feeling better and worse i want to scream
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stressed rant :)
still haven’t found a place to live near uni and i’m getting very stressed about it; i’ve sent an email to an agent about an appt but haven’t heard back and i think i have to call them (i fucking hate phone calls) but there’s another place that’s much cheaper but farther from campus (idk if the campus bus goes near it?? might have to walk a while and then take the bus to get to the studio which will be esp difficult if im carrying art supplies or a big piece)
i wanted to move in on the sixth bc my parents would be able to spend the night in town after moving me in but that’s so fucking soon and i feel so bad for putting this off for so long (even tho i wasn’t rly putting it off all the places i found were just not available when i needed them and idfk what im doing) (also mom suspects i’ve been putting it off bc it makes me so anxious and she’s probably right)
luckily term starts sept 23 so i don’t RLY need a place until then but i wanted to move in before mom starts work (she’s a teacher) bc i wanted to get it done so she doesn’t have to worry about it and i wanted time to settle and finish my exhibition piece before term starts
living on campus would be so much easier but living in halls my first year actually traumatised me and i can’t do that shit again; also i rly want my own bathroom and washing machine but this town is fucking expensive im dying
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I'm curious. what job would you do if money was no object (you just automatically had an income you could live comfortably on)? including work like volunteering, studying etc. please share in the tags :)
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“Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?”
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Look. I’m going to be honest with you. Adopting that hard anti-plastic surgery stance while trans people’s lives and right to transition is at stake is absolutely horrendous timing. Knock it off.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:
There is never a satisfying answer to ‘Why didn’t they love me?’
like wow babe. good fucking point
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btw when you're being mean to aziraphale this is who you're being mean to. hope this helps
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Everyone loves the Boyfriend Jacket, but what about the Husband Coat?
Diluc draping his coat across your shoulders because you forgot your own? Immediately looking the other direction to hide the heat coming to his cheeks when you settle into it?
Zhongli's thinly veiled swell of pride when he sees his coat around your shoulders? Savoring the scent of your perfume as long as he can for days after you've returned it to him?
Wriothesley's little half complaints about the chill in his office after you've taken his coat? Hiding how much he actively enjoys the sight of you utterly swamped in the fur and bulk of fabric?
Neuvillette having removed his mantle and stole in order to drape his robes across your sleeping form? His inability to completely focus back on his work after he sees how immediately you curl into it with that satisfied little hum he's come to enjoy so dearly?
Just...husband coats...
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POV your partner finally believes you about those 24 voices in your head but somehow it still doesn't absolve you of responsibility, damn it
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This is very unfinished but I needed everyone to see the vision I had
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capitalism is a failure of a system and need to be completely abolished
>store says they're hiring
>50 people apply
>30 don't hear back from them
>19 get told they "don't meet the qualifications"
>one single person gets hired
>store gives them way to much work for one person
>new employee says that they need to hire more people
>"what are you talking about? we have enough people working in your department"
>but no you actually don't. you have one single person working at a time. I only work mornings, every single morning. other guy only works afternoons, every single afternoon. what happens when one of us is sick?
>also, what if I'm busy with something else like stocking, and a customer needs my help? what then? you're asking me to work five people's jobs at once. so either pay me five times my salary or hire four other people
>"no. you're fired"
mfw
>go to that store later to buy something
>no one is working at the department I worked at
>end up waiting 40 minutes to buy something
>don't blame the cashier. he was pulled away to do something else. it's the bosses fault for not hiring more people
>as I leave there are "we're hiring" signs plastered all over the door
what a fucking load of massive bull shit
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leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.
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I truly, TRULY do not know how to say this, because the fact that I have to say it makes me feel like I am losing my grip on reality. But no, in the post-capitalistic anarchist utopia, I will not be relying on “autistic minecraft girlies” to be building inspectors because - and this may shock you - one of those occupations takes years of education in how to read and interpret hundreds of thousands of lines of regulations based on complicated math and physics that were the result of decades of tragedy and death, and the other one involves playing a children’s video game.
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immortality through not being incapable of death but by coming back to life after you die no matter what is such a cool power like it’s just so fucking metal. you can rip me apart if you want, i’ll rise from my own viscera and all you’ll have done is piss me off
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