Cinemalaya at CCP with its’ new normal set-up
CCP Main Ramp with the giant Cinemalaya signage.
On its’ 18th year, the Cinemalaya Independent FIlm Festival is coming back to the Cultural Center of the Philippines (CCP) on Aug 5 -14, 2022. From online streaming for the past two years, what should the festival patrons expect at CCP this year?
With its’ theme of Breaking Through The Noise, the full-length competition will comeback to the Tanghalan’s screens with 11 entries along with the 10 short films in competition.
Remember, CCP tickets sells fast even before the screening schedule. Just like the pre-pandemic days, you must plan your Cinemalaya week as early as now.
click link for the schedule of screenings:
http://bitly.ws/tbNq
Here are the lists of the competing films:
• Full Length Films
o 12 Weeks by Anna Isabelle Matutina
o Angkas / “The Backride” by Rainerio C. Yamson II
o Batsoy by Ronald Espinosa Batallones
o Bula sa Langit / “Trigger” by Sheenly Gener
o Bakit Di Mo Sabihin/ “Tell Her” by Real S. Florido
o Blue Room by Ma-an Asuncion Dagñalan
o Ginhawa / “Solace” by Christian Paolo Lat
o Kaluskos / “Rustles” by Roman S. Perez Jr.
o Kargo / “Cargo” by TM Malones
o Retirada / “The Retiree” by Milo Alto Paz and Cynthia Cruz-Paz
o The Baseball Player by Carlo Obispo
click here for synopsis of each full-length film with schedule:
http://bitly.ws/tbNv
• Short Films
o Ampangabagat Nin Talakba Ha Likol / “It’s Raining Frogs Outside” by Maria Estela Paiso
o City of Flowers by Xeph Suarez
o Black Rainbow by Zig Dulay
o Duwa-Duwa / ”The Play” by Nena Jane Achacoso
o DIstance by Dexter Paul de Jesus
o Dikit by Gabriela Serrano
o Kwits / “Quits” by Raz de la Torre
o Mata Kang Busay / “Vision of the Falls” by Niño Maldecir and Cypher John Gayorgor
o Mga Handum Nga Nasulat Sa Baras / "The Dreams That Are Written On The Sand" by Arlie Sweet Sumagaysay and Richard Jeroui Salvadico
o Si Oddie by Maria Kydylee Torato
o See You, George! by Mark Moneda
o Roundtrip to Happiness by Claudia Fernando
The film fest will pay its’ Tribute to the outstanding artists who have joined our creator by featuring their respective works. The 2020 and 2021 short film entries will get its’ chance to be screened under the Cinemalaya Retrospective: One More Time with Feelings at Tanghalang Manuel Conde (CCP Arthouse Cinema.)
Delikado by Karl Malakuna and a Documentary, We Don’t Dance for Nothing by Stefanos Tai will be the closing films on Aug 13, 2022. Then followed by the closing ceremony and awards night on Aug 14, 2022 at the CCP Main Theater.
These featured films are available for 250 pesos each ticket. 20% discount is applicable to students, senior citizens, PWD, retired personnel, government employees and Filipino athletes. You can watch all films in competition via Festival Pass which can be purchased for 2,500 pesos at the CCP Box Office.
click link for Tickets and Festival Pass details:
http://bitly.ws/tbNx
Looking for free screenings? There are several films scheduled in a first-come, first-served basis for free. It includes the Gawad CCP para sa Alternatibong Pelikula at Video, a film competition with 4 categories: Shorts, Animation, Experimental and Documentary films.
click link for the Gawad CCP schedule:
http://bitly.ws/tcFA
Another free admission is the opening ceremony on Aug 5, 2022, at the CCP Main Theater which features Martika Ramirez Escobar’s film, Leonor Will Never Die, a Sundance Film Festival’s Jury Prize winner.
click link for Opening Ceremony and Film details:
http://bitly.ws/tbNt
Talkback at the Cinemalaya Tent is an additional free opportunity. With this, you will get your chance to interact and hear the filmmakers’ perspective and experiences with making their entries. It will be on a first-come, first-served basis, too.
For those who plan to have a one-day marathon, there will be food stalls located at the CCP Promenade and coffee shops within the building. But remember, only bottled water is allowed inside the theaters.
The CCP Film Society members can watch previous Cinemalaya entries at the CCP Library. An event such as book launch of different artists including the National Artist, Ricky Lee is also scheduled.
The output of John Lloyd Cruz photographs with the filmmakers will be exhibited at the 3rd floor hallway, Pasilyo Guillermo Tolentino. The Center also prepare multiple instagrammable set-ups all over the building for picture-taking.
Since we’re still adjusting to the new normal, CCP management is still strict when it comes to Covid-19 safety protocols. Vaccination ID/card must be presented upon entry along with the temperature check. Of course, wearing of facemask and physical distancing must be observed at all times.
Are you living too far from CCP? You can check the cinemas near you. Because SM Cinemas will join Ayala Malls in screening Cinemalaya entries starting on Aug 10 until Aug 16 for 230 pesos to 250 pesos. Online streaming will be available on Oct 17-31, 2022 via CCP Vimeo account.
For more details, follow Cinemalaya social media accounts:
https://www.facebook.com/Cinemalaya/
https://twitter.com/cinemalayaoffcl
https://www.instagram.com/cinemalaya/
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Fearne looks at Imogen and asks "Are you sure it wasn't intentional?" and, oh boy, like-
Ashley says that Fearne is dealing with all kinds of new emotions since leaving the feywild- anxiety and fear and a gutwrenching feeling when someone you love is- not there anymore. However briefly. Fearne is still learning about the ins and outs of these emotions, the way they can take you over.
But it also means, I think, she lacks a certain kind of shame about it, about the way fear cracks her voice when Orym disappears from her sight, about the way she gets a little frantic at the thought of losing him- of losing any of them.
(And Fearne still feels bad about the coin toss- still grappling with it when she looks at Laudna. Because that was a snap decision with other people she loves on the other side, and maybe Fearne is still figuring out what to do with this kind of regret- what you can even do, in the throes of that kind of fear. but. i think that's its own meta.)
and Fearne has never been one to fear power, on its own- just marvelled in it, in the way that enemies fall and the air grows heavy and the world turns darker. It's a beautiful thing, isn't it? Just stunning. Gorgeous.
Fearne watches Imogen, who has been growing quieter and more frenzied and on edge, who is beautiful and powerful and who was, she knows, at some point hovering above them all, as their bodies lay strewn about a battlefield, so many of them ripped away from her and lost. And asks: "Are you sure it wasn't intentional?"
Referring to levelled city blocks but. Maybe thinking of- the bottomless pit that opens up if she thinks of a gap where Orym should be, of "Orym is dead" and a body in her arms, and maybe thinking of that threefold, crackling power in her veins, thinking of a panicked coin toss that tastes sour, weeks later, and all the other decisions a person might make, with that kind of fear in them.
And I don't think there's a world where Fearne would hold Imogen's answer against her.
But Imogen- Imogen who has been hearing, over and over, warnings about giving into the storm, about searches for answers going wrong, danger on their heels, who has power tinted red churning inside of her and keeping her friends safe, keeping everyone safe, who has been sneaking out to try to get answers from a mother who is- working with the enemy. Who can't even say the words, that Laudna was. dead. (Laudna is back now, Laudna is okay, Laudna is back.) Who has new entities she can summon that hurt her and the people around her but get the job done.
Who has all of this power, and all these reasons to use it, and all the ways it could hurt everyone if she does. Or maybe if she doesn't.
(Or maybe- maybe the choice isn't even in her hands at all, right?)
And there's a long silence, there's a long pause, where she doesn't look, she doesn't move,
and she says "I don't-." and she says "It just happened, Fearne, after Laudna-
It just happened."
And I don't know if she believes it, and I don't know if Fearne does, and I don't know if it matters (it probably does?) and- oh boy.
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(Fuck it, why not?)
Efficiency yawns as they float through the realm of time, mirrors floating around them. It was the same old as ever, making sure the timeline was okay and nothing was out of place.
They land in front of a large mirror and reach out a hand, swiping against it as they look through. Mirror Sprites gather around them, all looking nervous.
"Uhm, Efficiency?" One speaks up, floating over. "There's, uh.. something we need to tell you."
"Hm?" Efficiency's eyes don't leave the mirror, but they give a hum, letting the sprite know that they're listening.
"There's.. a small hiccup in the timeline that needs to be fixed."
"Oh?" They raise an eyebrow. "We have two different meanings of small. Was someone meant to die, or did someone make a wrong decision made?"
"Someone.. was meant to die?" The Mirror Sprite squeaks.
They sigh. "Very well. Name?"
"Abyssal."
They raise a brow as they use the large mirror to swipe through. "Cause?"
"The Abyss."
Efficiency momentarily shudders. They were glad to have gotten away from the Abyss before it ever realized it made them. In the realm of time, that thing could never reach them, and no one knew of them. That was fine by them.
They get to the point in time and sigh. Abyssal looked like a good Admin, if not a push-over, but what had to be done had to be done.
Closing their eyes, code warps around them, and they assume their true form. Lifting an arm, mirror shards form their fingers. They reach forward, using their code to reach into the past-
When their fingers clink against the mirror, refusing them access to the past.
They clink their fingers against it again.
Slowly, the Mirror Sprites begin to back away.
Swiping further back, to another mistake, they try against to push into the past.
The mirror refuses to bend.
As Efficiency continues to try, the Mirror Sprites all slowly back away, knowing full well what was to come. Some even duck behind mirrors, in hope that'll protect them.
Efficiency stops, eyes glaring towards the mirror. Their body begins to shake with rage.
"Hit the deck!" A larger and older Mirror Sprite cries, and all the sprites preseny duck behind mirrors has Efficiency proceeds to curse like a sailor, their wings fluttering so quickly they could be used to power a whole city.
They slam their fist against the mirror, growling lowly. "So many.. mistakes. And I can't fix them."
They slowly drag their sharp fingers down the mirror, wings shuttering. "Maybe I'll need a different approach to fixing these.."
"But.. They're cemented in the timeline!" One sprite calls. "Won't changing them affect everything?"
"They're still considered mistakes by the mirror." Efficiency sighs, reverting to their more compressed form. "I'll work something. We'll continue work as usual."
Mirror Sprites, all nervous, just nod and slowly float off.
A more senior one, however, floats down.
"Blue," Efficiency greets him.
"Efficiency, please think about this." Blue says, floating after the time god as they jump down to a long platform. "If these changes are solidified, then they must have been meant to happen."
"Then why does the mirror consider them mistakes?" Efficiency argues.
"Because they used to be, but they aren't anymore." Blue closes his eyes, shaking his body. "Come now, you know that as well as ai do."
Efficiency pauses before sighing. ".. you're right. I'm just.. this is too much. How did so many mistakes get past me?"
"We'll figure it out." Blue assures them.
As they smile, there's the familiar sound of a door slamming open.
"CAN YOU KEEP QUIET?!"
"SHUT UP, DARK META KNIGHT!"
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