Crack prompt: Danny has declared war on the curses in Gotham. He is armed with a water balloon gun, but the balloons are full of medical-grade ectoplasm. He targets any location, ghost, or liminal being tainted by curses and/or corrupted ecto - absolutely drenching them before yeeting off again.
This includes the Bats. Danny is smart about it, though. He lived in Gotham for several months before acting, so he could get the lay of the land. He also waits for patrol to be finished before hitting the Bats - he doesn't want to interrupt their Quest to Better Gotham (or be labeled an invader to their haunt).
One night, Danny happens upon Batman patrolling alone and waits for him to finish cleaning up a crime scene before hitting they guy with a half-clip of balloons. Batman gives chase, like he always does, and Danny runs, like he always does. He knows by now that, for whatever reason, Crime Alley is off limits to Batman. The whole alley just gives off "no (other) bats allowed" vibes.
Red hood is just more territorial. Whatever.
At any rate, Danny is enjoying the chase, using just enough ghost powers to stay ahead of batman, almost-but-not-quite taunting him. Crime Alley isn't too far, so instead of turning invisible around a corner like he usually does, he makes his way to the Alley to see if the no-trasspassing rule is enough to stop Batman mid-chase. He leaps across rooftops and weaves through fire escapes, ecto-balloon-gun bouncing by its strap against his back, until finally he's at the border, slightly tapping into flight to make the jump across a slightly wider road into the alley proper.
He turns around immediately, spotting Batman skulking on the rooftop on the other side of the road, stopping the chase and suit half-covered in healing ectoplasm.
"Sanctuary!" Danny yells, pumping his fists in the air from getting caught up in the exciting rush of adrenaline, "I claim sanctuary!"
"Who the fuck is claiming sanctuary in my territory?" Red Hood booms from almost directly behind Danny. He would have yeeted out of his own skin from surprise if he hadn't spent years honing his ghost-fighting instincts. As it was, Danny instead whirled around and emptied the clip of balloons into Hood, purely out of reflex.
Hood stood there, drenched in ecto like his fellow Bat one rooftop over, glaring murder at Danny with glowing eyes. But his haunt betrayed Hood's true emotions.
Surprise, concern, impressed, you-little-brat.
Danny booked it to the fire escape and turned invisible the second he was out of sight.
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For the record I think Vox is being effected and possibly swayed by Val’s poison just like Angel is, the pink signifying it on Angel shows up on Voxs screen during and after interacting and being influenced by Val directly, when Vox is operating independently it isn’t an actual normal feature of his
This paired with an earlier moment from episode 2 when Val first mentioned something had happened with Angel Dust, Vox seemed happy about the idea of Angel quitting
“He quit? :D”
It’s interesting for sure, makes me wonder what Vox actually thinks about Angel, and more importantly, actually thinks about Valentino. He’s a business man, and clearly the Vees all teamed up (at least initially) because it helps elevate their status and power spread, they may be friendly with each other but we as an audience don’t actually know if there’s more to it as of now. But still, interesting
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Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:
I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.
IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.
I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.
Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).
Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.
At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).
Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.
So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.
Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.
Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).
Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.
The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.
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What I expected from No One Will Save You:
Grey aliens try to kill Kaitlyn Dever, she kills them back.
What I got from No One Will Save You:
Guilt will only alienate you from the world and self forgiveness is the only way to survive. Also Kaitlyn Dever kills aliens.
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i vaguely remember seeing a post about the woman on tiktok illegally digging a tunnel under her house to make a storm shelter, but i did not realise that 1) she has 0 qualifications and works in IT, 2) she got into her areas watertable and started pumping groundwater out into her yard, 3) when a fire broke out, she recorded herself putting it out with a fire extinguisher in one hand and her phone in the other, 4) she hit a radon gas bubble, 5) shes located somewhere with big sulphur pockets and as she got into the waterline, she might have produced sulphuric acid which leaks into the aquifer, aka she could be poisoning the local drinking water, 6) she lives on a CUL-DE-SAC, 7) shes just been releasing silica dust whilst not using respiratory gear herself, let alone warning her neighbours, and 8) her neighbours have said the ground would randomly shake sometimes but many of them felt they couldnt report it to local authorities for fear of deportation.
she has now been stopped and seems to think that since shes only tunneling under her property, itll be easy to get permits to continue. she also drives a tesla which... yeah, that sounds about right.
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i think that the expanse is a really good example of how good writing and a strong, passionate team of actors can make a hell of a difference to the quality of a story. the special effects are a major weak point, especially in the early seasons, and a lot of the sets and costumes are very obviously low budget and not very convincing, but the writing and acting more than carries the show and makes it possible to overlook those flaws and even find them sort of charming in their own way.
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