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mcgiggers · 6 months

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London, San Marino, Toronto - October 2023

Just back from fabulous art viewing experiences abroad and in Toronto. Stopovers included: Frieze London, Frieze Masters and the 1-54 Contemporary African Art Fair in London as well as the Philip Guston exhibit at the Tate Modern; La Galleria Nazionale in the Republic of San Marino; and Art Toronto in Hogtown. The whole, for the most part, was enjoyed in the context of a three week stay in Italy where the hilltop medieval village of Petritoli, located in Le Marche, served as home base, and offered spectacular vistas of land, sea and mountains, all longstanding muses throughout history. Without looking too hard, traces of Ellsworth Kelly’s curves, Jasper Johns’ crosshatches and Frank Stella’s grids could all be seen in the roofscapes and landscapes, providing a breathtaking backdrop to daily activities, whether art related or other.

London

The transition from bucolic and sunny Petritoli to chaotic and rainy London was drastic but exhilarating. Frieze Week in mid-October is the global launching pad for the all-important fall season in the art world. With summer days in the rear-view mirror, an intense focus radiated from the London art scene with the convergence of exhibit openings, important contemporary and modern auctions, and preeminent art fairs. While the weightiness of a challenged economy and ongoing wars was perhaps most evident in the squishy auction results, elsewhere, the mood and excitement were upbeat as fair venues and exhibits were flooded by art fans and aficionados.

Frieze London and Frieze Masters art fairs ran concurrently under the stars, so to speak, in separate tents in the wonderful greenspace of Regent’s Park. Frieze London’s defining focus is on living artists and contemporary art. This year’s edition, the 20th, included over 160 participating galleries with a strong contingent of 40 or so international exhibitors. Noteworthy was the caliber of presenting galleries and works on display. While remaining very faithful to the contemporary focus, large well-established mega galleries were ever so present along with their roster of anointed stars, perhaps at the expense of the more experimental flair historically more synonymous with Frieze. A walking distance away through a maze of outdoor sculptures, Frieze Masters hosted over 130 galleries that showcased an eclectic mix of art works ranging from archaeological finds dating to thousands of years BC to 20th century masterpieces. Fair highlights included: Tabboo!’s “Desert Moon”, 2021, acrylic on canvas (60 x 50 in.); Simone Leigh’s “Untitled”, 2022, stoneware, 25.75 x 11.75 x 16.5 in.); and Anna Mark’s “R 1002”, 1968, synthetic resin, sand, pigment on canvas, mounted on wooden frame (20 x 20.25 in.).

Elsewhere in the city at Somerset House, the 11th edition of 1-54 Contemporary African Art Fair was in full swing with a line-up of over 60 galleries showcasing more than 170 artists. There, the excitement of discovery and seeing new things being done by emerging talents was palpable. Highlights included: Godwin Champs Namuyimba’s “Fathering spirit”, 2023, acrylic on canvas (90.5 x 78.75 in.); Emmie Nume’s “When we use to”, 2021, mixed media on paper (55.5 x 41.75 in.); and a pair of works by Theresa-Anne Mackintosh, “Walking with my body conscious” and “Comfortably dazed”, 2023, oil and acrylic on canvas (each, 34.25 x 39.5 in.).

Also in London, a captivating Philip Guston retrospective was being held at the Tate Modern. Spanning a 50-year career, the comprehensive survey included everything from the artist’s more classical early works to pieces depicting his fiery brand of abstraction and, most prominently, paintings and drawings featuring his iconic comic-like figures and imagery that captured the anxious and turbulent world around him. The whole made for an intense and sometimes unsettling experience. While the museum walls were bursting with large scale masterworks that chronicled the Guston story, it was a small self-portrait that was most memorable - “Untitled”, 1968, acrylic on board. Barely noticeable behind the artist’s gaze painted in the foreground were the remnants of an earlier work of a hooded figure. The effect hauntingly captured Guston’s lifelong nightmarish preoccupation with racism.

San Marino

The next art stop was an unplanned pleasant surprise that surfaced during a day trip to San Marino. Located on the northeastern side of the Apennine Mountains and surrounded by Italy, San Marino is the fifth smallest country in the world, and it boasts a historic center high up on Monte Titano at approximately 2500 feet above sea level that features three medieval towers dating back to the 11th century. There was almost a Vegas-like surrealness to the place with throngs of tourists making the pilgrimage to take in the spectacular views and medieval setting. Nestled in one of the few quiet corners of the historic city and a bit isolated from the many churches, palazzos and eateries was La Galleria Nazionale di San Marino, the country’s center of modern and contemporary art.Housed in the renovated Logge dei Volontari, the museum is dedicated to showcasing its collection of post war art which was amassed from international art biennials held in San Marino beginning in the mid-50s. It was totally surprising to come across fantastic works by lesser-known American artists, including: James Brown’s “Opera Contro Natura”, 2003, mixed media and collage on folded linen (59 x 98.75 in.); and David Row’s “B.N.I.”, 1992, oil on canvas (in three parts, overall, 66 x 85.75 in.).

Toronto

Returning back from the old world with only one viewing day left at Art Toronto, the opportunity was seized to cap off the art adventure with a visit to Canada’s premiere contemporary and modern art fair. While the corridors were filled with rumblings of challenging times, the viewing experience was fantastic. Over 100 galleries took to the floor of the Toronto Metro Convention Center and offered up works from over 1000 artists. As a bonus, the launching of Jack Bush’s catalogue raisonné drew out many of his works that were scattered throughout the fair, including two favorites: “Untitled”, 1962, gouache on paper (35.25 x 23 in.); and “Red, Orange, Green”, 1965, serigraph, edition 67 of 100 (25.5 x 20 in.). Other fair highlights included: Emma Kohlmann’s “Tulip”, 2023, oil on linen with cherry frame (14.25 x 12.25 x 1.25); Catherine Desroches’ “Déliason du corps contre le ciel”, 2023, bronze, pine, plywood, lost wax casting dust, foundry kiln ashes, graphite powder, charcoal on newsprint and on panel (84 x 49 in.); Marcel Barbeau’s “Iris”, 1962, acrylic on canvas (76.4 x 51.2 in.); and Jean-Paul Riopelle’s “Sans titre (1958.006P)”, 1958, oil on paper (25.5 x 19.75 in.).

Meanwhile, the sports scene in North America was frenetic with activity as all major sports leagues were in some state of play. In Dinoland, emotions were cautiously optimistic following a perfect pre-season and a home opener win. After that celebratory moment, however, reality set in for rookie Head Coach Darko Rajaković. Three losses later, the new system was being questioned, and all the ghosts of last year’s disappointing season were surfacing. A win against a star-laden Bucks team provided some glimmer of hope, but that too was soon quashed with a thumping courtesy of ex-Dino Head Honcho Nick Nurse and his 76ers. Can a Fredless team be so different? It’s got to be the system. It’s early, I know, but it doesn’t bode well. Up next, Wemby-mania in the Lone Star State. Ugh.

For more information on any of the artists or works mentioned, the fairs, exhibits, Petritoli and Coach Darko’s system, “Just Google It”.

There you have it sportsfans,

MC Giggers

(Https://mcgiggers.tumblr.com) Reporter’s Certification

I, MC Giggers, hereby certify that the views expressed in this report accurately reflect my personal views and that no part of my compensation was or will be, directly or indirectly, related to the specific views expressed herein.

I also certify that I may or may not own, directly or indirectly, works of artists mentioned in this report and that I may or may not have a strong bias for such artists and, more generally, for “Pictures of Nothing”.

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luminixx · 3 months

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“Your mom” gone wrong. Not the right person.

this is lowkey so unserious don't kill me. it's a reference to all that stuff about his mother that I am seeing.

#hazbin hotel #hazbin #hazbin hotel art #hazbin alastor #alastor #alastor hazbin hotel #lucifer morningstar #dad beat dad #appleradio #lucifer hazbin hotel #fanart #also on tiktok it has this freaky sound in the background so it's more sad and less threatening #it's funny seeing how differently people react #thye're all crying over there #i am so sorry tiktokers !! ..

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kimik0hippie · 3 months

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Two dads😭

#hazbin hotel #hazbin hotel lucifer #hazbin hotel alastor #charlie morningstar #lucifer morningstar #dad beat dad #my art

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unchartedthelostlegacy · 3 months

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i love graffiti. "comics and jazz are the only american art forms" you forgot graffiti. did you remember graffiti? That art form birthed in Philly and NYC in the early 70s by poor Black kids. that art form that spread all over the world and influenced so many. that's used without irony in commercials when they're trying to appeal to a "young urban" customer.

did you forget graffiti? that racism broken windows theory victim? that reach the establishment takes claiming that it's exclusively violent gang members throwing up those full-color pieces and wildstyle tags in the middle of the night outsmarting fifty security cameras because the billboard was ugly anyway. as if, even if it was, it wouldn't be impressive as all hell. risking brutality and fall damage so your art can occupy the space a gentrified condo named something like "Coluumna" took away from you. proving that despite only assholes affording to live here anymore there's still a soul beneath it. an animal with dripping stripes and teeth that go clack-clack tsssss

#graffiti #it's like how they claim touching a paper that had drugs on it can kill a police officer #manufactured fear of art itself because of who made it #you won't invest in addiction recovery or keeping libraries open or extracurricular programs but you'll sure as hell give cops overtime #so they can beat a kid writing on a shutter #writers have such big dick energy

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artkaninchenbau · 1 month

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A h-heartfelt reunion..?

Bonus

#Sir Crocodile #Monkey D Dragon #Emporio Ivankov #Dragodile #Crocodad #My art #One Piece #We're not gonna talk about the work I should be doing rn I have Severe Procrastinitis and I'm doing my best okay #Alternative version where it was both Crocodile and Garp beating Dragon's ass before Iva-chan joined in but that was too much effort lmao #I'm a believer in Dragon being a Wind Logia so don't worry guys he is 100% taking this beating intentionally #He knows what he did and he's dealing with the concequences of his actions. With grace.#You know I realize Iva-chan should be two whole meters taller than Crocodile but we're just gonna ignore that #Look Iva-chan taking Crocodile's side and being like ''Crocoboy is right you fucked up bad Dragon'' brings me joy #And for real I've been wanting to draw this for months. But never did because I had other shit to do. Which I still do #But. You know. Sometimes you need to draw a shitpost. It's ✨ self-care ✨#And appearently One Piece shitpost comics have become the thing I draw for myself on occassion

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secretly-of-course · 2 months

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but what if the walrus was a fairy

now on redbubble!

#walrus vs fairy #thanks for helping beat the art block i guess #if this gets 100 notes i'll put this on my redbubble #my art #silly art #id in alt text

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hattersarts · 9 months

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drew some book!husbands. they feel like they've taken more traits from each other than the show.

#decided book!az has hints of elton john. its the old queen energy #book!crowley is nice looking average white man who learns how to wear a suit but half the reason he's interesting is bc he's trailing aroun #an old bookseller who looks maybe 30 years his senior and giving him babygirl eyes #its the stark contrast in the looks between the “bland” (cr) and “interesting” (az) that im going for with these guys #god im trying to make them not look like butch lesbians purely from an art skill pov but i cant beat the allegations #good omens #ineffable husbands #crowley #aziraphale

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squidsmeister · 10 months

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dungeon meshi is my favorite road-trip comedy film

#dungeon meshi #my art #laios thorden #senshi #marcille #chilchuck #chilchack #izatsumi #laois #laius thorden #sorry guys I don’t know which spelling is correct here #chilchucks car is a beat up beige Honda civic #laois never got a license because even though he’s actually a good driver he just never cared enough to do it #plus he wants to travel in some wacky way. like on a five person tandem bicycle or some shit #marcille never got a license because just fucking look at her #plus she gets motion sick in cars. she just would #senshi walks everywhere and has no need for cars #izatsumi just learned what a car was two days ago and she’s pissed that chilchuck doesn’t have a lambo #chilchuck doesn’t have time for any of this. he has to get his daughter to soccer practice at 5

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anastus89 · 2 months

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this is a happy house

#hazbin hotel #radioapple #at this point im just drawing lucifer beating him up #hazbin art #hazbin lucifer #lucifer morningstar #hazbin alastor #lucifer magne #alastor #appleradio #mr and mrs smith

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potato-lord-but-not · 22 days

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um. perhaps everyone should go see monkey man. just maybe. consider.

#GOD HE’S SOOOOOOO UGH #didn’t get the hype until I saw him beating the hell out of people. consider me smitten #artists on tumblr #digital art #monkey man #monkey man movie #monkey man 2024 #dev patel #tw blood

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circuscountdowns · 3 months

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many centuries down the line they can manage to have a civil enough family game night.

#cult of the lamb #narilamb #Leshy carved losers corner above lambs bed many games ago and they think it’s too funny to fix #Anyway lamb does eventually marry narinder but after a good while of tormenting him on who to choose for marriage #I think at one point narinder starts dragging suitors into the battle pit #And says only someone who can beat him is good enough for lamb yayyy #This comic came out pretty clumsy but I’m just glad it’s done #cotl art

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mcgiggers · 27 days

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London, Paris - March 2024

Just back from a fantastic art viewing adventure in the old world which featured stops at the Tate Modern and Goldsmiths Centre for Contemporary Art in London, and the Musée d’Orsay, the Foundation Louis Vuitton and the Bourse de Commerce in Paris. The four-day trip was on the back end of a stay in the 13th century hilltop village of Petritoli, located in Le Marche, where local churches and those in the neighboring towns displayed marvelous medieval and renaissance style treasures. In the big cities, however, the focus was more on contemporary offerings. The whole made for a fascinating journey through an exciting part of art history.

London

An attempt to see the Yoko Ono exhibit at the Tate Modern was stymied by sold out crowds. The serendipity in poor planning however resulted in an opportunistic visit to the museum’s permanent collection, more specifically the magical second floor featuring modern masters and post war stalwarts. With entire rooms dedicated to the likes of Joan Mitchell and Gerhard Richter, among others, the walk-through played out like a greatest hits tour where around every corner an even more marvelous sensory treat was served up. Highlights of the visit included: Georges Braque’s early cubist masterpiece “Clarinet and Bottle of Rum on Mantlepiece”, 1911, oil on canvas (31.9 x 23.6 in.); Giorgio Griffa’s painterly “Tre linee con arabesco n.111”, 1991, acrylic on unstretched and unbleached canvas (114.4 x 76.4 in.); and Agnes Martin’s contemplative grid patterned renderings “On a Clear Day”, 1973, thirty screenprints on paper (each 12 x 12 in.), edition 32 of 50.

On the other side of town on the campus of one of the world’s most renowned art schools, a Matt Connors exhibit, Finding Aid, opened its doors at the Goldsmiths Centre for Contemporary Art. Featuring new and older works by the American abstract artist, the expansive grouping of paintings, sculptures and drawings cleverly paired Connors’ soft geometric abstraction and minimalist marking styles. Showstoppers included: the large-scale bold vertical diptychs “Mural for a Gay Household I” and “Mural for a Gay Household II”, 2018-2020, acrylic on canvas; the vibrant “Red Top (deployed hatch)”, 2015, acrylic on canvas; and the sparse “Echo Implies Room (Orange/unprimed)”, 2012, acrylic and colored pencil on canvas.

Paris

Forty-eight hours later, the Eurostar abetted transition to Paris was speedy and eventless. Even under cloudy skies, the City of Light was totally sublime and uniquely picturesque. The art stops along the way were knockout shows in beautiful venues which in and of themselves were artistic and architectural marvels. At the Musée d’Orsay, the magnificently repurposed train station was the setting for the Paris 1874: Inventing Impressionism exhibit. The show celebrates the 150th anniversary of the inaugural exhibit of the then avant-garde movement and chronicles the transition from staid and traditional realism to hazier and freer interpretations of subject matter capturing a moment in time, an impression, so to speak. The cast of characters that led the way included MVPs in the annals of art history - Monet, Renoir, Degas and Cézanne, among others, all of whom figure prominently in the exhibit. The highlights included: Auguste Renoir’s “La Loge”, 1874, oil on canvas (31.5 x 24.8 in.); Claude Monet’s “Impression, soliel levant”, 1872, oil on canvas (19.63 x 25.63 in.); and Edgar Degas’ “Classe de danse”, circa 1870, oil on wood (7.75 x 10.63 in.).

The next visit on the journey was the futuristic Frank Gehry-designed Foundation Louis Vuitton and the Mark Rothko retrospective. The comprehensive exhibit brought together 115 or so works of the powerhouse American abstract artist and presented a chronology of the evolution of his early figurative renderings to mystical and surreal style paintings and finally, to his entrancing iconic floating forms. The highlights included: the early representational scene “Contemplation”, 1937-1938, oil on canvas; the surrealist masterpiece “Slow Swirl at the Edge of the Sea”,1944, oil on canvas; and dozens upon dozens of mesmerizing large format colour abstractions, including, “Orange and Red on Red”, 1957, oil on canvas (68.8 x 66 in.) and “No. 14”, 1960, oil on canvas (114 x 105 in.).

The last planned stop in Paris was the Pinault Collection at the impressively remodelled Bourse de Commerce. Spiralling up the majestic rotunda, works by contemporary art rockstars were prominently displayed. Among these were: Peter Doig’s haunting “Pelican (Stag)”, 2003-2004, oil on canvas; Maurizio Cattelan’s poignant “Him”, 2001, wax, human hair, suit, polyester resin and pigment; and a monumental installation by Sturtevant replicating the mythical room staged by Marcel Duchamp at the 1938 International Surrealist Exhibition in Paris.

Closing off the trip and reaching back in the art history timeline, a truly memorable work was discovered by happenstance during an unplanned visit to Eglise Saint-Séverin. Dating back to the 13th century, the gothic style place of worship housed numerous elaborate chapels which were all built around altars and adored by art of the time. A particular work stood out as it was presented alone hung high on a huge wall under a circular stained-glass window surrounded by nothing else but the serenity of the immediate environment. It totally radiated under the spotlight that illuminated a depicted religious figure sitting at a table who perhaps was Saint Séverin, a devout 6th century hermit and the church’s namesake.

Meanwhile, in the new world, there was a lot more commotion as Hogtown’s Jurassic Park was hit with an asteroid of epic proportions that essentially wiped out all remnants of a recent championship team. The Dinos were dissected and dismantled. Gone are Crazy Eyes and OG-Won Kenobi, and team leader Scottie B and the much-maligned Austrian Big succumbed to season ending injuries. All the while, the newly minted Raptors including RJ the Prodigal Son Barrett and Immanuel La Squig Quickley struggled to stay healthy and make their mark. The result has been a team that is nowhere near relevant in the standings nor the hearts of fans. With the prospect of a lengthy and bumpy rebuilding process ahead, Dino fans can perhaps take some solace in rooting for the success of Raptor expats applying their trade elsewhere or maybe even Canadian hoopsters playing for true championship contenders. It’s all a lot rosier than the current state of affairs in Jurassic Park.

For more information on any of the venues, artists or works mentioned, or the sad sack Dinos, “Just Google It”.

There you have it sportsfans,

MC Giggers

(Https://mcgiggers.tumblr.com) Reporter’s Certification

I, MC Giggers, hereby certify that the views expressed in this report accurately reflect my personal views and that no part of my compensation was or will be, directly or indirectly, related to the specific views expressed herein.

I also certify that I may or may not own, directly or indirectly, works of artists mentioned in this report and that I may or may not have a strong bias for such artists and, more generally, for “Pictures of Nothing”.