gender critical people, especially women, will spend all their time tearing down the appearances of trans people, especially trans women, and then when trans people dare to retaliate and make a joke about their appearances, they act like they’ve just been shot
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Remember how they pointed out that Palistrom wood was becoming rarer? Because Belos kept over harvesting it and not giving it time to grow back?
The University’s tree is blue. Its a big ass Palistrom tree
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Canines
The hand that feeds
Mickbell Tomas & Kuro
Dungeon Meshi
^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man
v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth
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most ghostbusters fans are pretty chill, but some of you mischaracterize Ray as being only bubbly childlike and naive, and Egon just becomes Sheldon from big bang theory. like how do you receive significantly better autism rep from a fucking 80s movie than most modern day media, and choose to revert to stereotypes????
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How do you think Velvet flirts with Coco?
This is one of the funniest asks I ever got and im glad cause this is just gold. Like how does the Bun™️ woo her stupid bozo??
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I have my biased takes on what Coco and Velvet are like as characters, but to start off I wanna focus on what Vel brings to the table.
I think a lot of people have moe’d her down to a nervous/scaredy bunny girl and…that’s not her at all. She’s a real multilayered character who can and will kick your ass flat. She’s also…
- very very attentive to people
- excellent at memorizing things she sees and hears, and quickly at that
- very emotionally in tune with people, herself included
- insanely kind and helpful
- honest about her feelings and will voice her thoughts when ready
Also she’s a bunny like come on. Is baby. It’s impossible to not find her likable.
I can go on forever, but I think these are enough likable traits to work with.
Time to shift. Now we focus on what I think Coco likes in a person:
- Hot girls
- Complexity
- Someone true to their nature
- Some sense of honor
- Someone striving to learn and to better themselves
Hopefully it’s not lost here, but there’s some compatibility don’t you think? Velvet’s got some of those traits that Coco likes.
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So where’s the flirting? It’s coming I swear, I just needed the background info to help support the answers.
Bun bun flirts two ways: intentionally and unintentionally. The latter is usually what’s happening most often.
Her intentional flirting is what you would expect. Some cheeky words, being a playful tease in her actions like when she flashed her camera in After the Fall. I think she would 1000% take advantage of her physique and incredibly vast skillsets. She is totally totally showing off during training and sparring. Coco might hide her gaze under her glasses but that dumb bitch is so easy. So so easy…
Now her unintentional flirting is basically that Velvet is just doing her thing. She’s comfortable and loved by her team. With them she’s able to be herself and have fun, and that’s what coco loves most. Seeing Velvet thrive and not feel like she has to hide herself away from the world, and with it comes moments and actions that make Coco, much to her surprise, fall for Velvet.
I guess simply put, Velvet flirts by being her cheeky self around Coco, and her leader falls for her every time.
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One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.
And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.
Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.
(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)
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Hhhh bnha 419… Deku has given this fight everything he has. What happens next is literally out of his hands.
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Fully of the belief that Miko is only seen as an annoying character because of the dynamic between her and Jack.
Miko in isolation isn’t an annoying character. She’s reckless, and unwise, and has to be bailed out of trouble every five seconds, but this isn’t really an issue for any of the bots because as far as they’re concerned, this is Normal Human Behaviour™. They are constantly having to work with and around humans or bail them out of trouble.
Bulkhead adores Miko. He is exasperated by her like a parent is of their toddler, sure, but I wouldn’t say he is annoyed by her in any way. Her interaction with wheeljack is another example. When she exists with the bots by herself, she doesn’t come across as burdensome. She’s just limited, as every human is, by the curse of being small.
It’s only through her interactions with Jack, and his continuous challenging and calling out on her behaviour, that Miko becomes an annoying character. Frankly, it’s the tension between them which annoys the audience. We can only watch the same cyclical bickering between children before it gets old.
I have noticed that there actually are a lot of people who do like Miko, and find Jack super annoying instead. It seems like people pick one or the other depending on how you interpret which one is causing the tension. When I watched tfp as a kid, I loved Miko and hated Jack. Like, hated hated him. Because I saw Miko as a fun punk rock kid and Jack as the one needlessly calling her out. Upon rewatching tfp as an adult (who works with kids a lot) I related far more to Jack, and so the situation flipped; I saw Miko’s actions as more frustrating to watch.
The writers did eventually try to fix this, with the one heart-to-heart scene between Miko and Jack. But it was kind of rushed, and didn’t leave any lasting change to their dynamic. They went right back to arguing.
Tldr: Miko and Jack are annoying together. Fans usually pick one of em as the cause to be annoyed at but honestly, they are both fine on their own. Children bickering is annoying even in a fictional cartoon lmao
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Thinking about how even though Hawk got everything he wanted (or was told to want) the career, a wife and kids, money, success, he still ended up unfulfilled (“That sounds really empty.”) because he spent so long hiding himself in order to achieve success and keep himself safe.
Conversely, even though Tim had the safety of concealment where it concerned working in government ripped from him, essentially losing his career, and came out at a time when the social and political landscapes of America never ensured queer safety, and I’m sure, at certain points made his life harder, he still lived a life that was happy and fulfilled, for a lot of reasons, yes, but I’d argue mainly because he didn’t have to hide anymore
Obviously the two characters work romantically but narratively they also foil each other so interestingly and so WELL. Hawk got everything he wanted!!! It wasn’t enough!!!!!!!!!! Tim lost a lot!!! But he also stood up for something larger than himself and got to live his life openly!!! He didn’t have to hide! He was Happy!!!
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to me irulan looks like a fucking ghostly ice queen. i’m talking long, wavy, pale-white hair that falls down her back in intricate designs and pure white-blue eyes and frozen lashes and a swirling white silk gown that caresses her skin as she glides along in elegance and ethereal beauty that bewitches everyone she passes by in all the wrong ways.
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As a continuation of this ask that I responded to, all the things I mentioned are just parts of the overall issue I have with Blades…. which is that, in the grand scheme of things, I feel like MC is simply a plot device for the other characters rather than a fully developed character who has a fully developed and satisfying arc herself. It’s clear that Nia’s is the story the writers really wanted to tell considering how intertwined her characterization/development and the overall world building are. They basically even admitted as much.
So my question is why not just make her the MC if that’s really what you wanted on the not so down low? They still could’ve incorporated the skill mechanic. Why create a whole player character just to have us running to solve everyone else’s problems/support them while acting like everything that happens to us exists inside of a vacuum in the meantime? So far, all we’ve really been doing in this book is reporting where the group needs to go, telling them what to do, having heart to hearts with them when they need help moving to the next stage of their development, and then being spoonfed information through the lore tablets, which are apparently more for the players’ benefit than MC’s since they barely affect how we respond in game anyway. I’m fine with being the leader or the glue that holds everyone together, but to me it’s unsatisfying that that’s all we are as the main character.
We somehow become more competent due to the skill mechanic but no less clueless at the same time. We have all this terrible shit happen to us, but are only offered a few lines’ description of how that’s affected us. And then the rest of the attention goes to setting up the light vs. shadow conflict and our friends, who get to have personal and compelling conflicts of their own. I mean I feel like MC is more of an emotional support animal to them than an actual person with dreams, feelings, and a (minimal) background. Imo the only character who’s getting shafted almost as much as us is Imtura.
And all of this might make it sound like I hate Blades, but it’s quite the contrary actually. It’s still one of my favorite series and has a lot of fun moments and lovable characters. But I think at this point, its flaws have become too large for me to ignore. So that’s still affecting my enjoyment a bit and probably the reason why I’m so upset with how certain things are being handled. Of course I’m aware that Blades isn’t the only book that has some of these issues though. I think it’s just a little more disappointing because I expected more
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“Chaol accepted Dorians magic but not Aelins”
…no he didn’t? Did we read the same books? Chaol didn’t talk to Dorian for almost the entirety of Heir of Fire because he didn’t know how to feel about Dorian having magic. Chaol says to Dorian that he wishes things where different and Dorian didn’t have magic in the first place. Chaol was not instantly in favor of Dorians magic and opposed to Aelins. And he comes to accept both of them having magic, but of course hes going to accept his lifelong friend who helped him escape his abusive household sooner them hes going to accept his ex-lover who tried to kill him and who hes seen enjoy taking a life.
Its really not that hard to grasp y’all just like looking for any reason to bash Chaol.
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Here to share Hien thoughts today.
One thing that defines her is that she’s very capable. She’s the highest ranking in the squad after Maizuru so her confidence is in part because she does have that senior coworker &/ leader authority to her, confidence which is very much earned.
If I had to dig deeper at her beyond just what we’re shown I’d go with the angle that… She was born into the Nakamoto household and being a ninja servant, she grew up there, she doesn’t know anything else beyond the job, and it’s a job she does well, traines to get there. She’s here to do her work and she’s content with her life being how it is, not that she knows anything else. I don’t think she’d be self-aware about it all? Both because this really is pretty normal for Wa and it’s her normal, and because, while she doesn’t fold her spine or care for things like cosmetics, she does mold her attitude to be both capable and respectable. Her home, the Nakamoto household, is simultaneously a professional setting, it’s a 24/7 thing.
She’s critical of others, including her superiors and she doesn’t shy from it. Everyone shittalks Toshiro’s father regardless, but she also gets reprimanded by Maizuru for seeing Toshiro as vaguely unreliable, again likely influenced by their history as childhood friends, sasses Maizuru when she goes off into an anecdote again, etc. Even as a kid with Toshiro, doubtlessly after starting her ninja training already considering that Toshiro started his at ~5yo, she told him it was unbecoming of him to cry. She’s the one both with the job and the will to keep others in check, like when it comes to Izutsumi not doing her tasks, etc etc.
Her childhood friend relationship with Toshiro only grew more professional with time, to her surprise but seems to be more about the thought of it rather than it affecting her emotionally. With the way her extra comic lays it out, it seems she expected to become Toshiro’s mistress because of history repeating itself, in a "it is what it is" way more than anything, which is in line with the reading that she’s more go-with-the-flow and "anything that I’m tasked with I’ll accomplish, as a matter of course".
She’s not really social, and keeps herself ready to act at beck and call. She’s not uptight but she’s hard-working. So yeah like, taking pride in your skills but also keeping your identity mostly molded for efficiency. She doesn’t really think about it all, she just is and she’s fine with things as they are, going from one task to the next.
I think it’d be neat to look at her relationship with her parents… They’re both servants at the Nakamotos’, so while maybe busy like Maizuru was at times while raising Toshiro but still taking the time to cook for him (which, parents that prioritize work over her would make sense with how she became how she is), I wonder what their relationship was like, how much time they spent together, how Hien feels like towards them… I assume they’re a part in molding what her definition of normal is, after all if they are longstanding servants of the Nakamotos she has that much less reason to question such a life. But like… Have they ever had hard-hitting discussions, or is she pretty distant even with them? Did they push her into working harder, or were more hands-off? Does Hien maybe want to earn recognition by being capable? Hien has a younger sister that she gets along "so-so" with…
Hien’s younger sister seems to smile more, be more social and a bit nonchalant, such and such. Could be a point of tension that points to the "so-so", that they’re dissimilar/Hien thinks she doesn’t behave right or takes things too lightly, that she’s "unreliable" maybe. Or it could also point to some difference in how they grew up… Like oh I bet there could be tasty angst with mertocracy and siblings favoritism with her family thrown in there… Having to earn the love, earn your keep, earn your spot in the hierarchy (in work and family both)
To me she shines best as a foil, like to Beni, but like. She’s got neat stuff going on
If you’re wondering where I took half of what I referenced from I recommend looking at my masterpost on the Nakamoto party, info and extras are compiled
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so I heard you wanna talk religion in ttpd! let’s talk I Can Fix Him (No Really I Can).
“they shake their heads saying ‘God help her’ when I tell ‘em he’s my man.” this isn’t the outright controlling judgment of the saboteurs in But Daddy I Love Him. nobody is trying to tell her what to do or force her to break up. this is a simple admission that the situation she’s in is difficult, that she’s chosen a hard path and needs help. and what is her response? “your good Lord doesn’t need to lift a finger, I can fix him, no really I can.” she admits salvation is needed. but Taylor is casting herself as the savior. she doesn’t need any help, any grace, any divine assistance. in fact, she doubles down: “only I can”. she and she alone has the power to reform this man, because of the love between them. it’s reminiscent of False God, except now the idol isn’t their love, it’s just her. she’s going to save him.
what’s interesting to me is we don’t know how the themes of salvation would have been recapitulated in light of the reversal at the end of the song, “whoa maybe I can’t”, because the song ends there. maybe she can’t fix him because he is ultimately unfixable, irredeemable, worthless. or maybe she can’t fix him because she’s not God. and honestly, I think the song is meant to leave us wondering. she’s waking up to reality, but is the reality his smallness of soul or her power trip?
so what is the blatant Christian language in this song for? is it telling us that Christianity is evil for implanting the idea of redemption into our minds when it doesn’t really exist? or is it a hint that trying to become our own gods, even with the best of intentions, is a pathway that leads only to death?
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The duality of man is when you love Hadestown so much that you hate Hadestown
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Why does everyone to feel the need to prove Their Girl is the canon ship in ffvii. I think the narrative is a lot richer if you acknowledge cloud has deep feelings for both Aerith and Tifa, just like they have for him and each other.
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