#also i originally had a lot more images in this but tumblr won’t let me be great so this is what we get

[lurkingshan]

Intergenerational Trauma Challenge - 10 Years Ticket

Hello friends, it is time again for me to go deep on another entry on the intergenerational family trauma challenge list. When I first suggested the idea of this challenge and asked a few folks what shows we might consider for it, @wen-kexing-apologist and @waitmyturtles both immediately shouted “10 Years Ticket!” I hadn’t seen it yet, but I trusted their judgment that it belonged on the list, and moved it near the top of my watch priorities. And phew lord, does it belong on this list. The drama explores intergenerational trauma extensively via a story of multiple families living in a small town community. 

So what is the deal with this drama? 10 Years Ticket is a Thai lakorn about four children and their families, all of whom are dear friends and neighbors, who are torn apart by the murder of one of their family members, by another of their family members. The two families whose blood ties were involved in the crime become bitter enemies, dragging the whole community into the fight, and crucially for this project, the adults push that trauma down onto their young children. As wka says, this show is about the harm that is done when a community breaks down rather than coming together in the wake of tragedy. 

Before I start digging into the trauma themes in this one, a note on my overall experience with the drama: I was extremely engaged even as my emotions about different aspects of the drama were mixed. The cast is fantastic and the drama is gorgeous, but the writing has some significant weak spots (some of which I suspect may be based in lakorn genre conventions, which I am admittedly not yet well-versed enough to parse). I wouldn't unreservedly recommend this to everyone, but depending on which aspects of the story you are most interested in, there’s a lot to get out of it. If you love a great mystery with excellent judgment about what information to withhold and when and where to place its reveals? Fairly strong with some minor missteps. If you are here for romance? Nah–there are romance subplots but they’re not particularly well-executed and they are pretty extraneous to the main narrative. If you want a gritty crime story with realistic villains and a satisfying conclusion? You will be laughing your ass off and not because the show wants you to. But if you’re here for the family stories and deep examination of a community in crisis? 10/10, absolutely recommend. (cc @chickenstrangers and @neuroticbookworm for my overall review—stop reading after this friends, spoilers ahead!) @dribs-and-drabbles also tagging you as a fellow 10YT enjoyer and one of the like five people on this website who may have an interest in reading a ridiculously long essay about it. :)

So, let’s get into it! 10YT is an ensemble show with many characters with endless complex connections, so I am going to do this breakdown family by family for your sanity and mine. Right off the top, some themes you’ll see running throughout that are particularly relevant to an Asian context: taboo, saving face, filial piety, devotion to the nuclear family unit, conditional parental love, community ostracization, and denial of queer identity. And some content warnings for discussion of: child abuse, physical violence, gun violence, Alzheimer’s disease, substance abuse, and drug trafficking. From this point forward, I am assuming anyone still reading has seen the show, because lord would all of this be impossible to explain to someone who hasn’t. Shoutout to turtles and wka for reviewing to make sure I didn’t miss anything major and helping me with the screenshots for this post, and a general heads up that this is long long.

Our Star-Crossed Lovers

Before digging into the family relationships, a word about our star-crossed lovers at the center of this tragedy, because it’s important to understand it as we get into the families. The drama really did take its sweet time with this reveal, but in the end we understood why this relationship was such a big damn dramatic secret—Luk is about five years older than Mai and already a teacher, and Mai is still a student. Their relationship is rooted in taboo, which is why they are sneaking around and likely why Luk carries so much guilt and shame that she makes the incredibly stupid and selfish decision to punish herself and tear apart their families by lying that she murdered Mai. There are other reasons given—namely, that she wanted to save face for Mai and his loved ones and prevent people from finding out he was a drug runner—but they don’t really hold up to any scrutiny. Luk told this lie to punish herself and didn’t really ever give a thought to how in doing so, she was punishing and harming everyone else, too, not to mention utterly failing to save face for her own family, whose lives are destroyed by her lie (apologies for not mincing words here, I have zero respect for Luk’s decision and one of my biggest criticisms of the drama is that it tries to paint this as a noble sacrifice and act of love and position her as some kind of voice of wisdom, which, *blows raspberry*).

The Siraphuchaya Family

So let’s begin with the family at the center of our plot and the heart of our story. Their relationships with each other are quite varied and the lines of generational trauma between them complex, so I’m breaking them down into subsections. The key people in this family unit are Santi, the patriarch; Sai, Phukao’s mother and Santi’s current wife; Mai, Santi’s first son; Phukao, Santi and Sai’s son; and the woman haunting them all, Mai’s mother Ranya. 

Mai and Phukao

The most wholesome relationship in this show by a mile, Mai and Phukao are half brothers who share a deep bond. They have different mothers and about a ten year age gap between them, which results in Mai taking on a role akin to a third parent and protector for Phukao in their abusive household. In turn, Phukao idolizes his brother and loves him unreservedly, and expresses sorrow and confusion about why their parents don’t seem to love Mai the same way they love him. Mai grows up in a household where his presence is clearly unwanted and resented, and Phukao grows up keenly aware that despite all the good he sees in Mai, others, including his parents, don’t feel the same way. And despite Phukao’s own experience of unconditional parental love, he bears witness to the conditional love his parents express for Mai and the violence that occurs whenever those conditions are not met.

Mai and Santi

Which brings me to Santi. From the beginning, we see that Santi treats his sons very differently. He is protective and loving toward Phukao, but antagonistic and quick to anger with Mai. We eventually come to understand that Santi is holding a burning resentment and hatred for Mai’s mother, Ranya, which manifests in his verbal, emotional, and physical abuse of their son. Santi is also a serious alcoholic and his substance abuse exacerbates the issue. 

Even from the first episode before Mai’s parentage was made clear, the signs were there that Mai’s family resents his presence. Mai sleeps on a mattress on the floor in a tiny room off the main floor hallway while his baby brother has a big bedroom with a giant bed on the second floor of the house. His parents never seemed happy to see him; he is nearly always greeted with suspicion, distrust, or at best, indifference. They hold him up to Phukao as an example of how he can be treated if he doesn’t behave—in one early scene, Santi explicitly tells Phukao that if he misbehaves he will have to start treating him like Mai. In gatherings with the neighbors, they talk proudly about Phukao but ignore Mai’s presence. And Santi nearly always finds a reason to discipline Mai with physical violence upon his return home, which makes it easy to understand why Mai was spending as much time away as possible and looking for ways out. 

We see Santi abusing Mai throughout the drama, often while Phukao and his mother Sai look on—Phukao in anguish, Sai in indifference (more about her soon). But the scene that best captures their dynamic and gets to the heart of the trauma that lays between them is in episode 7. Mai comes home from surreptitiously spending time with his mother, Santi sniffs out his secret, and the worst episode of abuse depicted in the show unfolds as Santi strings Mai up by a rope on a rafter in the garage and proceeds to beat him with a leather belt in full view of Sai, Phukao, and any onlooker that just happens to be passing by. Throughout the beating, Santi berates Mai for seeing his mother, insisting that she is evil and Mai needs to stay away from her. Watching it unfold, one gets the feeling that Santi is trying to literally beat any trace of Mai’s mother out of him.

What’s most interesting about this scene is the implication that Santi is deeply concerned for Mai’s welfare and genuinely trying to protect him from something, even as he himself is Mai’s greatest source of pain. Somewhere along the way, Santi’s emotions have become hopelessly tangled and warped to the point where this abuse “for Mai’s own good” is the only expression of love he can manage toward his eldest son. It’s horrific, it’s tragic, and it really makes you wonder what the hell happened between Santi and Mai’s mother to poison this father-son relationship so deeply.

The Ranya of it All

Ranya. What a character. What a piece of work. And yet somehow, what a deeply sympathetic portrayal of a woman forced into a life she didn’t want and rebelling against it to the point of cruelty. I did not like this woman, and yet I was unexpectedly moved by her story.

So what the hell happened between Ranya and Santi? They fell in love. They got married. And then Santi pressured her to have a child she didn’t want, because he was fixated on the idea of having a traditional nuclear family (for reasons the show never fully elucidated, but I extrapolate are related to some generational trauma he himself is carrying and a desire to be head of a new family to make up for whatever his childhood lacked). She went along with it despite knowing she did not want to be a mother because she was in love. And sure enough, once she had made it through the pregnancy and began her life as a mother, she was miserable. So she rejected motherhood and abandoned her family when Mai was only an infant, one of the greatest sins a woman can commit in any culture, and certainly in the Asian context where family values and collectivist mindset demands sacrifice for the good of the family unit over personal satisfaction. 

And Santi hated her for it. Hated her because he loved her and she left him. Hated her because she didn’t give him the dream vision he had of a beautiful family. Hated her because he still wanted her. And ultimately, transmitted his impotent rage and twisted love from her onto their son. She, in turn, hated Santi for not being happy with just the two of them, and for destroying their relationship by forcing her into motherhood. And while she doesn’t hate Mai, she certainly doesn’t love him or care for his well-being. 

When Ranya sails back into town many years after abandoning him, she is bitter and hardened and she sees Mai as a means to an end and an easy target. She appears to have similar substance abuse issues to Santi, and she is in deep debt. She needs money, Mai is desperate for parental love and affection, and she sees an opportunity to take advantage. And so she pushes Mai into working with one of the local drug running operations, tells him pretty lies about using the money he is making to buy them a house to live in together, manipulates him into further provoking Santi in her honor, and then skips town with all his money just as the shit hits the fan. It’s one of the last things Mai experiences before his death, a confirmation that neither his father nor his mother really loves him or wants to care for him, exponentially compounding his emotional devastation and leaving him utterly certain that no one will help him. After he is murdered in cold blood by the very people she pushed him to work for, she uses the opportunity to extort money from Luk’s family for years, only coming around when she needs cash. 

Phukao, Santi, and Sai

In the aftermath of Mai’s death, Phukao’s family as he knows it falls apart. He has lost his beloved brother under shocking circumstances, he has been torn apart from one of his best friends as his family bitterly feuds with hers, his father has descended even further into addiction and depression, his parents fight violently until they eventually split up and his father leaves the family home, and through it all he does not feel the unconditional support he expects from his friends and neighbors. Oh sure, they support him, but they also support Kongkwan and her family, a fact which eventually comes to enrage and embitter him. 

Because that’s not how this is supposed to work. If you’ve watched other Asian dramas, you are probably very familiar with the “bad seed” and community ostracization tropes, aka the belief that any blood relative of a person who has committed a heinous crime should be shunned and shamed by the collective community. According to that cultural norm, Luk’s family should be abandoned and ostracized by the community following her murder confession, and while that does happen to some extent, their circle of close friends and neighbors remain sympathetic to them, in particular caring for and protecting Kongkwan, everyone’s favorite fragile sweetheart. 

As Phukao grows and becomes more and more mired in despair and desperation and (justifiable) anger at the injustice of it all, the community begins to view him as difficult, backing away from him, dismissing his feelings, and demanding that he stop making them think about it. Some of his closest friends and loved ones essentially withdraw their explicit emotional support and care for him, and in some cases condemn him and respond to his emotional outbursts with violence. And remember, for the entirety of this story, Phukao is a child. Yet the adults around him seem afraid of his emotion and utterly incapable of extending to him the same level of empathy they easily give Kongkwan and even Luk, our supposed murderess. Feels kinda gendered, doesn’t it? I can’t help but think that Phukao is being punished largely for failing to maintain the stoic model of masculinity that is so often modeled in Asian cultures. 

And what are Santi and Sai doing while their son is emotionally falling apart? They are wrapped up in their own nonsense and sparing very little attention to his actual needs even as they try to control him and loudly proclaim their love for him. Santi is wallowing in his depression and isolation and drinking himself half to death, with noose imagery hovering around him so that we can’t miss how low he is driving himself. Though interestingly, he never turns to violence against Phukao to vent his feelings in the manner he did with Mai. Phukao is clearly a manifestation of the son and family Santi always dreamed of; he loves him in a much more pure way than he ever managed with Mai. And so while he can’t get his shit together to be a good dad to him, he is also not an abusive and terrifying figure to Phukao, to the point where Phukao becomes fixated on getting him to come home. Because for Phukao, despite every monstrous aspect of Santi he’s borne witness to, the only thing that will give him any comfort and feeling of security is having what remains of his family together and intact, as they are supposed to be.

While Phukao desperately tries to get his dad to come home, Sai is caught up in navel gazing over her regrets, as we come to learn that she had a great love before Santi. But Pin was a woman and Sai did not feel free to pursue their relationship, and so when she got pregnant she agreed to marry Santi and raise Mai, as well. But as we saw, she didn’t keep that commitment. Sai came into the marriage regretful and wistful over her lost love and her inability to pursue a life more aligned with her authentic queer self, and that manifested in both indifference to Mai and her husband’s violence toward him, and an unhealthy attachment to and pressure on Phukao to be “worth it.” Worth giving up the life she wanted, worth living with this man she clearly didn’t love, and worth never being with Pin. 

Mai eventually turned her own anger and self-loathing about her choices on Luk and Mai, trying to tear them apart when she learned of their relationship because if she didn’t get to keep her “taboo” love, why should they? When Phukao begins to figure some shit out, lets go of his anger, and starts developing feelings for Kongkwan, Sai freaks the fuck out and tries to repeat the pattern, which feels rooted in her need to keep Phukao under her control and devoted to her to give her life meaning. She finds his interest in Kongkwan threatening and attempts to stamp it out. Unlike Luk, though, Phukao is not having it. 

Kongkwan, Luk, Veena, and Somkiat

Over to the family on the other side of the tear in the fabric of this community. Luk, our star-crossed lover and faux murderer, is the eldest daughter of a seemingly pleasant family with no big stressors or clear markers of their own generational trauma. Veena and Kiat appear to have a decent marriage, stable financial status, and good relationships with their daughters, Kongkwan is thriving while Luk has finished college and become a teacher, and before Luk confesses to killing Mai, all seems well. There is a large age gap between Luk and Kongkwan that the show never explains—I expected to learn something deeper about their family, but we never really got there. As far as we know, they were a solid and functional family unit.

The intergenerational trauma for this family is instead depicted in the aftermath of Mai’s murder and Luk’s false confession. As I mentioned above, Luk’s choice to cover for Mai destroyed her family’s lives. They lost jobs, financial security, several homes, and many relationships, not least of which is the deep bond they once had with the Sirapuchaya family. And when a devastated Santi refuses to forgive Luk and hurls vitriol at her parents (justifiably IMO, what on earth were Kiat and Veena thinking showing up to Mai’s funeral to demand forgiveness for their daughter who had explained nothing), Kiat and Veena become angry and bitter and decide to hate him, and his child, right back.

This is of course a toxic dynamic, and Kongkwan and Phukao are the ones who suffer most for it. On the heels of losing her older sister, Kongkwan is also forced to give up her friendship with Phukao and told to hate him. Her parents start with small things like not inviting him to her birthday party (leaving poor baby Phukao out in the cold and all alone while his family falls apart) and eventually escalate to getting violent with him (both striking him in anger) and explicitly telling Kongkwan that Phukao is a bad person that she must avoid (ironically, giving him the “bad seed” treatment that Kongkwan should be receiving under cultural norms). Over time, Veena and Somkiat develop a seething hatred for Phukao that is actually quite visceral and difficult to comprehend; they seem to find him a symbol for all the unfairness they have endured and the easiest target for their rage and cannot get ahold of themselves enough to temper their reactions to him. 

Kongkwan, a gentle soul, is torn between being a filial and obedient child and going along with an attitude and treatment toward Phukao that she knows is wrong, and it is plainly tearing her apart. Throughout the story, she is emotionally overwhelmed, swinging between deep sadness and bursts of defiant anger, and she often looks like she is one more provocation away from shattering. And as the community tears itself apart around her, Kongkwan is also mired in anguish and confusion about her sister’s choices. As Kongkwan mentions at one point late in our story, no one, including her parents, has ever bothered to question whether Luk actually committed this murder, but she has never believed the lie. She knows her sister well enough, or perhaps is just too gentle a person, to imagine that Luk could have actually done that to Mai. 

And it’s important not to lose in all of this that Kongkwan loved Mai, too. His death was a loss for her as well as for Phukao, and no one really tended to her grief in the aftermath, which clearly runs deep based on the way she clings to objects that remind her of him (the film strip necklace, the Brother Uncle doll). She is just as broken by all of this as Phukao, they just express it very differently.

And before our story ends, Kongkwan will endure yet another devastating loss, when Veena is killed by the drug runners for witnessing their crimes and collaboration with dirty cops. This is compounded by the fact that Veena and Kongkwan’s relationship is in tatters when Veena is killed. Veena has just struck her in anger after Kongkwan demanded an explanation for why her parents were ripping her away from her friends and fought back when they once again tried to force her to carry their hatred for Phukao (her first real stand against her parents after being a dutiful and filial daughter through all their years of bullshit). Kongkwan takes off for the night with her friends to say goodbye before she is forced to leave, and in that short delay her mother is killed—another trauma that Kongkwan will have to bear forever. 

This family is an utter tragedy, to go from stable and loving to this, and all because of their own bad choices. Veena and Somkiat both utterly collapsed under the weight of Luk’s choices and their fallout, compounding them exponentially with their own inability to regulate themselves, and pushed all their trauma down onto Kongkwan, who must now do the hard work of living on amidst the destruction her family has wrought. 

Plu, Pum, and Yo

Phew, let’s take a break and look at this smiling family, shall we? I can’t believe I have already written this many words with nary a mention of my beloved best boy Plu, but that should tell you how much is going on in this show! While Plu gets caught up in the traumatic events that are deeply affecting his best friends and has some of his own family problems to deal with, he is not suffering from intergenerational trauma to the same degree as Phukao and Kongkwan. Plu lost his parents at a very young age (we do not find out the specifics of how), but is raised with attention and care by his wonderful grandparents who clearly love him dearly. He spends his childhood with close neighbors and friends and shares a deep bond with and protective instincts for his slightly younger friends Phukao, Kongkwan, and Lookzo.

So how is all this community trauma affecting Plu? He is a classic people pleaser and caretaker who just wants everyone to be okay. He also wants to support all parties in this situation without taking sides or hurting anyone’s feelings, which is of course impossible, but I do love him for trying. He took it upon himself to care for Phukao and be the big brother he needed in the aftermath of Mai’s death, but he always maintained his friendship with Kongkwan, as well, a fact that Phukao finds hard to accept. Plu is torn between his love for Phukao and Kongkwan, which becomes extra complicated when they get older and he develops (ill-advised and doomed) romantic feelings for Kongkwan that cloud his judgment and create a rift with Phukao. He is yet another person who hits Phukao without real justification, but unlike the adults he at least has the grace to feel ashamed (can you tell I am in my feelings about this??).

As all of this is unfolding, he is also dealing with his own family struggles, as Pom develops Alzheimer’s disease and her medical needs take a financial toll on the family, leading Plu to become involved with the same drug running crew that killed Mai, because apparently a legal job wouldn’t cut it to pay for Grandma’s prescriptions. (I should also mention here that via Plu’s involvement with the drug running crews we get a glimpse into some intergenerational trauma being passed down in those families, as the heads of each organization force a very hard life onto their children, but we’re not going to get into that because I have to stop somewhere or I’ll be writing this post from my grave). 

In any event, Yo can clearly see that his grandson is lying and doing something dangerous to bring home money, but he doesn’t stop him, presumably because they desperately need it. And Pom’s deteriorating memory and mental health take a real toll on both Plu and Yo, who just have sorrow wafting off them in waves in every scene where she doesn’t recognize them. This is a family in struggle together, not causing struggle for each other, unlike Phukao and Kongkwan’s situations.  

Lookzo and Oh

This section is going to be short because Zo and Oh have never done anything wrong in their lives and I know this. They are a perfect little father/daughter duo with an easy relationship, despite some sadness they must have endured around whatever happened to Zo’s mother (the show never gives us this information). Oh is a single father doing his best and he supports Zo through all her milestones and moods, creating a safe home where she can be herself and express her feelings to him without fear. He is also a sweetheart to her friends and welcoming to both Kongkwan and Phukao while maintaining his own friendships and acting as a mediator between their parents. 

Zo’s main worries throughout the drama are twofold: she has a crush on an utterly clueless Plu (despite his silly little hats), and she is similarly torn between her love for Kongkwan and Phukao and resentful of all the adults around them trying to destroy their bonds with each other. She is honest and forthright and though she sometimes runs off at the mouth in ill-advised ways, she always owns it and if she was wrong she will immediately admit it and apologize. In one of my favorite scenes of the entire drama, she lights into Kiat and Santi for tearing the community apart and destroying her friends, and then collapses on Oh to sob about how exhausted she is by all this bullshit and how she just wants to live her life with her friends in peace. She is all of us, easily the most relatable character in this show, and I love her. 

The Core Four

So after that exhaustive summation of all the trauma they are enduring throughout our story, I turn to the final question on all of our minds: are these babies going to be okay? I think the answer is a bit of a mixed bag with a tilt toward hope. 

Throughout the drama, I kept wanting these kids to just get in the car, drive far away from their parents, and never come back. But this is an Asian drama and filial piety reigns supreme, so of course they were never going to abandon their parents. And if they can’t be free, at least Phukao and Kongkwan found some measure of peace in the end. Kongkwan still has her father and a newly released Luk to cling to in the aftermath of Veena’s murder and they seem committed to being better to each other and finally letting go of all the bitterness now that Luk has come clean about what really happened (I would be remiss if I didn’t mention that Kiat explicitly says he is grateful for Veena’s death because it gives him the opportunity to be a better dad, a fridging for the ages!). Phukao has made his peace with his parents’ split and given Sai his blessing to pursue her best lesbian life, and Santi has done a (wildly unrealistic IMO) heel turn upon learning Luk did not kill Mai, let go of all of his anger, and pledged to do better as Phukao’s father. These families will never be free of the decade of trauma they all endured and the scars it left on them, but they can at least finally move forward from it. 

And of course, our core four kiddos stuck together and refused to let the adults succeed in destroying their relationships, though it was certainly a near thing. Even if things get better from here on out, they must live with the pain of all that they endured, and Phukao and Kongkwan in particular have suffered losses they will likely never fully recover from. It isn’t lost on me either that these traumatic events all occurred in the most formative years of their lives, when your experiences shape who you will become. They will carry these traumas through their lives and likely pass them down to the next generation, even if they manage to mitigate the damage better than their own parents did. If nothing else, we can say that at least if their bonds with each other are tattered, torn, and bruised, they are still intact. In the end, despite incredible pressure, ample doubt, and deep turmoil, they chose each other, and they will continue to care for each other through whatever life throws at them next. 

#10 years ticket #thai drama #intergenerational trauma challenge #shan posts 5k words on family trauma #doing the most as per usual #also i originally had a lot more images in this but tumblr won’t let me be great so this is what we get #long post #shan shouts into the void

[miyamiwu]

An Honest Guide to Tumblr for Twitter Refugees (Part 2)

Part 0: What the heck is Tumblr and is it right for me?

Part 1: Configuring settings + customizing your Tumblr

Covered in Part 2:

Posting basics (introducing the editor, different post types)

Best practices (stating trigger warnings, adding image IDs, indicating sources, etc)

Post controls (who can reblog and reply to your posts)

Note: Like Part 1, I suggest you follow this guide while on desktop Tumblr. This post also contains lots of images without ID. Such images though are basically just screenshots of what's already described in the post body.

Posting Basics

I was gonna talk about curating your dashboard first, but considering how Tumblr veterans would think you’re a bot and just block you if they see your blog is empty, I think it’s best if we cover posting first.

Tumblr Editor

Before everything else, let’s get to know the editor.

On your desktop dashboard, you get to pick from different post types: Text, Photo, Quote, Link, Chat, Audio, and Video.

It should be pretty self-explanatory what they do, but you know what? THESE DON’T MATTER.

I talked about this briefly in Part 1, so lemme just copy-paste it here:

Although Tumblr is still advocating its different posts types (text, image, audio, video, etc.), they’ve actually been rolling out changes to their editor where only a single post type is used (text) and you just add media to it. This is called NPF (Neue Post Format). On desktop, you can turn off the beta editor and thereby turn off NPF. However, on mobile web and on the app, posts can only be made in NPF.

To put it simply: There is no difference at all between the different post types. The only difference is that when you click on a post type (for example, photo), the first block* on your post will be related to that post type (e.g. a photo block).

* If you’ve used WordPress before, then this should be familiar. But if not, then here’s a quick explanation: A block is basically a component used to create a post (text block for text, image block for images, video block for videos, etc.)

More technical info about the block editor and how to use it can be found here.

So my point is, don’t sweat too much over the different post types.

---

You can also write posts in HTML / Markdown!

If the default rich text editor is not enough for you, then get more power by using the HTML editor. It doesn't support all HTML elements, but at least you can do fancy stuff like adding some gradient text:

gradients are cool

To switch editors, click on the gear icon at the top of the editor, and in the Text Editor dropdown, choose between Rich Text, HTML, or Markdown. If you’re curious about Markdown, learn more about it here.

---

Some neat stuff you have to know about posting on Tumblr:

A. YOU CAN EDIT POSTS!!!

We’ve had an edit button here for years, and best of all, it’s free! However, for posts of yours that have been reblogged, even if you do edit the original post, the edits won’t be reflected on the reblogged version. More about reblogging in Part 4 of this guide.

B. You can post loooong articles here

Like Twitter, Tumblr also has a character limit for text. However, this limit is on a per-paragraph basis and not for your entire post. And it’s such a generous limit that I’ve never once hit it. I don’t even have to keep tabs on how many characters I’ve made. You can find a list of all the limits you have to keep in mind when using the NPF/beta editor at the bottom of this article.

C. You can save drafts and schedule posts

If you can’t finish that post right now, no worries. Just save it to your drafts first and finish it later. Or, if you’ve prepared a cool post for New Year even though it’s still November, just schedule that post to publish on a New Year. More about queue/scheduling in Part 4 of this guide.

---

Best Practices

I don’t think I need to do a step-by-step on how to use the editor because it’s pretty intuitive, so let’s talk about best practices when it comes to posting.

On stating trigger/content Warnings

In Twitter, you do this:

// tw: r*pe, g*re, m*utilation . . . . [actual triggering content]

Please don’t do this.

First of all, here on Tumblr, we do not censor out those “problematic” words. You have to spell them out so that people who have such words filtered in their settings will actually not see them. Getting content filters to work will be a pain if people have to keep in mind all variations of rape (r*ape, r@pe, r4pe, etc).

Second, those multiple dots don’t do anything. Instead, utilize the “Read More” block. This block will hide everything that comes after it under a “Keep Reading” link.

On desktop, you click on this icon that has a zigzag sandwiched between two horizontal lines:

On mobile, you do it by typing :readmore: and then hitting Enter.

(I’ll talk more about triggers/content warnings in Part 3, which will cover Tags)

Just spell everything out actually, not just trigger words

Instead of oomfs or moots, say mutals. Instead of unalive, say murder. No need to shorten or tone anything down here.

Add image ID’s

Image ID’s are basically descriptions of an image. This is important for people using screen readers. I’m guilty for not always following this, but just trust me on this.

On desktop, you hover over the image, click on the three dots that appear, and then click “Update image description.” Keep the description in simple words and state exactly what the image contains. I’m doing it for this particular image below:

On dashboard and on some themes, the image ID will be shown when you click on the ALT button that appears when you hover over the image.

Sometimes, when OP forgets to put an ID, someone will reblog the post and add the ID themselves. If you see someone doing this on one of your posts, then please be an angel and add that ID to the original post. Image descriptions will be more useful/have more impact if they’re actually part of the original post.

---

Link back to source

If you’re sharing someone else’s content from another site, please indicate the source. You can do this by adding a link to the source from within the post body itself, or by using Tumblr’s content source feature in the editor:

Click on the little gear above the editor, and in the “Content source” field, paste your link.

---

Do not repost other people’s gifs/edits

Sometimes you see a cool gif here on Tumblr that you want to use on your own post. People are generally fine with that, but you have to do it the right way.

DO NOT DO THIS: Downloading the gif and then uploading it to your own post.

Instead, DO THIS: Use Tumblr’s GIF block and search for a gif from there. Doing it this way would link back to the OP and even notify them in their Activity.

Here’s an example of how it looks:

The gif above is from my side blog, and below the image, it says “GIF by fyeahbachisagi.”

Post Controls

If you don’t want a certain post of yours to get around too much, you can disable reblogs on it. Click the gear icon at the top of the editor, and in the “Who can Reblog?” dropdown, choose from Anyone or No One.

Limits on Replies, however, is on a per-blog setting and not per post. Go to tumblr.com/settings/blog/username, and scroll all the way down until you see the setting for Replies.

---

Okay, that’s all for Part 2! Next up, in Part 3, I will talk about utilizing tags

Update: Part 3 is up! Well, kinda... Not exactly a guide catered to Twitter refugees, but still a guide to tagging:

A Guide to Tagging on Tumblr: Types of Tags

#tumblr #tumblr guide #twitter #tumblr best practices #elon musk #miyamiwu.src #miyamiwu.tut

[hxllo-nana]

So, like I said in my previous Ask, I wanted to talk about some of ur other stuff (non-Dead Ringer) in another Ask/other Asks.  At least for the most part, and that is this Ask.

Copy and pasting from posts on ur hxllo nana YT again:

“Inkubator’s Arc: A villain Ink Sans story featuring lots of other aus (not just sanses), this and Deadringer are the two things im currently putting my time on

“Bonnytale: A flower infested story with a current focus on one original au, this will story will be posted on youtube after Deadringer”

I just wanted to say the “Inkubator’s Arc has been interesting so far (though, I do need to catch up on it some), and I am really happy u are posting it elsewhere (Tumblr), besides TikTok.  Maybe u could even post it on YouTube someday, like u do w/ Dead Ringer, Bonnytale in the future, etc.  But it is fine if u don’t.  Inkubator’s Arc seems to be done in quite the different format than Dead Ringer is and Bonnytale is being done is, which is also interesting.

I like the cast of Inkubator’s Arc so far, or at least, what we know and/or have seen it of so far.

Ok, done with talking about Inkubator’s Arc (for now at least, maybe), gonna talk about Bonnytale some now.

Bonnytale remains an awesome, interesting, and gorgeous AU to me, and I am really excited to see ur own AU’s story and stuff play out.

(This is the one Dead Ringer thing I am going to mention.  And I am mentioning it in connection to Bonnytale.  Or well, it was the one Dead Ringer thing I was going to mention in this Ask, but I had something else(s) after this).  

I remember seeing u decided to wait until u finished the pilot, instead of posting just the intro.  So you could post both the intro and pilot, and that it would maybe be early 2024 then/now?  But I can’t remember, but if u are going to be posting it after Dead Ringer, does that mean after all 7 (I think) episodes are done?  Including the intro and pilot?  If so, that is cool, just wanted to clarify.  And I am excited for then and stuff.

Also, forgot to mention this in my Dead Ringer Ask, and/or it just came to my mind now to say about ur Dead Ringer AU.  I just wanted to say, I really love and find it funny that Dead Ringer, who is the alive one, looks like the dark, kind of tired-looking “demon” child, while Chara (the dead one) looks so much happier and brighter and/or lighter.  Lmao.  Ok, that all of the other (I think) Dead Ringer stuff I wanted to mention in this Ask.  I want to talk about one other AU, but I am going to save that for the last (for now) Ask of mine, because once again, this getting long, and content-wise, I think splitting them like this makes sense.  2/3.

- NEXT ONE LET’S GO

- Inkubator’s arc is more of a comic style and requires less effort than deadringer and bonnytale, not only would this be good for me and my schedule (and sanity), but it allows me to work on bonnytale without burning myself. I would probably animate or give visual editing on a few things(chapter parts)in Inkubator and post it on youtube maybe so let’s see!

- Bonnytale will come after all episodes of Deadringer are done. (or atleast when ep 6 is posted). There is a few things about this au I would like to tweak (in terms of plot and a few design changes) and I need all the time I can get before I release anything in case I want to make some changes. For what time in the year it would come I think it’s best I don’t say anything incase I curse myself…again

- The entire cast of deadringer has been emofied by 1000 and the only fact is…that everyone is completely aware of it lol. Chara mostly but their image is more leaning into, “i’m cute so I won’t get hurt”, but they still have the same headspace as original Chara :b

- hehehehe, i love asks *CRUNCH*

#deadringer #bonnytale #inkubatorsarc #ask

[azherwind-art]

About reposts

So today for the first time, I found someone had re uploaded one of my comics into their instagram account without asking for permission first, I got notified by a commenter who tagged me on the picture to let this person know I also had an instagram account since they had only given credit to my tumblr url. After I expressed my discomfort with the images being uploaded without my consent the user quickly erased the post, and did not block me. Now, I absolutely do not think there was any ill intent by this person, and that it was just in the spirit of sharing something they enjoyed, I also think they must not have known about my instagram since they were clearly intending to give credit to the original artist (and seem to do so with all the other re uploads on their account) so I’m convinced this was in good spirits. If that person is a follower of mine (which they may not be) I just want you to know I hold no grudges against you, however to you, and all others out there who may think on making a re-upload account with the works of others I feel I should express a few words on why you should always ask the artist for permission on it. Even if you’re not claiming ownership of the piece of work you are uploading, you must still understand it isn’t really yours to take, even if it is published on a public platform and specially if your intent is to share the work it is always best to ask the creator for permission to do so. Like in this case, had this person asked me for permission (and had I granted that permission) they could have known I have an instagram account myself and been able to use that to give me credit in the post, instead of just the tumblr url. Which would be much more effective since when you ask people to jump platforms they are much less likely to do so, for any user jumping platforms is far more work than just clicking on my tagged account and immediately be taken to it. Otherwise you may even be taking more views away from them rather than helping them (at least in this case the re-upload had considerable more likes and such than my original post that was also on the platform) What I mean is, if you want to respect the artist and help them grow and expand their viewership then always ask them, they will always know best how to better give exposure to themselves and will be able to provide information and links. Now, I understand why that process is slower, more annoying, maybe even nerve wrecking cus you may fear you will anger the artist, well let me assure you, if your intent is to not upset anyone, and they are indeed against you re-uploading their work they will always be more angry and upset to find out you’ve already done it without asking than what they would been by being asked about it. Maybe they won’t give you permission, but it is their work, and it’s best to respect that, you just have to accept it. In my case, I tend to be very open to people re purposing what I do, most often when I’ve been asked to use my work, for dubbed videos, avatar pics, meme pics and so on I’ve happily accepted and simply provided and requested some link and contacts on my plaforms to better help me increase my own viewership. Artists even when doing fan art, put a lot of work, time and effort into it, so please always think in how what you do with their work can affect them, many of us do use those pieces of media for our livelihood (and living of art is hard). So please, to anyone out there that wants to use my work, just ask me about it, I promise I won’t bite. To all those of you who have asked me, I’m always very thankful to you for taking the proper route to do this and very flattered to know you take interest and enjoyment of what I do.

#long post #azherwind #re uploads #respect artists #sorry for the rant #this had never happened to me and im actually not mad but I thought it would be good to address it #and share some opinions on the point of view of the original poster #I just think is good to spread some insight on the matter #thank you all for liking my work! #and thank you to the tmnt nation for the likes and reblogs #its been my best post of the year

[silversapphire5691]

welcome to another episode of silver's merch mysteries!

remember those zoobles plush posts i made a few months ago? well i think i might turn it into a series on here, where i will post about obscure/unreleased merch that interests me. today we have the mystery of the spacy brothers tamagotchi friends figure.

tamagotchi friends was a very short lived figure line for the very short lived tamagotchi friends release in the us. they were released in 2014 and only at toys r us. some figures came in playsets, some in single packs, and there was one(?) pack that had 5 characters in it. some characters are harder to find now than others, yumecantchi being the rarest in my opinion since i rarely see her go up for sale. i loved this figure line and i got into the tamagotchi anime on the tail end of this release, meaning a lot of these figures were now super cheap because the line flopped in america. but one thing that i always thought was weird were the choices of characters they made figures of. main characters like memetchi and kuchipatchi didn't receive figures yet characters like harptchi got figures? very strange. however, a while ago, i stumbled upon this image:

originally posted by tumblr user ashkeilolita in 2015, this image shows the collectors guide packaged with every tamagotchi friends release, with a few differences: kuchipatchi and spacytchi, two characters that did not receive figures, have figures shown on this guide. spacytchi replaces the character juilietchi and kuchipatchi replaces yumecantchi.

as i said before, this line did not do well in america and was forgotten about pretty quickly. so my first thought was "well, since this didn't do well, these are probably prototypes that were never released." but do you see the set below spacytchi? the "dream school classmates" set? that was released.

here's an ebay listing from last year that hasn't sold. and there's another on ebay from this year that also hasn't sold. (probably because they're both over 80 bucks....)

so if these released, what about kuchipatchi and spacytchi? i have yet to see any photos of spacytchi or kuchipatchi online. it could be possible that they released but have little to no documentation online.

while making this post, i also thought that it may be possible that this set released because they are just variants of already existing figures with different faces. (julietchi and himespetchi are the exact same figures). i also noticed that i have never seen the single pack for mametchi online anywhere, so that leads me to believe only this set was released.

and again while making this post i went back to the original post from ashkeilolita, and i found a comment from user auronsgirl saying the following: Someone asked about these figures on the Tamagotchi Friends FB page. And they said they were figures they were planning on releasing but no stores wanted to pick them up to sell them. So they won’t be getting made and sold at all now.

so... i guess that solves that mystery :(.

BUT, maybe there are unreleased figures out there? kuchipatchi has plenty of figures, but spacytchi only has one (a rare gashapon) and his brothers don't have any. it sucks these didn't end up releasing, but i can kinda see why. i would rather tamagotchi made new characters like these rather than rereleases but oh well.

what did yall think? i wanna do more of these so let me know if you have any ideas for things i should look into!

#tamagotchi #tamagotchi friends #tamagotchi friends figures #kuchipatchi #spacytchi #silver's merch mysteries #lost media? #lost toys

[anime-grimmy-art]

What do you do when there’s not much to an AU? You make up your own stuff, ofc. And as is per usual when I make Character Designs, I make up a shit ton of lore too.

The ramblings under the cut, but what I’m really interested in, is what you guys think. Do you guys have any headcanons/ideas for this AU? Let me hear them! Also, if you don’t wanna read on tumblr, here’s the Google Docs link: https://drive.google.com/file/d/151yshHxnb_--P6eMKkwkI2dee9xC_Llb/view?usp=sharing

Before I get into the characters’ roles, here’s some general facts and backstory of their town:

- Basically, it’s Undertale meets Harvest Moon / Stardew Valley. Well, kinda. I at least used that approach for coming up for the jobs for the characters. You know, how there’s always a general store, a doctor, a smithy, etc.

- The usual story of a HM game is that you come to a town that’s way past its glory days and you, as the player/farmer, help them get back to that. The “backstory” of the town is that that already kinda happened. I’ll get into it more in the character description, but basically when Asgore was still mayor, the town got really popular. Then yadda yadda, a certain tragedy happened, two kids died, and the town suddenly got very bad publicity. There was a lot of stuff going on back then, bad reputation being spread and also a lot of law stuff, cos, you know, supposed child murder ‘n all, so Asgore made the decision to shut off the town to ppl from outside. This was in the interest of most monsters living there, because as fun as it is to have a lot of people coming there, most just wanted to live a quiet life. Not everyone was happy with that though, so many moved away from town and some others are trying to get the town back on its feet. But more on that later.

On to the characters:

I’m just gonna start with the skelebros, cos it’s their fault in the first place I got so invested.

Basically, they are what the player is in hm/sdv. They just showed up one day, took over the abandoned farmhouse and began their life there. The two came to town way after it was “closed” and since then a new mayor has opened the possibility for new residents to move in. Their farm helps the economy of the town a lot and the mayor, like usually in hm games, is trying to use that to make the town more known again. The skelebros aren’t really working towards that goal however.

So, now a bit more detail on them individually.

Papyrus:

- The design is mostly based on what’s “canon” in this au.

- He works mostly on the fields and is in charge of the crops. Their fields aren’t spectacularly big, but still big enough to plant a few dozen rows of veggies. 

- Paps also helps out a lot in town when he has the time. He helps Asgore with his plants, he goes fishing with Undyne, helps Toriel carry crates around and so on. This is inspired by the part-time job mechanic in HM ToT.

- Unbelievably, in this AU Pap is not an absolutely awful cook. Since he helps out at Muffet’s and Grillby’s a lot, they tend to show him some tricks to cooking. Even though Pap’s not a big fan of the greasy or overly sweet cooking those two do, he picks up a lot.

Sans:

- Again, design mostly based on the “canon” look. Maybe a bit more baggy.

- This is finally an AU this dude gets to rest. Since there are no resets and he doesn’t have to see his bro die again and again, for once in his life, he’s not a sad ball of depression. He’s just a chill and lazy dude that loves to make puns. Though, since he’s not too experienced with the feelings of loss, helplessness or grieving, he still tends to hide behind puns and fakes smiles if he does feel bad.

- Sans is in charge of the animals on the farm. Papyrus begrudgingly gave him that role since Pap’s loud demeanour and hectic movements usually scare the animals. Sans’ relaxed attitude draws the animals to him naturally and even if Pap mostly finds him sleep against a tree, in a stack of hay or on one of the sheep, the animals are always fed, healthy and relaxed, so Sans seems to be doing his job.

- Sans always has a small chic sit inside his hoodie or hat. Is it always the same one? Who knows, maybe.

- Sans also, somehow, can produce eggs out of thin air. Grab into his hoodie pocket, in his pants pocket, in his hat, in his slipper, there’s suddenly always an egg there. On good days he can even make butter or cheese appear. 

Gaster:

- He’s literally just a scarecrow in this. Though, if you ask any of the bros why they designed their scarecrow that way, they won’t have an answer.

Frisk&Toriel:

- Frisk is mostly based on what I wore myself as a kid in summer. Just a loose shirt with a cappy. Toriel basically has her ut gown, just with an apron on top.

- Frisk just appeared outside the “magical” forest one day. Napstablook and his cousin found them and brought them to Toriel, who has been taking care of them since.

- Toriel runs the general store in town, but also often takes care of the few kids that still live there.

- Frisk usually helps out in Toriels store, plays with the other kids or sits around at Asgore’s. They’re notorious for nabbing small snacks, mostly from Asgore’s plants. You’ll always find them munching on something. 

- Frisk was in town before the skelebros. Since they’d moved in, Frisk often went to spy on their farm. After a small incident with angry chicken, Frisk got to know the two better and now they see them as something between brothers and uncles.

- But Frisk honestly gets along with everyone. Just like in UT, they’ve not only been adopted by Toriel but literally everyone.

- Toriel and Asgore’s relationship is not as bad as in the main game, since, you know, Asgore didn’t kill literal children, but there’s still tension between them. Back when Asriel and Chara died and the whole thing with the bad rep for the town began, Toriel felt betrayed by Asgore focusing more on the town than giving their deceased kids the grieving they deserved. They’re not divorced, but Toriel still moved out and said needed space to think. Now that Frisk is in the picture though, the both of them are slowly coming to even ground and may even be able to talk things out and clear up the uncertainty of their decisions.

Asgore:

-Asgore has his UT Ending / Deltarune clothes, just with a gardener’s belt.

- He’s the previous mayor of the town, but after all the crap that happened, he stepped down from the position. Now he has his own little shop and sells seeds, saplings, homegrown veggies and fertilizer. So, basically what e.g. the Marimba Farm is in HM AP

- His main customer is Papyrus and they’re on friendly terms. Asgore is worried about how much and how hard Pap works, so he often gives him a discount. 

- Since his family’s past tragedy, Asgore is kind of nervous around kids. So, when he first met Frisk, he hoped they’d not visit him too often. But to his chagrin, Frisk took an instant liking to him and spends a lot of time at his shop (and steals eats the fresh grown veggies). Now, he’s really grateful for that, because for one, he loves Frisk as dearly as he had his own children, and also because now the tension and mistrust between him and Toriel seem to grow smaller day by day.

Undyne&Alphys:

- I gave Undyne a pretty basic fisher’s outfit. Alphys basically has Elli from HM’s outfit, just a bit more doctory stuff added. She still has her canon lab coat too.

- In essence, Undyne and Alphys have 2 completely different jobs. Alphys is the resident doctor and Undyne runs the fish market.

Two things. Yes, I know Alphys is more a mechanic than a doctor, she fits the aesthetic though, so she’s the doc now. And no, Undyne being a fisherwoman is not cannibalism, think of it more as a shark hunting smaller fish.

- The reason I lump them together is because they act as the local “smithy”. Alphys is still really tech savvy in this (I mean, Mettaton is still part of this AU), so she takes on most problems with electronics and stuff. For Undyne, I didn’t want to lose her Royal Guard’s Captain image, so she’s really good at handling tools (and weapons, but Al doesn’t let her make them anymore). So basically, if there’s a broken tool, you can be sure that either Undyne or Alphys can fix it.

- As for relationships, those two are still an item. Alphys is still really shy and a shut-off, but since Undyne and Pap become best friends, she gets to know the skelebros better. She and Sans especially get along well, since most of the time Undyne and Papyrus are let loose, they sit back and talk about science-y stuff. (no, Sans doesn’t have a background in science but he’s still into sci-fi)

- Alphys has a bit of a strained relationship with both Asgore and Mettaton.

Back when Chara and Asriel died, it was because of “illness” (maybe poisoning?). Alphys feels awful because with her back then limited knowledge on medicine she couldn’t help the two. Asgore doesn’t hold anything against her but Alphys can’t help but feel guilty.

Alphys still built Mettaton’s body in this one. The two had a really big disagreement, because Mettaton hated the fact the town was going to close, and he couldn’t understand how Alphys could feel otherwise, even more so endorse the idea.

Mettaton, Napstablook, Mad Dummy/Mew Mew:

- Napsta and Dummy are pretty self-explanatory, they got straw hats. Mettaton’s outfit is a bit of a joke cos it’s a play on “work at the top and party at the bottom”. The tie has two different sides, one with the yellow red pattern, the other completely red. His “top part” is the business part, because when he’s on tv or in the mayors’ office, you don’t usually see his feet. The bottom is his party/dance part, cos his dancing/entertainment channels mostly feature his legs. 

- Mettaton, still a robot, Napstablook and Mad Dummy are all still cousins in this AU.

- Originally, they all lived and worked at the Blook Farm, the Animal Farm of this AU. Mettaton, however, despised that simple live and after befriending Alphys and her building him a body, he left the Farm to pursue bigger things. 

- Mettaton runs the local tv network. From weather to game shows, he does it all. He also runs the tailor shop in town that sells his designer clothes and merchandise. After Asgore stepped down, Mettaton also took over the role of town’s mayor and now works towards making the place more known again. Not everybody is happy with him doing that though.

- One of those people is the Mad Dummy. He can’t stand people anyways and he always claims that history would just repeat itself.

- Since the whole family is made of ghosts, they have different dummies and scarecrows they can use to take care of the animals. To mock Mettaton and kinda get back at Alphys for giving MTT such an opportunity, Mad Dummy found the blueprints for the Mew Mew robot and now modelled one of their scarecrows after it. 

- Napstablook isn’t fond of taking over obejcts like his cousins do, so he mostly takes care of the snails. Somehow, he can interact with them even when incorporeal. 

Muffet&Grillby:

- The two of them run the Inn together. Muffet cooks in the daytime and makes desserts, Grillby manages the bar in the evening. 

- The two still can’t really stand each other but working together like this benefits them both because their rivalry just spurs them on more.

- Even though Grillby is a patient person, somehow Muffet is the only person who riles him up enough to retaliate. (Well, maybe except for Sans, he’s a strong second).

So, basically everything between those two is a challenge in some way. Even if Papyrus doesn’t notice, even his cooking lessons are a challenge for them. 

- Even though they’re constantly bickering, after working together for so many years, there’s a strange level of respect and trust between them. Even if back when they first started this business, they’d pour salt into an already open wound, nowadays they’d know better and just take a step back from the other or even comfort the other (on very rare occasions only). 

Asriel&Chara:

- They be dead. Kinda.

Some Characters that’d live in that town too but that I haven’t made designs for:

- Gerson is the original smithy of the town. He’d grown up in a family of smiths, but he’d always had an appreciation for the sea. That’s why, when the town became more deserted and Undyne had a good enough skill level as smith, he took up the Captains hat and now mostly spends his days out on sea. He also ferries people to places if they need him to. Oh, and just like in canon, Undyne learned most of her skills from him.

- Burgerpants is a poor dude Mettaton basically kidnapped when he was trying to get fame in the city. Now Burgerpants works wherever MTT needs him to, be that as cameraman for the tv shows, cashier in his tailor shop or his slave secretary in the mayor’s office.

- MK is Frisk’s best kid friend. MK’s parents are in charge of shipping the goods out of town and paying the individual people. MK’s the one that usually collects the goods at the end of the day.

- Other than that, there are only a few people in town. I’d imagine the older folks or the really young families stayed in town after it was closed. I think the librarby dude would still run the library. Some Snowdin residents like the stone family or the dogs also might still live there. 

#undertale #au #farmtale #fanart #character design #lore #frisk #toriel #asgore #undyne #alphys #mettaton #gaster #sans #papyrus #muffet #grillby #napstablook #mad dummy #mad mew mew #asriel #flowey #chara #feels good to finally be able to tag them all

[lacebird]

💜  HOW TO MAKE A GIF WITH PHOTOPEA 💜

Hey everyone! I recently got asked to do a tutorial on how I make my gifs. I know that many people (such as myself) don’t have access to Photoshop for various reasons but they’d like to get into gif making. When I started making gifs, I only had a free trial of Photoshop, but when that ran out, I had to find another way to make gifs. Enter Photopea! A free, web-based software that you can use anywhere and that works just like Photoshop! 

In this tutorial, I’ll teach you how to make a basic gif like the one I did above. I use a macbook air, but it should be doable on a regular pc too!

If you found this helpful, feel free to share it with your friends! The tutorial can be found under the cut below 💜

THINGS YOU’LL NEED

A browser (I switch between Safari and Chrome, more about this later)

A screencapping software (like MPlayer OSX Extended) or, alternatively, a presentation program like Keynote or Powerpoint.

A program to screenrecord or a program that let’s you download from YouTube 

Lots of patience bc gifs are annoying little shits <3

1. GETTING A VIDEO BY SCREENRECORDING

First things first, you need to have the clip you want make a gif out of. There are plenty of ways that you can get them. I’ve seen some gifmakers say that they torrent entire movies and gif from that. The way I do is I screenrecord the part I want to gif directly from where I’m watching the movie or show (like Disney+ or Netflix [or something like 123movies if you’re a pirate 🏴‍☠️)]). That way, I don’t have to download the entire movie and I have just the part that I want.  

To screenrecord, I use my macbook’s built-in program called Screenshot. 

Open the program by pressing ctrl + command + 5 on your keyboard and you get these funny little buttons.

Click on the button that says record entire screen. The program is now recording your screen. Play the scene and make sure you expand the video into full screen so you get a full resolution. When you’re done, click the stop button that is at the top right of your screen (next to the wifi and battery symbols.)

If you don’t have Mac, I suggest you look into how to screenrecord on your computer, as I don’t know how other operating systems work. Sorry!

1B. GETTING A VIDEO FROM YOUTUBE WITH CLIPGRAB

Another way you can get videos is from Youtube. I use a program called ClipGrab for this. Download and open the program. You’ll get this window

Simply paste the link and chose the highest quality, then click ‘grab this clip!’. Done!

2. SCREENCAPPING

After we’ve obtained the clip we wanted, we can do this two ways. The first way is to use the program MPlayer OSX Extended. Here’s a tutorial on how to set it up, make sure you do this if it’s your first time using the program. Make sure that you have a special screenshot folder!

Open MPlayer, then go to file > open and find the video of the scene you screenrecorded or downloaded. MPlayer will now play the video. Use the left and right keys (< and >) to go go backwards or forwards 1 minute, but try not to move around too much because the software crashes if you do. If that happens, just click the reopen button when the popup comes on, and reload the video again.

When you’ve gotten to the point you want in the video, press the command + shift + s buttons at the same time and the program will now take a screencap of every single frame until you stop. 

If everything goes smoothly, you should find all your frames in your screenshot folder that you’ve made before when setting up the program! 

2B. USING A PRESENTATION SOFTWARE TO MAKE A GIF

If you want to skip the screencapping part and you want to have a fully completed gif, you can do the second option. That’s what I used to do before I got MPlayer. In my experience, it’s a really fast way to make a gif, but the quality isn’t really good. 

Here’s a tutorial on how to turn a slide into a gif in Keynote.

Here’s a similar tutorial on how to make a gif on PowerPoint.

Basically, you make sure that the size of your presentation is the same as your video, and that you make sure to export one slide into a gif. Also make sure that you export in the highest quality!

3. LOADING THE FRAMES IN PHOTOPEA

Finally, we can start giffing! As I said at the start, Photopea can be used anywhere, but I switch between Safari and Chrome. The reason why is that if I upload the frames in Chrome, the frames will be out of order. In Safari, that doesn’t happen, but the downside is that once I start editing, Safari will reload the page because it takes up too much memory. 

So, first I go to photopea.com on Safari. I click New Project and put in the same dimensions as the screencaps (in my case, they are 1440x900 px). You’ll get an empty project. 

Then click file > open & place and select your screenshots. Wait until Photopea has loaded all the frames, then, at the speed of light, quickly click file > save as psd before Safari reloads! You’ll find it in your folder where all your downloads are.

Next, I open Chrome (I use the incognito window because I have adblock on my usual Chrome, the program won’t work as usual if you have it enabled) and I click Open From Computer, locate your saved .psd file that you saved from Safari. 

Now, you’ll see all the frames as individual layers. Select everything by clicking on the first layer, then golding the shift button and clicking on the last layer. Press command + G to group the frames into a folder. Here’s how everything should look after you’ve grouped the layers.

^^ See how Agnes approves! Agnes things you’re going a great job!

Now, it’s time to crop the gif and get rid of the black borders. Making sure that the folder is selected, click on the crop tool (or press C) and click on Fixed Size

W is Width and H is Height, write in your sizing here. Tumblr’s max width is 540, so I put the width as such. For the height, I use 405. Then you just drag the corners until you’ve selected the part that you want, like this

Press enter and the image will be sized down 540x405 px. 

Now, our gif looks like this after cropping!

Open the folder so you can see all the layers. Select all your layers and right click on them, then click rasterize. 

Then, go to layer > animation > make frames. You’ll now see that each layer begins with _a_ - this is crucial because this is how Photopea knows that the layers are part of a gif. If your layers don’t begin with _a_, then it will not play as a gif

If you instead already have a gif done, all you have to do instead is simply click open from computer when you first open Photopea and load your already finished gif and it’ll have the _a_ at the start of every layer. You won’t have to go through the steps of loading your frames into a new project to make your gif as it’s already done and in a folder :) Just start cropping once you load it

You can preview your work by going to file > export as > gif. Make sure to change the speed in the preview window until your gif plays the way you want it! I put my speed at 500%

4. SHARPENING

Hooray, we now have our gif! But to make it look a little nicer, it’s good to sharpen it. I always use Smart Sharpen when I sharpen my gifs, and many other gifmakers use that too. It’s really good :D

To sharpen your gif, again, make sure that all your layers are selected. Go to filter > sharpen > smart sharpen. I use two different settings for my gifs, it really depends on the gif.

Setting 1 (which is the default setting)

Setting 2 

 Again, it depends on the gif, play around until it looks good to you!

Here’s our gif after sharpening it 

I ended up deleting the last few layers as the gif got bigger than 10mb (that’s Tumblr’s file limit, it your file is bigger than 10mb, it won’t upload). I also added a gradient map and it made the file size smaller, more about that in the next segment!

5. COLORING

Here’s the fun part! Now we get to play around with the gif, making it brighter and look Extra Nice™!  Since this is a black and white scene, I make sure that the blacks and the whites really pop. 

Notice how in the original scene it’s not actually b&w, it has a slight sepia tint to it. I want to remove this, so I add a gradient map by clicking on the white square with a black circle (I want to point out that we’ll be clicking on this button a lot in this step)

and I change the blending mode to Saturation

Then I add a curves layer using these settings

Then a second curves layer

Brightness/contrast 

Then my favourite! Selective color! First layer, I deepen up the blacks

Then another selective color layer, this time the whites

Lastly the neutrals

Here we have the final results!

Wasn’t this a gas! I hope this helped you out, let me know if you want to know anything else about gifmaking, I’m happy to help! Also, sorry if I wasn’t very clear, I’m bad at explaining 🙈

MORE RESOURCES:

Here are some other tutorials that are really helpful in making gifs. These users use Photoshop, but you can still use their tips most of the time in Photopea too, you just need to play around and see what works for you!

Gifmaking for beginners by @chloezhao (this one saved my life)

Pale coloring tutorial by @itsphotoshop

Two-Toned Gif Background by @clubgif​

Text with white outline tutorial by @anya-chalotra​

#resources #tutorial #gif tutorial #photopea #photoshop tutorial #photopea tutorial #tuserfran #userlaur #userlaura #usermirna #(tagging mutuals if you wanna share :P) #my tutorials

[yeolmae-s]

a chanbaek analysis from a veteran exo-l

before anything else there are a few disclaimers i'd like to make:

i am writing this analysis right now because as a non exo stan i'm not into chanbaek that much anymore. of course i like them to some degree since i'm writing this and all but it's nothing in comparison to the way i felt about them two years ago. so i feel like it's easier to keep a less clouded (?) state of mind being where i'm at right now, mentally, in regards to them. i feel like i can look at things more objectively, which is why i decided to write this and share it with you all.

for all the smart asses out there, this is a ship analysis. yes, i’m reading too much into everything. that’s what an analysis is.

all translation credits goes to @/fyeah-chanyeol

i'm a chanyeol stan. this analysis will, most likely, have more information about him in comparison to baekhyun. this is simply because i consumed more content about him since he's my bias (such as magazine interviews, fancams).

i don't stan exo anymore, but it's not because of anything they did. i liked them for a long time and made a lot of different friends because of this fandom, therefore i experienced a lot of hurt, scandals, fights and didn't deal very well with many things, so i decided to leave. this didn't happen because of exo themselves and neither did it happen because of the fandom itself. it happened because of the relationships i had.

that being said, i haven't been following them closely for the past year and a half, but i still keep up with stuff a bit, although not chanbaek related stuff since i gotta dive in kinda deeper for that lmao. so this analysis is mostly in depth for 2012-2018. if anything that you perceive as significant happened after 2018 i'm more than willing to hear your opinions about it.

so, let's get started!!

MAMA ERA

I have always felt like Chanyeol and Baekhyun's relationship was strange. I started shipping them when they debuted and more specifically because of the 130128 ISAC. When I was younger I didn't see a lot to discuss in their ISAC interactions besides it being cute and shippy, but I've started to look at it differently now.

I think everyone knows how ISAC is known for being basically a stage for fanservice. The whole "dating ground for idols" issue aside, judging from the amount of attention they direct towards the fans who manage to attend the event, idols are clearly instructed to perform fanservice. EXO's first ISAC had to be full of it, obviously, and they did give fans a lot to be happy about, content we still get giddy about to this day, and I'm sure they were instructed to act like this to please us. I don't believe that fanservice equals "false interactions": if two individuals are talking, touching each other, they are interacting, even if it is a carefully planned setting made specifically for pleasing fans. They still get reactions out of one another through these interactions, it is still relevant to the way these people's relationship will develop; even though these acts are done with the intent of pleasing a crowd.

Don't get me wrong, though. I don't think the 2013 ISAC fanservice changed anything in Chanbaek's relationship. In fact, I just want to use it as a way to illustrate something I will explain later on.

To be remembered in an industry you must have an image. You won't be getting anywhere without a carefully constructed visual image. Marilyn Monroe is always used as an example of this: she's someone you can easily make a costume of and people will instantly recognize it as her. She's basically a concept by now: blonde hair, red lips and white hair. These aspects take our mind back to her instantly. Of course, most celebrities don't achieve this type of icon status, but it is still important to cling to a specific concept/image of what you want your celebrity self to be perceived as. Without this, you'll be forgotten as soon as your career ends.

When Chanyeol debuted, he clung to the first trait they gave him: being a happy person, a.k.a "happy virus". If you were not an EXO fan back in 2013 then it's likely you're not even aware of this nickname that was given to him, but it's basically just what it sounds like (lol). He was bright, energetic, had a "teeth rich" smile (another nickname that was given to him back then), was able to give 10/10 laughter reactions to MCs and to his members jokes, was always enthusiastic to interact and smile towards fans. He even introduced himself as "happy virus Chanyeol" in interviews (and later on that changed to "EXO's voice Chanyeol" or "EXO's rapper Chanyeol").

I feel like Chanyeol was very much aware of this "must have" that I mentioned, this need to have an image pasted into yourself and have that image be what people will remember you as. We're all complex and multifaceted individuals, but the general public needs something simple to grab on to, something easy to remember. That happy guy from EXO? I know who he is! I'm sure this is the path Chanyeol chose, back when he debuted: to pick a trait given to you by the public and make it a huge part of your image.

However, that image of him didn't last very long. It certainly became tiring to worry so much about how he was being perceived, to carefully construct something so his career would last, specially when his group had so many scandals and went through a sudden burst of popularity that changed their lives completely. By 2017, Chanyeol already had a change of mind in relation to his career, these changes being mostly due to how he felt about music and what he wanted to do with it.

He recognized himself as having always being impatient, which might be the reason why he clung to a specific image so fast right after debuting:

From Fall Magazine in 2017

"At the moment I just want to enjoy myself with the music as it comes, without feeling as though I have to do something. It isn’t a greed from impatience, I could call it more of a greed to do better."

"When I first debuted I thought I was very optimistic, but as time has passed I think a more reserved side of me is showing."

"I think I've grown in many ways. Maybe it’s because it’s as though I perform everyday, but the stage has become comfortable for me. Shall we say I’ve become more calm and composed? [...] I think I’ve become more mature."

He matured. He's still bright and energetic but he's also more reserved. He managed to keep up the fanservice that his fans adore in a way that is more fitting to his actual personality. It still is an image, but an image that's not as exhausting as his previous one, with its strict demands to act in a certain way all the time. I remember specific interview with MCs demanding him to smile (although jokingly, of course) saying things like "Aren't you EXO's happy virus?", so I'm sure he felt pressured.

This is interesting to think about when put side by side with his relationship with Baekhyun. Back when they debuted, Chanyeol and Baekhyun were close friends that clearly felt comfortable with each other, and it isn't surprising to think that Baekhyun would be Chanyeol's first pick when he thought about doing fanservice with someone. Of course, I can't exactly pinpoint their first fanservice moment since I'm not a walking EXO encyclopedia anymore, but I can say with certainty that both of them felt like it worked as soon as they first tried it with the fans, and that's the reason why they kept doing it. Conveniently, they were both good friends, so all was good.

Until well, it wasn't.

At some point, Chanyeol's interactions with Baekhyun seemed too eager for Baekhyun himself. There are various moments where this is visible, such as this one:

Why are you grabbing my wrist out of nowhere young man........

Or...

That one pic where Jongdae, who was in front of them, looked so damn uncomfortable I can't even bring myself to google it

Of course, they had some over the top fanservice that did work out pretty well, such as this one, both of them imitating Jonghyun's and Taemin's Internet War stage, which seems a little scripted now that I look at it properly, with Baekhyun seemingly expecting Chanyeol to do whatever it is that he did on that day. (Can you imagine this: both of them backstage, watching Jonghyun's and Taemin's performance in silence, and one of them just blurts out "We should do that too!". What the fuck was going on)

By the way, if you have never seen the original Internet War performance, you can watch it here.

This is what they were imitating.

Tumblr won’t let me upload the gifs for this moment for some reason, so here and here.

You can't tell me Baekhyun wasn't expecting it already, lol.

Now, know what this moment reminds me of? ISAC. On their Internet War imitation moment, Baekhyun seemed fine, playful, even, agreeing. During ISAC, however, doing basically the same thing again (this time on a lighter way even; since they weren't, you know. Imitating a strong performance such as Internet War.), he appears reluctant. It's a bit painful to watch.

What changed? The ISAC event happened a few months after the SMTOWN concert where they did the Internet War thing, so what made things become so different?

If this has enough likes I’ll make a second part!

#i got tired halfway through writing and i decided i needed some motivation to finish this so i'm posting it the way it is lmao #chanbaek #baekyeol #park chanyeol #byun baekhyun #exo #kpop

[cryptidmads]

good evening (morning?) nsr community, it is 3am but i heard that the “let’s check out the zine” stream with wan hazmer and some of the artists had some concept art that we had never seen before. so i, being a good little collector of new information, hopped on the vod and rounded them all up just for you guys. notes and pics under the cut!

notes: i know that the artists definitely had something to say while showing these, but given how it’s 3am and i don’t know how much longer i’ll be able to stay awake i didn’t stick around to listen to the commentary. if they said something cool that you want me to mention, hmu and i’ll stick it in when i’m not on the verge of conking out lmao

also, tumblr has a 10-image-per-post rule, and there are 12 pieces of art total. i will reblog this post with the remaining two pieces of art not shown here. if you want to reblog this post, i advise that you reblog that version. thanks in advance!

now we move on to the art!

concept art for the prologue’s ending cutscene, before the title drop. the only one styled like a comic.

concept art of dj subatomic supernova. the one second from the top right looks like the closest to his final design. the text next to the headshot in the bottom right says “headphones connected to hoodie.”

a good half of these make him look way more menacing then he does in canon — i think it’s the shape of the hood.

concept art of sayu. these are back when she was going to look more like a human, before they got the idea to make her a mermaid. some of these are fully human, some of them have cat or bunny ears.

concept art of dk west. he looks drastically different from the west we know, even his shadow puppet is completely different. this west looks a lot more mysterious and almost sad, while our west is a lot more friend shaped.

concept art of yinu and mama. the label in the bottom left says this is for stage design, and yinu and mama look pretty much the same as they do in the game. the only differences i see are different outfits + the heart on mama’s head is yellow. more symbolism regarding how much she loves her (mostly yellow) daughter? perhaps so.

concept for neon j’s factory. this genuinely terrifies me.

apparently the factory was originally just going to create 1010’s heads, rather than their entire body, which sounds like another jab at the whole “boy bands are all carbon copies of each other” thing. and those things flying overhead? headless 1010 bodies. maybe i won’t sleep tonight.

speaking of neon j, here’s the man himself. now a canonical member of the “i wore pants at one point” club. the outfit looks cool, but i personally prefer the red sweater.

concept art of eve. her style here feels very different from her canon one — makes me think of over the top 70’s/80’s music videos and even a bit of the drag scene. the little speech bubble next to one of the designs says “come over for some sugar, honey.”

these next two are both tatiana. this first one is very sharp looking and says “I’M CEO, BITCH” across the bottom in all caps. i love it.

here’s the other one, which i believe is actually an old kul fyra design? let me know if i’m wrong. stream chat was saying she looks a lot like mayday’s mom lol

i’ll reblog this with the last two!!

#no straight roads #dj subatomic supernova #bunk bed junction #nsr sayu #yinu nsr #yinu’s mother #1010 #neon j #eve nsr #tatiana nsr #dk west #nsr ama #technically

[gr-ogu]

Hello! As requested, here is a tutorial on how I make my gifs. I would like to preface this by saying there are many ways to make gifs, and there’s no right or wrong answer imo. This is just how I personally go about doing so!

I will be using PS CC 2017, but as long as you have the video timeline option, it shouldn’t matter too much; on any version of PS, you should be able to adapt anything I mention here! You will also need some kind of screen recording software. I’ll talk a little more about that under the cut.

To start, you need the source material you will be making the gifs from! I get mine from snahp(.)it (avoiding links so tumblr hopefully doesn’t banish this from the tags lmao) and I always opt for either 1080p or 2160p. Not all laptops will support 2160p as it’s 4K, but either works great! You just want your gifs to be the best quality possible.

Next is where the screen recording comes in. I don’t use the screencapping method to make my gifs (where you use a program to cap a clip and then load those caps into a stack in PS). This isn’t for any particular reason… it’s just how my friends, (who very kindly taught me to gif), had always done it, so it’s now how I do it too. Personally, I find the quality to be just as good as the screencapping method, and have never noticed a difference between the two.

As I have a PC, I use the software built into it for screen-recording. If you go here: theverge(.)com/2020/4/21/21222533/record-screen-pc-windows-laptop-xbox-game-bar-how-to – you can see how to use the XBOX screenrecorder to record from files you have d*wnloaded. This also works on some streaming sites, but I think it depends on what browser you use. Personally, I recommend Firefox, as that seems to bypass a lot of the blocking and ads that occur when trying to do this sort of thing.

For MAC users, I have been told handbrake works well, as it converts MKV files to MP4, which can then be used to make gifs. You only need to convert part of the file to MP4 depending on how much you want to gif, and this also bypasses the screenrecording stage, as you can edit MP4 clips on Quicktime. I am told you can split them into smaller clips by going to edit > trim and it saves the new clip!

I have also used anyvideoconverter for small clips, but I can’t say what it does to the quality of your video, or how big of a file it lets you put in! With the XBOX screenrecorder, it doesn’t matter what type of video files you get, as the recording will save to MP4 anyway.

LOADING YOUR FRAMES

Now, go ahead and record whatever clips you want to gif. Make sure you have the video timeline open, by going to window > timeline. Then, go to file > import > video frames to layers.

Next, select and open your clip from where it has saved (with the XBOX recorder, it saves in video > captures). You should see a little window pop up, where you can move the sliders back and forth to clip your recording to whichever part(s) you specifically want to gif. I recommend trying not to load a lot of frames into photoshop at once, but I would be a hypocrite to say that, since I do it a lot lmao. Just be patient if you do!

Once you have chosen the length, click okay. Never, EVER, I repeat NEVER click the button that says “limit to every __ frames”. This really ruins the flow and quality of your gif—it’s better to have shorter, but smoother gifs, I promise. And with tumblr’s new 10 MB limit, it shouldn’t be a problem anyway!

Then, your frames should open up. What we want to do is make them into a smart object, so we can edit all the layers at the same time. To do this, click the small button in the left-hand corner. ALWAYS click this first. If you don’t, it will only convert the first frame to a smart object and the gif won’t work.

Give it a second to sort itself out, then, on the right-hand side, select all your frames at once using the shift key.

Then, go to filter > convert for smart filters. This might take a minute. Don’t click anything else in case PS gets angry lmao, just leave it for a second and it’ll do its thing. The more frames you have, the longer it takes! Now we have our gif, but it needs to be cropped, sharpened and coloured!

CROPPING

You want to start by selecting the rectangular marquee tool on the left-hand side, then drag it across by clicking and highlighting the area you would like to crop your gif to, like so:

What I tend to do is select everything inside the black lines you sometimes get around your gif (this depends on what file you d*wnload), and also the tiniest bit inside the sides. This is because I’ve found if you crop it right up to the edge, you get a tiny bit of transparency on the sides of your gifs, which I’d rather avoid.

Once you have your desired selection, go to image > crop. Now, the dimensions for tumblr are 540px width, so all your gifs have to be that width. However, the length is up to you. I really like big gifs, so sometimes I even make a full square, or even longer. It’s entirely up to you, and what kind of set you want to make.

For the purposes of this gif, I will stick to what I usually go for, 540px by 350 px. This will mean you’ll have to crop some width off, but that’s okay, since Marisa isn’t central anyway. The cropping is always trial and error for me, as sometimes people move out of the frame within in the gif. The best thing to do is just try it, and then move the slider in the timeline window at the bottom to see if the person stays inside the gif, and if not, adjust accordingly.

Next, go to image > image size:

In this box, if I put the width as 540, the gif is a smaller height than I want, as it keeps to the dimensions of the gif when you load it into PS. That’s okay, just put the height you want instead, and we’ll crop off the excess.

Then click OK. Using the rectangular marquee tool again, we need to remove the excess width. Part of the reason I like this version of PS is that it tells you the width of your selection as you do it, but you can always use the ruler as a guide, and check the size of your image by going to image > image size again.

Again, use image > crop, and your gif should now be the correct size!

You can also use the crop tool in the timeline window to crop the length of your gif:

However, I tend to wait until later on to do this (which will be explained further down!)

SHARPENING

Next you want to go to filter > sharpen > smart sharpen.

These are my settings. However, 0.4px is very sharp, too much so, but that’s easily fixed.

Go to filter > blur > Gaussian blur and then set it to 1.0.

Now on the right-hand side, we need to reduce the blur, so double click the little adjustment button, and change the opacity of the blur. I usually go for 20-30%!

Then click OK, and that’s your sharpening done!

COLOURING

I picked this scene on purpose as it’s dark, so good for showing how to colour a gif. I have a base psd which consists of some very basic adjustments, but it mostly exists so I don’t forget what adjustment layers I like to use. I adjust them every time I make a gif, essentially colouring each gif from scratch.

In this case, the psd actually makes it darker. So, what I will do is turn each layer off, and adjust as I go. A lot of people say using lots of adjustment layers ruins the quality of your gif… I have never found this to be true, as long as you are gentle with them. If you whack the brightness right up to the top, it’s going to ruin your gif no matter if you use 1 adjustment layer or 100. I would just say use your common sense, and adjust a little at a time!

I start with a simple black to white gradient map set to soft light, because I think it helps you see depth once you add some brightness to it. I usually do this on about 10%, or more if needed. It’s probably unnecessary, I just like how it looks!

Then, I move onto using curves and levels. This is where things can diverge depending on who you’re colouring. If this person is white, it doesn’t matter too much. If they’re not white, you don’t want to white wash them. My best advice is to play around with it. By adding vibrance and other (usually the red) selective colour settings later, you can ensure you don’t change the person’s skin tone from what it originally was. You can also use layer masks at varying opacities (various shades of grey), on your curves and levels, to remove some brightening so that you’re not changing anyone’s skin colour. Just brighten slowly and check in with yourself honestly about how your gif looks.

Some people don’t like using levels, or curves. It’s completely up to you. I tend to use both because levels are good for bringing depth, even if not brightening (though I like to use them for that as well). 

One thing you can do is use the white point of the gif to make PS adjust the curves itself, however I like to drag the sliders myself and see what it looks like. Just make sure it’s not too bright, as we will be using further layers to brighten more, after.

Next is levels. The slider on the left controls the black point, the one in the middle controls the midtones, and the one on the right controls the white points. The black brings depth, the midtones adjust the overall brightness, and the white points produce stronger highlights. Again, you’ll get a feel for how this works as you practice. Just don’t use the white point excessively, especially if your characters are not white.

Then I add vibrance (+20!), because we’ve removed a lot of it when lightening the gif. Next is exposure, which I find brings out the highlight and shadow areas more effectively:

Then colour balance! This helps with scenes that might be a certain colour, i.e. too blue, too green, too red, etc. Moving the sliders in the opposite direction of the colour your gif is will counteract it. The best thing to do when accounting for different colours, is to make a new layer every time you change colour, so that you don’t get confused. I always add a new layer for colour balance and selective colour if I want to change more than one thing. So one for red, one for yellow, one for pink, etc. 

A layer of brightness just to make the gif pop, and because the scene is extra dark, I added a very gentle extra curves layer:

SAVING YOUR GIF

Time to save the gif. You can go ahead and file > export > save for web (legacy) now, but then you’ll have to reopen the gif to reset the frame rate from 0.07, to 0.05. Instead of doing that, I use a modified action. The original was made by the very talented @elenafisher! So I do not take credit for that at all. You can find the original here: elenafisher(.)tumblr(.)com/post/190817437374/gif-sharpening-action-2-preview-download and in my resources tag. Please reblog it if you’re going to use this!

To use an action, first make sure you have actions turned on in window > actions. To load in your action, go to the little lines circled, and then load the action from your downloads:

Obviously if you don’t want to sharpen your gifs yourself, you can use the action as it is, and it will give you a beautiful glowing effect. If you’d just like to use it to flatten your gif into frames like I do, make sure to take out all the items I have highlighted:

Until it looks like this!

Make sure you have the layer under the file name highlighted, and then click the play button at the bottom! (If you get a screen saying select all frames cannot be found, don’t worry, just click continue!) You can delete the layer that does that if you want, I just keep it in case I realise I’ve forgotten to do something, because you can click cancel and edit your gif before you flatten it. Of course you can undo the steps to get back to the smart object version of your gif, it just takes longer!

And now your gif is in frames and set to 0.05 already, so you don’t have to change the speed! All you need to do now before saving is change the gif cycle to “forever” in the bottom left-hand corner:

Then to save the gif go to file > export > save for web (legacy). Sometimes, the gif is bigger than the tumblr 10MB limit. You’ll be able to see this in the bottom left-hand corner of the gif save settings. If this is the case, I like to preview the gif, to see whether it would be best to cut frames off of the beginning or the end, or both. When you’ve decided, you can select the frames at the bottom, and in the right-hand side panel, and delete them both using the little bins/trash icons.

I keep checking and deleting frames until I get the gif under 10 MB! Just don’t delete frames from the middle, as then you’ll have the same issue as if you selected “every other frame” when making the gif: it won’t flow!

Lastly, these are my save settings:

So that’s it! That’s how I make all my gifs. Blending I do when the gifs are in the grouped, smart filter stage, whereas text I add on during the framing section above! Really hope this is helpful, please feel free to ask any questions you may have! 💖

#gif tutorial #tutorial* #completeresources #yeahps #chaoticresources #allresources #mikesmom #usergeo #userava #usertix #usersmile #usertom #if you'd like me to cover anything more advanced just shout #i wanted to show how i add text too but tumblr wouldn't let me add any more pics #but people can let me know if that's something you'd want!

[atalienart]

any advice on dealing with instagram’s shitty algorithm? it’s so bad for me that my posts are getting about 5% of my follower count in likes. it’s bad. it makes me want to stop using insta entirely. have you had issues with insta as well, and do you prefer tumblr over insta? i’ve never posted my art on here but i think i might start if it’s kinder than instagram is. would love to hear your thoughts on this. 💗

The answer is so long that...

Hard question. I really know the pain. At the beginning I suggest trying different days to see when your posts get the most attention. Then be consistent and post on the day you chose. I noticed the most people seem to see my posts when I upload on Monday and Thursday for some reason. (Idk why because I get to see posts that people posted two days ago or something.) If I post twice a week my second post definitely gets more attention. I don't upload too many images in one post, people usually don't swipe too many times, it's better to make a new post instead. Some people say it's better to add less used tags because it's more likely people who look for specific tags will notice you, some say it's good to use tags that big reposting accounts use because people check these more and you have a bigger chance to be noticed by more people. (I suck at tagging.) Definitely let people know that you posted something new in your story. If you don't see much activity just leave insta, don't just sit there, browse and stare at it, if insta wants to engage you it should do something to drag you back, e.g. by showing you some notifications, and to show you notifications it should show your art to your followers. Don't give it your time and attention if it doesn't give you none. You might also want to use all insta functions like reels (I still don't know if I even have this option...) Add stories often, just not too many and make them interesting, that way people who check them will have your icon always in sight.

Generally there's a lot of trash on insta, that's why it's so hard to even reach the people that follow you (half of my followers don't see my posts), there's tons of ads and reposts.

Anyway, a lot depends on the things you post. Are they consistently good? are they cropped in an aesthetically pleasing way? For example, I noticed that if I change my style a bit it affects the notes. Do you do fanart or original art, fanart gets a lot more attention, especially if you're kinda "known" for it. And you need to be okay with the fact people won't like every single post of yours. I know what would give me more notes but I just want to draw what I like. It's important to do things for yourself.

I gave up on breaking the algorithm, I just try to post on the same day (sometimes I fail xD), I post my original art so I expect people who either really like my art or my ocs will interact. And I try not to worry to much, I used to worry, now... I don't think it's worth it. It's still sad when it seems like no one cares and you want some validation but it's not something you can't live with.

As for tumblr, I'm not sure how it works for new users, I guess it's not that bad (from what I've heard). For me, well, I have a lot of followers here but maybe 1%-3% of people are interested in my content now. When I drew fanart it was much more popular. A lot of people left after the tumblr collapse xD I honeslty have no idea how many of the accounts that follow me are just ghost accounts. But it's probably a totally different experience for new artists. It might be better than insta taking into consideration it's calm here.

But have patience, improve your skills, numbers really don't matter, people who follow you and their support matter. There's no point to stress about something you have no power over. And if you have energy to try new sites then do it, see what works best for you.

#I'm so sorry for this essay u_u

[pearlplusau]

Attack of the Multiverse!! (Pink Pearl edition)

“Presenting....a new writing series! Here’s the preview of the entire story! Enjoy and thanks for reading in advance!”

.

.

.

*que intense chase track

 A pink pearl in her latest crystal gem form, was blindly running into the darkened beach, where everything was pitch black. She couldn’t see the water, she couldn't see the sand, heck, she couldn’t even see the giant temple that should be located somewhere in front of her without any light source!

She couldn’t remember how long she ran, but it was more than her physic could take. As she slowed down, she huffed and puffed, almost wheezing from all the running. 

But her break was cut short when-

A sound of blast came from somewhere behind her, controlling whatever it touched as the torn objects such as floor boards, trash cans, and giant chunks of earth levitating around the enemy figure.

As Coral raced towards the temple, which was finally visible from the bright aura of the floating gem, another figure appeared, stretching out her ballerina leg and tripped the poor pink gem.

“Ooof-“ she exclaimed as she faceplanted into the sand.

 As Coral lifted her head, she saw two figures, no wait…two identical figures!

The closest figure wore the outfit she had before the rebellion, her first ever pearl form, except it's all nastified, torned up and darkened, as if someone drenched her with the colour schemes of an arch villain. Instead of buns for her hair, two shaggy and messy side ponytails wildly danced under the blowing night wind. Under her eyes was a trail of dark ink, making her look more horrifying than she could ever imagine! (She’s abandoned pearl, but let’s go with Crazy)

The other figure looked like the first figure, except she was completely greyscaled. Her entire body radiated absolutely no colour, just the dreadful shades of black and white! Her hair, too, was in a complete mess, but in a mad scientist style, where her hair looked like it was electrocuted, but more neatly and less frizzy. Anger was radiated from her twitching eye and her frozen W pose, the twitching eye was glowing with power, as if it’s holding back the power with what’s happening next!

The two of them both bore a damaged right eye, but resembled no difference to each other, they even look like-

Coral gasped, “No way! You’re…me?” as she pointed to the two Pink pearls, getting more and more confused.

“That’s right!” Crazy Pearl spoke with a raspy voice and some crazy in her eyes. “And now that we finally got you, we’ll take our sweet time to DESTROY YOU!!”

The pearl brought out a wand from her gem, and it immediately extended and sprung  into a deadly, pink, glowing rejuvenator. “Once you’re rejuvenated, you can join my little army, and we��ll destroy the worlds together! Mwahhahahhahahahaha!!”

Coral was only able to whimper out, “worlds?” as the crazy gem wasted no time and brought down her pink glowing scythe!

As Coral braced for rejuvenation, a pink ribbon lashed out and gripped on Crazy pearl’s arm. The scythe was frozen in place, but it was flung aside as Crazy was yanked out of her spot! As the ribbon retreated, another figure slowly came out of its hiding.

“You won’t be destroying anything once I’m done with you!” It’s the same voice as Coral herself, but more confident and sure. The figure had Coral’s face, her hair, her gift from Pink diamond. The more obvious significance was the green dress and the placement of the gem on her forehead. The gem in green shouted, “Earl! You take that freak while I take care of crazy here!”

As soon as she ordered, the sound of a gem retrieving their weapon echoed, “SHING!” with the sound of pistol fire not long after!

Bullets were shot, all flying towards freak pearl, but a metal trash can flew out of nowhere and acted as a shield against the attack. 

Coral saw the shooter come out with angered expression, as if she was annoyed of the constant blockage of her attacks. The shooter looked almost exactly like freak pearl, the only difference was one of them is a bleached floating freak while the other wore a long sleeved silk shirt with a diamond shaped cut around her gem, bright pink shorts with huge pink splatters and spots all over her body. Her grey hair buns had little strays of hair at the end, with far less cracks on her face. Earl also had the same cracked eye, but she’s looking a lot less freaky than her counterpart.  

As the two pearls fought as ballerinas, assassins and shooters simultaneously, the confident pearl grabbed on to Coral and ordered, “Come on! We need to get out of here! That ribbon wont hold her for long!!”

The said ribbon was wrapping up crazy pearl with a neat bow on top, however, she looked like she could break free any moment!

“Hurry!” Coral got up and they both went to help Earl. The confident pearl pointed to the levitating gem and ordered,  “Use your lance and take her down!”

“What!?” Coral questioned in surprise, “isn’t that a bit too much?”

“Trust me, it's not!”

Coral summoned and gripped her lance, aimed at the freaky pearl and threw.

The weapon was barely slapped away with the metal trash can, but that little distraction was able to give Earl the chance to finally strike and take her down!

Earl leaped into the air and performed a 10/10 somersault, she gracefully kicked freak pearl as far as she could! “Smack!”

The knocked pearl made no sound, just the sound of her SPLASH landing into the dark ocean.

Coral immediately took the chance and demanded answers from the two, “Can someone explain what is going on!?”

She looked at Earl, who, instead of speaking, did hand gestures that were clearly sign language, but Coral didn’t get the chance to study them unfortunately…

Confident pink pearl translated, “She’s saying we don’t have much time! Come one, this way!” she pointed to the side of the crystal gem temple. “There's a portal there that should lead us straight to her!”

Coral demanded as they ran, “Her who?!?”

“Coral, do you believe in alternate universes?!” Confident pearl asked.

“I do now! Seeing all of you here! Being literally alternate versions of…ME!”

“Well actually, we’re all alternative versions of the OG Pink Pearl, The original! I’m from a diamond swap universe where White Diamond and Pink diamond swapped places, I’m one of original crystal gems, without White diamonds old pearl.” C!Pearl said as Earl nodded at the side.

Earl made more hand gestures to say something, pointing to herself along with more sign language. C!Pearl translated, “That’s Earl, she’s from another timeline where she… you know what, it’s a long story, all you need to know is that we can trust her!”

“But what about the two we just fought?” Coral demanded. 

“Those two? I call them freaky and crazy! They’ve been after us ever since we started portal jumping! I’m not sure where they’re from, but I’m pretty sure Crazy is from an AU where SHE was abandoned in Pink diamond’s garden instead of Spinel! As for freak pearl, really not sure here. Maybe she’s an interpretation of how powerful she could get under a diamond’s complete influence and power?”

Coral gave another quick question, “How do we know who the original Pink pearl is if we’re all from different timelines?”

“Simple,” C!Pearl said, “she’s the pinkpearl that followed the Canon timeline, where she got controlled by White Diamond and spent 6000 years as her mindless servant! Us, however, were created to avoid that specific timeline, so she’s the root of all Pink Pearl. The most important thing to do right now is to look for the first Pink Pearl!! She’s the only one that can help us get deal with our...situation right now.”

“How are we gonna get there with these two on our tail!??” Coral said as she notices more rubble floating behind her as well as a maniacal laugh echoing louder and louder!

“All we need is to get through that portal! Those two wont be able to catch up! Come one!”

The portal, swirling in pink and white star dust, finally became visible behind one of the temple palms. Within the right distance, all three pearls leaped into the portal as it closed behind them!

Shooooofwop!

End of part ???

.

.

.

.

Multiverse Pink pearl series! Next chapter coming in-

The two rogue pink pearls stopped their tracks when they found...no portal, nor any of the pearls they were fighting. 

The two antagonists turned to the camera, made little chuckles and pointed at you, the reader. Crazy teased, “Look what we got here freak pearl, someone that thinks this ISNT an April Fool’s special.”

Freak pearl rotated her floating junk around her until they got to a trash can. She set the trash can on the sand and tapped three times. 

Knock

Knock

Knock

There was a moment of silence and snoring, sounds like someone fell asleep. 

Crazy summoned a speaker phone from her gem, placed it at the side of the can, and screamed, “HEY PEARLPLUSAU WRITER! ITS YOUR QUE!” 

 The writer groggily woke up rubbing his eyes, “Yawnnnn….”

He fell off into the sand. 

“Heyyy there fellow readers, yes this IS an April fool’s special, a friend of mine was curious if i would write one of these and sure enough, once the idea got developed, i got straight to the writing process.”

“What was surprising is using us AU characters into his little joke writing, where are the credits you punk?!” Crazy asked in a rather annoyed tone. 

"Oh that? ” The writer continued," Credits of the characters are below! You can see the images, as well as the title of the AUs. Some of the characters are linked back to the creators tumblr account, while other creators who dont have tumblr accounts are linked to original posts, like from Instagram!! ”

Freak pearl snapped her fingers for the writer’s attention and pointed to herself, asking for her origin. 

“Oh freak pearl? I just thought it would be cool if there’s more than one antagonist for this special, so i kinda created you myself. The idea was, how dangerous can pinkpearl be with a diamond’s ability, and there you are! Telekinesis and mega white laser beams! Pretty cool huh?”

Freak pearl did not respond...well. 

“Anyways,” the writer proceeded, “writing this was a pretty fun 1.5 hours of the time i have, not including reviewing and editing tho. If theres anyone out there that wishes to continue the story in their own way, be my guest. Just let me know so i can read it myself lol, im very interested in your take of the situation! “

April fools! And thanks for reading!

Characters (even though they’re not drawn) 

Coral/Pink pearl from Pearlplusau - Original design by Tripixle!!

Crystal gem Pink pearl from Diamond swap au - Credit to @dreambigstars

Earl from WD steven au - AU character from @ask-whitepearl-and-steven

Crazy pearl (Despair pink pearl), Design from Shrimp.face (Link to their post) 

Freak Pearl, no specific au named, nor from any creator. So i guess she’s my AU character?

A/N: Hope you guys had fun reading as much as i had fun writing it!

Also the real new chapter coming in probs two weeks from now.

Slightly unrelated, there might not be as much visuals as there was last chapter. The drawing pen is a bit busted. 

Till then! Bye!

#suau #pinkpearl #Coral #WD!steven #Spinelpinkpearlswap #diamondswap #stevenuniverse #ohwait #iforgotsmth #april fools #happyapril1st

[ynscrazylife]

can you do a oneshot where Human B!D is in the hospital for some reason? Her sisters are takin turns staying with her, but she's really bummed about missing game night so all the superfriends come and they have game night in B!D's hospital room?

 Game Night at the DEO 

Summary: The Superfriends and the eldest Danvers’ sisters adjust their game night plans to accommodate Y/N’s hospital visit.

Authors Note: Thanks for requesting!

Request to be on a Taglist (or multiple) here! (Taglists are at the end of the fic)

DCEU Masterlist | Main Masterlist

PSA: Do NOT copy, steal, translate, plagiarize, republish, etc any of my works on Tumblr or any other platform. Also, do NOT claim any of my works as your own. All of these works are either requests I’ve gotten that people have wanted me to write or original ideas I’ve had for works. If you happen to take inspiration from anything I’ve written and want to write something inspired by that, please a) ask me first and b) IF I say yes, credit me as inspo in your post by tagging me and link whatever work of mine that inspired you. Thanks.

header c @/mundodeseriess

Ironically, Alex and Kara had been sitting in Kara’s apartment, setting up the games for the game night which was the following weekend, when they got the news. Y/N had worked late that day for her job at the DOE and was sent on a last minute mission which was supposed to be simple and harmless right before she wrapped up for the night. Unfortunately, it was a trap. Some evil guys had wanted to lure out a superhero and when they did, they attacked Y/N. She just about managed to escape, but J’onn had to inform the older Danvers’ sisters that their younger sister was now in the DEO built-in hospital.

It was safe to say that the women did not take the news well. They dropped everything they were doing and Kara flew them to the DEO. Within minutes, the superhero and the agent had burst into the medical ward, frantic and yelling to anyone and everyone around about their sister and her condition. 

Luckily, J’onn had been sitting in the waiting room, also anxious for news since Y/N was like a daughter to him, but he managed to be a bit calmer than Alex and Kara. He rose from his seat and just locking eyes with the alien managed to calm the sisters down. In quick strides, they were standing in front of J’onn, eyes wide, wanting - needing - to hear what happened and some good news. 

 “The doctors are still doing tests to see the extent of her injuries, but she’s going to be okay,” was the first thing he said. 

Both Danvers’ let out breaths of relief and they slumped in the chairs across from J’onn, who sat back down as well. After a couple minutes of the trio just observing each other and their surroundings, Alex plucked up the courage to ask what she and Kara had been wondering ever since the phone call. 

“What did they do to her?” 

J’onn shifted his gaze to his lap. After a beat, he answered. “After she arrived at the scene, she stopped answering her comms since she was fighting. When she ran in the opposite direction of them, though, we checked in. All she said was ‘ambush’ and ‘too many’ before she stopped replying, so a team went out to her last known location . . . They found her unconscious-” he gave Alex and Kara a moment to process this. “-and two of the guys had ran after her. Our agents found them and interrogated them, and they admitted that they had faked a fight on the streets to draw a superhero out since they claimed they despised superheroes. They wanted to bring all superheroes down, but they didn’t except for Y/N to escape. They beat her up and hurt her real badly.”

The three fell into silence. The information was overwhelming, impossible to swallow. Both women were filled with great concern but also unbeatable rage, their minds conjuring up images of Y/N fighting and then running. It broke them.

They only snapped out of their thoughts when the doctor emerged, and her face was unreadable, lips drawn into a tight line, holding a slim paper in her hands. “Agent Danvers will heal,” she announced, and then glanced down at her paper. “She’s greatly bruised, cut-up, and has a minor concussion - she suffered no major injuries, though. We’ll have her stay overnight and then we’ll see when she can be discharged tomorrow.” 

The three nodded and scrambled to her feet. “Can we see her?” Kara asked, her voice sounding strained. The doctor nodded. 

Alex and Kara went in first to find their younger sister laying bandaged-up on the bed, but giving them a small smile. Immediately, the brunette and blonde rushed over to her, asking her if she was okay and how she was feeling. 

Y/N just sunk further into her pillows and took her sister’s hands, quieting. “I won’t lie, I’m not feeling great, but I’m okay - just really tired,” she admitted. 

They nodded and didn’t press her any further, allowing her to sleep.

---------------------------------

The next morning and Y/N was eager to get out of there. She didn’t stop talking about the game night which was going to be that night and how she really wanted to catch up with everyone and play. Alex and Kara couldn’t blame her and hoped that she could get discharged, too, but were still a little concerned. 

They were her sisters, how could they not be?

Nonetheless, the doctor came in and instructed Y/N to stand up and walk around and see how she felt. Alex and Kara sat in their chairs, eyes darting back-and-forth between each other and Y/N, who nodded, easing herself out of bed.

She stood up and smiled — everyone else smiled, too — and prepared herself to take a walk around. However, after she took her first couple of steps, that was when her dizziness hit. “Woah,” she mumbled, putting a hand to her head and stumbling back.

Kara, who was closest, leaped out of her chair and steadied Y/N, gently pushing her back on the bed. The doctor frowned and checked her papers. “Dizziness isn’t good, what are you feeling?” She asked.

Y/N thought for a moment, scrunching her face up. “I think-I think those guys yesterday night . . . Now I remember, I think they blasted me with uh, this device that I’ve seen before. It weakens you. Drains you,” she said.

The doctor muttered under her breath, made a note on her paper, informed her that she’d have to stay at least one more day, and then left.

As soon as she did, Y/N explained that it must have been one of the DEO’s devices to her sisters (who knows how they got their hands on it), but pouted, unhappy that she wasn’t discharged.

Alex and Kara soon recognized this and had a silent conversation, resulting in Alex staying with Y/N while Kara made up a fake excuse to go out into the waiting room and make some arrangements.

She called the superfriends — Lena, Winn, J’onn, James, Brainy, and Nina — and told them that game night was still on, but held at a different location this time.

Everyone “RSVP’d” and at 7:00, they all showed up with Y/N’s favorite: PIZZAAA!

To say she was surprised to see everyone walk through the room’s door was an understatement. Her jaw dropped (especially when she saw the pizza) and she grinned, beyond overjoyed to see everyone. She didn’t care that she was injured, and gave them all hugs anyway (well, half-hugs, since she was laying down).

Everyone asked her how she was and she just responded with, “Better now that you’re here.”

Alex and Lena opened the pizza and got everyone slices while Kara got drinks. They ate pizza and turned on the med’s room T.V, which was filled with the basic channels but the superfriends did dramatized commentary to make Y/N laugh, and she did.

Afterwards, the games began!

Everyone split into teams, and everyone wanted Y/N on theirs. She ultimately went with Nia, and the teams were: Y/N and Nia, James and Winn, J’onn and Alex, and Lena and Kara.

First up was Pictionary! Y/N and Nia dominated everyone else. Then, they went into an exciting couple of rounds of Monopoly (which lasted forever), and Lena and Kara came out on top. To close out the night, they finished up with Never Have I Ever (lots of things got revealed there).

All in all, staying at medical wasn’t so bad. The bed’s mattress wasn’t horrible and Y/N got to have game night like she wanted to! She was never more thankful than that moment to have the amazing sisters and friends that she did.

Permanent Taglist: @natasharomanoffismywife @hehehehannahthings @paulawand @blackbat2020 @cerberus-spectre @marrymemcgrath @celestialbarnes @kathryndimitrescu @snipyloulou @big-galaxy-chaos

DCEU Taglist: @stephanieromanoff @basiclesbianbitch @hi-i-1 @mmmmokdok @acertainredhead

#kara danvers x reader #kara danvers x baby danvers #kara danvers x you #kara danvers fluff #kara danvers imagine #Kara danvers #supergirl x reader #supergirl x you #supergirl imagine #supergirl reader insert #supergirl fic #supergirl ficlet #supergirl fanfic #supergirl #supergirl x y/n #alex danvers x reader #alex danvers #alex danvers imagine #dc tv universe #dc tv series #dc tv show #dceu fic #dceu imagine #dceu #dceu x reader #dceu fanfiction #dceu verse #dc x reader

[rahleeyah]

Hi! I want to tell you I am in awe of your writing. It’s powerful and moving and so true to characters. I’m always curious…what is your writing “process?” If you don’t mind me asking!

Oh this is a great question!!! We haven't had a writing question in a while.

My process is not something I usually think about; when I first saw this question I was about to say something like mostly what I do is I just sit very still and let the words come out. And that's true but not fair; that's only one piece of the puzzle.

The first piece is routine. I write at the same time every day. Weekdays it's first thing when I come home from work, weekends it's first thing when I wake up. Always the same time, always sitting in the same place - on my porch, away from distractions, with fresh air and a glass of water and some smokes. That last part is not recommended.

It is hard to write if I miss a few days. One day is fine, but if I go more than 2-3 (which I don't think I've done since Christmas) I'll be out of step and it'll take a while to get back in the groove. So that's the practical part, is I've got a time and space set aside to write and that makes it easier.

The next piece I guess is where the ideas come from. I rewatch a lot. I find watching helps me keep the character voices, but it also helps me make new connections or find new moments to explore. I'll post thoughts here or share them with friends and the back and forth helps flesh things a lot. Most of the time an idea for a story is like a lightning strike; it feels as if it's come out of nowhere. But it isn't completely organic; I spend a lot of time thinking about ideas. In the shower, in the car, before bed, in snippets on tumblr. You have to cultivate the idea generating part of your brain. Sometimes I'll play with a story in my head for weeks and it won't go anywhere; sometimes the whole thing just appears fully formed in my brain like Jesus air dropped it to me. But you gotta be open to the spirit before the spirit can move you, you know?

So we have a place to write and we have an idea, how do we make a story?

A story is like a road. It is going from point A to point B and we gotta lay the pavers to get there. A story like hov is easy; it's set in canon so there's episodes to draw from, and there's a clear linear progression from not pregnant to pregnant to baby. There's a time frame and there's built in milestones. Something like let's take long way down, madam Jean, for example, is gonna be totally different, bc it isn't set in canon and there is no roadmap to get from strangers to happily ever after.

A lot of the time I don't look at the big picture bc it's overwhelming. It feels insurmountable, if I think about how many chapters it'll take and how much time it'll take. I'm eating this elephant one bite at a time, just like my mama said. So we write the first scene. The first paver that goes down is the Problem.

Not to be all freshman English class but every story is centered on conflict. Those conflicts can be anything; it doesn't have to be a "fight", an actual literally good guy vs bad guy. It just has to be an issue. Liv is pregnant but Elliot is her partner and they're not supposed to sleep together. Lucien works for the police but he's intrigued by the local madam. Eli doesn't know who Liv is and he's worried about his dad. Bernie Stabler shows up unannounced. All of these are Problems.

Once we have a Problem, we can start working on the Solution. We do this one step at a time. We do not rush.

So every day, I read over the last chapter I wrote. Where are we, what's happened, what are the Conflicts, what is the next logical step? How do we address it in one scene?

Lucien saw the madam, and she asked him to look after a pregnant girl. Ok now he has to go back to the brothel in the next chapter. That moves the timeline forward and moves us closer to the end goal, bc while Lucien is looking after the girl he talks to Jean, and we plant the seeds of them falling in love. It also gives us one piece of action to work on, one moment in time to write. I sit down, I write Lucien going to the brothel, I write him examining the girl and talking to Jean, boom there's one scene we're done. We tie those two things together; logical progression of Plot events, and the emotional undercurrent. I like it best when a chapter has both.

Themes come out naturally most of the time. Matrilineal, for example, was just me sitting down to write about Bernie and I used Amanda bc I love an outside pov. But as I was writing I'm thinking you know, Amanda has a complicated relationship with her mom. Shit, so does Liv. And they're both mothers now. And so is Bernie. And the emotional threads come out naturally as a result of who these people are. The piece wasn't gonna be about mothers but then it became obvious that it had to be.

Motifs appear the same way. The first chapter of bury my heart, I used this is love. That wasn't originally intentional, but when I did it the second time I thought there it is, and kept using it, and that's where the gut punch of the final line comes from; the meaning has changed from joy to sorrow and it is only impactful bc of the repetition and our previous connection to it.

I use a lot of imagery, and a lot of it tends to be religious - Jean is very Catholic, and so is Elliot, so for both Blake and svu there's room to play with it there. I like similes, I like metaphors, I like synecdoche - there's a fun one. I like to play with putting words together in different ways but that stuff doesn't happen in the car, or the shower, or on my lunch break; that usually only happens when I'm writing. I have to sit down and be still and let my brain go.

Conflict, themes, motifs, images, characters, these are the ingredients that make a story. And the more you work with them the easier they come. It just takes practice. But one of the best ways to improve is to read. See what's possible. See how other people have put words together. Someone commented once about how sometimes I say a lot with very few words; that is something I picked up from two very different places. Stephen King is great about short, simple, powerful sentences that knock your socks off. And there's a recurring line in my favorite series, the Belgariad, where when things are bad the man character goes to his aunt, who has raised him since he was a baby and is essentially his mother, and she holds him, and everything was all right again. It is a simple, repeated phrase about love, and comfort, and how no matter how terrifying the world can be, love brings healing and hope. There are quotes scattered throughout my work. Olivia quotes Heraclitus to herself in bury my heart; yes I am a classics major but my connection to that quote comes from the film the emperor's club. Inspiration is everywhere; draw on all of it.

This is. Probably more information than you were looking for but once I got started I couldn't stop.

#anonymous

[envythepalmtree]

I'm back!

Tl,dr: I'm changing my tagging system, so change your blacklist accordingly.

Hi everyone!! I missed you guys. 💚💚 How's everyone been? I've opened up my ask box again so feel free to say hi!

Housekeeping notes:

I'll be changing up my blog's tagging system a little, so you might need to block some more tags to make sure you're only seeing the content you want to see.

Accessibility: I do image descriptions on pictures to make them accessible for screenreaders and anyone else who might need them. Here's a post on what they are and why they're important. I've been tagging my own IDs, whether for my image or a reblog on someone else's, with #image described. If the ID isn't mine, it's tagged as #has id.

If, for whatever reason, I can't ID an image, I'll tag it as #no id. If you use a screenreader, you might want to block it. This is also the tag I've been using for other universally screenreader-unfriendly posts (eg emojipastas), but I'm going to start using #screenreaders don't look, so if you need to, please block that tag as well.

I'm also aware that some screenreaders will support certain languages, but not others. For example, my laptop's screenreader will read Chinese or Japanese characters as "unidentified ideograph! unidentified ideograph!" extremely loudly and it's very annoying. And some screenreaders support Chinese characters but won't read Arabic. Et cetera. To get around this, I'll be tagging with with #[language] characters for the individual languages. For example, #chinese characters on posts that contain Chinese characters. No need to block every language in existence--these are the ones that might show up on my blog:

#chinese characters for posts on Xing and/or me being a Chinese person unable to shut up about cool culture things

#japanese characters because that's FMA's original language

#arabic letters, possibly, for worldbuilding-related things

#hebrew letters, also possibly for worldbuilding

If one of those is a language your screenreader doesn't support, block it!

Additionally, I'll get around to changing my blog theme at some point. It's been the default theme since I made this in December 😂 If anyone knows of simple, dark themes that are accessible (like a dyslexic-friendly font, screenreader-friendly layout, etc) please let me know!

Content warnings: I used to tag my posts as "#[content] tw" (To stand for "trigger warning." For example, "#death tw" on a post about death). I'll be changing that to "#[content] cw" which stands for "content warning" - I feel like "content warning" better represents all the reasons someone might have a certain tag filtered. So if there's content you want to avoid, please make sure you have the the tag blacklisted with "cw"! If there's something specific you want me to tag, shoot me an ask and I'll make sure it's always tagged.

Temporary intro (since this'll be my pinned post for a bit)

Hi!! I'm Aure (she/her) and I'm obsessed with FMA. I especially love analyzing the homunculi or fleshing out Xingese culture, and I will LOVE you if you ask me about my homunculi headcanons or my Xingese Roy headcanons. I am in the Chinese diaspora and have adhd, so Roy's my favorite character to project on, lol.

I write metas and headcanon posts sometimes. I also write image descriptions, and it is my mission to get the FMA fandom to make their stuff accessible ❤️ So I reblog and ID art to both hype up cool creators and help them make it accessible. If I've gotten something wrong in an ID of your work, send me an ask and I'll fix it.

(I also should mention. since a lot of y'all said you followed me for the memes. that. the memes exist hehe)

I'm aureshadow on AO3.

My fma fics:

so I throw stones at walls I'll never climb

Media Version: Brotherhood and Manga

Tags: Angst and Feels, Character Study

Words: 2,553

Envy used to have debates like that with Lust.

An absurd picture popped into Envy’s head of having a pseudo-angry conversation like that with someone who wasn’t a sibling. A human. Having someone look at them like that couple looked at each other. Something in their chest contracted.

“Pride’s really driving me crazy now, huh,” they muttered. “Imagine me, Envy, stooping down to the level of those worms.” Their eyes watered a little - they hadn’t slept too much. ~~~ Mrs. Bradley wants her son to make friends, and Pride enlists Envy to be a fake friend. Envy isn’t good at acting - not like Pride is. Not like Lust was. But they’ll try their best, and they’ll make Father happy. If it’s unpleasant, they’ll use memories of inflicting horrors of humans to cheer themself up. An exploration of Envy’s relationship with Pride, grief over Lust, and resentment towards humans for the unconditional love that Envy never had.

wove between himself like a waterfall

Media Version: All Media Types

Tags: Poetry, poetry based on fic

Blackout poem from Marelle by SiryyGray!

All in a night's work

Media Version: Brotherhood and Manga

Tags: two homunculi, Walk Into A Bar, one has explosives, Humor, Crack, my tumblr anons forced me to write this fic

Words: 892

Envy gets drunk. Lust has to clean up their mess.

Other links:

All my original posts

Headcanons masterpost

FMA blogs you should follow

Posts about IDs and accessibility that I highly encourage you reblog:

Why image descriptions are important

On alt text

Why you shouldn't remove the ID on a post

The FMA fandom in particular really should do better. because yknow. Edward is disabled. (via @edisacornball)

Support artists who are making their content accessible!! (via @antimonarchy)

#aure speaks #pinned post

[trashlie]

I'm loving all your ILY posts! I've also seen your comments on reddit and I enjoy reading your insightful analysis there, too. I would like to know your thoughts on Kousuke and Alyssa. Do you think they will become narrative foils? I noticed they were acting awkwardly around each other too (it kind of reminds me of how annoyed Soushi reacts around Maya) and she seems to have a crush on him 👀 I think she'll be used to contrast how he's still capable of redemption. 1/?

I mean Yui groomed them both successfully. They have shown to emulate her behavior, value their reputation over other people's feelings, and refuse to take accountability for their actions against Shin Ae and Nol. But unlike Kousuke, Alyssa has shown no hint of remorse or even guilt. 2/?

Waaahh thank you so much, anon! Isn't it silly that I still go :O when I realize people actually enjoy what I have to say? I started yelling into the void on tumblr because I got worried I was too active on reddit and I was possibly annoying people lmaooooo so I'm actually really glad you're able to find me on both platforms! It means a lot that I'm not just yelling into a total void.

If you don't mind, I'm breaking your ask down into two parts, because I might leave somethin off/this will get too long if I keep it all in one lol. BUT you bring up things I love to think about!!!!! So!!!!!

I think we are deliberately kept in the dark about Alyssa - whether it's to subvert the scheming girl trope, I'm not sure, but there's a lot of things we don't know about her and that's definitely on purpose. She's a character who probably won't be revealed more to us for a while yet, too, which is frustrating if only because I want to know everything NOW, but it does serve to make her more interesting.

Alyssa's interest in Kousuke is so obvious I can't believe I never noticed it in my original reads. I've seen this brushed off as "She just admires him" and I'm just like... she actually sulked for a moment about Kousuke leaving! Meanwhile she was straight up all but telling Nol she'll help him pack his bags lmao.

I feel like the cast of her shadow is deliberate, too, but look at that face. Sulking.

Compare with

There's room to argue that we can't see Alyssa's face when she first tells him she won't stop him, but she kind of makes it abundantly clear that Nol being away doesn't really affect her. And, I mean, look at how their relationship is conducted. She's bragged to Meg that she and Nol are so casual and cool and easy breezy.

(I guess that means there ALSO is room to argue that Alyssa is putting on a front and just saying this to make sure people think her relationship is great, but the only People who know is Meg. And as a people pleaser, if Alyssa felt uncomfortable with the casual nature of her relationship with Nol, wouldn't she actually do more to make the relationship more of what she wants? Notably during the conversation on the balcony, she basically tells Nol this isn't really her dream relationship, which leads to the admission that they are together not for each other but for the benefits they each get so......)

Kousuke is the one who confuses me the most, because it strikes me as really weird that Yui has used Alyssa as leverage before against Kousuke. "You should bring a date, Kousuke, Alyssa will be there." What does this mean? What does it have to do with him and why would it entice him to bring anyone, anyway? I'm still really baffled on this one, tbh. Something that really stood out to me was during the dinner when Nol finally revealed he was planning to attend Oxford, Kousuke was distracted by his own news that the CFO position would be opening. In fact, when Nol mentions attending Oxford later, Kousuke seems to act like this is his first time hearing it.

Nol takes note of Kousuke's state of distraction before he finally starts talking about his plan.

The way quim does the dialogue and suddenly Kousuke's interest returning is.... interesting isn't it? From the moment Nol notes Kousuke's disinterest, we don't see his face again until Rand brings up Alyssa. Quim doesn't do anything without reason - in a movie, you wouldn't waste film on Kousuke's interesting returning at the mention of Alysa unless it meant anything, right?

There's so many little moments that make me go what the heck is going on here, too.

What the heck is up with THIS? Why does Kousuke deliberate SO LONG before he calls Alyssa? Like, do I think he's really so weirded out about calling his younger brother's girlfriend, considering he has one of his younger brother's own friends reporting on him and at his beck and call? You can't convince me that he's hesitant only because Alyssa is the sister of Meg. It just seems too wary.

And yes, this moment here?

It really does have the same tone as Soushi's wariness of Maya, except is Kousuke wary of Alyssa in the same way? Is he wary of her intentions? This one is so hard for me to read, because frankly, at this point it's hard to tell if Kousuke even cares about Nol as a brother or because he was forced to and he feels deep-buried remorse for the way he treated him and doesn't know how to handle it. Is he just aware of Alyssa's keen interest in him and that puts him on edge? Would he even care about Alyssa's keen interest unless she starts to get pushy?

I HONESTLY HAVE NO IDEA and frankly, it drives me nuts, so I love to discuss this and see what other people have to say. I'd never even noticed how long he deliberates before finally calling her until someone on reddit pointed that out.

lmao this so much preamble to get to the point but anyway YES they are absolutely parallels and I do wonder if they would become foils. Again, it's hard to know with Alyssa because we've been deliberately shielded so much of her personality right now and it's hard to tell what's real and what's not with her. The way that she worries about Shinae telling Nol what she did absolutely reads to me as a lack of remorse, but maybe I'm just projecting because we haven't been given much reason to like her lol. Shinae definitely makes it seem like Alyssa never actually apologized and the way Shinae just brushes it off makes me feel like there was never actual, proper closure. What Alyssa did is worse than just causing her injury: it was why she did it and how she reacted like Shinae was something dirty and how dare she even talk to her even though Shinae probably just wanted to know why Alyssa stopped being friends with her. Maybe she was even seeking closure at the time.

In the same way that Nol and Shinae are mirrors, Kousuke and Alyssa are their parallel abusers, grooming victims of Yui, those who care more about their image and reputation than anything else and have hurt others (Nol and Shinae) in their quest to fill the role. We still don't know if Alyssa dated Nol because she genuinely had a crush (doubtful so far) or because she figured out the family he's from and wanted to get closer. I try so hard to give her the benefit of the doubt but narratively we aren't privy to that yet. Also, have you noticed that Nol and Shinae both have a relationship of some kind with each others' abuser? This mirror and their parallel abusers thing is INTRICATELY woven.

That's what makes it so difficult to tell if she'll become a foil or merely a parallel that highlights what Nol and Shinae have been through. We know Kousuke will receive a redemption arc, because he's a main character, and also because I think part of subverting his trope is that he has to take responsibility for his past actions, rather than being loved in spite of the things he's done or whatever. In order for Kousuke to proper and develop further, he has to be held accountable and he has to break free of his family. Can we trust the same for Alyssa? At this point, she doesn't want to lose Nol because she knows if she loses him, she can just as easily lose her career and access to the world she's only just gained access to (and if she were to lose it all right now, it would be worse for her because she'd have all those trainee fees to pay back).

I think both Kousuke and Alyssa are likely in for a very public airing of their sins; for Kousuke it may come in the form of the expose YuJing is working on, collateral damage in the quest to take down Yui. I also think the only way to nudge Kousuke to change is that his image has to take a hit in some form. Is it that Rand isn't his father? Is it a reveal that he abused his brother? Is it whatever happened in the past that Nol got in trouble for was caused by Kousuke and he let Nol take the blame? Likewise, I think the fact that people knew Alyssa in middle school means she's not so safe, either; what if one of the girls from after school duty reveals what happened? Surely there were rumors going around school about what happened - Shinae is out of school, Alyssa is pulled from school, kids talk. Frankly, a scandal like that could ruin her career, and worse, if Nol knew what she had done, would he be able to remain shackled to her?

While I know Kousuke won't immediately take responsibility for his actions, I've always believed that such a catalyst would at least make him start thinking about it and force him to admit it. It wouldn't happen over night, but in time it will. But will Alyssa? Would she deny the allegations? Would she just shift blame, insist that it was all an accident, that it wasn't bullying like you think? (Cos look, I do believe it was an accident, but there's a way to call it an accident and still admit fault and blame; but just as easily you can call it an accident and try to shirk responsibility.)

I do love the idea of her being a foil for Kousuke, an Aesop's fable, if you will, of what happens when you barter with the devil (Yui). I'm not opposed to the scheming female character type, but I do oppose it when they take down others to raise themselves up, and if that's the way Alyssa will end up doing it, then I'll be happy to watch her fall. If she can scheme and use her connections without hurting people then hey power to ya. Unlike Alyssa, Kousuke never had a chance to evade Yui, and being able to walk away from her as an adult will be a choice he can make. Alyssa loses... so much if she breaks her deal.

I guess that's the thing about where she and Nol are in their relationship now - it's been made clear he's hanging in here because he's forced to and as a sort of act of self-sabotage, full well knowing she's here because she's taking advantage of the opportunities that "dating" him brings so... if they're in an agreement, is it okay to watch her climb right now? She leaves me conflicted and I know it's largely because she's one of the characters we know just enough to hate but so little to justify. Could it be that it all just got out of hand for her? At first she just wanted friends, was trying to find a place to belong, something good in a life that deprived her of social connections. And then comes along Yui, seducing her with ideas of fame and fortune? Was the desire to be loved and admired so strong it powered over the need to fit in with friends and she readily cast them off? Did she not anticipate what it would actually mean, thought she could have her cake and eat it, too? The way she responds to Nol's texts, and the fact that Dieter and Soushi ask him about her, means she probably isn't even in touch with them at all anymore. Idk, I really look forward to seeing their dynamic pre-idol Alyssa, because I want to know how she fit with them, what was it like?

And then, because this was supposed to be about foils lmao you have the fact that Shinae basically foils both Alyssa and Kousuke in regard to Nol, both as a person who cares about him and also as "a good friend" vs "the person I'm currently seeing" lmao like, everyone is literally set to juxtapose each other and man, I'll never get over how well this has been done lmao. Compared to Kousuke and Alyssa, Shinae is the one who accepts responsibility even when it's difficult, who knows when and how to swallow her pride (even if she's not the one who should) and I think it's why she is the one seen a the champion at Nol's side - they are the ones who care little for their images and who know how to apologize (even when they aren't the ones who should be) and that's why they are at each other's sides.

So yes, this is a very long essay response lol to essentially say: I'm still undecided if I think Alyssa will become a foil or merely remain a parallel. I would love to see her redeem herself but something tells me not all characters in this story will be redeeamable. Maybe one day we'll understand her motivation, even if we don't agree with it. I hope at the very least she makes peace with Shinae, but I get the feeling she'll be forced into it (as in, her secret gets ousted) and that's not as satisfying, but hey, if it helps Shinae then I'm for it.

A friend of mine has mused that maybe Alyssa will be the one to oust the secret herself and I'm ngl, I like that idea though it does feel kind of vindictive towards her character. Maybe accidentally spilling it to Nol would be the segue to a couple episodes from her POV though!

Gosh this was so long I'm so sorry lmao but please follow up with your thoughts and feelings, too, or if this made you think of anything or what! I think at this point in the story we've been given a lot of information but we just don't have enough of it to totally piece together what we're supposed to be seeing. I think Kousuke and Alyssa's weirdness around each other is very deliberate, though, and I'm not sure "She's Meg's sister" is enough to warrant so many panels of Kou being SO WEIRD about her, you know? Am I missing thing? Is there more to be revealed? Are we just blind? lmao Aaaahhhhhhhhhhh

#I Love Yoo #ILY Brainrot #Alyssa Cho #Kousuke Hirahara #at this point always anticipate a read more cos whew i can't shut up! #BUT I'VE BEEN FIXATED ON THIS FOR A WHILE NOW AND I STILL HAVEN'T COME TO A CONCLUSION I LIKE #AND I'VE BEEN DYING TO TALK A LITTLE ABOUT ALYSSA AND KOUSUKE AS UNREPENTENT PARALLELS AND YUI PUPPETS #the way that Nol and Shinae are mirrors and they each have their own version of Kousuke/Alyssa #and conveniently they each have a relationship of some sort with each others abusers does not escape me #what will Shinae think when she finds out how Kousuke has treated Nol? #What will Nol think when he finds out who Alyssa was during her brief stint at public school #I'm dying for flashbacks with Alyssa because I JUST! WANT! TO UNDERSTAND!!!!!!! #so far it's so easy to villify her because we don't know otherwise #we've been given no reason to justify or forgive her #and you know what i am okay with villifying a character like her in a story with some pretty dimensional female characters #Maya is one such character who was easy for readers to hate but redeemed herself by being mature and honest with Shinae #do I trust Alyssa to be mature and honest? #only if she ever becomes okay with the idea of losing her image #i think that's a big thing for Kousuke and Alyssa? #at some point Kousuke will realize his image is a fraud #something he was manipulated into despite what he likes to believe #and once he comes to that realization after he breaks down and crumbles and rebuilds he will find a new path and build his own image #one of his own making #but Alyssa....? Who or what would she be if she lost her image? #if she couldn't control the narrative? #AAAHHHHHHHHHHHHHH