#basically theory posting at the same time lol

[plasky]

Hehe shitpost

#tadc #the amazing digital circus #the amazing digital circus kinger #tadc kinger #tadc shitpost #shitposting #basically theory posting at the same time lol #I mean he is a king piece and whoever that is is a queen piece #!!!

[vidavalor]

Crowley and Plosives

@kimberleyjean asked in my recent post on rings and apostrophes why it is that I think Crowley pops the consonants of words at times, as in "BooK. shoP", and if there is a technical term for what he is doing. There is.

Let's talk about Crowley's exaggerated plosive sounds--as well as his little "mmm" thing-- and what this all probably has to do with his hiss.

In order to talk about why it likely is that Crowley pops specific consonants when he speaks-- with it being more pronounced at certain times than at other times-- we first actually have to talk about his hiss.

Crowley's hiss is less of a separate sound and more of a slur of what's known as a sibilant sound in phonology-- it's the sound of the letter s or the letters sh. If you say the word "sash" aloud, you're using sibilant sounds twice over-- once at the start and once at the end of the word. While Crowley could probably just hiss like a snake when he's in human form, we never actually hear him do that. We hear a hissing sound manifest in his sibilant sound when he is speaking-- which is to say when he's being a human over a snake. The same is true of Lord Beezlebub, whose fly buzz sound affects their speech. In their case, their sibilant sounds turn into the letter z to mimic a fly (as in, "It izzzzz written" on the tarmac in Tadfield in S1).

Sibilant sounds are part of a group of sounds known as fricatives, which are all softer in sound. They are grouped together based on how your mouth and throat move in forming the sounds and how much air is needed to move through them and in what way to say them. The letters k, p, t-- and sometimes d, b and g, depending on the word and the position of the letter in the word-- are "hard" sounds and are known as plosives. These are the sounds that Crowley tends to pop or to which he gives exaggerated emphasis in his speech. My theory as to why is basically that David Tennant decided that Crowley would feel the hiss is weak and react to it by popping his plosives to seem more intimidating, which really does go along with Crowley's psychology well.

Crowley's hiss is a feature of what of him is a snake and, as a result, will show up in the times that a snake would hiss. That means the slurred sibilant sounds show up primarily in situations in which he feels a sense of vulnerability. Snakes hiss when they're stressed or under duress and they hiss if you try to interact with them while they are digesting a big meal. In demon snake terms lol, it means Crowley is most likely to hiss in exactly the moment he does not want to (when he's anxious or afraid, which is usually when around other demons or angels). He probably cares a bit less about slurring sibilant sounds around Aziraphale after a big meal--or a "big meal"-- and Aziraphale actually probably likes it a bit as it's his life goal to keep that snake blissssssed out but the hissing around other people thing?

Crowley hates it. He haaaaaaates it. There is evidence of Crowley hating the slurred sibilants in a few scenes.

One is that when he shapeshifts into a monstrous snake to scare the guy at Tadfield Manor in S1, Crowley doesn't hiss at him-- he roars. Like a lion. (Lions are also on the arms and legs of his reason-for-therapy-alone throne chair in S1.) And this is his reaction when he makes the guy faint from fright:

He loves it. Ah, control...

Because Crowley is a lot of things, really-- he's a snake, yeah, but he's a big cat, he's a crow, he's a nightingale, he's a black swan, he's a horse... we could go on. To control the hiss when he wants to is to feel in control of himself.

We all know how much Crowley seeks as maximum control over how he's perceived by others as he's capable of generating. It's a normal response to all the trauma he's suffered. It's probably worth considering as well that Satan's attacks on Crowley render him incapable of controlling his own mind and body for the duration of the assault. He doesn't have the option to speak or, if he does, the words aren't his own. These are bodily autonomy violation issues and the result is that Crowley hates anything that makes him feel weak and the fact that he has in the hiss what amounts to a nervous tic that is a symptom of his anxiety disorder makes him feel out of control of himself.

Another example of him hating the hiss is when he intentionally slurs the sibilant s sound while mocking Heaven:

Crowley is not just talking about composers in this scene in general but using first-class composers as innuendo for sexual partners and mocking Aziraphale's potential choices if he gets stuck in Heaven for all of eternity. He does so by combining soft fricatives and his slurred sibilant hiss, showing how he equates the hiss with a sense of what he considers weak and unattractive.

The other scene that suggests this-- and shows how Crowley pops his plosives as a counter to the hiss-- is actually the end of the apology dance, when Crowley pops a t so hard, it's almost its own word: "You were righTTTTTT."

The apology dance scene and its hard T as the final note of the mock-submissive dance also makes it clear that, unsurprisingly, Aziraphale knows what the popped plosives are all about. Plosives are, well, explosive. They have harder, louder, more dramatic sounds. It seems like Crowley pops them both as a measure to counter his hiss and as a measure to try to control it. He's taught himself to respond verbally with intensive plosive popping instead of hissing, which is also why we don't actually hear him hiss all that often.

One of the only times is almost immediately after this:

Because saints and demons preserve us, it's Master Crowley, right? But then Satanic Nun!Nina interrupts them and Crowley starts slurring his sibilant sounds in sarcastic response to Aziraphale telling him that he didn't need to put the woman in a trance.

"Oh, oh, 'xcccussse me, ma'am, we're two supernatural entities looking for the notorioussss SSSSSon of SSSSSatan. Wonder if you might help us with our inquiries?'" How he controls the sentence, though, is really interesting. The extra-exaggerated sarcasm of the last sentence helps him regain control enough that the final 's' in 'inquiries' isn't hissed and he's back in control of it. He's also almost amping up the sibilant sounds he does slur sarcastically as well. Part of why it comes out here is that he allows himself to be less guarded with his speech in front of Aziraphale.

We've actually only heard him hiss his sibilant sounds about three times, if memory serves me correctly, and two of them are related to Heaven and Hell-- the two moments I mentioned above. They're examples of him trying to control-- and then sarcastically wield-- the hiss. (Particularly "celestial harmonies", which he did entirely intentionally.)

There's also one more positive instance of a sibilant slur though and that's this: "Yessssss, the 'Reign of Terror.'"

The long hiss of a "yesssss" in this scene is not one that bothers him because drawing out a sibilant sound during a sexy conversation with Aziraphale is a very different situation than one about or involving Heaven or Hell.

If you look back on the series, there are probably no more popped plosives than in Crowley trying to ascertain just wtf Gabriel is doing in the bookshop wearing nothing but their tartan bedsheet.

"WHaT. Arrre. You. DO. ING. In. THis. BooK. ShhhOP?" 😂

Crowley was literally terrified (and also losing it internally because he just jumped and basically screamed at the sight of Gabriel) and there's a very brief "shhhh" in "bookshop" that starts to slur and has him practically shouting the "OP" to finish the word without full-on hissing. It's a scene built around the plosives, really.

Gabriel probably understands Crowley's manner of speaking more than "Jim" did in this moment as Gabriel has his own affected way of speaking. His defensive speech has the same need for a sense of maintaining an appearance of control and dominance but is usually less about emphasizing plosives and more about conveying a sense of power through a perceived sense of "manliness" in a smug, corporate sort of way. The way he says "but as The Almighty likes to say: 'Climb Every Mountain'" in that 'CEO saying the bullshit company slogan to a junior employee at the company retreat' sort of way.

Gabriel usually uses intimidation through lower, more frighteningly measured tones that carry the sense that if you pissed him off, he would explode and it would not be pretty for you. It's what makes the moment when he does actually a bit shocking and that's when you hear the force come out in his speech a bit.

He pops plosives in the curse and owns the 'fucking' in that sentence as a result. That is top shelf use of a curse word, in that it's selective enough and pronounced in such a way as to give it real power. You know he's going to lose this round because he can't win it but you're still kind of afraid of him-- maybe for the first time.

But Jim? Jim has none of this.

Jim is a guileless lovebug who doesn't understand why Crowley would feel the need to speak-shout at him and pause dramatically so his "I. AM. DUSTING." response is priceless. Jim over-emphasizes all of the sounds because he doesn't know why Crowley only emphasizes the plosives and he pauses dramatically between the words more out of confused repetition of Crowley's speech pattern to try to relate to Crowley than out of understanding that it was meant to intimidate him. He uses the same sense of theatre that Crowley uses without any context as to why Crowley feels like he has to and, as a result, it guts Crowley's whole attempt to intimidate him to compensate for his own feelings of vulnerability.

Crowley and Aziraphale both are fascinated by words and the evolution of language and they speak every language in the world. This means that they both have the ability, in theory, to correctly speak in any accent in the world, which is necessary to be able to pronounce the words in every language. Between that and his self-conscious, trauma-adjacent, plosive/fricative issues, as well as just being interested in how things like pronunciation informs the evolution of language, Crowley is more aware than most of how he sounds when he speaks.

But there's also that his unique way of speaking-- when combined with his low, rumbly voice-- can be very sexy and he's aware of it, namely because it's clear that Aziraphale thinks his sounds-- all his sounds, along the full spectrum of them-- are hot. As a result, we also have scenes in the series wherein Crowley will sometimes heavily emphasize plosives-- and fricatives-- around Aziraphale just for fun because to do so has become a part of how he speaks and because the angel likes it. An example: the "lotsss of GooD DeeDsssss" bit of this:

That Aziraphale likes the full range of Crowley sounds is symbolic of the fact that Aziraphale likes the full range of Crowley, full stop. As a result, Crowley plays around with how he enunciates words, often drawing out parts of them in ways he knows Aziraphale will enjoy. His "oo" and "ou" sounds are often elongated into an "oooh"; he softens fricatives to a breath at times when speaking more gently. At other times, he amps up his RP accent and emphasizes certain words in a sentence with pauses and heavier enunciation ("canopy", "astonish") to maximize their appeal and to draw Aziraphale's attention to them, usually also for wordplay-related reasons ("did you smite them with your wrath?" in Lockdown, for example.)

Then, there is that part of their language thing also appears to be an interest in onomatopoeia, which are words that have derived in language not from a connection to other, previously-existing words but from the sounds of Earth. Crowley, in particular, loves onomatopoeia, and likes to weave words that are that into his conversation-- "frou frou", "whoop", etc.. The word "hiss" is onomatopoeia. Unlike other etymology posts I have written or will write, there is no "derived from the Old French x" or "from the Latin x" or the like for the history of "hiss"-- it's just literally that people heard a snake hissing and said that sounds like "hssss" and so we're going to call it a "hiss."

While Crowley has issues with his anxious snake hiss, though, he actively likes to make the pleasurable sound the humans (and angels and demons) can make-- the ultimate in onomatopoeia. The word that is actually more his anti-hiss than his popped plosives:

"Mmm."

"Mmm" is derived from nothing more than the human sound of contentment. It's an often almost involuntarily hum of pleasure-- the human sound of satiation. There is no other history to the word but that and there has not been since beings began to exist.

Crowley makes the sound unconsciously but he also makes it consciously at times when speaking with Aziraphale because he knows Aziraphale likes the sound of it. Case in point: the very obviously intentional "mmm" in the Edinburgh phone call (and the heavy, exaggerated plosives emphasis on what followed it):

"Mmm" is also something of an etymology joke as well because, at last count, I think I had at least twenty-five instances in a note file here about intentional wordplay between Crowley and Aziraphale that focuses on frequently confused words and phrases (to founder vs. to flounder; whoop vs. whoomp; wittering vs. withering; to get a wriggle on vs. to get a wiggle on, etc..) which I bring up mainly because, especially when written, "mmm" is frequently confused with "hmm", and the etymology of "hmm" is pretty funny from a Good Omens perspective.

While "mmm" is a sound of pleasure, "hmm" is a sound made of consideration, a kind of pause in a sentence to acknowledge something that was spoken and to either suggest you're giving it thought or to show hesitation over what was said-- or, possibly, both. While "mmm" is a contented sound derived from the human body, "hmm" is onomatopoeia because it is imitative of a different, very specific sound in nature...

...it comes from the droning sound of buzzing bees.

To Crowley and Aziraphale, "hmm"-- the sound of hesitation and reflective contemplation-- is a sound of the insects that are symbolically the angels and that's amusing to them since the humans frequently swap it out with their signature sound of pleasure while Crowley and Aziraphale do not find much about Heaven very arousing.

Crowley's new favorite hobby in S2 is making dirty jokes that are going over Muriel's head-- some of which, like his handcuff innuendo while getting Muriel to take him to (literal) Heaven, are a bit on the surface. Others, though, like the frequently confused words wordplay of using "mmm" in protest of Heaven instead of "hmm" in the "mmm, bees" moment after successfully getting one over on the angels-- are examples of just wordplay jokes that Aziraphale would have found funny that Crowley was amusing himself with in the moment.

Crowley is definitely not the only one of the two of them amping up those mmms though. The only bee who has his attention is playing right back...

...and the mmm thing is not exactly new, either...

...like for him to mmm his way through an entire barbecued ox five minutes after this...

Original post that prompted this response:

#ineffable husbands #good omens #aziracrow #good omens meta #crowley #aziraphale #good omens 2 #ineffable husbands speak #etymology

[flowerquib]

CREATION

why must you hurt me why must you hate me why must you do i need this is this for me

do i need pain?

...I am important.

guys i love him so muchhhh ahhh i meant to post this yesterday but I forgor

anyways

very brief character sheet bc im gonna go on a ramble

Main things: - he has no face besides a mouth qtubbo built (i will get into that) - the wheel of glowing eyes constantly move - he's like an inverse of my qtubbo design (the robotic parts of his body switched sides)

I have 2 stories but one thing stays the same

Creation acts as a guardian/protector off the eggs and uses any force necessary (aka his pointing making people disappear or making them "logging out")

ALRIGHT to my little story (based off hc and the theories)

PRESENT ROBOT Creation was made by qtubbo (in the present) and is gaining his own consciousness. That's why the others can't tell qtubbo. This also goes off the theory of fed tubbo (or not it kinda doesn't matter?) Basically, Creation was made up by a spare qtubbo body that qtubbo found. The spare body was a failed experiment by the fed that they threw out. Qtubbo found it and was like "hey this could be cool." He built this robot that is somewhat sentient (connected emotionally to qtubbo in a way).

TIME TRAVEL Creation is a future qtubbo that has been so changed/deformed that has come back to the present. He vaguely knows who he is and his purpose. He's just a confused little guy. I might go back to add more but that's the basis for this one. okay thats all i have rn ive been distracted by tubbo stream lol

#tubbo #tubbo fanart #qsmp tubbo #qsmp #q tubbo #qsmp creation #qsmp fanart #guys they give off such a frankenstein vibe i love him #also guys why is Creation afraid of water or something #eh ill make another blog about that

[lady-harrowhark]

hello, can you explain to me in more clarity your “waxen” theory regarding Ianthe? I’m not picking up on what this implies but it’s making my brain itch.

Sort of! Totally fair question, I just don't have a lot of clarity myself in that I don't have a fully formed theory lol. There's definitely some links and parallels in verbiage that are pinging on my radar, so I do think something's funky, but I wouldn't say I'm fully on board with this yet. I'm just playing in the sandbox Tamsyn has provided us, tossing out ideas and thinking out loud. But I can go into some more detail, and add some more thoughts that have occurred to me since I posted that last night.

(Here's a link to the post in question, for context)

Anyway! So let's first lay out all the times we get someone described as some type of wax. At various points in HtN, we get the descriptions "a shoddy wax cast of some more beautiful sculpture," a "wax figure in a pink dolly dress," a "wax figure in pale purple chiffon," and "waxen face" for Ianthe. We also see that descriptor used a few other times for other people throughout the series. In GtN, Harrow's parents' bodies are called "waxy" and the first introduction of Protesilaus (as the beguiling corpse) says he was "waxen looking in the sunlight." In NtN, Kiriona's skin is said to have a "weird, waxy quality," then Naberius's skin is called "waxen" when they first meet up with Ianthe, and again a few pages later it again references the "waxen, handsome face". What I'm getting at here is that every time this sort of description is deployed, it's in reference to a dead body that's been preserved, manipulated, and is essentially masquerading as a living person... except for Ianthe.

We also know there are a multitude of times that she's described as looking like a poor copy of Coronabeth. There's that "shoddy wax cast of some more beautiful sculpture" line, her first introduction calls her a "starved shadow" of her sister ("or the first an illuminated reflection [of Ianthe]," and actually, off the top of my head I don't know that we ever see their descriptions framed that way again... I'd have to investigate this more later, but this might be the only time that Corona is described as a "better" version of Ianthe, rather than Ianthe being a "worse" version of Corona, which is interesting), there's a point where it says "The second twin was as though the first had been taken to pieces and put back together without any genius. She wore a robe of the same cloth and colour, but on her it was a beautiful shroud on a mummy," etc etc etc. I know there's more, but I'm too lazy to go pull the rest of the quotes and you get the picture by this point I'm sure. So nearly all of these situate her, at least visually, as a copy or approximation of Coronabeth, and one that doesn't quite live up to original at that.

So now let's pick apart this snippet of conversation we overhear between Silas and Ianthe at Magnus and Abigail's dinner party a bit. Ianthe says she was born via "surgical means," which I'm assuming is referring to a C-section delivery (or whatever the necromantic equivalent is) and notes that Corona is a few minutes older. Silas seems surprised (or perhaps concerned?) that they "risked intervention" and Ianthe says Corona had "removed [her] source of oxygen". At this point Silas says, "A wasted opportunity, I'd think." I had always taken this for him just being a dick and implying he wished she'd died in the womb, but coming back to it with this new angle... well. She says "Corona's birth put my survivability somewhere around definite nil." And I'm wondering if that doesn't tie to Harrow's comment about infant deaths generating "enough thanergy to take out the entire planet." Basically, could Silas have been implying that the Tridentarii's parents wasted an opportunity to use the thanergy from baby Ianthe's death to power up Corona?

Harrow says that twins are an ill omen, but the text hasn't come back to that as of yet. Given the difficulty necromancers experience with pregnancy, I'd imagine twins would could be especially dangerous and that in and of itself could be considered an ill omen. Ianthe's comments certainly suggest that their mother carried the pregnancy, although I don't think we know for certain whether she was a necromancer. I am so intensely curious about the Tridentarii's childhood and their parents; we get so many gestures towards some really twisted family dynamics, but very little in the way of concrete explanations. Particularly relevant here, I'd love to know more about their father wanting a "matched set" and how that came about. Did they intentionally plan for twins from the start? Was it only once they knew they were having twins that that became a factor? What's the significance there?

Outside of those "waxy" descriptors, Ianthe tends to be described as much more sickly looking than even other necromancers. We know that necromancers on the whole tend towards a phenotype of physical weakness, but even still, there's an emphasis on this with Ianthe beyond that. This might be due in part to narrator bias (coughGideoncough) or the direct juxtaposition between her and Coronabeth's vivaciousness, but what really jumps out at me as contributing to this effect is how frequently she's described as being colorless, pale, washed out, bloodless, pallid, anemic, etc etc etc. It very much makes me think of the way the color drains away from Colum (and even the rest of the room and the others in it) when Silas is siphoning. Silas himself is also often described as colorless ("mayonnaise uncle," "milk man") but not so much in a way that implies frailty as much as I read it as implying a stark coldness, in line with the very black-and-white moral authority he presumes to wield, a purported "purity", much different than Ianthe's colorlessness. With Ianthe, you get a sense that her palette ought to have been or perhaps was closer to Corona's, but the color's been drained away; where Corona's hair is described as golden, Ianthe's is "canned butter", for example. Almost like the life's been siphoned out, one might say.

So to kind of circle back around, do I actually think Ianthe is dead or a corpse like the other "wax" figures we've seen? Nah. Between Harrow and Palamedes, and especially Palamedes's medical necromancy, I think we would have heard about it by now if that were the case. But I do think it's entirely plausible that she's had a bit of a brush with death and that perhaps she's never quite fully come back from, and I do think she's being intentionally positioned as somewhat adjacent to death. If their parents were wanting twins from the outset, perhaps they used necromantic means to encourage the conception. Or if the pregnancy was as high-risk as I suspect it was, perhaps she'd died or nearly died at birth and been resuscitated. Their parents may have gone to extremes to keep her alive, to maintain their matched set. Given the themes of this series, I do feel it's necessary to draw a distinction between "resuscitation" and "resurrection" although they are curiously adjacent to one another. For all the text has grappled with dying and staying dead, dying and coming back, dying and choosing whether or not to return... we haven't touched on what something like a "near death experience" would look like. I'd imagine having that sort of experience, even at an incredibly young age, might lead one to be fascinated with, to use Ianthe's own words, "the place between death and life... the place between release and disappearance."

#it was making my brain itch also! #thank you for indulging my meandering rambles lol #I’ve got another ask sitting in my inbox that I’m working on too… I promise I’m not ignoring it! #tlt #tlt meta #ianthe tridentarius #nona the ninth spoilers #ask #mcdreary #two halves dead

[somehow-a-human]

Whose POV is it Anyway?

The Ball

DO NOT ASK NEIL ABOUT FAN THEORY

The ball, ah the romantic sweet ball. Episode 5 gives us the build up to the Jane Austen style Whickber Street Shopkeepers Association Monthly Meeting. We then see the event itself, before it is rudely interrupted by some bottom-of-the-barrel-practically-the-damned demons.

For reference & context, I recommend reading these posts:

Whose POV is it Anyway? - Introduction

Lens Filters

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

Read this meta with me? While we dance?!

Episode 5 opens with Crowley pulling up to Whickber street and getting out of the Bentley. He meets Aziraphale in the street and after confirming he's really going through with hosting the meeting begins his demonic guard dog duties which basically just consist of following Aziraphale around all day.

His sideburns are short, he's being short and snarky with Aziraphale in regards to the hosting the meeting; we're not seeing Crowley obstructed by anyone else's lens, we open with Crowley's POV.

When we enter Arnolds Music Shop and the lighting is significantly warmer, the camera shot is centered on Aziraphale and Crowley's sideburns are long. We've switched to Aziraphale's POV. He gives away a book, we see an alarmed look from Crowley but no reaction.

Once they leave the music shop, Crowley's sideburns are short again, the lighting is toned cooler, and he immediately grills Aziraphale about giving away a book. We've switched back to Crowley's POV.

The next stop on Whickber Street is the Will Goldstone's Magic Shop. The lighting is warm and glowy here, and I would easily say this is the Bronze Glimmerglass filter that I typically also associate with Aziraphale's POV. Crowley's sideburns here though are short. This is one of the only times, if not the only time they are incongruent with the assumed filter (if I am to be trusted in my analysis). I think it is also worth noting that this was the first scene David and Michael filmed together for season 2. So, if this whole series of posts I've been writing is a complete waste and Davids sideburns simply grew out as filming went on and they didn't trim them at all, well then this would support that theory lol.

When they talk with Ms Cheng in the street we are back to cool toned lighting, and short sideburns, indicative of Crowley's POV. They talk to Justine, same thing.

Crowley realizes "Oh I'm in human love with Aziraphale", still his POV.

"Smited, smote, smitten" is still Crowley's POV. The lighting seems warmer because they are sitting under a yellow awning and surrounded by fairy lights but the shot is missing the warm haze and glow.

When Crowley goes to confront Gabriel, the lighting is indiscernible but Crowley's sideburns are long.

By the time Crowley makes it down to tell Maggie & Nina to come to the meeting, the filter being used on Whickber Street appears to be Hell's filter, Black Pro Mist (BPM). Crowley's sideburns are long. He confronts the demons and then the ball is in full swing.

The entire ball is shot through a heavy dose of the Bronze Glimmer Glass filter. Each of the filters has different strengths that can be used, and this must be a fairly high one used for the ball scenes. I think everyone will agree we're likely seeing Aziraphale's POV for the ball scenes. Everything is heavily golden, sparkling, hazy, and Crowley's sideburns are long. Not even to mention that the ball is simply his dream come to life anyway.

the street outside is green and foggy, and using the BPM filter still.

When Crowley gets in the elevator to heaven his sideburns remain long.

Welp. Thats episode 5, all we've left to do is episode 6 and I then I will be writing a conclusion piece to these! See you there!

NEXT POV The End?

#good omens #good omens 2 #michael sheen #aziraphale #good omens meta #david tennant #crowley #crowley x aziraphale #good omens theories #good omens clues #ineffable mystery #ineffable husbands #ineffable idiots #ineffable spouses #ineffable fandom #ineffable divorce

[eklaize]

Greetings!

Your artworks positively brighten my day. Is it possible to post a process video of your art? I'm learning how to do digital art and your work is a huge inspiration for me.

Thank you!

I won't be able to post a video, because i'm not drawing a painting in one go, but instead work on it over several weeks and switch between paintings, because I get bored easily lol.

I basically started 5 images at the same time after you all gave me suggestions this weekend.

But i'm honestly not doing anything different than all the people that already show their progress on insta and youtube. This video by Jackie Droujko is basically the process I go through as well

But here is an example for the bathscene. I start with an idea that I sketch( the different colors are to not get confused which bodyparts go where between the two characters), then I think about light situations in black and white to see how the light would get me the feeling that I want to achieve. In that case I thought Laurent's face in shadow would work better with his anger.

Usually I go right to my color sketch after that, but I felt like Damen was not working yet (the proportions were off), so I did a cleaner sketch to figure that out.

Then color time! I have no color theory ideas I just paint and see what works. I used a "hard color"/"vivid light" blending mode for the light (bluish color) here and "multiply" (beige) for the shadow and "screen" for the orangy glow on the edge. It really helps to experiment with those to see what works for your image.

Orenjikun on insta has a few little videos on how the photoshop blending modes work, if you are interested.

And then it's just rendering the forms until you are happy with the detail. But most of the work is done in those phases above =figuring out the base that you'll work with during rendering

#eklaize questions

[twig-tea]

Top 5 moments of yearning in 2023 bl (no cheating you can only pick 5)

WOW. wowowowowowow. Wow. It's almost as though you saw my other answers before asking this (which I know you didn't because this came in first and I am Slow). Rude.

First, I need to establish a very important distinction: Pining (my beloved) is when you think or are determined that it will never happen; yearning (also my beloved) is when you think it could and are really struggling to hold yourself back from just going for it right now for Reasons. The possibility of fulfillment is the main difference.

Second distinction: Yearning is not necessarily sexual tension. It can be an element of it, but yearning is about wanting something, whether that's sex, closeness, acceptance, or something else. It's about wanting existing barriers to drop that are preventing you from having the thing you want most in that moment, whether they're internal or external, physical or metaphysical.

Finally, as much as I would love to talk about only my favourite shows exclusively forever, you did ask for my top five moments rather than top 5 shows that contain yearning, so I stuck to the rules. All that is to say, there are a couple of series on this list that I don't actually recommend lol

With that out of the way:

Top [For Real Only] 5 Moments of Yearning in 2023 BLs Because Shan Hates Me

1. Jae Won yanking and then patting down Ji Hyun before putting him in a cab, The Eighth Sense

Basically this whole show is yearning (except for the brief interlude for pining). I chose this moment because this was the first moment I was certain they both actually knew what was going on and it was clear to them both that they could have this, at least in theory; the tension felt palpable, and I really wasn't sure whether they were going to hold back or not. Jae Won is supposed to be saying goodbye, but he can't keep it in to the point where he just can't stop touching Ji Hyun (that backpack pull that happens immediately before this, guh), and Ji Hyun is also so clearly soaking it up. When the cab pulls up and they just keep staring, there was a real question in my mind about whether they were going to break and just go for it or not. For these two it's not just about sex; they yearn for version of one another they are when they're together, and they don't want the spell to end.

2. Khun Lu and Ken almost kiss while naked in bed, Chains of Heart

I'm still not entirely sure I know what happened in that show, but the yearning between these two was palpable the whole time. In this particular scene, Ken has just seen a hint the previous night that Lu is in fact Din, his missing-presumed-dead lover, and he's already previously rejected Lu on the premise that Din is still alive and is the only man he'll ever love, even though he feels drawn to Lu. Up until then, his yearning was for Din, though he also felt something for Lu. Now suddenly he's presented with the possibility that he's already reunited with his lover, which is all he wants, though he's unsure that's what's happening. On the other side of this equation, Lu has been wanting as much of Ken as he can charm, trick, or beg for. He just wants him now, here, under the pretense of this new body, because he knows Ken will never be safe if Din is thought to still be alive. At the same time, he is torn between wanting to be near Ken to keep him safe and wanting to stay away to keep him safe. Yearning barely covers it.

3. The post-sex breakdown of Yai and Jom in I Feel You Linger In The Air

This scene was particularly painful because the yearning only hits harder after his orgasm, rather than the catharsis Jom was probably expecting. In this scene they weren't just yearning for one another physically like in earlier parts of the show; they are yearning for a future they can't have together but both want and in this moment feels like it should be possible. Yai really looks like he wants to meld into Jom's skin. The way that sex does not break the yearning is quietly devastating. Is there anything worse than having everything you want in your arms but knowing you can't keep it?

4. Patts desperate to get through to Saengai on the other side of the door, La Pluie

@liyazaki the tumblr gif search is not crediting you properly so adding a tag to you here!

Listen, Patts has been yearning for reciprocation from his soulmate for years before he meets Saengtai, and it did not at all stop once they met, it just changed in quality. He's always yearned rather than pined because with soulmates comes the expectation that it will work, because of 'destiny'. We saw him say in a flashback that he thought his soulmate could be platonic, and I do believe him when he says to Nara that he'd be fine with that, because what he really yearns for is to be understood and wanted for himself (hence the heartbreaking line "is it that hard to choose me?" that comes before this). The fact that someone had a "destined" connection to him and rejected him for years took a real toll on this man. The way he claws at the door in this scene will stay with me into 2024.

5. Minato and Shin at the Onsen, Minato's Laundromat s2

As much as I dislike where this season went, a yearning list would not be complete without Shin and Minato. We spend a lot of time with Shin's yearning in this show, but we get glimpses that Minato is actually yearning too throughout the season and especially at the onsen. In this scene, he tries to get drunk to get past his own insecurities, but it doesn't work as well as he wanted. This scene was all about Minato articulating all the ways he also yearns, and how it's overwhelming for him--and how that overwhelm is frustrating. I love this outpouring of Minato's frustration around his own internal blockers to what he wants. Also Shin swallowing in this gif makes it perfectly clear he is also Suffering. Perfection.

Bonus and it doesn't count as cheating because it's not a BL SO THERE:

Sam and Mon comforting one another after Sam's grandmother found out about their relationship, GAP

This show was such a mess but my god these two women wanted one another so badly, and I appreciated the hell out of that. It felt like yearning rather than pining until near the end, because all through their getting together phase they insisted on such an intense level of denial that they didn't even seem to worry about what they wanted being impossible, they just knew they didn't have it yet. So they did things like bite one another and pretend it was platonic and wonder why they weren't satisfied. I was thinking about going with an early scene where they barely resist the urge to make out, but instead I went with this one because I think it's a double-whammy. in this scene, Sam is trying to get Mon to tell her what's wrong, and Mon confesses that Sam's grandmother saw her at her house and asked her to leave Sam. Instead of pulling away, Mon clings to Sam, and Sam apologizes to her for not being there for her. Sam thinks she can talk her around to accepting Mon. "Don't worry; I'll talk to her. We'll get through this". The yearning here is for them to be together and safe; accepted by their families and happy, and not feeling this pain. I don't recommend this show, but there is something to be said for the way it showed the impact of intergenerational trauma and the very real yearning so many of us feel to just be accepted as we are.

#2023 round-ups #bl meta #multi bl #thank you for the ask! #also I hate you #this was so hard #the eighth sense #chains of heart #i feel you linger in the air #ifylita #la pluie #minato's laundromat #gap the series #i really struggled with this all day damn #the two i most hated to cut are actually from shows I recommend over chains of heart or minato's laundromat s2 #which were from Love in Translation and My Beautiful Man Eternal #but this was a moments list not a series list #I had to be honest #anyone reading these lists for recs #take note of these tags lol

[evilsoup]

"there is of course a sensible version of [the 'culturally christian'] discourse which has something useful in it" I'm curious as to what you think that is since I've only evee seen the stupid version lol

The basic idea that people from a christian background are likely to have some unexamined assumptions, including some pretty subtle stuff, is obviously correct imo.

Assuming someone cares about christmas as something people would feel it's important to mark, or assuming that all religions have something like a pope or formal heirarchy of priests and bishops, or assuming that repentance and forgivenes are central moral precepts for everyone, or even having a christian-god-shaped-hole in their belief system that gets filled in with nature or History or whatever. That sort of thing.

The problems with the stupid version of this are the same kinds of problem as the stupid versions of patriarchy, the idea of white supremacy, the more vulgar kinds of marxist class theory, etc: the elevation of a framework that is useful in some contexts into a transcendent statement which sits behind everything, outside of time, and is always true in all contexts; an opportunistic flip-flopping between structural and individual levels of abstraction; and a dogmatic sealing-off of the belief system rather than a genuine attempt to bring it into critical (& self-critical) dialogue with other ideas and indeed with new observations about reality.

So e.g. the idea that Christmas being a public holiday in western countries (structural cultural christianity) and the idea that you personally are definitely arguing some position because you have some unexamined bias (individual cultural christianity) get muddled together so that argument becomes impossible -- any attempt to push back on the latter leads to accusations that one is denying the former.

The idea that someone from a christian background or culture could have actually examined whatever bias they received from their upbringing, or that they may never have been really exposed to x specific bias, or that someone from another background could independently come up with an argument that "seems" culturally christian, or that the position which seems culturally christian may actually be more widespread than christian/christian-influenced cultures -- all of these are ruled out by the stupid, dogmatic, circular, sterile, sealed-off monologic version of cultural christianity.

I think that allowing all this to cause one to totally abandon the concept would be a vulgar negation of the stupid version of cultural christianity and would just make one stupid in the opposite direction; and since something like a christian/post-christian hegemony is in fact quite observably real in the west, the direction it makes you stupid in is a christian/post-christian chauvanist one -- just as vulgarly negating the stupid versions of patriarchy theory, white supremacy theory, marxism, etc will put you in bad company. You need to get inside these flawed attempts at grappling with reality to unpick where they're wrong, enter into honest dialogue, transform them and yourself be transformed, basically intergrate what is useful about them and understand how what is not useful about them comes into being. imo.

[minniiaa]

I'm back ;D

And even more down bad for bottom Law than before

Imagine Luffy and Law's first time together and Luffy never even considered holding back, meanwhile Law's trying to figure out when Luffy had the time to learn half of the shit he's doing or saying to Law. Luffy immediately notices how Law puts his face into the pillows/mattress so he just flips Law over, but then Law's biting his lip and Luffy can't tell if this is supposed to be a game or Law if just purposefully trying to annoy him.

Eventually, Luffy learns Law can't hold out forever and absolutely uses that against him. Telling Law he may as well give up, that he already knows Luffy will give him what he needs so he should do the same, taunting Law with the things he said last time: “But you were begging for more last time, are you already tired, Traffy?” “I remember you asking so nicely, did you forget your manners?”.

OH AND THE TEASING?? Horribly close but still too far away fingers tracing Law's skin like a well practiced pattern that Law KNOWS Luffy knows. Luffy doesn't give up though because for once, he’s patient, waiting until Law breaks and throws aside his pride for selfish pleasure.

Back to their first time together though, specifically the aftermath where Law's immediately back to shoving his face into pillows while Luffy cuddles him like he never heard a noise come out of Law. That definitely pisses Law off, Luffy acting like what they just did was nothing, what Luffy just TURNED HIM INTO was nothing (even though that's not how Luffy feels). And it takes a while for Law to realize that Luffy isn't doing it out of a lack of self awareness or sexual ignorance, once he does… man I dunno, I image Law having to keep himself from jumping Luffy to test his theory.

Lol, that's another thing I think about, Law sometimes turning sex into an experiment. This is long enough though and I ain't nearly as poetic or creative with my literacy as you, so I'll have you take it from here.

TLTR: I want Law fucked nasty stupid

-💫💀💫

HI ANON! welcome back glad to see you are still in bottom law hell (heaven) with me! You are plenty poetic and creative don't talk down on yourself like that! Your headcanon is CANON in my book.

Okay okay so hear me out. I started writing a little headcanon story to respond to this yesterday and somehow ended up getting REALLY carried away. Basically, I blacked out and woke up to find that I wrote an 11.5k-word story about Law and Luffy's first time with some of the themes you brought up (with canon plot?? Who am I?)

It is entirely too long to post as a tumblr reply so I threw it up on my ao3 for all to enjoy. Click below if you would like to see Law being fucked nasty stupid ;)

Thanks for the inspiration, you rock!! Please drop more horny asks and I will feed the masses! Bottom Law supremacy 4 lyfe!

#lulaw #law #luffy #lawlu #law x luffy #asks #lawlu fanfiction #lulaw headcanon #lawluffy #trafalgar d water law #monkey d. luffy #lawlu headcanon #lawlu fanfic #one piece fanfic

[ddarker-dreams]

hmmm.... i have a question. not really a question, more like rambling actually.

so we know that n darling doesnt want to get attached with blade, she mostly sees him as her fuckbuddy for a bit which i think is funny, hence she is his long term long distance low commitment gf.

but im actually curious on blade's view on this relationship. does he feel mutual about this? i mean, clearly he doesn't, but im dying to know the specifics.

does he not prod on the topic because he knows n darling would ultimately be his anyway? (based on... whatever elio's script says) or does he just... not care for any specifics and just already considers her his gf without said gf even knowing 😭😭 actually both theories sound more or less similar.

im so excited for ch 5, ive been rereading nexus over and over again lol (and of course... ch 3 and 4 has the most reads for certain reasons im sure you know)

me thinking of a way to respond without accidentally delving into spoiler territory GJKJDF

i will say that the answer to this question is different pre and post chapter 4. i can come back and give the latter after chapter five is posted.

OKAY, so. initial impression (after saving n darling from alister's knife attack in ch1), was... nothing really. a slight pull and nothing else. at that point, he knew the specifics of his job, which he didn't view differently from the hundreds of jobs he'd be assigned before. he doesn't usually bother thinking about the greater picture. he considers himself a weapon who will simply do as he's told until elio fulfills his end of their agreement.

for a while after that, he finds n darling kinda weird. he doesn't get why n darling thanked him and made her synalink offer when it's pretty obvious she doesn't like the stellaron hunters. it wasn't clear to him yet that in the same way he considers himself a weapon, n darling views herself an integral organ to eris. n darling's gratitude wasn't so much that he saved her life — but that he saved eris' 'life.'

he didn't actively try to understand her because he wouldn't care to. the sole reason he picked any of this up is just from the sheer amount of time they spent coexisting. it's inevitable he'd become familiar with her to some extent. there's that, and well... n darling is rather stunning. an assignment where he basically gets to stare at a beautiful woman for days on end isn't something he's complaining about.

what served as a turning point is the nectar guide incident.

(i didn't expect for this to get so long good god but here's blade's mental health going 📉 as his journey to tap n darling begins)

when he comes to, the sight he's greeted with is this high stationed individual weeping for him and desperately tearing her clothes in a attempt to stop his bleeding. he cannot recall a time when anyone has bothered to do so, since it's known no matter how awful an injury he suffers, he'll regenerate eventually. that aforementioned slight pull grows stronger.

regarding blade's reaction to n darling poking around in his psyche uninvited, that wasn't what actually upset him. it was the possibility he'd be less attentive to her safety if he were to go around searching for survivors. for some inexplicable reason, this irked him.

then, at this exchange in ch3:

“Can it really be considered a sin if it’s beyond your control?” 

“It won’t always be,” he replies. “Until then, I can’t allow myself to forget. You must get why.” 

You wish you didn’t. 

it finally dawns on blade that he and this diva-who-pretends-she-isn't-a-diva actually share common ground. that they're both stuck in this self-perpetuated cycle of guilt and admonishment for circumstances that weren't entirely their fault. he doesn't know what to do with this information and stuffs it away for safekeeping.

then another turning point goes down:

the dissonance between lear's id and ego/superego culminates to such a degree that n darling goes unresponsive, the psychic backlash is that bad. blade doesn't understand the specifics. all he sees is this woman he's begrudgingly intrigued by collapsing to the ground with blood rushing from her nose, while her noisy friend and quiet friend rush around. eventually, he can roughly piece together what happened from these tidbits: n darling's aversion to physical contact (seen in ch1 when he reaches for her wrist and she freezes up, then once more when she avoids him after the nectar guide incident).

n darling then confirms this: "What you’re referring to is a precaution my mother suggested. In the past, strange reactions have occurred after I came into direct contact with someone."

along with well-intentioned nona's exclamation: "i yelled at him that if he hurt lear you would turn his mind into goop"

blade wouldn't have thought to configure lear into things as soon as he did had nona not given this slip of information. he already had suspicions that lear and n darling had some sort of Situation between them, because lear isn't slick and makes googly eyes @ n darling like nobodies business, but this. this is different. he could write lear's googly eyes off as a crush, which is whatever. but n darling caring for lear to such a degree that she's fine with risking her wellbeing because she likes being around him that much? hence:

You’re so swept up in your thoughts, that it takes you a while to notice how Blade’s been staring at you. This in and of itself is nothing new. He’s been your shadow ever since forced this arrangement. It irritated you at first, but that blistering offense eased into acceptance. His vigilance felt befitting of a guard. Taking in your surroundings, assessing any threats; such is his prerogative. 

How he’s eyeing you now feels different. It’s as if he’s looking through you, not at you. 

“Is something wrong? You’re making such a scary expression,” you joke. 

at that point, blade is Not Happy to an extent that confuses even him (ch5 will go into why).

then he happens to be brooding in the distance, as he's prone to do, when he sees n darling looking absolutely defeated (post the convo with caicias and chrysus). he feels this need to do something about it, remembers how often she drinks that ambrosia tea, then makes some for her. he really was going to just leave it and then give her space, but, alas:

"Your body springs up of its own accord. You balance the teacup in one hand and reach out to him with the other, your fingers fanning out, ready to sink into whatever they can. Everything happens in the blink of an eye. Your free hand succeeds in finding a destination — settling on the abrasive finish of his bandages. 

You feel another texture alongside it. 

It’s smooth, cold, and visible through the interstices of his winding bandages. 

His skin."

this contact quite literally Awakens something in him (👁👁),

"Blade’s gripping your comforter hard enough for his knuckles to turn bone white. He’s leaning forward, as if ready to pounce, yet lucid enough to exercise some semblance of self-control. He reminds you of a starved animal trapped in a cage, salivating over a piece of meat hanging outside the bars. Goosebumps cover your body. This isn’t simple lust… it’s visceral, some primitive desire too overwhelming to be understood.

You’re the one he’s staring at with this unbridled yearning.

Yes, he’s teased you. Pushed your buttons and riled you up. Not so subtly flaunted the strength that lets him maneuver you like you weigh nothing. You might have status and mastery in your given field, but he’s participated in the annihilation of worlds; the end of civilizations that span back since time immemorial.

He should be the one in charge.

Yet as you stand here, witnessing how he tortures himself by not pouncing on you like he easily could, a thought is planted.

He’d really do anything you asked if it kept this from ending."

from this point to where chapter 4 ends, blade's brain is in some sort of caveman mode. he wakes up. thinks about fucking n darling. fucks n darling. waits around impatiently until he can fuck n darling once again. fucks n darling again. goes to (half) sleep. rinse and repeat.

not only is his mara manageable when he's around n darling, but he gets this thrill too? it's a high unlike anything he's experienced in the miserable centuries he's been cursed with immortality. he isn't really worried about the specifics of their relationship, so long as he can keep railing her on every surface around. n darling's body, how she carries herself with such confidence, the way she pokes and prods at him; he's obsessed. addicted. nothing short of feral.

every stage on his hierarchy of needs has been replaced with n darling.

#nexus #blade brainrot #not sfw #answered #Anonymous

[synthshenanigans]

I'm curious as to peoples idea for what he'd do for the next power hour so

[These all being popular ideas or ppl he's mentioned]

This was all just a ploy to get you to read my info dump theory on the concept of a Chonny Jash Power Hour loser HAHAHA

Im joking tho. Not about my CJPH theory, that is very much real but I'm not forcing you to read it lol

However if you're curious, my inane rambles are further down :}

[Long Rant Post Below]

Okay so I'm gonna start with the basic idea I got it from; that being Nerd. Nerd already foreshadowed the THDPH & the WWPH [Even down to the last song for each of them] Not only that, but he references the stuff hes done in the past as well with a break/pause inbetween.

[This is what I mean]

The first three being all stuff he already did. BDG with Pocket, Tally Hall with Vol.1 & then Cage by Tim Minchin being the start the power hours.

The next two being the power hours he would do after this song [Memento Mori & Charlie's Inferno-Will Wood & That Handsome Devil]. But those are the only songs he would reference in Nerd, leaving no more clues as to what the last one would be. The only thing left in it is the video game references & Stairway to Heaven in the ending. [Which oddly enough also fit the pattern in a way. StH being about dying and the afterlife like Memento Mori & Chonny's Inferno and the video game references being all covers he made on his old channel]

While the VG refs could be a hint at a Videogame or Toby Fox Power Hour, I think at most, if its a clue at all, hinting at the next thing he does is recovering old songs.

----

Next, a couple of his songs reference his past stuff. Fine, I'm Fine has a good amount of lines that vaguely refer back to songs from the before [heres a post that goes more into it that's pretty cool!!]. And more importantly Dear Machine references Pocket, Dream (Outro from Calamity) & wings of wax. Pocket being later used in Nerd & the mention of Icarus coming back in Art. Not only that, but the voice in the very end Thermodynamic Lawyer is the exact same [if not very close to] voice filter/effect he uses in Dear Machine. Even down to the British accent he does in it. [Tho it is fairly normal for a music artist to reference their older songs in their music so it could be nothing]

Speaking of Dear Machine tho, quick thing to add about it is that it shows he not against covering his own songs. While yea technically its just a different version of Ode of the Cog, DM,HtC in a way counts as a cover of OotC. Same goes for bargaining/compromise & The Ballad of Dr. Jekyll.

----

Another idea with a CJPH is that in the CJFS discord theres a "Question of the Day" Channel. Where, as the name says, a Mod or Helper will ask a CJ related question & everyone can give their idea/imput on it. For Day 100, as a special fun lil thing, they asked Chonny if he wanted to give a question for that day. His question being:

And yes he does say that he doesnt plan on doing anything like that in future [if he even were to do it]. I fully believe he wasn't lying there & honestly I never saw him redoing any song ever until I had the idea of a CJPH [aside from stuff like Spring and a Storm & Storm and a Spring obviously]. But this is the best idea I could ever see him doing that. Also that question was from early August so a fair amount of time has passed. Whether thats enough time to equal "at least in the near future at all" I have no clue, but it is a thought.

----

One of my last points [that I remember atm lol] is on how he would end the power hours. Cos like, while yea he does whatever he wants & doesn't rlly follow what anyone says or asks [which I 100% agree with & is completely valid btw], I'd imagine he'd still want to end the PHs with a bang. Which is why I originally didnt think the recent one would be Will Wood.

He's stated a couple of time that hes one of his favorite artist & he definitely knows that a huge chunk of his fan base listen to WW as well. So why not end with that? Why not end with one of the most requested artist people wanted him to cover? Why wouldn't he end with a power hour of the artist that was his #1 on his Spotify Wrapped? What else could he do after that? Well maybe he'd go with his #2 artist? WHICH IS JUST HIMSELF BBYYYY

Plus, the name Power Hour already comes from this:

So it's very likely he's had himself play multiple times in a row & had a "Chonny Jash Power Hour".

Of course theories are just theories so there's always the chance I'm wrong & just insane. And again he does whatever he wants whenever he wants so who knows what it'll be. I just think id be an interesting idea for him to do.

As for how a Chonny Jash Power Hour would look? Maybe each song being a cover of a song from a past album or single? I'd imagine one from the before. & Covered in Discontent [maybe Gothic Whore?]. Like remake Pocket since its been referenced so much, tho that's still just a BDG cover so who knows. the before. would be interesting just to see how his perspective has changed since he originally wrote those songs. Gothic Whore he already has 2 songs that have a story version & a him version so I can see him doing another.

I HIGHLY doubt he'd do anything related to Vol.1 as its his completely separate thing & he doesn't rlly wanna touch any song that's TH/HMS related until whenever he feels like starting Vol.2 [which is valid lol]. If anything I could maybe see like TWWAY, Special or maybe Greener? Or go a different route with the og I'm Gonna Win or like a more outta the box one with like Just a Friend [only cos be did a 20 second "cover" of it in Mucka Blucka]. Again, I do not see him touching anything Vol.1 related but still something to entertain ig? [4th TME cover; The Chonny Electric when/j]

Tho maybe he'd just remake songs that he he fully made [like the before. or Gothic Whore], since those are more of actual Chonny Jash songs rather than the others just being covers. Would be very cool to maybe see a remake of some of his Majora's Mask song tho [no this isn't me coping over HEAL not being on spotify shush]. Or maybe he'd do songs from his old stuff like Don't Take it Personally? [also not me coping over wanting that song on Spotify too]

Idk these are just my thoughts on the idea of a CJPH [or even a Can of Soup Power Hour/j]. Either way I am gonna say idc what he'd do, BDG or Streetlight Manifesto are my other guesses, but anything he makes is always rll good & fun so I'll be interested to see whatever it is.

But ya know considering I typed all this out in the span of an hour & a half I kinda hope im not wrong PFFT

#apologies if there's any grammar or spelling mistakes lol #i just typed a lotta insane ramblings so im bound to mess up somewhere. also i am dyslexic #if you actually managed to read all that. Congrats & thank you :D! Also why tho! you're insane for listening to me being insane/j #I hope I made sense at least #And if you spent any time even glancing at my text thank you a lot but I hope you aren't bored lol #also its still gonna be a bit since he does a power hour but still curious as to ppls ideas of it #at least it BETTER be awhile. bro better take that damn br8k #chonny jash #moss post #KJ is going insane again

[mrs-gauche]

If the Spirit!Solas theory happens to be true—and I’m confident it is—then it really gives you a new level of respect for how much restraint this guy has.

I’m talking specifically about his interactions with Dorian. The part where Dorian is trying to convince Solas that enslaving spirits is cool and neat and not wrong because ‘spirits aren’t people.’

Imagine having the strength of character to listen to someone tell you to your face that you are not a person and therefore undeserving of the most basic civil rights without immediately decking them in the face.

Solas puts up with tool much, man.

Oh yeah, definitely! 😂 (As much as I feel for Dorian just trying to find some common ground...) I guess that one line in Tevinter Nights does a great job of putting Solas' attitude on this matter in a nutshell.

[…] roared not in anger, but with quiet contempt. "From this moment, should you ever bind a spirit, then your life is mine."

Keep in mind, Solas has witnessed spirits suffering from the consequences of creating the Veil for at least a thousand years at this point, if only from the Fade. When he's saying "It hurts. It always does." to the Inquisitor after returning to Skyhold and Wisdom's death, he's referring to the countless times he had to watch his friends being drawn to the waking world, either forced, or to see them “wish to join the living”, only to be twisted, bound, corrupted, killed, you name it.

"How small the pain of one man seems when weighed against the endless depths of memory, of feeling, of existence. That ocean carries everyone. And those of us who learn to see its currents move through life with their fewer ripples."

Much like a lot of his banter with Sera taunting him about his grief for the past, at this point, Solas is so old and has witnessed so much history, so much pain, that Dorian's remarks couldn't possibly evoke any real anger from him. It's so insignificant compared to what he has seen. There's a reason why Weekes keeps emphasizing how friggin tired Solas truly is. This is after all the general perception of spirits in present Thedas, aside from a few cultures like the Avvar. He can't blame Dorian for Tevinter raising him to think of spirits as nothing more than "amorphous constructs", just like he can't blame the Dalish for the knowledge lost to time. Similarly to any other argument he has with the other companions, Solas' frustration/resentment is almost never aimed at them personally, but rather at the current state of the world that shaped their perspective. (As is also evident in how his banter always ends up with them eventually coming to terms and grow a mutual/respectful relationship. The only exception being a low approval Inquisitor and Iron Bull if he chose the Qun over the Chargers… In that case, the hostility was definitely personal. 😂)

(That being said, I'm SO hoping for any kind of serious emotional outbreak from Solas in DA4, since there's still like a thousand year old trauma that needs to be addressed. lol)

But yeah, I think, going by his actions in Tevinter Nights, Tevinter is definitely not ready for what's probably coming for them in DA4, now that Solas is actually able to change things. 👀 And isn't it interesting how he will now be facing the Imperium, which was essentially built on the ruins of the empire he brought down/the same slavery based system he once rebelled against, so history kinda repeats itself? lol

I think it's also very telling how Solas will immediately counter Dorian's comments on the treatment of spirits in Tevinter by directly comparing it to slavery.

Dorian: "There's no harm putting them to constructive use, and most mages back home treat them well." Solas: "And any that show any magical talent are freed, are they not?" Dorian: "What? Spirits don't have magical talent." Solas: "Oh, I'm sorry. I thought you were talking about your slaves."

But the beautiful irony in this, as I've talked about in this post, is how this draws a direct parallel to how Solas, in return, doesn't recognize the people of the waking world as real either, at least not until after the Inquisitor considers Wisdom a living being worth saving. This and his admission to the Inquisitor after he returns to Skyhold is imo the turning point in his character development. Imo, this is what leads him to say "Not at first. You showed me that I was wrong." in his high approval ending in Trespasser.

And this is also why I think that the theory of Solas intending to save the spirits first and foremost would make for such an interesting story actually.

The waking world doesn't view spirits as real people. Just like Solas can't accept the people of the waking world as real. So, what will happen if he tears down the Veil, and the Fade and the waking world become one again? The Inquisitor was potentially willing to save Wisdom despite it having already turned into a Pride demon. And in doing so, the Inquisitor unintentionally put up a mirror in front of Solas' face and basically went "If I can see them as real people worth saving, why can't you?".

And if the spirit origin theory is true, then it could make for a fascinating inner conflict. Solas, living in both the waking world and the Fade, having been a spirit and a corporeal person, is now facing the question of who "his people" actually are. Where does he belong? After all, his biggest fear remains to "die alone".

While this was said in more of a joking manner, Weekes' words from 2016 really put it into perspective here. Solas sees himself in that old fisherman he saw in the Fade. He is "the one who lived". So, I picture it like this… Solas is left alone in the Fade after the creation of the Veil. Spirits are now his only company for the next thousand years. Whether or not those spirits were the remaining souls of the elves he tried to save, we don't know, but regardless, I truly believe they are his people. But he is not a spirit. At least, not anymore.

Cole: "You don't need to envy me, Solas. You can find happiness in your own way." Solas: "I apologize for disturbing you, Cole. I am not a spirit and sometimes it hard to remember such simple truths." Cole: "They are not gone so long as you remember them." Solas: "I know." Cole: "But you could let them go." Solas: "I know that as well." Cole: "You didn't do it to be right. You did it to save them." Inquisitor: "Solas, what is Cole talking about?" Solas: "A mistake. One of many by a much younger elf who was certain he knew everything."

In this banter, Cole reveals to us that Solas' mind immediately goes from "It's hard for me to accept I'm not a spirit" to "the people that were lost when Solas created the Veil". To me, this pretty much confirms that the people of Elvhenan and spirits are connected, if not one and the same. It's assumed that the Evanuris mined the Titans to somehow create bodies for spirits to inhabit, and that Mythal gave Solas a body against his will. There's also the theory about the creation of the Veil having caused the separation of body and spirit.

You know, I've written so much about this in previous posts and I don't want to sound like a broken record, but if we consider all those little clues and look at all of his dialogue in that context, it just makes so much sense to me, that what he wants to do is primarily to save the spirits/destroy the barrier for them to enter the waking world without their purpose getting corrupted. There's also still the matter of the Blights and red lyrium otherwise probably consuming the entire world. 😅 I think that's what he's referring to when saying "What I am doing will save this world" in Tevinter Nights.

And remember, "Dread Wolf" is still literally an anagram for "World" and "Fade". 😂 Both worlds colliding is quite literally in his title. lol Whatever the six eyed high dragon sized Dread Wolf actually is, as far as we know, he only seems to exist within the Fade, but how exactly is he connected to Solas and what will happen to him if he tears down the Veil (which btw is also definitely gonna happen… I mean, besides the fact that the Veil is getting weaker regardless of Solas' actions)? ANYWAY.

Sorry for rambling so much (and I feel like my English is a little rusty, too 😖), but I haven't talked about this stuff in a while and the lack of news is killing me. 😂 But your message gave me something to think about again, so thank you! :)

#oh no this got so long again 😖 #solas #also again Bioware I beg you please give us that ''Solas calling his spirit army and charging into battle'' moment from TN 👀 #tinfoil time #da4 #''Spirit self. Seeing the soul. Solas. But somehow sorrows.'' #watch us play DA4 one day and none of this turn out to be true 😂 #but I'm gonna die on that hill lol

[shizucheese]

Hey guys! It me, "The Magnus Institute is a part of not just the Eye but the Web" girl, here with some thoughts and a new theory for the consideration of the Red String Comity. Come step into a curated (for your safety and sanity) corner of my mind as I walk you through my thought process: First, some further evidence that the Web was tied to the Magnus Institute in TMA all along: in MAG193, it's mentioned that Elias doesn't remember ever sending his CV to the Magnus Institute. Web. In Mag056, when Martin confesses he lied on his CV, he mentions that "for some reason" his lie about parapsychology got him an interview with Elias. Now, I always assumed that this was because Elias/ Jonah knew his secret and the Eye likes secrets, but like...How did Martin know to apply there in the first place? Why was that the only place where he got an interview?

Now I'd like to bring your attention to the below sticker. I have this same sticker on my laptop because as someone on the Ace spectrum John and Martin's relationship is everything to me. For anyone who needs a refresher, the quote is something John says to Martin in S5. Obviously the teacup represents Martin. But let's talk about that thing coming out of the teacup, hm? The thing that's supposed to represent John? I've always tried to rationalize it as "lol it's just some kind if Eye creature, that's not a spider..." but guys....that's totally a spider, right?

Now here's why this is so huge: this isn't fanart someone turned into a sticker. This is a sticker from Rusty Quill's very own RedBubble shop.

It's official merch. Official merch "designed and sold by RustyQuill" represents John as a spider creature covered in eyes.

They've been telling us this the entire time guys! Now, I need to give @amanda-519 credit for setting my mind down this next path. These are the tags they used when they reblogged my previous post on this topic:

Now, this got me thinking about all of the Avatars we met in TMA and like....

We know from Mag 102 that the Corruption can manifest as unhealthy relationships, which I would argue would include infatuation and obsession.

And like....was Jude's infatuation with Agnes really all that different? It's what drew her into The Desolation in the first place, so could we not argue that she was a mix of the Desolation and the Corruption? (Like....the destructiveness of infatuation? Corruption leading to Desolation?) And like I've always assumed the reason why Oliver became an Avatar of the End is because of his association with Graham and what happened to him resulting in Oliver being touched by The End, but like...does that actually make sense? They were already broken up and he had 0 involvement with Graham being taken by the Not Them. But like Graham's circumstances are also kinda weblike, no? The Web includes the fear of being forced to do something against one's own will, and Graham went through some pretty extreme measures to try and escape his powers. And then his efforts to escape ultimately lead to the events that turned him into a full fledged Avatar. Was Graham also a part of the web? Or were the circumstances of him becoming an Avatar of the End basically the result of him being the Web's victim?

And the whole concept of the Unknowing is pretty weird, huh? Like...I can't be the only one that looks at what happens to people who get trapped in the Unknowing and thinks that it feels awfully "Spiral-like" right? (or, for that matter, that The Desolation has some elements of the Stranger to it).

John Amherst was an Avatar of The Corruption, but unlike Jane, whose main interest seemed to be spreading and expanding the Flesh Hive, Amherst's form of Corruption seemed awfully End-flavored. When we first meet him in TMA, it's at a Nursing home where his spread of infection results in the death of all of the residents. In Mag68, Tale of a Field Hospital, the accounts about Amherst are all about him dying and then showing up again; in the second story, the people who end up in the bed Amherst is supposed to be in keep dying; the statement giver who gave the book to the Institute dies a few days later after, having cut himself on the pages of the book. The illness he spreads in the town where he ultimately dies kills the victims horrifically. The bug he is most affiliated with are flies, which are known to flock to dead bodies and are therefore associated with death. Okay now after all of that word vomit, here's the epiphany that I had and the actual point of this post:

For some reason my mind kept straying back to Jude and her infatuation with Agnes and how that might have made her part of the Corruption, and the different ways the Corruption might have been involved in other ways, and then I remembered that theory going around that in TMP the Fears are becoming Obsessions. This theory never sat well with me because in TMA, all of the Avatars were obsessed with something. Most of them were obsessed with their Entity and bringing it into the world. Jude, as previously mentioned, was obsessed with Agnes. Simon was obsessed with the sky. Mike was obsessed with freeing himself of the Spiral manifestation that'd been tormenting him since childhood. Oliver was obsessed with running away from his powers and John was obsessed with finding out what the fuck was going on. There were also plenty of non-avatar characters that were obsessed; The guy in Mag90: Body Builder was obsessed with his body and making it look how he wanted to. The guy from Mag102 Nesting Instinct and his petite scarabée. I could go on.

And then it clicked: Obsession is a form of Corruption. We know that the Corruption can manifest as unhealthy love and companionship. But what is "unhealthy love" if not a form of obsession? Obsession sinks its teeth into you and takes over your life and can lead you to your own destruction. In other words, its corrupts you. Which is exactly what happens in pretty much all of the statements we've gotten so far in TMP. The Corruption is up to something. Idk what or why, but I think that in the same way the Web's influence was all over TMA if you know to look for it, the Corruption is all over TMP. Is it just a season 1 thing? Is it going to be the Big Player in the whole series? Are the Avatars (?) we've encountered so far--Ink5oul, The Merchant, Movie Theater Man-- part of the Corruption as well as the more obvious Entities they serve-- The Flesh, The End/ The Slaughter, The Eye--or are they only servants of those respective Entities and the Corruption is swooping in later and poisoning things?

#the magnus protocol #the magnus protocol spoilers #the magnus protocol speculation #tmp #tmp spoilers #tmp speculation #tmagp #tmagp spoilers #tmagp speculation #tmagp theory #tma spoilers #magnus archives spoilers #shizu's red string board

[bthump]

Wait why is it that in the famous “bthump” page the panels are put together in a way that gives the illusion that guts and griffith are facing each other when griffith’s heart goes bthump. We know guts is fighting zodd at that moment he cant be having a staring contest with griffith he has his back to him anyway. I feel like if u show that page out of context to anyone they’ll assume the two are looking at each other. Or am i going crazy? I mean i usually wouldn’t read too much into such a thing but i feel like miura actively uses paneling to convey certain messages throughout the story. He still could’ve just had a silly moment there idk

Because Guts is what's making his heart go bthump!

I have a post about the paneling specifically here, actually, but I'll get into it again because I feel like that explanation could be more detailed lol.

So basically they're positioned like that, Guts on one side of the panel, Griffith on the other, as a parallel and contrast to the final panel immediately before that page:

Griffith is on the left, fetus is on the right. Fetus is Griffith's theory, or hope. I came here to test my heart and make sure I don't have feelings, and oops looks like I just failed that test while watching Guts fight a stronger opponent, notably similar circumstances to the first time I ever saw him. Hmm gotta be that fetus, surely these feelings aren't real.

This is a conclusive counterpoint to Griffith's argument, stemming from reality rather than Griffith's thoughts. It's the final page of the chapter so it has greater weight than Griffith's fetus theory. It's composed similarly, Griffith on the left and the other possible source of feelings on the right - but Guts right there, and the fetus is only Griffith's thoughts, so Guts has more weight in that sense too.

And that final "......... bthump" is the perfect capstone, because it's essentially saying that Guts is causing that heartbeat. The final word of this chapter is Griffith's heart beating when faced with Guts.

The panel is composed like this despite not reflecting how Griffith is viewing Guts in reality, imo to hammer home the point that Guts specifically is the source of feelings. It's not the excitement of the fight, it's not Zodd, it's not even concern for Guts' life necessarily, it's just Guts, and the raw intensity Guts exhibits in the middle of a fight, the same thing that drew Griffith to him when they first met. This panel especially emphasizes their gazes - Griffith is gazing at Guts, but Guts isn't gazing at Griffith - but this could also suggest that Griffith would like Guts to be looking at him like that, with that same intensity.

It also parallels the two of them, the way they each get one half of a face. In the context of Griffith's singularity as The Absolute, and Guts' own tempation towards becoming a monster that becomes especially pronounced during fights, and the constant emphasis on power dynamics and the two of them wanting to be equals throughout the story, this arguably suggests the potential for the two of them to still be equals in ways that actually matter, despite Griffith being a god now. Guts humanizes Griffith here by making his heart beat, Griffith monsterizes Guts by enraging him.

And to be perfectly honest, I don't think it's a coincidence that Guts looks particularly good in this panel either lol. Guts here is essentially what Griffith is imagining he looks like as he faces Zodd. And it's something Miura does regularly imo. Characters become more attractive when they're the objects of certain gazes. I have a long post about Griffith from Guts' perspective here, but Guts also gets this treatment from Griffith's perspective during the rescue. There are probably heterosexual examples too, but I don't recall them offhand because that's not what I'm reading Berserk for. That second one is arguably half heterosexual anyway lol.

So yeah, basically imo the reason is: to emphasize Guts as the cause of Griffith's feelings, to parallel them, and to add some homoeroticism.

Thanks for asking!

#ask #anonymous #a #b #scene: hlil of swords #theme: true light #theme: equality #theme: parallels #theme: fetus #theme: homoeroticism

[persefida]

(Wow, that's a long post)

I see so many people who like creating explanations about Hermitcraft/Life series, creating tons of lore and interpret relationships. Especially with Life series, because it's half roleplay server and has a lot of plot and stories potential. Do people remember their previous life? Do they die and reborn? Do they remember each other, do they have scars from previous death? All that lore stuff.

I'm just.. I don't know. I guess I'm not a big fan of more serious roleplay and don't really think about relationships between characters, or the world of Life series itself.

For me it's all just minecraft servers where friends can play and talk and laugh. When I watch Life series, I imagine not characters, but real people. When Scar is talking, I imagine actual irl Scar, sitting on the computer with microphone and talking with his salesman grin. They remember previous seasons and don't think about it as lore, they just remember good times from the past. And after an end of the season they all are in one big group in discord discussing, laughing and talking how they will edit the episode.

Basically, that's the reason, why I animate only funny moments and often draw the irl side of hermits. I would love to draw something more "serious" or create a dramatic amv and be a part of this fandom community, but sadly it's not really my vibe.

In their videos hermits talk a lot about their life and wifes and maybe children.

I remember when Scar wanted to ask something to Xisuma who was afk, Xisuma said, he heard Scar through the headphones across the room. And I imagine actual human Xisuma, his room, microphone, how he rushes through that said room to quickly join the game.

I actually think a lot about irl side of hermits.

I imagine Grian sitting in the living room and doing taxes. Impulse loads the dishwasher. Doc plays with Doccy and teach them about pigeons and sparrows. Joel's in a grocery store decides if he should buy more expensive cheese this time or buy the usual. Mumbo watching videos and procrastinating to go do laundry. Xisuma writes articles about new songs and having a little art block while creating his own music.

I drew irl Grian so many times lol. I really like the irl side of youtubers, they feel more alive.

I don't really know how some hermits (and other people) look, but I still try to imagine them.

So that's why I won't do any lore or angsty animatics. But I still like a lot of AU fanarts, if they are drawn really good or interesting.

So because of all that I feel a little bit outside of the fandom... Like, everyone are having fun, sharing theories, fascinating AUs, drawing cool fanarts for each others. And I'm like.. not into that, I'm sorry. I still want to talk to all of you! I just can't really contribute. So here are my lighthearted funny animatics with 0% angst and where people are nothing more than just good friends on minecraft server.

I believe, people like me don't really watch fanarts or animatics and don't actually know about this whole side of the fandom. I wonder how many of them are here on tumblr ot twitter.

Is there anyone here who thinks the same way?

#hermitcraft/life series #other #talking

[genericpuff]

I've come to the stunning realization-

-that Lore Olympus is basically to the webtoons industry what Youtube Kids is to Youtube.

And I'm not talking about the general "Youtube Kids" label, I'm talking about those videos - Elsagate, Johny Johny, Cocomelon, Mickey Mouse tattooing Spongebob or whatever other weird example you can think of - which are explicitly designed to game the algorithm, turn views into money, and most of all, gain and keep the attention of the one demographic that won't question what they're consuming - children.

!!!!THIS POST HAS FAST PASS SPOILERS AHEAD!!!!

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I mean, this is undoubtedly just a tinfoil hat theory, but think about it:

Bright oversaturated colors that are attention-grabbing.

Meme faces and 'lol rAnDoM' humor even when it doesn't suit the situation at all.

Art that's all around ugly and cheap on a technical level but still stands out due to its color design and prioritized advertising.

Vapid surface level scene-to-scene writing that doesn't connect or have any meaning in any coherent way.

One-dimensional projection characters who are easy to manipulate and sway for audience sympathy or anger even if those opinions change on a dime based on actions in the moment.

Cliffhangers that are less like true cliffhangers and more like clickbait. Episodes nowadays tend to be filled with drawn out plotlines, vague hints that can be applied to just about any school of thought, and non-sequitur memes to fill the time until they can hook the reader with another cliffhanger to keep them coming back next week.

Coin prices have gone up but episode length, substance, and quality have noticeably gone down. Even if they reach the same panel count they usually have, dialogue is minimal and pacing is brutally inconsistent to the point that plot progression is often non-existent.

Banner ads that run constantly, often in the first or second (or both) slots, with push notifications and pop-up ads also becoming more frequent whether you're subscribed to the comic or not.

And underneath ALL of that, we've got blatant objectifying and sexualization of female characters regardless of context, misogyny that claims to be progressive, racist undertones, borderline fetish content that constantly toes the Terms of Services line, normalization of problematic/toxic relationship dynamics, a creator who's more interested in 'getting back' at critics than writing an actual story, and underlying messaging both from the characters' and the creator's behavior that encourage witch-hunting, rejection of accountability, and blind devotion.

All this is essentially why I've given up consuming LO entirely, beyond just on a critical level as of late. There was a time long ago when I stuck around in the hopes it was going to get better, that maybe it was just going through a "rough patch" as some stories do. After that I stuck around because I wanted to see how it could possibly pull off its ending. And then after that, I simply stuck around for the laughs and community banter. But now I don't even find it funny anymore, the punchline of how bad it is has gotten incredibly old. And at this rate, as much as we'd like to believe it's going to end in its third season as it's been mentioned in the past, we also were told it was going to end between 100-200 episodes prior to that - the way it's going, I can't even stick around "for the ending" because LO is going to be around for as long as WT tries to milk it, despite it no longer having a heartbeat.

As much as I've loved talking shit about this comic and it's undoubtedly the main reason so many of you followed me here in the first place, I'm not going to lock myself in some kind of purgatory hell just to be proven what I already know is going to happen - either the comic continues on forever, doomed to be a lifeless mascot for the zombie corporation that is WT, or RS eats shit while trying to stick the landing with a plane that has no functional parts.

There's a quote from Caddicarus that I couldn't help but think of as I typed this up, from his nearly-decade-old review of Dalmations 3 (oh god, it's nearly been a decade since that video came out what the actual fuck-)

"And this is where I officially lost all fucking care. I realized it wasn't going to end anytime soon. It's one of those rare instances where the novelty of how awful everything is actually gets really tiresome and unfunny." - Caddicarus

#this isn't me saying i'm not gonna talk about LO ever again #i'm just explaining why i haven't engaged with it directly for weeks now and why my LO essays are less often nowadays #i'm even slowly phasing out of the critical community for it #it's just exhausting #and bad for my mental health #i'd rather put my efforts into something positive like rekindled than continue to give this propaganda on a stick more attention #i still love all the pals in the community but it's more to do with the content itself that's being discussed than the people discussing it #lore olympus critical #anti lore olympus #antiloreolympus #lo critical