Selina has her eye on a one-of-a-kind jewel.
The museum it's in have no idea what kind it is, just that it was a leftover result of an attack on Earth by some dimension called the Infinite Realms.
And, well...it's really very beautiful.
Diamond white and abyss black and frosty blue, constantly shifting colors, emits cold, constantly generating frost so that it's shimmering in the lights.
It's unique. It's stolen from another dimension. It's gorgeous.
She wants it.
So; she takes it.
She...can't really bring herself to take it to a magic user to return it just yet.
Mostly, she keeps it in a glass, temperature controlled container in her apartment.
Harley and Ivy think it's pretty, but they don't really experience the same draw that Selina does.
She resolves that she will contact the Infinite Realms to ask if it's something they want back in...a week.
One week turns into one month.
One month turns into four months.
Four months turn into a year.
For that year, the beautiful jewel sits in it's protected case, and Selina ogles it when she's a bit too stressed. Every day, it seems to get brighter and shinier.
She isn't driven by compulsion, no-she knows herself too well. She knows damn well she's being driven by greed.
Then one day, as she's staring at it-the jewel starts to glow. The glass case shatters. A form begins to shape out of frost and-possibly-space.
And then there is a teenager, sitting bewildered in her apartment. All wild white hair and wide green eyes, shock written into his very expression.
He stares at her.
She stares at him.
"...So, not to be weird, but why are my instincts telling me you're my mom?"
4K notes
·
View notes
There's something kinda poetic about Number One, a character that was a high ranking woman on a 60s tv show who was removed from the story because the network said "no" to a female first officer, getting the storyline she is today. The trial is an allegory for a lot of things, but seeing Number One go through what she has in canon and regain her rightful place on the bridge has a poetic resonance to it, considering the real life bts things happening over the last 60 years. Ad Astra per Aspera indeed, Ma'am.
457 notes
·
View notes
and since i’m posting: that one episode of clone wars where anakin sends c3po to go buy fruit for padme’s banquet is so hilarious for me. because you know coruscant is a capitalist hellhole and the senate apartment building probably has its own built-in mega mall, and anakin sends c3po to the only outdoor market left on that planet to haggle for a deal. he’s so funny
55 notes
·
View notes
one of the wild things about people’s stubborn insistence on misunderstanding The Ones Who Walk Away From Omelas is that the narrator anticipates an audience that won’t engage with the text, just in the opposite direction. Throughout the story are little asides asking what the reader is willing to believe in. Can you believe in a utopia? What if I told you this? What about this? Can you believe in the festivals? The towers by the sea? Can we believe that they have no king? Can we believe that they are joyful? Does your utopia have technology, luxury, sex, temples, drugs? The story is consulting you as it’s being told, framed as a dialogue. It literally asks you directly: do you only believe joy is possible with suffering? And, implicitly, why?
the question isn’t just “what would you personally do about the kid.” It isn’t just an intricate trolley problem. It’s an interrogation of the limits of imagination. How do we make suffering compulsory? Why? What futures (or pasts) are we capable of imagining? How do we rationalize suffering as necessary? And so on. In all of the conversations I’ve seen or had about this story, no one has mentioned the fact that it’s actively breaking the fourth wall. The narrator is building a world in front of your eyes and challenging you to participate. “I would free the kid” and then what? What does the Omelas you’ve constructed look like, and why? And what does that say about the worlds you’re building in real life?
66 notes
·
View notes
In the assigned married fic, has Anakin even begun to process Padme saying that both of them will be moving to Naboo together? Like, they spoke earlier in the chapter about Anakin moving in with her on Coruscant, but Obi-Wan apparently spilled the beans about a much more permanent relocation to Naboo, and I am looking forward to Anakin's response to that, once he gets through processing everything else and remembers that part of the "conversation"....
i think padmé views moving to naboo more as a possibility than a future concrete plan -- the offer to be a permanent advisor on naboo is something she'd like to discuss with anakin as her husband before taking it or rejecting it. she says there's a lot of work she still wants to do in the senate, and she's probably thinking that it will be a few years before she would be able to go anyway. definitely after the war, but in her mind, she thinks anakin has every intention to leave the order after the war's over....because he kind of told her that. at least, in her mind he did: (from chapter 1)
“[Obi-Wan] asked me if I planned to leave the Order after the war,” he tells his wife. “And I lied, and then I think he began to support me. That’s what he looked like, anyway.”
Padmé blinks at him, eyelashes falling slowly onto the jut of her cheek and then rising. “That’s good then,” she says, sounding hesitant. “That he supports us.”
“Yeah,” Anakin replies, raising his hand to tuck a tendril of hair behind her ear.
“Though…I’m sorry you had to lie,” she says, pressing forward until their faces are only a hand’s width apart. “Hopefully…” she trails off, biting her lip. Then she shakes her head slightly, and her mouth turns up into a smile as if she cannot help herself. “Hopefully he will not take the truth so hard.”
so anakin never says what lie he told obi-wan, he just says that he lied when asked if he was going to leave the Order, and that lie made obi-wan support him.
from an outsider's perspective, especially a biased outsider who is married to one of the insiders and believes them to have a future together, padmé's immediate understanding of this is that obi-wan asked if he was going to leave the order and anakin lied to him and told him he planned to stay and obi-wan began to support their marriage because he thinks he won't be losing anakin (padmé, who has three braincells, has long since realized obi-wan's obsessed with her husband)
and that's why she's smiling at the end (and also why they have sex at the fade to black) -- she believes anakin has just told her that when the war ends, he'll leave the Order to be with her and build a future together <3 so the offer to go to naboo is an option she can talk to her husband about, but she knows that anakin is going to no longer be a jedi....and if he's not a jedi, and she's not a senator....what's keeping them on coruscant?
BUT it's not just obi-wan that's feeling a bit catty during that dinner party scene, so i intentionally wrote padmé as putting this idea forward as less of a possibility and more of a done deal that she knows anakin will accept -- she talks about it like it's great big BACK OFF signs picketed around anakin because obi-wan is the biggest threat to their marriage in the entire galaxy and she's always known that
(but also no anakin has not begun to process that whole thing - but padmé, who now realizes they're NOT on the same page, is absolutely going to bring it up post-haste in the next chapter)
51 notes
·
View notes
Okay my crack theory for Lucy’s god situation:
What if instead of dying Lucy’s god became an archfey and fucked off, forsaking all of their followers. I could see that as justifiable for a minor god—maybe you don’t want your personality and existence to be dependent on a group of people small enough for a really big hurricane to wipe them out. Maybe you want to try your hand at self actualization, which you can’t really do as a god. Whatever.
But that would still mean Lucy’s grades would be screwed for the year, and the whole group would be switched to pass/fail.
Whatever god they’re trying to bring back seems like they want to stay a god, but would also only have a single living cleric so their nature would be heavily influenced by who that cleric is, and could still be controlled. Bringing back an established dead god with living followers probably reduces the risk of the god immediately dying or completely sucking ass/not being powerful like what happened with YES!(?), and we know the Ratgrinders LOVE minimizing risk. And choosing a dead god that represents something Lucy is actually passionate about preaching and proselytizing would make her work as a cleric much easier for her emotionally than, say, switching to Helio and just going through the motions, and bringing back a god would probably look good on college resumes.
Idk, that’s just an alternative theory to Lucy’s god dying based on what’s been established this season.
53 notes
·
View notes