared with a romantic confession, then Ochaco is probably aware that Izuku already “has someone he likes”… and that person isn’t her.
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your honour theyre FAMILY
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