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#am I writing about heads again
fearandhatred · 10 days
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i was thinking about this line from my fic:
But the fall had hurt, too. Because the wind had cut into his useless wings like knives, his skin and grace peeling away under the friction, and he had been looking right up at the multicoloured and unreachable expanse of sky just to see it fade from his eyes into dull greys.
and i came up with this. i hope the vision came through
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topaziraphale · 7 months
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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shadowtraveled · 8 days
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this is a largely meaningless observation but, based on the fleki uniform demonstration comic, mithrun seems to wear the default style of the canary uniform, probably because he has no desire to personalize it or preference for how to do so, etc. when he does seem to pick his own clothes, though, they don’t look super in-line with what we’re shown of elven clothing styles in his region: high collars look like they’re fairly popular with elves in general, but out of uniform he tends to be a lot more covered up than everyone else—long sleeves, long pants, boots rather than sandals, and he dresses that way both prior to getting eaten and after the events of the series. anyway it’s kind of cute that after everything that happened to him, someone cared enough to remember what his clothing preferences used to be.
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elisela · 9 months
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Eli babe I’m not sure if you’re even still taking Soft™️ prompts anymore but if you are I have a MIGHTY need to see you write #36 - giggling during sex 🥹🙏
Sometimes it takes almost nothing—
—Derek’s hand will close around his hip, Stiles will kiss him and fist a hand in the back of his hair, tugging until Derek’s head is tilted up and he can bite down in the junction of his shoulder.
—Stiles will crowd up against Derek while he’s doing dishes, or folding clothes, slinging an arm around his waist and playing with the button on his jeans, and Derek will reach behind him and pull him closer.
But sometimes—Derek comes back to bed in the golden morning hours and Stiles allows himself to be pulled against a strong chest. The only movement from either of them is the slow, rhythmic sweep of Derek’s fingers across his sternum, arm settled warmly over his side. Stiles drifts in and out of sleep, picks up Derek’s hand and presses a kiss to his knuckles. It’s returned on his shoulder, a pathway of soft, lingering kisses that make their way up his neck and end in Derek’s teeth gently scraping his skin, and Stiles lets out a full body shudder.
.
Sometimes they don’t bother fully undressing—
—Stiles will end up on his knees, Derek’s jeans only pulled down enough to expose his cock. He’ll swallow him all the way down and let his mouth go lax, close his eyes when Derek’s hand slides around the back of his head and leave scratches on his thighs that will heal instantaneously as Derek fucks his mouth.
—Derek’s mouth will work it’s way down Stiles’ body, hot and fast and desperate. He’ll unzip the pants Stiles is wearing and rip the fabric of his boxers, jacking Stiles’ cock as he looks up at him. Stiles won’t take his eyes off Derek for a second.
But they’re already naked now, skin to skin in their bed. Stiles brings his hand up and around to scratch through Derek’s hair, soft noise escaping through his mouth when Derek’s hand starts to dip lower.
“Mornin’” he mumbles, voice cracked with sleep.
Derek’s response is barely intelligible, muffled against Stiles’ skin. But his follow up—“This good?” is clear, and Stiles hums in assent. He’s half-hard and Derek’s hand is only just above his stomach, fingers still skating up and down. He grinds his hips down and back slowly, tightening the grip he has in Derek’s hair when Derek moans.
.
Sometimes they’re quiet—
—Stiles will whisper “oh god oh god oh god”, head tucked into Derek’s neck, will try not to act like he’s not getting jacked off in the middle of dance floor in a seedy club.
—Derek will whisper his name, soft, pleading, bent over the back of the couch while Stiles fucks him, holding him down, one hand squeezing the back of his neck.
Sometimes they don’t say anything at all. Stiles is hard by the time Derek rolls on top of him, cock curving up against his belly. He ignores it to get his hands on Derek; resting on his shoulders, dipping down to his hips, pulling until Derek acquiesces and slides up, knees on either side of Stiles’ head. He kisses the inside of Derek’s thighs, opens his mouth to suck on his cock, so thick in his mouth, Derek’s soft exhale the only sound in the room.
.
Sometimes they’re loud—
—Stiles will sit behind Derek on the bed, eyes on the mirror, hands holding onto Derek’s. “Tell me,” he’ll say, and Derek will take a shaking breath and a start to talk, will tell Stiles that he wants to suck him off under the table, wants to be fucked over Stiles’ desk at work, wants Stiles to come on his ass and chest and face. Stiles will stroke him as he talks, firmer and faster the louder Derek gets, the more he says, the more detailed the fantasy.
—Derek will say, “let me hear you,” just before he spreads Stiles’ cheeks and licks into him, works his fingers and tongue into Stiles’ ass until he comes, and keeps at it until Stiles is hard again and almost screaming.
But sometimes—Derek’s making little thrusts into Stiles’ mouth, and Stiles lets out a noise of protest when he slides away. “Not yet,” Derek says, chest heaving slightly in a way that makes Stiles feel strangely proud. “Wanted to fuck you.”
“Well,” Stiles says, waving a hand, “get on with it.”
Derek snorts quietly and rolls his eyes, but seconds later he’s settled back on top of Stiles’ body, mouthing at sweaty skin. Stiles curls a foot around Derek’s calf and breathes out, focusing on the feeling, the buzz of arousal singing through his veins, the drag of Derek’s hands on him, the—
He lets out a stutter of quiet, surprised laughter when Derek’s beard brushes his side and sends a ticklish shiver through him. “Sorry,” he says, and Derek looks up at him with such affection that Stiles can’t help but grin and lean awkwardly to kiss him. He settles back down, sighing out in pleasure when Derek’s tongue drags up his cock, and then—
“Jesus!” His leg jerks up at the feeling of Derek’s beard rubbing against the inside of his thigh, and he clamps a hand over the sensitive spot. When he looks back down, Derek is clearly trying not to laugh.
“Sorry,” Derek says—lies—managing to look at least halfway apologetic. Stiles isn’t fooled.
“Maybe we should switch,” he says, but Derek shakes his head immediately. Stiles gives him a look. “No funny business.”
“Never,” Derek says, and his head ducks back down. Anything Stiles was about to say flies out of his head when Derek starts sucking his cock again, tongue swirling around the head, pulling off to lick at his balls, one of his fingers rubbing over his hole.
“Suck me,” Stiles says, spreading his legs a little more, shifting so Derek can finger him. Derek’s hair is soft when he winds his fingers in, and when he moans at the direction, Stiles gives more. “Just like that—god, Derek, that’s so perfect—use two fingers, fuck, fuck, yes—so good, that’s so—argh!”
Derek is laughing when he sits up, and Stiles can’t even be mad.
He can pretend, though.
“What the fuck, Derek,” he complains, pressing his lips against the smile that automatically wants to appear whenever Derek appears outwardly happy. “I was enjoying a perfectly good blowjob.”
Derek snickers once more before taking an audible deep breath. “I really—sorry,” he says, and falls forward when Stiles rolls his eyes and reaches for him. “It seemed funny?”
“It was not,” Stiles informs him, but he grins anyway and pulls Derek down for a kiss. “You gonna fuck me or have you decided to just go for tickle attacks now?”
“Definitely gonna fuck you,” Derek says, and Stiles heart skips a beat when he realizes Derek is still smiling.
.
Sometimes it’s just a release—
—Derek will come home from the gym still worked up, adrenaline flowing. Stiles will drape himself over the arm of the couch, ass up, stroking himself as Derek fucks him roughly. He’ll plant his feet and push back against it, hope there will be bruises on his hips the next day.
—Stiles will flex his fingers in Derek’s hair, holding him down, rolling his hips. He’ll say, “you can take it, baby, just a bit longer, please, fuck fuck fuck, I’m gonna come down your throat, you feel so fucking good—” and Derek will take it, hands on Stiles’ thighs, grounding him.
But—
“Derek,” Stiles whispers, the only word he’s said for the past five minutes. “Derek, Derek, oh—please—”
“I know,” Derek says. His voice sounds strained, and Stiles isn’t sure if it’s because he’s close to falling apart or because he’s had his tongue in Stiles’ ass, eating him out since they both calmed down. “Do you want—”
“Yeah, yes, please.” He’s begging; he knows it, and he’ll happily do it again if it means he gets to come on Derek’s tongue. It’s one of his favorite things, and one they almost never have time for. “Touch me again. I’m so close, I swear, just—”
Derek’s hand closes around his cock, and Stiles closes his eyes and cries out when he feels his tongue again, circling his rim before pushing in. Derek has always eaten him out like he’s starving for it, fucking him with his tongue just as relentlessly as he does his cock. Stiles whines when Derek stops stroking his cock but then his fingers are pushing in, hard and fast, and Derek bites at the swell of his ass before leaning forward and over him.
“You look so good like this,” Derek says, voice pitched low; Stiles lets out a sound that sounds half-strangled, but he can hardly breathe. “But you sound even better when you’re begging to come. Come on, baby, let me hear how bad you want it.”
He’s going to burst apart. This is Derek’s apology, he’s sure of it, and he’s not going to let it go to waste. “Fuck me with your tongue,” he says, the words stuttering out, breathless. He’d long since lost his ability to control his breathing. “Please, Derek, please—feels so good, I’m so close, wanna come on your tongue—you can fuck me after, bend me over and—oh fuck yes—”
He thinks he screams. He’s aware that he gets louder when Derek’s fingers rub relentlessly over his prostate and his tongue traces around his rim, but when Derek pushes his tongue in again, Stiles feels every muscle in his body seize up before he lets go all at once, gasping for air as he comes all over the bed and his own chest.
Everything—it floats after that. He rolls when Derek pushes him onto his back, flings his arms around Derek’s shoulders and holds on to sweat-soaked skin as Derek pushes into him, breathing heavily, leaving open-mouthed kisses on the side of his neck. He winds a foot around Derek’s thigh and tries to pull him in closer, tilts his head to better hear the gasps and shallow breathing, the murmured pleas coming from Derek’s lips, and finally, the sweet sigh of relief when he comes.
.
Sometimes, it’s all they have time for—
—Derek will grind against him in the kitchen; he’ll suck bruising kisses onto Stiles’ neck as he strokes himself, will come against the soft skin of Stiles’ stomach and rest against him for a few seconds before Stiles will squirm away and half-heartedly glare, his own erection obvious as he wipes himself off with a dish towel that he’ll fling in Derek’s direction with a laugh before grabbing his coffee and taking off.
—Derek will whisper, “come on, come on baby,” and Stiles will come, collapsing against Derek, legs feeling like jello. He’ll watch as Derek brings his hand up and licks it clean, will make a face and say, “look, that’s actually gross—” and Derek will laugh and make sure his jeans are buttoned and drag him out of the alley by the movie theater in time to join their friends.
But now—now, Stiles wiggles until he can hold onto Derek properly, tucks Derek against him and presses a hundred tiny kisses on his face and neck. Now Stiles says, “God, I love you, let’s always take days off together, that was amazing, you’re amazing—” and Derek kisses him back and smiles and tells him if he loves him that much, Stiles won’t mind getting out of bed and getting him coffee.
Stiles doesn’t get out of bed. He pushes Derek out instead, raises his arms triumphantly—and regrets it the second Derek makes a grab for his armpits and starts tickling.
.
Sometimes they don’t have time for anything at all—
—Stiles will tear through the living room at six in the morning cursing about being late, will talk at Derek instead of to him, will catch himself at the door and turn back to give his husband a kiss goodbye.
—Derek will come home late, cringing at the dark house, the clean kitchen. Stiles will be asleep already, laying restless in their bed, and Derek won’t do more than strip down and brush his teeth before joining him.
But today—today, they won’t get out of bed for hours.
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Hidden in the Sands (Yandere!Naga!Kunikuzushi)
Warnings: Character Death (not reader, not kuni), Some Gore (description of a corpse), Injury (of reader), Monster AU, implied semi-cannibalism (he isn't human but close enough), some blood (mostly not reader's, a little is kuni's), biting, venom, graphic description of venom effects (used on reader non-lethally), kuni-typical insults, venom effects are made up, kuni tries to kill you (at first but doesn't follow through), reader has a semi-near-death experience, threats, kidnapping, imprisonment, nonconsensual touching (SFW ofc), general yandere themes, kunibaby is Not Nice but it's okay because he's hot, reader goes through the wringer... if you prefer soft yandere, this is probably not for you. loosely based on a rp I did with a friend.
Sorry I lied about the rook and sebek HCs. I have Sebek's pretty much done I think, but Rook remains an enigma. Might post them separately, idk.
Kuni's appearance is inspired by the desert horned viper. If the formatting seems a little weird at any point, it's because tumblr messed it up when I copy/pasted it here. Might fix it later.
6.5k words or so.
The Desert of Hadramaveth.
You haven't been here before. You thought the rest of the desert was bad, between the heat which was "enough to melt a mist flower but not really" (paraphrased from a certain fox friend) and the unforgiving terrain.
This was worse, with its near-constant sandstorms. This was the second one today, and you had only just left the Tanit camp. In other areas of the desert, you were begging for a reprieve from the sun, but here, you were almost begging for it back if it meant you didn't have to worry about getting sand in your eyes and throat. It was almost, almost enough to make you consider turning around and dropping the commission.
"Do you want to hear a dry joke?"
If it weren't for your friend here, you probably would. Unfortunately, you can't turn back now that you've gotten his hopes up. The most you can do is slump your shoulders and sigh, suffocating under the endless heat, what little you could see of the sun, and what you knew was coming next.
"Sure, I'll bite."
A large, beaming grin spread across Sanad's face, and you braced yourself.
"A desert."
"That's terrible."
"Oh, come on! It's funny and you know it!"
"Does that even count as a proper j-"
You paused, looking up at the sky. In the distance, you could see a large, beige cloud. Again?
"We need to find shelter. There's a sandstorm coming."
"Well, looks like we're in luck. Where isn't shelter?" he responded.
It was true. You and Sanad were somewhere just north of the Tanit Camps, near Wadi Al-Majuj. Ahead of the both of you was the entrance to a deep canyon, lined with ancient ruins. According to the map, it was called Pairidaeza Canyon. Behind you, there was another entrance to a different canyon, and according to your map, if you went back a ways and to the right, there'd be a third one.
"Come on, let's go! I need to look through these for my thesis!" He rushed, running ahead of you.
"Careful!" you called out. "There might be bandits down there."
He immediately slowed to a stop, sheepishly turning around to move back to his place next to you.
"On second thought, take your time. Just make sure there's nobody else in there."
You chuckle, already starting a reasonable pace down the steep slope into the canyon. "Thought so. Just a reminder, we're leaving immediately once the sandstorm ends, unless we find who or what we're looking for."
Right. What you were looking for. Recently, small groups of travelers and even large caravans were being attacked. Most of the attacks occurred between the Tanit Camp and around the Passage of Ghouls. A few supplies were usually stolen, but that wasn't the worst part.
A few days later, the rotting corpse of one of the travelers or nomads would be found, half-eaten and with a twin set of puncture marks in their throat. Any useful supplies would be missing, but oddly enough, the mora was almost never taken.
Normally, you'd assume that maybe it was just a deranged serial killer, and either the bodies were eaten by wild animals or the culprit was worse than you thought. But it was strange. What serial killer had fangs like that? And if it was a wild animal, what use would they have for supplies like bedrolls and first aid kits?
The survivors usually all said the same thing; they were caught out in the middle of a sandstorm, and all they heard was a scream or shout before one of their friends disappeared. When the body was found, some key survival supplies would be missing as well. When a caravan was attacked, some supplies (and occasionally people) would even be snatched right off the backs of the desert sumpter beasts.
Hence why you and your friend Sanad were out here to crack this strange case. Mostly you, though, since Sanad only wanted to take a gander at the desert ruins for some Akademiya thing. You'd probably have gone alone (or at least tried to, before you decided the mora wasn't worth it) but when he heard that you were going to this section of the desert, he insisted on coming for his thesis or something like that. He helped pay for the trip, and he was paying you personally, so you had no reason to refuse. He was your friend, and good company to boot, even if he was a little bit skittish.
"Well, that might be possible... but you said you didn't even know if the culprit was a person, didn't you?" he inquired, as the both of you passed the first of the ruins in the canyon.
You sighed. "Yeah, I told you all about that already."
A glimmer of excitement appeared in his eyes. "Well, I've been thinking since then, and I remembered this old desert legend! Have you heard of nagas?"
"Nagas?" you parroted.
"Yes, nagas!" He nodded his head. "They're an ancient race of ferocious half-human half-snake people that supposedly existed during the reign of King Deshret. Apparently they were equal parts revered and feared, as wise and strong beings."
You raised a somewhat skeptical brow. "I thought you didn't believe in legends?"
He laughed. "The Akademiya has declared them to be just baseless nonsense, so of course I don't think they actually exist. I just think it's very interesting, and it technically matches what we know..." He trails off, looking around in awe.
"If you want to look around, you can. Tell me if you see or hear anything."
You didn't need to tell him twice. With a rushed "thanks!" and a wave, he was practically bouncing up what probably used to be a set of stairs to a higher level within the ruins, off to your left. In the meantime, you'll look around, see if you can find anything interesting.
You looked up and around, spinning on your heels. From what you've seen of the canyon so far, it's just a straight corridor with partially collapsed stone ruins on both sides, and a fallen wooden bridge that once connected them. You can see several ways to climb up higher and explore the ancient stone buildings, including the way up that Sanad went.
You and Sanad are pretty deep into the canyon at this point, and you have to crane your head just to see the top. As you do this, you notice just how many floors there are in the ruins. Some have crumbled so much they seem almost completely inaccessible. They're so high up, you can't see anything on them from your angle at the bottom.
There's just so many places to hide. The realization makes you tense up a little. Maybe you should have gone up with him.
It's so strange though. The complicated ruins, numerous hiding places, and the nearby water would make this place an ideal camping spot for bandits and thieves. But so far, you haven't seen hide or hair of anyone else. Not even an abandoned camp.
Until somewhere in the ruins, you hear an odd sound. It's hard to make out, and it sounds so much like the normal shifting sand that you almost brush it off as a natural sound in the canyon. But you hear stone crumbling and rocks falling, and you look up, seeing something move on the side of a ledge too far above you to check. It's close enough that some of the rocks hit the ground next to you. You squint, watching the ledge, waiting for whatever it was to move again, but the sound stops. The hair on your neck stands on end–from what, you aren't sure. Sanad is even closer to the source of the sound than you are, but not far away at all. Just out of sight. Was it from him? Or someone watching him?
Or are they watching you?
You're not sure, and you'll check just in case. Sanad doesn't have anything to defend himself with except for a dagger. Without another thought, you surge up the stone steps, hand subconsciously finding its place on the pommel of your sword. When you get up there, you see him standing with a hand on his chin, studying some old glowing contraption you've never seen before.
"Did you hear that?" you ask, breathing just a little heavier than normal.
He turns to you somewhat incredulously, just as fine as ever. "Hear what? I haven't heard anything. Are you alright?"
You calm down a little bit, letting your hand fall from your sword. "I'm fine. I was just worried about you. Didn't you hear that noise? I saw something move up there." You look up at the ledge the rocks came from. You don't see any way to get up there that's safe.
The sand is starting to pour in harder through the massive gap in the canyon ceiling, and the wind is beginning to howl. You and Sanad are slowly being dusted in sand.
"You're a little on edge. Relax! A sandstorm is starting and the wind and sand probably just knocked a few rocks into the canyon or something. It happens all the time." He flashed you a reassuring smile, turning back to... whatever those were on the wall. They're shaped somewhat like bowls, and as sand pours into them, sand also pours out a hole in the side into another one of them. You're not the researcher here, so you ignore it.
You let go of some of the tension in your shoulders, letting out a held breath. "Alright, sorry for bothering you then. Just so you know, if the sandstorm gets any worse, we'll be moving deeper into the canyon to get out of the sand."
He turns back to you, somewhat pleading. "But can't I stay? I'm not the one looking for the guy, so you don't need me to come with you, right?"
You expected this, just as you expect that he'll be the one choosing to come with you after what you say next. "Yeah, you could, but if something happens I probably won't be able to hear it if I'm down there."
He freezes, grimacing a bit. "Alright, alright. Let me know when you move on."
As expected.
You chuckle at him with a lopsided smile, turning back to go down the ramp. He was probably right. It seemed like such a silly thing to panic over. Of course sand and rocks would shift and fall in the desert during a sandstorm. That's probably all you saw. You're glad you brought Sanad along and not some other stuck-up researcher who would have made fun of you for it.
When you reach the bottom again, you turn your attention to the ground. Aside from the sounds of the howling wind and pouring sand, you can hear water dripping as it coalesces into the wide but shallow puddle in front of you. That's not what interests you, though.
There's a long indentation in the sand, about as wide as you are, as if something had been dragged through. It extends further into the cave, where the ground becomes rockier and the track disappears.
You crouch down to inspect them further. Chances are, it's probably a large haul of supplies that was too big to properly carry. This place is the perfect hideout for thieves and bandits, so it would be worthwhile to investigate. If you're lucky, it might be the bandit you're looking for.
The canyon starts to darken, so much so that you now have trouble making out the edges of the track. Most of the sunlight that filtered in through the top has disappeared behind a haze. The sound of howling wind grows louder, and the hiss of pouring sand all around you is almost deafening. You've had quite enough of the sand raining on and around you, so you call out for Sanad to come back. It doesn't take him long to come rushing back down the way he came.
"We're heading deeper in to wait out the rest of it," you explain.
He sends a longing look back at where he had come from. "Alright... I see," he concedes, with a dejected slump of his shoulders.
You'll humor him. "Did you find anything interesting?"
He instantly brightens up, excited to talk about whatever he found. "Yes! It's this interesting mechanism that fills with sand. I read about it in a textbook once! It can be opened and closed, but I couldn't figure out how to. I've heard if you can fill them as they were intended to be, you can get treasure from them!"
You two begin moving deeper into the canyon, and you send him a teasing smile. "With the way you're talking, I'd almost think you're the adventurer here."
He shudders. "I could never. At least, not as a full time job. You encounter monsters all the time, don't you?"
"They're not so difficult to deal with, once you're used to seeing them."
"That is not at all reassuring!" He stops to let out a breath. "No, I just want the free mora. Trips like these are expensive."
You sigh. "Well, if you want to, we can at least take a crack at it together on the way out of here."
His eyes light up again. "That's wonderful! We can even split the rewards if we manage to solve it!"
"No more than an hour, though," you warn. "With all the sandstorms, we don't have the time to waste."
"Aww, fair enough." A moment of silence passes, and he turns back to you. "Oh, I almost forgot to ask you! Did you find anything interesting?"
You think back, and the only thing that comes to mind are the tracks.
"Well, a little bit behind us, I found these drag marks. Like someone had dragged a big bag or something, I couldn't tell what."
"Drag marks? Oh, so maybe it really is a naga after all."
You turn to him in exasperation. "Didn't you just say you didn't believe in them? Besides, why'd you even tell me about them if you don't think they exist?"
He laughs. "I'm kidding! I only told you mostly because I wanted to. But I have a more realistic theory too!"
"Really now?" You raised a skeptical brow.
He turns to you, faking a gasp in faux offense. "Why are you looking at me like that? Of course I do! I don't study at the Akademiya for nothing!"
You chuckle. "Oh, go on then. Don't keep me waiting."
"What if the culprit keeps a snake around? Think about it, at the price of a little food, they'd get an unlimited supply of p–Hey! Don't laugh at me! It's not as ridiculous as it sounds!"
Apparently you weren't as good at hiding your snickers as you thought. "No, no, I'm not laughing at you. I was just imagining it in my head. From what I heard, it would have to be a pretty big one based on the size of the puncture wounds and the distance between the fangs."
He crossed his arms, looking away. Guess he didn't quite believe you. "It's not THAT unbelievable, especially in comparison to the naga theory... Haven't you seen the street performers with the snakes in Port Ormos?"
You hold your hands out in a placating gesture. "Okay, okay, you're right, I'm sorry. But your theory doesn't explain everything–what about the half-eaten bodies part? And they almost never take mora either... besides, the street performers use nonvenomous snakes."
"I guess it would be risky, but in theory, venomous snakes can be trained too! Desert dwellers tend to be... fearless. Though..." He puts a hand to his chin in contemplation, looking down. "I'm not quite sure about that other part either. Though it's not as if cannibalism was ever off the table, there's always the chance it was just wild animals that found the body after. As for mora... maybe it's someone who never gets the chance to spend it anyway?"
"Like, a recluse or something?" you pipe up.
"Yeah, exactly! Someone who's completely self-sufficient, who doesn't need to deal with other people to survive. Makes enough sense. They probably get everything they need from the people they're attacking."
At this point, the both of you are up to your ankles in water. The canyon is fairly wide at the bottom and grows so much narrower towards the top that very little sand makes it through, so you take the liberty of brushing as much of it off of you as possible. The both of you pass the last of the stone ruins. Up ahead is just bare, mostly untouched canyon. It's damp enough to support an amount of greenery that seemed a little out of place in the desert. You can still hear the wind howl, but it's a bit quieter here.
You and Sanad pass an opening in the wall to your right, leading to a dead end with a fairly deep pool and what looked to be a crumbled stone bridge.
"Your theory is a little... out there, but some of it definitely makes a good deal of sense."
"It's an early hypothesis! We'll revise it as we find more evidence."
You roll your eyes a bit. "It's alright, I'm not judging you."
You look around again. There's plenty of dry places to stop and rest without worrying about sand, so this should be an adequate place to wait it out.
"Why don't we stop here?"
"Not yet!" Sanad points further into the cave, where it opens up some more, with a rock jutting out of the center of the room, surrounded on one side by a shallow stream of water. "I can see more ruins in there! You can stop there and I can keep looking around."
You sigh, for what felt like the hundredth time. As much as you wanted to rest, it wasn't far away at all. "Alright. But we're still going back to that mechanism immediately once the sandstorm is over."
"I know, I kn–"
From an entrance to another path to your right came a blur, barreling right at Sanad. You have barely enough time to shove him behind you and out of its way before it stops in front of you both, dark claws bared.
Now that you can get a look at it, you realize it's a scarred, shirtless man with a dark head of hair, sharp indigo eyes, and... two pale, straight horns? Looking down, he doesn't have a pair of legs, but a sand-colored snakelike tail with rough scales. Even without the rest of his tail, which was hidden behind him, he's quite literally twice your size.
A naga?
He sneers at your sword as you pull it from your sheath, showing off a long pair of fangs. "A little short, isn't it?" He hisses. "Good luck with that."
"Sanad, get back!" You cry, holding your sword out in front of you threateningly. The naga seemed more amused than anything, simply starting to circle. Watching.
While you backed up to keep the naga from getting between you and Sanad, he hurriedly ran far back the way the both of you came, staying just close enough to watch the both of you.
Without warning, the naga lunged forward, one claw-tipped hand reaching out to swipe at you. You swung your sword at his arm, but missed, just barely grazing his side. Still, it was enough to force him back. He brushed over the superficial wound with one hand, smearing what little blood came from it, taking a look.
You stand there, adrenaline pumping through your veins, unsure of what to do. His reach was almost as long as yours, even though you were the one with the sword. This has to be who you're looking for, but you're beginning to think that you should've brought more people.
When he looks back at you, that cruel sneer is still set in his face, but a glint of annoyance is now present in his eyes.
"Lucky hit. Don't count on it happening again."
He doesn't hesitate, rushing forward immediately. You swing again, but it's too early, and he barely has to slow down before he's coming at you again. He's so close now that he grabs your shoulder, claws digging in hard enough to draw blood, shoving you down. In a blind panic, you're forced to adjust your grip on your sword so that you can bring your arm back and stab into his tail.
Before you even realize what's happened, you're on the ground, wind knocked out of your lungs. The arm that had held your sword is pinned to the ground by one of his hands, the other still holding onto your shoulder. You wheeze pathetically while he leans down and slides his fangs into your throat.
Your sword had bounced off of his scales, barely even leaving a mark.
The first thing you feel in your throat is pain, followed by an overwhelming numbing sensation, only interrupted by pins and needles. He chuckles as you thrash around in his hold, your free hand trying to push him off. The sensation is spreading, from your shoulder down even to your fingertips. The only thing you can do is let out a pained groan.
The pressure, from anything, from his hands on you to your own as you push and hit him, hurts. Like everything that touches you only pushes those pins and needles deeper into your skin. It's this feeling that finally makes you go limp in his hold, giving in. It gives you the chance to look up, focus on anything but him, and see that Sanad has long since abandoned you. Lucky bastard.
You hope that he gets away, at least. Even as the half-snake thing on you pulls away to hold your face in one hand, forcing you to look at him.
"Seems your little friend didn't care for you as much as you cared for him. Don't worry. I'll do you a favor and make sure he gets what's coming to him." You manage to focus on his face, smeared with your blood and that same, ever-present sneer, but with something else behind it. Something vindictive.
You grit your teeth. It stung, even though you knew it was the only reasonable thing for Sanad to do.
It's petty, and it won't do you any favors, but you lift your arm and slap him across the face as hard as you can. The impact alone sends shocks of pain down your arm, but he barely even moves.
Instead, he laughs in your face, dark amusement flitting across his hauntingly beautiful features. "What was that? A love tap? After everything, I'm surprised you can even try." He leans in closer still, your noses almost touching.
"I'm sure you feel proud of yourself, don't you? Good job! I might just leave you for last, then."
Without another word, he dashes off to find Sanad, and all you can do is pray the snake isn't successful. After all, what's a pampered Akademiya researcher to do against a man-eating monster?
You try to stand, but a bone-deep exhaustion pulls at your limbs. You can only get halfway up before your vision starts to go dark and you collapse onto the ground in a graceless heap. The pressure still hurts, a strange buzzing sensation rising alongside the needles and numbness. All you can do to help it is curl onto your side, minimizing your contact with the ground.
You lay there for a while, drifting in and out of consciousness for who knows how long. The pain is fading slightly, but you're not sure if it only feels that way because you're getting used to it.
Maybe you're dying.
A chill goes down your spine at the thought, and you do your best to dismiss it. It isn't hard, not when your thoughts are interrupted by a terrified, blood-curdling scream cut too short to be natural.
It brings you back to your senses. You keep listening, but you can't hear any more noises over the constant sounds of the canyon. Dripping water, falling sand, and the howling wind.
If that was Sanad, then since you're already deep within the snake's den, it must be only a matter of time before he gets back...
You're pushing yourself back on your feet before you know it, another rush of adrenaline supporting you. To do what, you're not sure. If you couldn't win before, you certainly can't now. But you're already running as best you can to where you saw Sanad go, though it's more of a relatively fast half-stumble than anything else. Everything still hurts, and beneath the venom you can start to feel your muscles ache too, but if you focus on moving it isn't unbearable.
You forgot your sword. You'd turn back to get it, but even with the adrenaline your limbs feel like lead, and your sword arm is so weak you don't think you could do more than carry it anyway.
You've just reached the ruins again, and looking around at all the nooks and crannies gives you the idea to hide. As sluggish and unarmed as you are, you can't fight anyway. Maybe if you hide long enough, he'll go away. Sanad might still be alive, if you can make it to him.
You don't know how long you were laying there, but if you could hear Sanad, they couldn't have gotten far. That fact is a double-edged sword, you realize. It's been a while since you heard his scream, and if the naga was coming back then it wouldn't be long until you saw him. You don't have much time.
You stagger your way as fast as you can manage to your right. You don't see anywhere to hide down at the bottom, but there are plenty of places above. It's so much harder than walking on flat ground, but you force yourself up a wooden ramp onto a stone platform. There aren't a variety of places to hide here, either, but you don't have the energy to go up any higher.
You hear the water below you being disturbed, in a way too constant to be footsteps, and you quickly duck forward to avoid being seen. You don't dare look, instead opting to slowly move towards a large stone statue to your right, as quietly as possible. With one look back to make sure he hadn't come up to check, you hide behind the stone dais that the statue rested on.
You take a breather, listening for any more sounds. You can't hear the water being disturbed anymore, but the thought of moving alone is both terrifying and exhausting. If you wait too long and he finds you gone, he'll probably come back to look for you. On the other hand, if you leave too early and he hears you...
With this in mind, you rest a few minutes more. The wind is slowing down, and there's less sand in the air than there was when you and Sanad first came through, so the sandstorm has likely stopped. At least the naga won't have that going for him too, once you and Sanad leave.
You'd stay longer, but the anxiety eats at you. It's only a matter of time until the naga comes back, and you don't know what condition Sanad is in.
You get up on shaking legs, your body begging you to sit back down and rest more. You know better, so you force yourself forward, looking over the ledge to make sure he isn't nearby.
You stumble back down the wooden ramp, turning to continue down the path to the exit. You have to stick to the sides of the path, where the sand is highest, just to make sure nobody can hear the sounds of splashing water.
Sanad can't be too far off now. Maybe he'll be in the same state you are, and you both can return to the Tanit camp and get help. You still have your pack on you, but the only thing that might be useful soon is the small first aid kit and the knife.
You really hope you won't need the knife.
Just in case, you pull it out of your pack and put in in your pocket. You're out of the water now, but you've come to a steep hill. The only way out is up. You hope you can make it.
You grit your teeth, sweat dripping down the side of your face as you force yourself up the incline. Onward and upward, you think bitterly. The overused phrase "ad astra abyssosque" parroted endlessly by everyone else at the Adventurer's Guild comes to mind. You never thought you'd make it to the stars or abyss to begin with, but you didn't think your journey would end so soon, either.
Your muscles burn with exhaustion, and you think you can feel the numbness slowly spreading further into your legs. Still, you continue upwards, at a much slower pace, even as you almost collapse a few times.
You come up to a point where the hill flattens out for a short distance. You're panting from the exertion, and you almost breathe a sigh of relief until you see what's in front of you.
"Sanad!"
Before you know it, you've staggered forward to collapse at his side. He's lying face-down on the ground in a small pool of his own blood.
You turn him over, tears pricking at your eyes, praying his condition wasn't as bad as it seemed. His head lolled to the side, face pale and eyes empty, unmoving. The blood, on the ground and splattered all over the front of his Akademiya robes, still dripped from the massive tear in his neck. It looked like a set of claws had dug into his skin and tore off the front of his throat.
Your breath hitches, and you fall backwards, dropping his body. Tears well up in your eyes. Why hadn't he done the same to you? Why did he do so much worse to-
"So, so loyal. Like a dog running to protect its master. You're adorable, really, even if you're a little late."
You freeze, only turning your head to look over your shoulder at him. He's slowly approaching, a condescending smirk on his lips. Half-dried blood covers one of his hands.
"There's no need to mourn. He was pathetic. Did you know that he only cared enough to fight when it was his life on the line?" He looked distant for a moment, before looking at you with something almost soft in his eyes. It disappeared so fast, you'd almost think you had imagined it, the condescending smirk and mock pity sliding to cover his face once more. "You poor thing. You're better off without him. No need to thank me."
You blink away the tears, an idea coming to mind. You couldn't overpower or outrun him, so there's only one possible option for you. "You're a... you're a lying bastard! What else was he going to do?" You yelled at him, pushing yourself up on unsteady legs to face him, backing over your friend's body.
"Humans are untrustworthy," he croons, following after you. His eyes don't leave you even once. He's sizing you up, and with nothing more than a moment of contemplation, his smirk widens and a victorious glint appears in his narrowed eyes. "He was using you. Once you were no longer useful to him, he discarded you. It's pretty naive to think he left you with any other thought in mind."
You don't dignify that with a response, continuing to back up. One of your hands almost moves down to your pocket, where your knife is hidden, but you stop it before he sees.
Your heel hits the sharp incline behind you, where the hill keeps going, and you fall backwards and hit the ground. A derisive snort comes from the snake.
"I've decided what I'm going to do with you. It's much better than what I did to your friend, here. You should thank me, really." He towers over you, leaning down to your level, setting a hand down on the ground next to you. Your hand twitches for your knife.
He watches you for a moment, a quiet, breathy laugh leaving his lips at your frozen state. All you do is stare at him, shaking from the adrenaline. Finally, his other hand comes up to rest on the nape of your neck, pushing you closer to him. You can feel the sticky blood on his fingers.
His eyes glimmer with excitement, and he continues while your hand slowly drifts to your pocket. "You're just helpless. I think I'm going to keep you with me, like a little p-"
You thrust your knife at him, landing a hit on his side while he lurches away. Your blood runs cold. It should have been buried hilt-deep, but instead all you've done is leave a bleeding gash. It's not quite superficial, but it won't stop him, and you know you won't be able to land another.
His lips curl in a snarl as you scramble backwards up the hill. You turn, and start running, but adrenaline can only carry you so far. You feel almost like you're in a nightmare, fully conscious and trying to run but unable to move at any pace that could possibly save you.
It only takes a moment for a large hand to wrap around your ankle, dragging you underneath him. Your face hits the ground and your hands scrabble for purchase, but the dirt and sand only give way beneath your fingers. His other hand finds the wrist with the knife, squeezing tightly enough that you can feel the pain, even underneath the lingering numb, buzzing sensation. You can't feel your hand well enough to keep holding onto the knife. The pins and needles return, and tears prick at your eyes.
He knocks the knife far away from you and flips you over to look at him, dark eyes still burning with anger. "You're alive only because I let you live. Did you really think trying that was smart? Did you finally get it all out of your system, or do you want to try again?"
You try to speak, but the words get caught on the lump in your throat. A hand slams on the ground next to you, and you shrink in on yourself.
"Well?" A glimmer of satisfaction appeared in his eyes, even as his lip curled in a mixture of amusement and contempt. "I'm waiting."
It's all you can do to croak out a few apologies and look away, unable to stand his stare.
A deep chuckle resonates from his chest, and his other face grips your jaw, forcing you to look at him again. "Good enough," he croons. "Looks like it won't be so bad for you, then."
"What? What won't?" you whimper. His hand lets go of your face, drifting down to encircle your neck. Your hands instinctively wrap around his wrist, silently begging him not to squeeze.
That little mocking smile on his face widens. His hand tightens a little, and you panic for a second, but it doesn't go any further. Instead, his eyes grow distant, thinking.
They brighten up again, an idea coming to mind. He laughs quietly to himself, pulling his other hand off the ground and trailing it down your leg. "You can call me... Kunikuzushi. I think I know what I'm going to do with you now."
"Please don't hurt me," you plead, vision blurring with tears. He doesn't even look at you, instead watching his hand as he grabs your calf and pulls it up. "It's a little late for that," he hums, adjusting his grip to hold onto your ankle instead. His fingers are long enough to wrap fully around it and then some.
"I can't watch you all the time, and I need to buy myself enough time to get something to restrain you with... besides, you deserve this anyhow."
You were about to ask him what he meant by that, but with a distressing amount of ease, he twisted your ankle to the side hard enough that you could hear the pop. The pins and needles returned to that area full-force, the buzzing and numbing sensations right behind it. It didn't hurt that much, though. You could feel an ache beneath it all, but it didn't hurt as much as it should have. You were sure you could still walk on it.
Until you looked down, where it was still in his hand, twisted so far to the side that you weren't sure it would ever be the same again. It doesn't hurt that much, but your shoulders still shake and you still start to cry.
"There, there," he murmurs, dropping your ankle to stroke your hair. He leans down lower, a smile a little too sharp to be soft on his lips. "You'll be okay. I wouldn't get a pet if I couldn't take care of it."
You try to push him away. You know you need to do something about your ankle, but he only presses closer, resting more of his weight on you so thay you can't see it anymore. "It's a bit too late for that now, don't you think?" he whispers, leaning in to press his lips against yours, too eager and with too much teeth. You flail a bit, trying to push him off, but he only chuckles into the kiss, biting your lip hard enough to draw blood. An arm wraps around your waist, pushing you closer.
It feels like an eternity, but soon he's sweeping you up and slinging you over his shoulder. He turns around to go back down into the canyon, and you watch Sanad's corpse disappear over the hill.
This time, you can feel him rumble with the force of his laugh.
"I'm going to have so much fun with you."
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baselicoc · 11 months
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it’s really interesting to me that Gabriel checks in on his brother so much despite how Miguel can often act and that he is in-text called insecure and that he follows along with his various girlfriends interests and that he so often wears so many layers and that he has a cyberspace addiction and that his archetype in cyberspace is just himself (which could be the comic just making it easier for us to know who’s who, but what a boring way to take it). And how willing he is to fight and do good but also ‘neither of my sons were ever worth much in a fight’ and how he asks for help but also ‘i can take care of myself’. do you get me.
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shepscapades · 6 months
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When i very first started reading this I was really excited xisooma was in it but was a wee bit disappointed in how littel he was, BUT I TAKE IT ALL BACK YOUR SERVING ME SOME GOOD STUFF!! Like like him and doc prioritizing each other and him seemingly getting closer with him and eaaaahhhhhhh thanks :>>
EEP yeah!!! Yeah, I’ve very much fallen in love with xisuma throughout this process. It’s been a joy to have him so prominent in this part of the au, and I love him so much, so I must give him the special angst treatment >:]!! If this is any consolation, Xisuma strikes me as someone who doesn’t SEEM as strong or intimidating or scary as you might expect because of how soft he speaks and how kind he is and how DERPY he is, but throw him in a stressful situation and he does a total 180. Let me just say that, if it were anyone else being slammed to the ground like that by a blood thirsty corrupted android, they would not be doing so well. Xisuma is strong— way stronger than he lets on, imo. He’s holding Etho back from doing who knows what, and I think that’s plenty impressive. HES EVEN ASKING IF DOC IS OKAY WHILE HOLDING ETHO BACK!!! Idk man I have a lot of feelings about him
I’m also really happy people are noticing him and doc prioritizing each others’ safety. It’s really special to me 🥺 I just think they should be research partners who care a lot about each other!!! That’s all!!!
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huginsmemory · 1 year
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Trigun and the 'Bride of Christ'
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An additional thought that popped up after my previous post about Triguns heavy themes of Christianity (a somewhat? Part 2?). In this I look at the Vash and Wolfwoods relationship, their opposing views and how that relates to the Christian term 'the bride of christ'. During this I specifically discuss a large spoiler for the series/manga, so readers beware!
I was chatting with some lovely folks on the Vashwood discord server (if you wish to join, click this link!) about Wolfwoods death, and the way it's, well, wedding themed. The wedding themes include the confetti, the way Wolfwoods passing occurs in front of a church, the ringing of the church bell, and the bottle of liquor they share is labelled 'BRIDE' with a cross on it.
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All the items come together in a definite way that resembles, in some terrible fashion, the festivities for a wedding. Hell, even after Vash buries Wolfwood, he makes tons of dishes of food, and Livio and him basically have a feast, another thing one does at weddings.
The 'Bride of Christ'
What particularly caught my eye was the bottle with the word bride on it, with a cross. Multiple times within the new testament, the body of the church is referred to as the 'Bride of Christ'. As I've previously mentioned, Vash is regularly set up as a Christ-like figure; his actions and his philosophical values align with a Christian perspective, in his belief in unconditional love and forgiveness (ie, the blank ticket). As well, as that Wolfwood is a Christian preist, this literally makes him a 'bride of Christ'. In a sense, where in the story Vash is pitched as a Christ-like figure, this means that Wolfwood could be interpreted as the 'bride of Vash'. This especially so considering the contextual clues that hint towards a wedding - confetti, church, and church bells.
Acceptance of Christian philosophy
Further adding to this, is that although Wolfwood was a priest, he did not fully ascribe to Vash's view. In fact, the two of them are foils, their beliefs similar- both coming from love and a need to protect, but differing in Vash ascribing to unconditional love and forgiveness, while Wolfwood refuting that such a position can be practically taken (this is, well, I would say a simplified take on their beliefs but thats a different post for a different day). However, by this point in the story, the both of them have very deeply impacted each other. In fact, this is set almost immediately after Wolfwood saves Vash from Knives, which is the the moment where Vash openly forgives Wolfwood and Wolfwood begins his acceptance of Vash's philosophical views; in that specific moment, he accepts his own absolution (explained further in my previous post).
It is exactly in Wolfwoods fight against Chapel and Livio, that Wolfwood fully (or mostly so) accepts Vash's philosophical views, expanding to accept a blank ticket/unconditional love for others. This is seen as he repeatedly chooses not to kill Chapel's hired guns, and even sharply pleading Livio to spare one of them. Indeed, previously at Vash's request, he'll shoot to injure, but he's not really shown to be particularly worried about the bandits, versus here he is actively choosing to minimize harm; exactly like we've seen Vash do, over and over and over again throughout the series. As well, the hired guns literally try to target the orphanage when they've clearly lost, and also kill one of their own when Wolfwood brings him back, telling him that they've just upped their pay- showing that they're not particularly 'redeemable' hired guns that are likely to repent and become good people. And yet, Wolfwood still chooses to try and save them.
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He also specifically goes out of his way to not kill Livio, even though killing Livio would severely even out the playing field, and Wolfwood would likely not have likely died as a result. And Wolfwood makes that decision, again and again and again, only focusing on killing Chapel, and Chapel only, since he's the one that is threatening the orphans.
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While Wolfwood fights, Chapel derides him on Vash's views, and how Wolfwood has picked them up. Wolfwood, close to death, reviews his relationship with Vash and Vash's philosophy, and refutes the ideology that Chapel believes in, and that he himself has lived under, that they need to kill to survive, (or to save lives) and that Vash's belief in forgiveness and unconditional love is foolish.
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It culminates in Wolfwood declaring that he believes in Vash, in his principles, and standing back up to continue to fight, having accepted Vash's Christian philosophy. Interestingly, it's also Christian leaning terminology he uses; both in that he followed Vash, much like one follows the the teachings of Christ, and that he believes in the Vash's ability to change to world with his philosophy, in the same way Christians believe in Jesus's ability to save the world through the gospel.
In summary, Wolfwood chooses to accept and even says he believes in Vash's philosophical views, thereby choosing to accept the possibility of forgiveness and unconditional love, both for himself, as is shown when he saves Vash from Knives, but also for others, and especially with Livio during the scene up to his death. This full acceptance and belief in a Christian/Vash's perspective would then also show that Wolfwood has fully accepted to be the 'bride of Christ', making him not only via contextual cues a 'bride' of Vash, but also within a Christian theological sense a bride of Vash as well.
In conclusion, (ie, TLDR) Wolfwoods death is wedding themed, with confetti, a church, church bells, and a bottle with the label BRIDE with a cross on it. The church is within the Bible called the 'bride of Christ'; as Vash is a christ-figure, and Wolfwood is a priest, this would make Wolfwood Vash's bride. As well, it is just previous to Wolfwood death scene that Wolfwood has accepted Vash's Christian philosophies, signalling his acceptance as the 'bride of Christ/Vash', further perpetuating the wedding theme.
TTLDR: Vash and Wolfwood are married yup 👍
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marimbles · 7 months
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at the risk of sounding like really entitled….
does anyone else have a fic that is their most popular, but you don’t want it to be, because you don’t think it deserves it, and you have better stuff, and while ofc you are grateful that people like something you wrote, it’s almost annoying that for some reason That one is the most popular. lmao
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Okay. Yes, Jacob is a chatterbox.
He talks about stuff like his school play from a million years ago or trees or whatever, and he does overshare in Valentine’s Day, but that was very positive oversharing and there’s a pretty high possibility that he knew people weren’t really fully listening to him.
I guess that in Festival when he talks about his night terrors that can also be seen as oversharing, but it’s heavily implied that he is loopy from sleep deprivation. Which just goes to show that Jacob’s most likely to show negative feelings when things have gotten absolutely unbearable.
Because in Holiday Hookah it was like pulling teeth to get him to admit why he was acting how he was.
And he did spend over a year not mentioning that he had a boyfriend of two years. He has not once mentioned either one of his parents when the other two younger teachers have mentioned at least one of theirs, and often. He pretty rarely mentioned Zach. Most instances of him talking about himself have been offhand or pretty surface-level. His life revolves pretty hard around his work and the people he’s met through Abbott.
(And given what we know about him and his people pleasing tendencies, it’s much easier for me to imagine him not saying anything to Zach out of fear than him bringing up to him that he’s unhappy in the relationship. Which is essentially what the episode says.
And lbr, we barely knew Zach. Anything is IC for him. And given how little we knew about the relationship…tbh, their relationship dying isn’t so much a surprise for me as exactly as believable as their relationship being happy.)
And sure, maybe he says more off-camera, but it’s still reasonable to assume that he isn’t saying the most important things. What I’m saying is that Jacob is cagey about his personal life.
And Jacob does not like having personal problems. He likes fixing problems. (He often makes them instead, but hey, I never said he always sets out to do what he wants to do.) I do think it makes sense that he would simply not bring up his own personal conflict, especially given that he’s prone to avoidance and it’s a very painful issue, and I think that the fact he did bring it up was because he really trusts Gregory.
Anyway, that is my take on Breakup and why I was not surprised by the breakup or the seeming abruptness of it. It was all brewing in Jacob’s head for months; we just weren’t privy to it because he guarded that part of his life from his friends and from the cameras. (Who were gone for five months anyway.)
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sophiethewitch1 · 10 days
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writing my first reader with self confidence but they are also passively suicidal so you know you win some you lose some
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lesbiradshaw · 2 years
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fellas is it gay to touch your arch nemesis at any given opportunity?
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hollowwish · 3 months
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I like treebark but whatever Martyn has about Ren has to be some degree of unhealthy. Which is why I love it. In canon and fanon. The undying loyalty went a little overboard me thinks. He's quite literally the only one still stuck in 3rd life. I think betraying the Red King would've ruined him emtionally for the rest of time and he never would've recovered. Like im saying he would DO IT but it would fundamentally change him as a person and make all his friends really worried about his mental state. He made his boyfriends banner and tied it around his waist and killed his own qpp (scott) in it. He joked about beheading bdubs black heart alter style. He made a fucking dog house to live in and dragged his other ex/best friend/whatever Jimmy is to him into running around and barking. I think if their characters ever interact again hes actually going to fucking lose it. Losing Ren was a loss of comfort. Im suprised the watchers haven't used Rens absence as a physiological torture method yet. Like he's a bit obsessed in the bad way and probably needs to move on a little but I think but that's okay. Can you blame him.
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atticcreationz · 4 months
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[Ruth is talking to Brooke at her locker, then the bell rings, and Ruth runs over to join Richie and Pete on the way to class, blushing]
RICHIE: Ruth, is that a ~spark~ I detect between you and Brooke?
RUTH: maybe 😏 I get all warm and fuzzy when I talk to her...!
PETE: uh, that might just be the fires
[all three turn around to see Brooke setting her own locker ablaze]
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skitskatdacat63 · 8 months
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catie I NEED more vettonso lore for your au. please. (love u)
Aaaaaaaaaaa!!!!!! C!!! Thank you so much for asking!! This took me a bit cause there’s a lot of stuff I want to cover and I had to figure out how to balance the explanation of the historical context and how I apply it to my AU. But seriously thank you for asking because I did more research to write this post and learned a lot of things that make me feel deranged but I cannot bring any of this up to anyone irl without sounding like a lunatic. I’d apologize for the length but you should expect this from me by now! (I realized this doc for this was 1.5k+ my god)
Basic Info: early 1700s historical AU with arranged marriage plot 
Historical Context:
Okay, so this AU is based on a real historical event: The War of The Spanish Succession. Which is when the Spanish Throne was without a clear line of succession because the bloodline(Spanish Habsburgs) died out. So then, even though the previous Spanish King named his successor(Philip V, a Duke related to the French Royal family - representing Fernando in this AU), the Habsburgs still thought they should be allowed to keep the throne within their dynasty, thus offering up the second son(Charles VI - representing Seb in this AU) of the Holy Roman Emperor. So obviously they had to start a war because of it. But then the end result ended up being that because Charles VI’s older brother, the Holy Roman Emperor at the time, died during the war(because of illness though so it would have happened regardless), he became the next Emperor and Philip V ended up becoming the Spanish King after all, rendering it all pointless imo.
How does this relate to Vettonso?:
I'm not overly interested in either Charles VI and Philip V as people, but rather the roles they fulfill in this conflict, but obv I can’t help but draw on details from their lives. As I mentioned, Fernando is now Fernando I of Renault/France Spain and Seb is Sebastian I of Red Bull Austria. This is supposed to be like 2010-2012!Vettonso with Ferrari!Fernando and RBR!Seb(but like Fernando's title of Duke coming from France, because of his championships with Renault.) This AU is kinda just me looking at this historical event and thinking: wouldn’t a gay arranged marriage solve this succession quandary? But also just that it reminds me of Fernando and Seb’s rivalry, and the nationalities/kingdoms fit pretty well!!
Think about the throne of Spain as akin to winning a race, but becoming Holy Roman Emperor as winning the whole entire competition.(Also side note: real life Charles VI didn’t become a king until he became Emperor and adopted all of his brother’s titles, but I want Seb to be a boy king in this AU, so he can have a title as a treat.) Imagine you’re competing for something and you win it, but the only reason you win is because the other competitor won an even bigger prize!!!! Yay you got what you wanted but the boy king is now the emperor of most of Europe. And now you are stuck with him through lawfully wedded arranged marriage because they let you have what you wanted but only under the condition that the two kingdoms are still united. Yeah Fernando got the title, but Seb gained even more titles(get it???) 
They probably have a lot of animosity coming into the marriage, like “how could I ever build a relationship with the man who tried to steal my birthright?” but then realize they’re pretty similar after all. Though obviously Fernando has a lot more resentment than Seb because Seb won the whole damn thing! He would have control over Spain as he’s the king but since it's still within the domain of the empire, Seb would always have the final say. And Seb tries to be magnanimous like “Don’t worry, I won’t interfere”, and Fernando is all snide with comments like “Oh thank you great imperial majesty, can I really? Would you really allow me to do so?” But eventually become loving co-rulers that still constantly snipe at each other over different decisions the other makes. 
Some headcanons(I guess you’d still call it headcanons even if it's your own AU bcs it still comes from your head) + some fun facts from real life that have brainrotted me so I’m putting them in:
Their dynamic is just Seb being a very righteous, bratty boy king emperor who is unabashed about being that way, because he feels that it is his right, but still has a heart of gold and wants to treat his husband well no matter the circumstances leading to their marriage. And then Fernando is like a stray cat that keeps hissing and scratching because it’s really hard for him to accept the circumstances because he still feels humiliated, even though he got everything he wanted, but he still can’t help but be charmed by this baby emperor because he sees attributes of himself in Seb, and can’t really fault him because he would be the exact same, flaunting his power, if he were in Seb’s shoes. 
They would have to speak in French to each other because that’s their shared language but eventually attempt to learn each other’s native languages! Imagine Seb has to travel to Spain to give some Emperor speech and Fernando then bullies him for his bad Spanish. 
They would probably split where they live based on a schedule or by need. Yes, Fernando is the King of Spain but he is also the Emperor’s husband so he does have to spend time in the capital, Vienna. And then since Spain is a part of the empire, Seb has to go routinely, but y’know also to spend time with his husband. They find that their marriage as well as their politics is full of having to make concessions and compromises in order to make it work. 
Something I find funny is that as compensation for not getting the Spanish throne back, Spain had to cede some Italian territories to the Empire. That is literally the Ferrari plot with the transfer from Fernando to Seb!!
I’m not sure how the titles would work in this AU because obviously a m/m political marriage has not ever happened(as far as I know.) But I guess Fernando would just be King Fernando I of Spain and then Seb would be Holy Roman Emperor Sebastian I with the million titles that come with being in that role(though like most importantly Archduke of Austria and King of Bohemia and Hungary, etc.) I like the idea that Seb tries to share some titles with Fernando as a show of good will but Fernando is so affronted, mostly just from embarrassment, like “oh you think I need your good will?? I can’t be happy with what I earned in my own right??” But their kids would receive both titles and would be split in the traditional way, like first kid getting it all mostly, but the others still being nobility obv(yes.. there would be mpreg because of the plot need for succession….don’t ask who…)
They bond through their love of horses, particularly fast horses. The first time they go riding together, they’re both like awkwardly trying to act very proper as a sense of showmanship to the other like “I’m more mature than you”, but then can’t stop trying to get ahead of the other person and eventually break into a full-on race. Their aids are mutually like “oh god, they’re both the same type of insane.” 
Irl Charles VI was so salty about losing the throne that he wouldn’t stop dressing like a traditional Spanish monarch. I can totally see Seb doing that and Fernando getting so pissed with him like “you became emperor!! What more could you possibly want???’ and Seb then fixing him with his biggest pout and saying “your throne!” But also Fernando being weirdly into it because it’s basically Seb presenting himself blatantly as Fernando’s spouse. 
In that same vein, I’m going crazy over how there’s a painting from before the war, of Philip V wearing vestments from both the French order of chivalry and the Habsburg order of chivalry. Like basically stating the desire to see those two lines combined into one kingdom, which fits so well into this AU. Just Seb going crazy over how Fernando is willingly branding himself as belonging to Seb’s house. 
A testimony of Philip V’s personality is that he was a “neurotic, vacillating ruler, concerned with outward decorum and brave only in battle,” god can you not sense the energy of Fernando in that statement???
Very important to me that Charles VI reportedly had many male lovers, and that his soulmate was one of his courtiers. Maybe there can be a bit of Martian or Sebson cheating plot with them being his courtiers hahaha  
Not very relevant in this AU but there’s something about how Philip V had the longest ever reign of a Spanish monarch. Is that not Fernando??? Old man who will rule on forever, or should I say, forever keep his seat 
I already obv posted the wip for this but I'll include it here again as visual rep hehehe:
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I've spent way too much time lately trying to research the fashion of the time ugh. But this, as I said, is like first joint portrait session into the marriage. And I guess I kind of want them to be wearing their corronation clothing, which I'm pretty solid on for Seb but still need to research more for Fernando. I think I'll maybe try and just put him in the afformentioned traditional Spanish monarch clothing, but the fact that it's all black kinda bores me, I'd rather he wear red!! This is like a typical royal couple type pose, except they're being more tactile. Also there's something to be said about the symbolism of Fernando being the one standing and Seb being the one sitting hehehe....
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thirteenemeraldcats · 2 months
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I would to know more about the untitled-Jamie-blue-screen fic, if you wanted to share anything about it : )
Hello terrifyingly talented friend! I am happy to share!!
So this fic started rolling while I was writing 'i learned to walk while he was away', - that story explores some of the 'unseen' effects of Jamie's experiences, specifically what his relationship to expressions of violence (even when positively channelled) might be after growing up with an angry man. The 'untitled-Jamie-blue-screen-day' fic (which is technically 'redacted-title-Jamie-blue-screen-day' fic, I'm a fairly changeable person and the title's redacted purely because it's still subject to possible [who knows, not me] change) is another exploration of some of the 'unseen' or more accurately 'undeveloped' parts of Jamie's psyche that canon skips over.
Specifically, the symptoms of depression he displays in 3x11 Mom City.
I'm a card carrying member of the 'Jamie has multiple missing diagnoses' bandwagon and know first hand what a horrifyingly tricky combo neurodivergence and clinical depression can be.
I use a lot of metaphors to describe/understand the complexities of mental health- when I was studying it, when I'm teaching it and yea when I'm thinking about my own brain :)
Most of the metaphors are computer based- product of the times I guess.
The untitled-title 'blue screen day' is how I unaffectionately refer to the days when that horrifyingly tricky combo decides to be extra horrifying and extra tricky and causes total system overload. The days when you forget how to be a person. That 'blue screen' blink feeling of not functioning, but then it's not momentary, it's not a blink, it doesn't go away. You're seeing with your eyes sure, but you're not really seeing and they don't really feel like your eyes. You exist in your body yes, but do you really exist? Is it actually your body?
(To use plain language; it's a brief and intense episode of severe burn-out, typically bought on by cognitive and/or sensory overload, but sometimes seemingly spontaneous [clinical!].)
So that's what I gave Jamie, a blue-screen-day (sorry buddy).
But I also gave him Roy! And a smoothie! He'll be okay.
(Essentially the story is the idea that sometimes things don't have solutions or answers or a quick and easy fix. Sometimes all you can do is be. Sometimes all you can do to help is be there.)
The fic really is gentle hours, I swear.
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