saw a lot of peepaw lately, so naturally, i wanted in on it😤
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Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.
Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.
And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.
And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.
So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.
I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).
And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.
I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.
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i loved that taylor was very touched by the pictures of marjorie being held up and she was very very cute about it with her little speech but at the end of the day...it could have easily gone the other way? the people who did that just did it hoping they could make viral content out of it, without even stopping to consider why it crossed a boundary...just very weird vibes around it all, people are so desensitized
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lol @ series 1 jack being like "i demand your complete trust" *tells his team nothing, pretends to be a hero and doesn't allow them to see his vulnerability so then they hate him when he makes painful/unpleasant decisions, orders someone to do something and then gets angry when they do it, drops hints like mad about how he's different from 21st century humans but doesn't actually reveal anything making them question everything about him in secret, poorly manages his team's various individual breakdowns, kills or otherwise causes the death of at least one of every team member's lovers, goads and personally insults them all when they're all terrified and upset and then is surprised when they mutiny and kill him*
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I don’t understand why Kishimoto never added Kakashi having thoughts about Gai when he died in the pain assault. It’s like he doesn’t want his relationship with Gai to have depth but then adds all these interactions and feelings that show how much he means to Kakashi.
He thinks of his dead friends and family, he thinks of Konoha 11, but he doesn’t think about his longest and biggest support? Not even a passing thought?
Might Gai is Kakashi’s best friend and rival, he isn’t a nuisance to him and he doesn’t think he’s less than him. Their relationship has substance and evidence to show how much they care about one another, im sick of Kishimoto and his constant need to diminish it then prop it up and then diminish it again. How can he be so inconsistent with relationships and character writing??
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There’s a general consensus that above all else Jason should be homicidal again. However I think what’s also very important is that he should be a fucking hoot.
There’s nothing not funny about this entire bit.
1. He couldn’t give less of a shit about explaining that he’s single-handedly trying to stop a terrorist attack. Obviously cause he’s short on time, but even if he had all the time in the world he would still be this indifferent towards explaining himself to cops.
2. This bomb is seconds away from exploding but he’s at most mildly annoyed like he’s in the office doing some menial task.
3. The perfectly timed British jokes.
4. Circling back to number 1 on the list. After he throws the bomb into the water he just dips. For all they know he’s the (weird) terrorist. (But as long as everyone’s okay he doesn’t care! The beauty of Jason Todd everybody).
This one is funny (but it’s also true)? Like yes … that is exactly what you are. (A sweet, kind-hearted goodboy learning how to effectively poison people, shoot guns, and blow shit up with all manner of explosives like a certified pro).
Bonus:
Red Hood: The Lost Days #5 (2010-)
Red Hood: The Lost Days #4 (2010-)
“Not so irritating for an American” is a far more impressive title than “genius” if you ask me. Although I think Jason balances both pretty well.
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Let's put the angst back into pon farr - the deeply rooted shame
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PLS PLS IM BEGGING UPDATE COLLARS AND CAGES PLSSSSSS IM GONNA CRY THE CLIFFHANGER OF CHAPTER 4 PLSSS UPDATE IT
no
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What if Hua Cheng had memorialized the temple?
I don’t think he did, canonically. I imagine that was a memory he wasn’t keen to linger on, especially not to such an extent as to record it, to hover over the details in his mind and commit it to physical imagery. But I could see where he might - maybe catharsis, so that night can exist somewhere outside of his head. Maybe twisting, spiteful justice, so the world won’t be allowed to forget what it did to his god. Maybe just desperation, to record every shard of Xie Lian that he has in an effort not to lose a single piece while he searches.
It wouldn’t be graphic; I think it would be something more stylized, more symbolic. Xie Lian is tied to his own altar. He has replaced the divine statue that should be there instead, the god made present the way he was for Hua Cheng once, the way he was for all of his people once. He is surrounded by blades, but they aren’t piercing him yet. Hua Cheng can’t do that to him even in paint. Bai Wuxiang is not featured, because Hua Cheng would not force any version of Xie Lian into that monster’s presence, but there is a ghost fire hovering near. There is a small, crushed flower on the ground at the foot of the altar, like it was dropped from the Flower Crowned Prince’s hand moments before. The entire tableau holds its breath in the anticipation of something horrific.
It’s painted in a shadowed corner, with a cloth hung in front of it. Not out of shame, or even because of Hua Cheng’s own trauma - out of respect for the prince’s privacy, unwillingness to make a moment of such incredible, painful vulnerability a spectacle to anyone else without the prince’s say-so.
That doesn’t stop Mu Qing from finding it.
Mu Qing, who was already horrified, Mu Qing, who was looking for Xie Lian to drag him out of the caves immediately because he’d seen a statue that suggested things he would rather not think about in regards to his former prince… Mu Qing brushes the curtain aside in that tucked-away corner and stops.
A hundred blades are pointed at His Highness. A hundred faces leer and sob and stare. And Xie Lian sits at the center of it all, head lowered, waiting for the slaughter.
Is it so unreasonable that Mu Qing takes it for a threat? Is it so unreasonable of Mu Qing to drag Feng Xin to what he’s found, for the both of them to slip an arm around each of the prince’s own and pull him away from wherever that altar is somewhere in the complicated network of twisted, obscene worship? That thing painted on the wall - it can’t have ever happened. They would know. Mu Qing and Feng Xin, who spent every day of their early lives with the prince, beside the prince, trailing along behind the prince… they would know. They would have been there; they would have prevented it. This is the fantasy of a ghost king who laid ruin to thirty-three heavenly officials and found his thirst still unslaked.
(Mu Qing does not consider the eight hundred years of Xie Lian’s life he knows nothing about. Feng Xin does not consider the eight hundred years of Xie Lian’s life he knows nothing about. It’s a habit they’ve grown skilled at, over eight hundred years.)
They don’t explain to Xie Lian, so Xie Lian has no opportunity to explain to them what they saw. And Mu Qing isn’t wrong, when he concludes that Xie Lian has been stalked and watched and hunted since he was seventeen. He isn’t wrong. He just doesn’t know, yet, what direction the threat is coming from. There’s no time for anyone to tell him, or Feng Xin, who tied the restraints and provided the sword.
They’ll find out. Masks are made to be removed.
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i love yoohan sm because of the sheer intensity of emotion the scenes with them once their dynamic is fleshed out has (MUSEUM FIGHT) but ive been thinking about doksoo a lot lately specifically avatar/1863 hsy and just the absolutely CRUSHING realization it must have been to realize you hold the key to saving the world, not even via a method or item or anything but that you are fully capable of saving the world; saving the universe through INACTION but she just looked at kim dokja, kim “this universe’s most powerless existence” dokja and actively damned the world to give him a chance to be happy ARE YOU FUCKING KIDDING ME
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that line about Ortega saying he wasn’t sober for a month after Heartbreak keeps replaying in my head, lately especially how it would affect Chen (:
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