“irreplaceable”
the one word where morty figured out this wasn’t really rick.
and no wonder morty believes rick could just up and replace him any day. because there’s infinite versions of him, after all. because there’s infinite other things that are better than him. because, for the longest time, every other day, rick kept on telling him how replaceable he is.
no wonder he was scared that hug wouldn't have been real.
but, truth is, rick would’ve jumped after him (if he had thought morty was in real danger).
truth is, rick would have performed in front of a crowd for him.
truth is, rick would anything, just about anything, for him. he would travel the longest distances just to get him back. he would spoil him with gadgets and gifts. he would forgo the chance to see his wife again just so he could spend the rest of the evening with him.
truth is, morty was wrong.
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doomed au timeline thing? idrk
uhh okay so . i saw that the doomed au kinda popped off n i figured i'd go into a bit more depth for fun so i doodled out this crappy comic thing. i think i saw a homestuck comic do something similar LOL.
im gonna give like. aftermath of the ninja's deaths and such for the sake of clarity , since i know this is just an angsty clusterbump.
Kai: The real ignition for Lloyd's downfall. The staff was destroyed moments before the transformation ritual by the green ninja himself. In Lloyd's mind, his friend would return to normal. But he was met with something else as Kai desperately took the shards and ran away instead, too far gone into his ego and insanity. Returning home they remain the same in quantity, with Lloyd and Nya heartbroken, and Zane blaming himself.
Cole: He acted as the stable rock of the group. He brought the ninja back to their high spirits again, acting as a replacement flame for Kai to reunite his team. He even began the trend of looking for the missing ninja, with hope they were still out there. Yet despite being the very reason they stabilized, no one seemed to realize he disappeared. Instead they suddenly felt lost, like they were missing something. The grief returned, and the dots never connected.
Zane: His disappearance set the team on course for failure. With him, Asphera never explained where she had banished him, and the others were left to believe he was really, truly gone this time. He acted as the caretaker for the group, tying them together once more as he tried to bring back the joy they lost through menial tasks and the small details of the world. Even back to when Kai disappeared, Lloyd could be a leader with his help. With the last light in the tunnel gone, no one had any more confidence to step up.
Nya: Jay and Lloyd's breaking point. Without her, they lost their drive to keep searching. Her disappearance plays the same as canon, becoming one with the sea. Though she was less hesitant now, understanding that this was just fate, that the team wasn't meant to survive. If that was the case, she'll go out with a bang, knowing that with her gone they would understand too. At least she knew they would be safe for now.
Lloyd: His disappearance happened long after he recognized his Oni form. After having to fight the overlord alone, he went on a downwards spiral. Jay couldn't be there, and frankly, Wu couldn't get through to him like Garmadon did. Lloyd hated the idea of fate. He felt too, like Nya, that the team wasn't meant to last. As such, in his last effort to feel control, he caved into what came easy.
Pixal: Like Zane did in canon after Nya, she turned off her emotion meter. She knew some of the ninja could be saved, and she knew she had to stop grieving in order to even try. In a frustrated effort, she attempted to bring the ninja to her level, only to blame herself for Lloyd's snap. After realizing she couldn't do much for a grieving Jay, she leaves to find the others.
Jay: Who knows where he is. Wu entered his quarters to find only a pair of nunchaku, and his gi laying on his pillow. Maybe he joined Pixal, maybe he existed as a criminal like Lloyd now. All Wu knew is he lost his last student and the last defender of Ninjago. It's likely Jay quit, afraid of becoming next in fate's cruel hand. He'd only learn after the merge.
okay thats it lmao. i might add more ideas in the future but im not creative enough to plot it out properly gO NUTS
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"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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