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listles-s · 22 days

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man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

#dungeon meshi #delicious in dungeon #laios touden #laios dungeon meshi #toshiro nakamoto #shuro #shuro dungeon meshi #character analysis #anyways toshiro haters with surface level takes get the hell off my lawn boy #i hope you know this entire character analysis was born out of the realization that i'd seen this dynamic before in a different light #and i thought. man. what is the funniest comparison i could make here rn. and i'm still right abt it btw #oh yeah also of course the autism read is still there #as an autistic person myself they don't read at all like neurotypical v autism. they read a LOT more like autism v autism #you know how people with autism either get along REALLY well with other people with autism or repel each other with a force #yeah they're basically that. to me #reading toshiro as autistic with the immigrant lens btw makes him even more compelling to read that way #but that is an analysis for another time #man i missed writing these #dungeon meshi spoilers

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cozylittleartblog · 11 months

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so many people complimented rouxls' boots on the last deltarune post, i forgot i basically never post full body doodles so you've never been able to get a good look at him. so here he is ✨

#deltarune #rouxls kaard #doodles #art #deltarune chapter 1 #just a simple leetol post today. i would like to post more. i keep saying that but i mean it this time.#i think i used to draw the pants untucked from the boots but i liked the little chains that matched his coat #i've always read his uniform as an actual playing card? a lot of people see that the ropes on the front look like writing #like an actual rules card but i read it like his uniform *is* actually very boxy shaped and pulled at the waist #the way i literally read his sprite and the way i draw him are kind of different but i still try to keep that rectangular element #thats why i liked the dumb 80s shoulderpads because it doesn't break up that shape as much as these do #but that's why his coat has the front and back skirts with the slit on either side. its like two playing cards sandwiched together #and that only very loosely translates from my head into the way i draw him but. yeah #i definitely lean more into how he's depicted in merch rather than in game whjbdfghbjfdg

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jemmo · 4 months

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Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

#wow look at me writing actual kinda thought out meta #also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time #look even if this isnt the right interpretation as intended by the author i just kinda adore this headcanon ive come up with and i cant wai #to rewatch the show again through this lens and see if it holds up #i just adore the idea of this whole thing being this manifestation of a flawed doubtful person trying to navigate through their own messy #nonsensical thoughts to find their own happiness #bc yes thats what triggered me thinking of this whole thing. me seeing that post and thinking yeah that doesnt make sense7 #but then again when you tell yourself things an put your own mental blocks in the way they dont make sense either but you still have to fin #the ways to work around them in order to find happiness #like those things dont go away we just find the loopholes or the ways to overcome them that mean we can be happy #the game is your own mind - deal with your own existential crisis as you wish #anyway this is only part 1 in what i hope will be a very extensive meta analysis of this show - stay tuned #love for love's sake

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bowl-of-fruit-loops · 8 months

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I see your “satoru couldn’t bear to see suguru’s body destroyed” and I raise you “shoko couldn’t bear to do it”

#imagine it. you’re ieri shoko and one of your only friends is in your morgue and yeah. you’ve been doing this for years #you’ve taught yourself to see skinmeatmuscle&organ&bone instead of a person’s body. and you’re a fast learner so you’ve gotten good at it #(you’re a prodigy. you’re classmates were titans but you’re a breakthrough.)#and now there’s suguru. and what’s three years against a decade. maybe those three years were so good until it turned sour #gone bad like a fruit you don’t know is rotten until you bite into it #and three years is so little time and you’ve had a decade to brace for this #because of course this was never going to end any other way. either suguru or satoru were going to end up in your hands #because they’re dramatic like that #three years of suguru&satoru and shoko is barely anything. you had fifteen years before that and ten years after #you can’t bring yourself to burn him #jjk #jujutsu kaisen #geto suguru #gojo satoru #ieri shoko #sashisu #anyway I’m writing a fic abt this. if my rambling in the tags didn’t tell u that #writing fics in google docs? no. write fics in the tumblr tags

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moghedien · 2 months

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Shipping Cassandra and Leliana is so funny because I feel like the only people who actually do it have either only played Inquisition or don't think much past "Well they're the Left and Right Hands of the Divine" because you KNOW they only get along to the extent they do in Inquisition because they've never had an actual conversation because the second Leliana opened her mouth about her theology in front of Cassandra, they would have been trying to strangle each other

#either they never talked about it #or Cassandra just silently had an aneurysm because she didn't want to disrespect Justinia by fighting Leliana to the death #also because Leliana is obviously the Divine's favorite in that manner #but I think Leliana is smart enough not to stir the pot when she needs Cassandra #because like look at her if she romanced the Warden #Cassandra will be like 'we LOOKED for the Warden we can't find them!'#but the second its clear they aren't gonna be trying to bother the Warden about leading them anymore #Leliana is like 'yeah I knew where she was the whole time wanna write her a letter? we're in touch constantly she's busy leave her alone'#also like how Leliana reacts to be romanced and becoming Divine versus Cassandra #Cassandra is like 'oh we're going to break up because that's what my religion strictly tells me to do'#meanwhile Leliana not only DOES NOT break up with the Warden but is very public about not having done so #like literally even all the way back in Origins she flirts with the Warden by being like 'Hey god wants me to eat your pussy'#and she's 100% serious about that #Cassandra would become an atheist before she got on board with Leliana's beliefs lbr #dragon age #cassandra pentaghast #leliana

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iwritenarrativesandstuff · 11 months

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I've been thinking about how Vash always seems to be hungry. Or at least, that he's shown eating quite often in the manga. Happily having his salmon sandwiches. Eating an entire box of donuts in the side car. Knowing the conversion rate of bullets to pizza. Seeing a flower and immediately wondering if it's edible. Pondering his life over breakfast. It's a really cute little character detail about him - he likes food.

But then I kind of started to think about the angel arm and its specific brand of destruction. How there were no bodies to be recovered. Nothing but a crater left of July, left on the Fifth Moon. It's all been incinerated. Devoured, even. Tristamp takes it even a step further and makes the power something akin to a black hole - a yawning drain; a constant destructive hunger.

Vash is clearly terrified of this potential for destruction, and for very good reason. But it's not separate from him as some kind of "power he can't control" - it's his arm. It's literally his arm. It is him. Vash is scared of himself, scared of losing control. He does what he can to repress it, even subconsciously (the gaps in his memory whenever it activates). He can't control it in the moment, so he takes steps to preemptively push it down, to avoid the use of his abilities entirely, to hide himself away.

I talked a bit in a previous post about how there are probably several interrelated reasons for Vash's chronically avoidant behaviour, but I'd like to throw one more into the ring and suggest that it's not just a matter of not deserving to want things, but maybe also that he's afraid of wanting. That if he allows himself to even think about what he wants personally that he'll want too much, take too much, and that the only cure in his mind for this is to give and give repeatedly.

I wonder how starved he is for love. Vash loves hard, after all. Once he loves (and I’m not talking about the broad, distant love/compassion he has in general), for better or worse, he carries them around with him forever, long after they've passed. Does he feel like it'd be selfish to admit this kind of want? His love isn't really a passive thing after all - it's the drive at his very core; a mournful inferno he is just barely suppressing. Does he remember how to love in a way that doesn't consume him entirely?

Is that part of the reason he checks out at signs of intimacy? Diverts gifts towards others? Tends to accept kind gestures only when under an assumed name? Intentionally starves himself in Tristamp? Runs and runs and runs? Is he afraid he won't be able to stop hungering? That allowing himself to want means his want will become insatiable?

I just have to wonder how much of his avoidance of connection is being scared that he will cause more destruction (to them? or to him?) by trying to take far too much into his hands than he ever caused by turning his back and running.

...of course I may just be entirely deranged here sorry.

#yeah idk either i wrote this in a haze at 1 am #also i have not yet finished trimax so idk how these kinds of matters are going to be tackled or if i am way off base #if nothing else this kind of reads like one of my guilt spirals and writing it out made me realize how batshit insane i must sound #outside of my own head so if nothing else i guess it was kind of useful for that?#anyways. vash's solution to being hungry all the time is to pretend he isn't hungry for so long he doesn't know what he craves anymore #incredible.#on that note by contrast i'm intrigued by meryl and milly ordering their trademark food and drink with such confidence #also i do love how this fear of a part of himself conflicts so strongly with how incredibly confident he is otherwise #cool character choices you know?#aghhh ok i guess i'll post this before i chicken out. i can always delete it if i hate it after #trigun #trimax #tristamp #vash the stampede #storyrambles

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brightwoods · 1 year

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Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

#As a queer person the whole using homophobia against her characters as plot just to pretend homophobia doesn’t exist and call her characters #cowards for worrying about it as soon as she’s decided writing it doesn’t serve her plot agenda anymore really icks me right out #Like yeah I’d love homophobia to not exist but girl what are you doing that’s so gross to go about it that way #ALSO everyone outing or potentially outing everyone else to other characters to make it easier to get the queer characters to do what she #wanted them to was a HORRIBLE vibe. Why is Matthew outing his brother? Why is Thomas outing Alastair? Why is everyone telling everyone else #people’s sexualities as if it’s nothing and everyone has a right to know when that character clearly did not feel that way #And it’s so out of nowhere every time too #Hot take: Charles protecting Alastair’s privacy instead of outing him was more valid than anything any of the other queer characters said #about Charles or Alastair’s sexualities even if I hate Charles and his going along with the blackmail was bullshit #Also now that I’ve written all of this down and 99% of what I wrote about in here has to do with the canon queer characters that’s not #a great look either that she did breeze over some of the stuff with the other characters for sure but she was way more likely to skip depth #and development with the queer characters in CoT #CC said no slow burn gradual changes in this book… there’s only room for abrupt 180s and Cordelia running 🏃‍♀️#Sorry if this has weird typos and other mistakes in it. I typed on my phone and didn’t check for autocorrect nonsense and I’m too lazy to #reread this all rn at my current brainpower level #CoT #Chain of Thorns spoilers #Chain of Thorns #The Last Hours #The Shadowhunter Chronicles #Cassandra Clare #My Posts

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lemonyinks · 8 months

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ALL legion reboots miss out on how useful (and funny) it would be to have two invisible kids' on the team.

It would be hard enough to fight ONE guy while he's invisible, but having TWO of them going at you? Infinitely harder.

But also, they would be so good at pulling pranks

#and then pushing the blame onto each other #and no one has any way to disprove if one or the other did it because they were invisible who is going to say 'no that wasn't jacques/lyle'#yeah this is just me being sad that they aren't writing together more often #i miss lyle #and jacque is such a fun character #and dc doesn't utilize EITHER of them well anymore #it seems like recently all they do with either of them is pull the 'haha there was someone here the whole time you just didn't know!' gag #which is exhausting #lyle norg #jacques foccart #invisible kid #invisible kid ii #legion of super heroes #losh

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seventh-district · 2 days

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not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

#today's gone Badly and i'm upset but instead of venting abt it i'm gonna channel that energy into doing a bit of tag rambling abt Boothill #well. less abt Him and more abt uh. self-analyzing my anxiety surrounding contributing to fandoms. he's just today's catalyst #like. i know it's mostly a me thing. i'm hypersensitive to criticism and very conflict avoidant + socially anxious + perfectionistic etc.#so I'm the one that keeps myself from posting more stuff out of fear of being criticized or called-out for what i've made #bc inevitably Someone's gonna see it and think its OOC or a problematic take or they'll misread my intent. etc etc what have you #but like. that's inevitable. there's no way to communicate every single thing with all of the nuance required to avoid misunderstandings #and other times it's not a misunderstanding it's just a difference of opinions and that's Fine!! there's no accounting for personal taste #there's no accounting for several things actually. taste‚ bias‚ lore-knowledge‚ differing levels of chronic-online-ness‚ etc #so this isn't me complaining abt the state of fandom culture (although i do think. sometimes. ppl take shit a bit too seriously)#but anyways all of this is mostly just anxiety-fueled. it's not like i very often actually even receive negative feedback or anything #if anything ppl tend to tell me that i'm overthinking it and killing my own fun and worried that my stuff is more OOC than it is #which like. yeah. Yeah u right :) but that's just the way that i am! always losing the idgaf war i suppose #anyways what's Boothill got to do w this ur wondering. well. i've been thinking abt the quickly emerging concept that he's illiterate.#and it just. has me feeling a lot of ways. and watching ppl disagree over it has me feeling some Bad ways. bc it's def a loaded topic!#if you'll pardon the pun there. and i don't rlly have anything new to add other than that i'm conflicted abt it.#like yeah i saw the leaks days ago. of him mentioning 'not hitting the books' much as a child when we ask him why he sends voice messages #or voice Transcriptions ig. ykwim. and like. *braces for impact* ...i liked it? like. it doesn't feel right to call it endearing #i'm not trying to infantilize him. ok that's not the right word either but ugh. you know? what i mean?? who am i kidding even i don't know #it's not quite right to say that it feels like Representation either. but it's something close i guess #as a southern person myself who didn't receive a 'complete' education due to factors that weren't to do with my intelligence #the concept of seeing him as a capable force to be reckoned with and respected who also happens to have not received much formal education #i like that. i do. but there's so many issues w it at the same time. like. as i said‚ being southern myself has me Wary of the way Hoyo is-#writing him. as well as of the way that the fandom is taking the bits of his lore and running away w them. and i'm Very aware of how ppl-#will see a southern character and be All Too Eager to agree that they're lacking intelligence based on our Redneck™ stereotype #sigh. and before we even go too far with this. it's not even confirmed that hes completely illiterate. which is a valid criticism i've seen #there's Multiple reasons that could make him prefer voice to text. but regardless. i'm just worried that ppl will misconstrue my intentions #like. example: that edit i made the other day of him saying 'no thanks i can't read'. wasn't me playing into the stereotype of-#'haha dumb country boy can't read!' it was. in my eyes. something he'd say as a joke to make light of a potential insecurity #like. i think there's far more depth to Boothill's character if ppl could look past the surface. and i dont wanna contribute to the problem #but sometimes ppl Will have stereotypical traits and i wish the same could apply to characters as long as it's done Thoughtfully.

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pokimoko · 16 days

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On Waxen Wings We Soar, In Spite of Inevitable Ends - A Baldur's Gate Fic

Written by pokimoko

Chapters: 1/1

Word Count: ~15.5K

Fandom: Baldur's Gate (Video Games)

Rating: Teen and Up Audiences

Warning: Creator Chose Not To Use Archive Warnings

Relationships: Astarion & Karlach (Baldur's Gate), Astarion/Karlach (Baldur's Gate), (it's fairly ambigious; is it romantic? queerplatonic? platonic? yes), (the love and devotion is there regardless)

Characters: Karlach (Baldur's Gate), Astarion (Baldur's Gate)

Tags: Post-Canon, Post-Game: Baldur's Gate 3, Spoilers for Act 3 (Baldur's Gate 3), Alternate Universe - Canon Divergence, (in which a certain scene on a certain dock doesn't happen right at that very moment), POV Karlach (Baldur's Gate), Astarion as Player Character (Baldur's Gate), Vampire Spawn Astarion (Baldur's Gate), Astarion & Karlach Friendship (Baldur's Gate), Ambiguous Relationships, Queerplatonic Relationships, Non-Sexual Intimacy, No Smut, Location: Faerûn (Dungeons & Dragons), Dungeons & Dragons Game Mechanics, Road Trips, (minus the car), Canon-Typical Bag Packing Physics, (how are they fitting all that food and a whole tent into one bag? don't ask me), Polymorph Spell (Dungeons & Dragons), Animal Transformation, Corvid Token (Baldur's Gate), Birds, oh? my wisdom check engine light is on? well i'm sure it's nothing to worry about, (and yes i know that joke doesn't actually work in terms of d&d mechanics. shhh), Quest: Our Fiery Friend | Karlach's Companion Quest (Baldur's Gate), Karlach Needs a Hug (Baldur's Gate), Astarion Needs a Hug (Baldur's Gate), Angst and Hurt/Comfort, Angst and Humor, Karlach-centric (Baldur's Gate), Astarion-centric (Baldur's Gate), Protective Karlach (Baldur's Gate), Protective Astarion (Baldur's Gate), Karlach Has Chronic Pain (Baldur's Gate), Dying Karlach (Baldur's Gate), Ambiguous/Open Ending, Bittersweet Ending, Character Study

Summary: With her engine breaking down, and little time left to live before she burns up completely, Karlach takes one last journey across Faerûn. And thanks to a little bit of magic, it's a journey she won't have to take alone.

#baldur's gate 3 #bg3 #bg3 fanfiction #bg3 fic #bg3 fanfic #baldur's gate fanfiction #fanfic #my fanfic #my fic #ao3 fanfic #fanfiction #karlach #karlach cliffgate #astarion #astarion ancunin #hellspawn #astarion x karlach #karlach x astarion #well it's not exactly 'x' between them. nor really an '&' either. it is a bit more ambigious than those can define ('tis the aroace in me)#so it's up to you if you want to read it as romantic. pre-slash. platonic or queerplatonic :3 #putting my two favourite bg3 characters on a bucket list road trip together because i can. self-indulgence is a wonderful thing #to those who know my writing: not a ghost or radio in sight. guys i think i might finally be *gasp* branching out #me who's been wanting to write an animal transformation fic in years upon discovering the corvid token: 'finally. my time has come'#(with a dose of *seeing the lack of karlach and astarion as a duo fics* 'fine. i'll do it myself')#you've heard of goostarion. now get ready for asta-raven....no? fine we'll workshop it.#(though i feel i should clarify the banner is misleading; he is not a cool funky white raven. just a normal black raven. well. dire raven)#hey y'know that 'the love was there. it didn't change anything. but it still matters that love was there' post. yeah...yeah #i suppose the best way to put this fic is--to use that good old bit of trite wisdom--it's not the destination. it's the journey

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