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#but it's fine. bc we're gonna kill it
welcometogrouchland · 11 months
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I will feel so tired that it's like my atoms are coming undone and I'm being made unreal...and then I will have a little chocolate treat and for 15 minutes I am whole and present again. Then the horrors
#ramblings of a lunatic#i remember feeling like this at the peak of my burnout and fatigue before#(also the same burnout and fatigue that took my interests and creativity and ground them into dust)#so I've concluded that i will just try and make it through the next two days as best i can (I GET FANCY RESTAURANT FOOD ON WEDNESDAY)#and then I'll just try to let my mental and physical health recuperate while finding excuses to hang w/ friends#cause that'll stave off thr madness of isolation#i wanna watch my shows and movies too and I'll finally be able to w/o guilt after the last exam :cries:#anyway. if you've noticed an uptick in me just sayin shit recently (in a way that may or may not be cause for concern)#it's bc I'm so close to getting out of the mines that having to wait any longer is driving me clinically insane#i wanna downplay the problem bc it's truly not that big a deal in some ways#but then i remembered that this is a) the longest I've gone w/o seeing my pals in like. nearly a month#and I've been at home doing the same stuff everyday for nearly a month too#and also IT'S THE FINAL EXAM I'M EVER GONNA DO BEFORE COLLEGE. IT'S A BIG DEAL MAN#so actually. yes I'm a bit of a drama queen but my slice of life problems have a place for mediation and bemoaning#but it's fine. bc we're gonna kill it#I'm gonna do sooooooo good on this test (<- manifesting)#it's. a little high pressure bc the last time i did a test for this subject (that I'm generally very good at) i majorly beefed it#but I've learned since then and I'm hoping. praying. also working hard but mostly hoping and praying#anyway. I gotta sleep soon bc i got so little sleep last night bc of the heat that i almost started crying at breakfast#LET'S GO LESBIANS (the lesbians are me. it's just me talking into a hall of mirrors)
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bumblingbabooshka · 1 month
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One of the best Voyager scenes to indicate Tuvok & Neelix's dynamic and how I think Tuvok is just as if not more 'annoying'(positive) than Neelix is when Neelix pours Tuvok a fresh squeezed glass of a fruit juice blend and Tuvok's like (paraphrased) "I don't want to drink this." and Neelix is like "Can you please try it?" and Tuvok's like "I don't want to, you're really bad at this sort of thing. It's going to taste bad." and Neelix says that Ensign XYZ said she LOVED it, she even had a second glass! And Tuvok says Ensign XYZ could drink poison without a second thought and Neelix is like "Tuvok could you please just TRY it? Just try a little SIP of it PLEASE??" and Tuvok sighs and rolls his eyes and sniffs it before taking a sip and it turns out he loves it. Turns out it tasted good actually. And then after all that Neelix tries to talk to him over eggs (which he's again cooking fresh for him) and Tuvok tells him he doesn't wanna hear "the life history of his breakfast." Absolutely insufferable this man I would have burned his eggs on PURPOSE!!!!
#I love Neelix so much and I think he and Tuvok are very funny together - irritating4irritating#People say 'Neelix is so pushy with Tuvok!' and you know what? I think Tuvok can handle it. I think maybe he does need to be pushed -#down a flight of stairs. (he's my favorite character and he's so annoying...TUVOK!!!!!)#Tuvok: -kicking and screaming- I don't want to drink the juice!!! It's poison!!! You're trying to poison me!!!!!!!!!#Neelix: Can you please drink the juice. The fresh squeezed juice I made for you Mr. Vulcan??? Can you please???#Tuvok: Fine but if I die it's your fault. If I die from the poison you're FORCING me to drink it's on y- Oh this is delicious actually.#and don't tell me 'Neelix didn't make it SPECIFICALLY for Tuvok' bc I know he didn't but he says#'I'll start squeezing that second glass!' after Tuvok finishes his sip so he IS freshly squeezing it#Neelix: -makes Tuvok fresh squeezed juice-#Tuvok: Are you trying to poison me???#Neelix: -talks to Tuvok while making his eggs-#Tuvok: Can you be quiet???#<- TUVOK!!!!!!!! I'M GONNA KILL YOU EHHEHEHEH <3#Tuvok is the most annoying guy ever bc he doesn't care about what people think and is a snob with a lowkey superiority complex#vs Neelix is perceived as annoying (post his relationship with Kes) bc he cares a lot about being useful and helping the crew and sometimes#is too pushy because of that but listen...I think Neelix is sweet and genuinely trying his best - after the Kes plotline with him ends I#really don't find him objectionable. Just chatty & a bit overbearing maybe Meanwhile Tuvok !!!#Meanwhile Tuvok!!!!!!!!! HHEHEHHE#st voyager#star trek voyager#I think they should have done more with Neelix thinking the crew of Voyager were spoiled - specifically how Tuvok acts Like That sometimes#little lord Tuvok. oH SORRY...for DEIGNING to speak while preparing your eggs your HIGHNESS!!#I think people do a disservice to Tuvok by not talking more about how he's kind of a hardass and a snob v_v also a disservice to Janeway#indirectly bc her bestie is kind of a hardass and a snob and what does that say about her??#I also wish Neelix kept up a bit of that 'these people are crazy and also so soft oh my god shut up about the food being bad - we're trying#to SURVIVE!!! Eat the Leola Root!!' from the earlier seasons...I like when he shows he has a bit of bite#It's just funny and interesting that Janeway isn't friends with Tuvok bc he's 'not like other Vulcans' - she's friends with the most#Vulcany Vulcan ever and I love that for them.#CRIMINAL that we don't ever get any in-depth insight into their friendship#Tuvok
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thychesters · 8 months
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#wipwednesday! once again no context but that's fine. just two dudes chillin on the beach while one goes "u wanna" and the other goes "go to sleep? yea" (">:(") slowly picking away at this wip, but i dug myself into a hole because i realized a few minutes in that having some knowledge that comes with the post-timeskip would probably help ... and i'm on the luffy v lucci fight right now, lmao.
text under the cut:
They lie out on the beach, under the stars and among the sand and crackling embers of a low fire. They’re quiet as the rest of the crew sleeps, Nami snuffling into her pillow and Usopp’s foot twitching against where his blanket has bunched around his knees while he settles. They doze under the stars and the brilliant light of a far away moon, waves coming and going, looking for constellations they don’t know and making up hushed stories for the ones they do. Granules of sand shift as a rough, warm hand brushes against his own, and then their palms slide together before locking into place. “I’m glad Zoro is here,” Luffy murmurs, as if they’ve ever needed words before. For the first time in days he actually feels a sense of peace. “Wouldn’t be anywhere else, Captain.” It’s foolish to think it’s over, that whatever storm they’ve brewed has calmed, but he lets his eye slipped closed for a moment to breathe. Be. The presence of their crew scattered around the remnants of their bonfire in a haphazard circle is more grounding than anything else has been in the past twenty-four hours. He can feel the loom of a shadow over him, the body hovering above his, and he opens his eye again to find Luffy bent over him, fist planted beside his head and knee digging into the sand between his. He hasn’t let go of his hand though, their fingers wound around one another, tight enough to snap them at the joint if he flexed his wrist. Embers burn in his gaze, glinting off eyes that are so dark they’re nearly black, regarding him with a dare, a challenge, and Zoro answers with his free hand slithering up his chest, mindful, careful, reverent of the skin Luffy can feel but can’t, the mottled scar that puts his pain and loss on full display, and traces a blunt nail along the dip in his collarbone. He curls his hand around the back of his neck, complete attention focused on Luffy before an iota breaks off to keep their surroundings in mind, the crew, any new potential threats, any more of the same he’s already been made to endure before. (But they made it through the day, made it through with only the normal of amount of bruises and scrapes—) As he shivers at the touch—pleasure, delight, anticipation, the fact it’s chilly and they let the fire burn low—Luffy then answers with a grin, a harsh slip of teeth.
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Accidentally deleted my prev post so if you think it's too similar...yeah it is, oops
Billy: canonically racist, canonically abusive, canonically sexist, canonically holds homophobic beliefs (whether or not he's queer, he still uses homophobia against Steve). His sole purpose is to antagonize the main cast
A certain subset of the fandom: okay but has he ever done anything wrong? No. He was justified in pinning a child to the wall and threatening his life. Plus, he'd look cute w the guy he beat to literal unconsciousness. If there's anything TO fix, Steve can fix it
Eddie: Just Fucking Standing There. Good dude, outgoing & honest with his freak & nerd tendencies, can easily be read as queer, takes in other outcasts & seems to protect them (or at least shields them with his own Armour of Aggressively Weird). Good rapport with the main cast & his Big Boy moment comes off as a guy blatantly flirting & not trying to insult. Not much on the guy, but at the very least, hes got a good heart & he wants to help others.
A certain subset of the fandom (perchance with some overlap but I can't be asked to check, I'm not that kinda masochist babes): Hm. Eddie is cringe. Liking Eddie is cringe. Liking Steddie is cringe, none of the real queers like Steddie
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elegyofthemoon · 6 months
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Sorry, but I saw your comment about how Gepard is in that piece like Serval's shield, and I guess you mean in general how that's the role he has as the captain of the Silvermane guards and how that's the role he tried to get to get "even" with Serval due to childhood, but also... The fact that at the same time Serval is still literally his shield? That always makes me soooo ajfkabfksndjd when it comes to them and their dynamic.
DONT MAKE ME THINK ABOUT THIS IM TRYING TO COOL OFF LMAO
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whoslaurapalmer · 10 months
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44 laura is my favorite noir; BUT I still think the best top tier noir is in fact. double indemnity. followed by sweet smell of success, then sunset boulevard. then laura.
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princemick · 1 year
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guess whos group mate is not here again....
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synchlora · 1 year
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holy SHIT man..
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opens-up-4-nobody · 2 years
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...
#i guess this isnt quite the closest I've been to total mental collapse but i mean we're getting there#i guess the difference is thst now i understand what's happening so part of my brain is sitting back like: this is stupid while the other#half is laying on the floor screaming#so it goes i guess.#i just spent like a lot of time preparing a bunch of data for a talk i have to give tomorrow. and i still have to practice it#and i just and v worried abt attending a conference rn bc i have about zero enthusiasm rn abd i really passionately dont care abt the data#so im gonna have to b all chipper and im gonna have to drive down there as well. and its only like 45min but every time i have to drive its#my brain is like: ur gonna get someone killed. can u handle that rn? and no i cannot ever. plus im so tired and usually i get so stressed#abt driving i cant sleep. so low sleep plus my eyes r all sore from crying. and then i have to interact with ppl and drive home. and#apparently i also have to go help in the field wednesday as well. and i just have so so little capacity to b human rn.#itll probably b fine. i just suck it up and deal. but like i was fantasizing the other day abt just having a normal day where i didnt have#to do things. or just like walking around in the woods. and its like wtf ru talk abt u r the only person stopping u from doing these things#so shut up abt it. ugh idk im tired. i should b practicing for tomorrow. itll b fine. this is stupid#its just been a long time since ive spent this much time crying on a daily basis :-/#unrelated
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tvrningout · 5 months
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i got a bad habit of making muses that are a lil dark for their source material
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good morning~
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yumenosakiacademy · 1 year
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hot take ak/echi fans r kinda shit compared 2 ad/achi fans bc whereas ada/chi fans embrace the fact ada/chi is a piece of shit n a villain, ak/echi fans woobify his twink ass n justify all the shit he did bc “his childhood was bad tho” n try 2 act as if theyre somehow better bc their fav is an edgy pretty boy.
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lionheartedmusings · 3 months
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bear with me bc this is gonna be a bit of a long one, but i've seen folks talking about how they're excited to get the horrors back on the qsmp and while i totally agree that i miss those blood-curdling, creepy, uncanny valley sort of scenes... i think the beauty of the overall storyline (as much as it's execution can be criticised ) is that we as the audience are seeing things in a vacuum.
the qsmp storyline is a living breathing player alongside our povs, and while we're aware of that, we're also not always engaging with it. we're getting swept up in the day-to-day of it all and getting lulled into a sense of security that ultimately makes us unable to truly comprehend the horror of the last few months until we take a step back and analyze it bit by bit.
children went missing in the night, leaving only their identifiers behind on empty beds. there were no leads. people looked and looked, and found nothing. parents were mad with concern and grief, and the all-seeing, all-powerful entity that rules their lives trapped in this hamster wheel of an island has no answers.
then, the items left behind on those beds vanish too.
then, there's mind-controlling, happiness inducing drugs being pumped into people against their will. still no news of the children. people are falling apart at the seams.
people are led to a maze where a wheel is spun and everything they have left of the children of this godforsaken island is gone. burned up. what does it mean? no one knows. they have to live on.
suddenly, a game is played. a clone of a dead child shows up, leading some of them into the same maze, forcing them to walk through a maze of doors and corridors, only to find a game of dice orchestrated by an unknown entity.
new people arrive, bearing witness to the hopeless, grim, sad reality of everyone who was already there. there's hope — there's always hope — but my god the pain is overwhelming.
there's clues, but there's not. the government keeping them trapped here against their will still has no answers, nothing to point them in the right direction.
faceless bears go missing.
faceless bodies show up on the streets. bloodied. dead. eaten.
suddenly, there's thunder and lightning and oh! oh, their children! of course they'll get on the train, that's where the children are!
but they're hijacked. stolen. once again, their autonomy is stripped entirely as another entity with power they cannot comprehend forces them to split into factions and compete for... something. their children's lives are on the line and they maim and kill those they call family because they fear they have no choice.
everyone went through hell — purgatory was a bad title for what they went through. it was hell, with no salvation in sight.
when all is said and done, when all the murder and backstabbing is over, they see their children through glass they cannot break. one escapes because chance said so, and the rest are left behind as the ceiling collapses on them.
the world is ending and their salvation is one singular boat a thousand blocks away. lovers can't say goodbye, friends run for their lives together, a father and a son dash desperately with no hope in sight. some stay behind, through choice or chance.
the government official that has made their life hell returns the children to them, and brings some new ones. those new children get carted off to new parents without option (again) and suddenly everything's supposed to be fine! nevermind your friends are gone! nothing to see here!
behind the scenes, the all-seeing all-knowing government is breaking apart, there's something far more horrifying and twisted at play in the background... but it's nothing the islanders can help with. nothing they can do. they have to live on and pretend their golden cage is fine and dandy bc at the end of the day, it's their only option.
one-eyed creatures show up demanding something "of theirs" back and bc humanity is strong, one islander refuses to hand someone kind and innocent off to them.
it dooms them, as their humanity has every single time.
now, they're under attack and they can barely defend themselves despite months of prep and having amazing gear — again, they try their hardest but everything is stacked against them. they fight, and fight, but their children are on the line and that's their main concern.
every fight? there's bodies littering the ground and panicked screams. explosions. chainsaws revving, and worry, and it's a war ten times a week.
a child loses a life, and now it's personal, but what can they do? no one listens to them, no one has ever listened to them.
and in the middle of all of this? their family is still gone, trapped in a wasteland, or missing, or... dead.
there was no funeral for q!maxo bc there's no stopping to smell the roses on quesadilla island, not really. where's slime? where's pol? where's the people who they haven't seen yet? gone, yes, but they don't have time to stop and worry about them. they don't have time to mourn losses and grieve their dead.
luffy, who came to try and help their friends, was stolen and hurt.
those eyeball workers? they were people once, maybe good people. maybe the best people we never got to meet, but they got shifted and changed into something monstrous and out of their control.
my point being: the story that the qsmp is telling is innately horrifying. it's not just creepy — it's twisted, and tragic, and absolutely terrifying. it's about loss of agency and running on an endless hamster wheel of someone else's making, and how you just sort of... live with it after a while.
and i think that's really fucking cool, because like these characters we too get used to the tragedy of life, little by little, and forget to see the whole thing from a bird's eye view (pun intended).
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ofswordsandpens · 3 months
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just finished episode 6…. truly don’t know how to feel about these changes. would love to know your thoughts bc i’m just kinda baffled by some changes tbh
Mixed feelings as always:
Percy's dream slapped. I loved Kronos's actor. It felt perfectly eery. No notes.
No percabeth late night convo on the truck. This doesn't surprise me given we sort of did that on the train already, but now there's just another iconic book moment that we'll get bits and pieces of, but never actually get to see in its entirety/original setting.
I did vibe with the glass prism tool for the iris message and it was pretty cool. The Percy + Annabeth argument was great but I'm gonna be honest, Luke being like "you're arguing like an old married couple" was laying it on a tad thick to me idk idk. I know I'll probably be in the minority there lol but I think it would have liked the line better if Percy and Annabeth got more embarrassed to his statement but they both reacted to it like :/ so it just felt heavy handed on the show runners part more than anything
Lotus Hotel vibes? Lackluster. Uninspired. It just didn't capture that outrageous paradise for kids feeling from the book because they turned it into Hermes' hangout so there's a whole bunch more adults than kids. Basically felt like if you took the movie's version and turned down the energy of it by a mile lmao. (Which is also ironic given RR's post about it today).
And of course the kids immediately know what's happening so like. No fun mystery. No Percy figuring it out. Just them being like "omg we need to be careful" and then immediately separating from Grover lmao.
Okay. LMM's Hermes.... it wasn't bad. Thankfully there was no singing. He was fine. It's more or less that turning the Lotus story line into a Hermes' storyline was like an "okay, I guess we're doing this" thing. I mean I guess we finally introduced something for the non-book reader's to pick up on that Luke might not have the best relationship with his dad (and consequently the gods). But like, nothing about this storyline is something that isn't introduced later on in the books. Nor was it better or more interesting than the original lotus storyline in the books.
Again, its the constant replacement of everything fun and silly and absurd in the book and turning it into a very serious moment, is just like, killing the energy. Seriousness is good. Silliness is also good. The book balanced it greatly. The show struggles here.
Glad we got a Pan mention tho!! Finally!
But um 4 pearls, so no dilemma about who to save. A part of me is relieved because the show's created like 3 other sacrifice convo scenarios so its gotten bit reductive, but Sally being a part of the equation is an entirely different dynamic and now that dilemma is theoretically gone. (unless he loses one of the pearls?)
And Percy's missed the deadline?? Right?? So like? I really don't know what we're doing anymore. In the book the deadline was pretty strict lol. Here I guess the deadline was like, a loose suggestion? Percy's walking into the middle of the god's battle field with master bolt in his hand? Idk.
Overall things in the show feel messy and way less cohesive. They seem to know that certain things from the book are important but not necessarily why, or they'll introduce events or plot points strangely late or way too early.
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dykefaggotry · 3 days
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[image id: an ask from @harbingerofskulls that reads: "im gonna b real i only knew the jerking off i would love to hear you elaborate more if you want to go on the whole situation" /end id]
answering here so i can save as a draft without risking the ask disappearing bc tumblr's been doing that lately but
oh god </3 for everyone else- it's talking about this post. sooo i'm gonna go through each one bc i've been feeling insane for several weeks. i'll do my best to cite my sources lmao
i don't know (johnny johnny)
this is referring to this unreleased VERY early beatles track from 1960. the audio quality is absolute shit & as such unfortunately people love to put words to it that don't make much sense in either direction (i.e a lot of mclennon fans want to hear "you're in love with me" and a lot of people that hate mclennon will just make up the weirdest lyrics that make 0 sense so it's Not Gay). some of the lyrics that ARE clear make it obvious this song is about the two of them running away together- at one point i'm fairly certain paul says "how am i gonna tell my father that we're leaving town?" probably referring to them leaving to hamburg. which would be fine but some of the other lyrics areeeee..... very..... Hm. like multiple times paul refers to john as "my boy" and there's bits of them talking about not knowing what to tell their friends & wanting to just run off together alone. if i were the other members of the band having to record this i would have killed them with hammers <3 also the entire end is just paul going "oh johnny" like 1 million times. okay. sure. also since the lyrics ARE so garbled i mean i guess people could be right about it saying "how am i gonna tell my father you're in love with me" but i just don't hear it. still, a very gay song about running off together and getting away from everything and everyone, complete with moaning the other's name </3
2. paris
this one is a huge part of McLennon Fandom Lore lmao but for good reason. not citing sources on all this bc it's one of those that's just Fact & can be found in like any beatles biography or thebeatlesbible.com (my savior) but. for john's 21st birthday, he got 100 pounds from a rich relative. instead of taking his girlfriend or any of his other friends, he decided to use the money to take paul to spain. but they stopped in paris on the way and just decided to stay there. which i mean like. taking your best friend over your girlfriend to the city of love is a little weird but it's not THAT weird. it's everything else that makes people want to chew glass about it. including some of the other things on this list. like this audio of john just goofing around singing about paris and paul, with such hits as "my cheri, my pau pau my pau paul." which is :| okay best friend. and paul has this picture hung up in his house that he took of john sleeping in paris. okay. sure. why not. (although ig there's some doubt about if the photo is from paris? either way it's a picture paul took and has framed in his house which is incriminating enough my man). also NOT in the original post but may pang, a woman john had a brief affair with in the 70s, wrote a book called loving john. in it, there's this quote:
After a late lunch, Linda launched into a long paean to the joys of living in England. When she was finished, she turned to John and said, “Don’t you miss England?”
“Frankly,” John replied, “I miss Paris.”
okay! also in an interview once he said:
The thing was all the kissing and the holding that was going on in Paris. And it was so romantic, just to be there and see them, even though I was twenty-one and sort of not romantic. But I really loved it, the way the people would just stand under a tree kissing; and they weren’t mauling at each other, they were just kissing.
(interview with david scheff for playboy in september 1980)
3. if i fell
this one i already made an insane post on that started my spiral into posting about the beatles publicly </3 but, essentially, the song "if i fell" by john is..... well it's most likely about paul. he said it wasn't about his wife but that it was auto-biographical and he never really had any public affairs that weren't flings, certainly not a lover. but most damning is he wrote the complete lyrics for the first time on a valentine's day card addressed "to paul with love" with some hearts and arrows pointing to where the lyrics were written. absolutely insane. made me insane.
4. oh! darling
rawest paul song of all time if i do say so myself lmao. but it's just.... Highly Suspicious, that's what it is. a Lot of beatles fans/historians will admit this song is most likely about john but they won't admit that it's fucking romantic if it is. like.
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like that is so blatantly romantic idk what to say other than that. also, in the official recording on abbey road, there's Several points where paul says "darling" that sound more like he's saying "johnny" which is what he called him. people brush it off by saying it's his accent, but there's a very clear difference between when he's saying "darling" and when he's saying "johnny". i mean the Lore behind this is that it was written right when things were splitting up between them (& the rest of the band) so it makes sense and it's why most people are willing to accept it's about john. it's just insane to me that they'll accept it's about john without considering the implications of that.
5. the real life demo
this one made me want to light myself on fire i won't lie to you. but here it is! john had a song called "real love" and this is a very early demo of it. but instead of the lyrics that came to actually be in the song (which are thought to be about yoko but let's not get into the fact that it was on a tape labeled "for paul" but whatever), it includes john fucking crying as he sings saying:
"was i just dreaming or was it only yesterday? i used to hold you in my arms. and now a baby and another on the way... la la la la farm..."
which can quite literally be about no one else but paul, as this demo was recorded when he'd just had two children with his wife linda and linda was pregnant with their third child. they'd moved to a farm in scotland. hearing this audio clip did genuinely make me want to lie down in the dirt for a week. also "i used to hold you in my arms" just... yeah. god. when people think it was unrequited idk what to say, really.
6. If Paul Were A Woman-
shoving these two together but. in april of 85, paul said in an interview about john and yoko's relationship:
"I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, 'Who’s this?' You can’t really do that. If I was a girl, maybe I could go out and…"
okay bestie <3 and what would make your relationship different if you were a woman? interesting! and yoko had something similar to say. in this audio, she says:
"I’m sure that if he had been a woman or something, he would have been a great threat – because there’s something definitely very strong between John and Paul."
just reminds me of being a kid and telling my best friends "if i were a boy i'd date you" lol. incredible. does anyone here know about bisexuality.
7. stuart!
not much to say here except that john had a best friend, stu sutcliffe, who died young & before that had been the bassist in the band. paul fucking hated him sooo much oh he SEETHED. a lot has been written on that relationship but it was.... very interesting to say the least. it could have just been about the band, or just jealousy over john's friendship, but take that with a lot of john biographers suspecting john had feelings/even a sexual relationship with stuart and it paints a very Interesting picture to say the least
8. john's bisexuality
here's a compilation of quotes about it, but john was more than likely bisexual. which has nothing to do w paul, really, but more to do against people that like to claim they were both Heterosexual Men. although an interesting quote in this compilation is him saying he's "had paul" lmfao
9. paul's post-beatles work
there's just.... there is so so so much here i don't even know where to begin. @ringompreg has a good compilation of paul songs here. a lot of them do take a bit of Lore but like..... it comes down to the fact that both him and john have/had admitted many times to using their lyrics during The Breakup Years to talk to/reference each other and sooooo many of these lyrics are insanely blatant. the two i mentioned were tug of war and let me roll it, both of which are acknowledged to be about john by most people WITH NO ONE BOTHERING TO ACKNOWLEDGE THE IMPLICATIONS OF THAT which..... tug of war has this:
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we could stand on top of the mountain with our flag unfurled? dancing to a beat played on a different drum? this is what gaylors think gaylor conspiracy is but paul mccartney is really out here saying this shit.
and let me roll it is so fucking blatantly romantic but every reviewer is like haha! what a cool song that's "making fun" of john and clearly in his style! like are straight people stupid genuinely. anyway:
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bonus to that but about JOHN'S solo work :)))))) he wrote a song called "watching the wheels" and when you consider he very much responded to MANY of paul's solo stuff it's :)
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which as a response to let me roll it would just be... so devestating but it may be a stretch idk if i'm onto anything there it's just worth Mentioning
and there's a lot of others, a lot of them in that post up there. like far too many where paul mentions falling in love with a friend like Alright.
10. paul's first lsd trip with john/"i know" "i know"
this one is less blatantly romantic but it is just insane. here's an article. and a quote from george martin about it. the first time paul tripped on acid w john was bc john accidentally took some and he took him home & then took acid w him bc he didn't want john to be alone on the trip :( but, notably:
"And we looked into each other’s eyes, the eye contact thing we used to do, which is fairly mind-boggling. You dissolve into each other. But that’s what we did, round about that time, that’s what we did a lot," the singer recalled, "And it was amazing. You’re looking into each other’s eyes and you would want to look away, but you wouldn’t, and you could see yourself in the other person. It was a very freaky experience and I was totally blown away."
he also apparently saw john as the, and i quote, "emperor of eternity" during this trip??????? okay
SOMEWHERE i can't find it rn and i'm getting lazy but somewhere they (i think paul?) talk about the fact that they used to just stare into each other's eyes and then say "i know" "i know" which. considering john's song "i know (i know)" makes me crazy
11. in my life/i will
these are really just some devastating songs with lyrics that make you really raise your eyebrows. for in my life, written by john, it's just an incredibly romantic & sweet song that is again, not about his wife. given that the lennon estate is still out here posting pictures of paul to those lyrics i have to say it's a liiiiittle suspicious. and i will is...... it's one that paul insists is not about his girlfriend at the time, jane asher. and when you look at the lyrics vs how him and john met.... like. the song goes:
Tumblr media Tumblr media
and the story of how they met was that paul saw john repeatedly before they ever met, when he didn't know who john was other than that he thought he looked cool & admired his sideburns (lmfao). and when they did finally meet, it was when john was singing at a garden fete (party) and paul was in the crowd just Mesmerized. so. well. you can see.... you can see how fitting that is. makes me crazy makes me want to chew glass actually
12. "we were each other's intimates" and other insane quotes
"we were each other's intimates" is a paul quote about john which is just insane but that's not even the tip of the iceberg. here's a ton of quote compilations.
13. "literally everything else"/honorable mentions
some honorable mentions go out to: john going on stage w elton john & playing i saw her standing there and introducing it as "a song by an estranged fiance of mine" okay! the "just like starting over" demos. okay! which isn't even to MENTION the fact that paul locked himself away in the studio listening to "just like starting over" on repeat for DAYS after john died like???? john saying repeatedly that he considered paul & yoko to be his two major partners in life including in an interview the literal day he died. a whole ass rpf movie where they kiss & talk like they're ex-lovers and dance in central park (two of us) made by the same dude that made the let it be movie like. he knew them personally? he worked with them closely? and the only thing paul had to say about it was just essentially that it was what he wished would've happened like???????? i can't find a super reliable source for this so take it w a grain of salt, but apparently paul referred to mclennon fanfiction as "beautiful stories" and doesn't mind them being written. paul also had a cat that had kittens & he named two of the kittens pyramus and thisbe after fictional lovers he and john played and he gave pyramus (the character paul played) to john :|
and literally so much else like all of this and it's not even all of it. it's not even close to all of it. i didn't even get to talk about the way in "get back" the documentary, paul started talking about john leaving the band for yoko and how john would choose her over them and then he got teary eyed, started choke laughing, and then started singing "build me up buttercup" before looking at the cameras and stopping. what the FUCK was that about! IT'S NOT EVEN GETTING INTO THE SONG "TWO OF US" THAT'S SO OBVIOUSLY ABOUT JOHN THAT IT HURTS. it's. it's not even scratching the surface. they were just genuinely insane about each other.
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ssa-atlas-alvez · 1 year
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I feel like cowboy has a background in crisis management or hostage negotiations, he’d be Quantico’s finest silver tongue. But maybe when he first arrived on the BAU team hotch seemed to doubt his abilities and wouldn’t give him the chance to prove he’s more than just a sharp shooter - maybe bc Strauss really pushed to have him put into the team in the first place so hotch is keeping cowboy at arms length
- 🦕
I'm aware this is slightly very unrealistic but ya know, it's fiction. I picture Jackson as a scared kid with a bad past
Also I didn't mean to post it so yeah hopefully it's okay lmao
Directly followed from this.
Warnings: guns, hostage negotiations, untrusting team
Taglist: @xweirdo101x @xdark-acadamiax @ara-a-bird @heidss @chubbyboyinflannel @pendragon-writes @migwayne @bigolgay @technikerin23 @supercriminalbean @honestlycasualarcade @caffeine-mess @1s3v3n1 @oddmiles @kevyeen @stealing-kneecaps @criminalskies @woodandwaxwings @anonstories08
"Let me do this." You and the team had managed to track down the kid who was doing this, when the police had surrounded the diner, he had felt trapped and pulled out a weapon. You wanted to be the one who negotiated with him, who talked him down. You could relate to him.
All of this stemmed from a scared kid who had no one left. He was left to deal with everything on his own, left to deal with the death of his father, abandoned by the system with no justice, so he took it into his own hands.
"Why should I let you do this when I have Rossi here?"
"Because I understand the kid." You answer, "And I was damn good at my job which is why Strauss recommended me for the position,"
Hotch stares at you for a moment and you stare back, you weren't going to let him intimidate you. Or even think that he can intimidate you. He nods slightly and you turn to the phone.
"Jackson? You there?"
"I'm here."
"I'm Agent (L/N)," You introduced, "You can call me (Y/N). I'm here to make sure everything gets sorted out,"
"You don't care. They don't fucking care!" Jackson yells, "No one fucking cares! No one cares that he's dead! No one cares that someone killed him! No one cares!"
"Hey, we care. That's why we're here, ain't it?"
"No, you're here so I don't go down in a rain of bullets."
"I hate to break it to you kid, that's not why I'm here." You answered, "It might be why the others are here, I'm here to make sure you don't do somethin' stupid. Somethin' you're gonna regret for years."
"You don't fucking get it!" Jackson shouts over the phone.
"Hey, hey, I get it," You kept your voice understanding, "It's tough, losin' someone you love."
"Yeah, and what would you know?"
"I- I lost my Mama at an early age, my biological Mama," You said, your voice crackling over the phone. "Everyone thought I was too young to understand, too young to remember, like twelve year olds can't think for 'emselves, y'know? N I remember bein' so angry that no one even thought to just sit me down and talk. And that's why I'm here, Jackson, I'm here to talk, to help."
"If you want to help, come inside. If you come inside, I'll let everyone go. I'll talk with you. But no one else. No one else sets foot in this building." Jackson paused for breath, "And no guns."
You nod, "Okay. That's just fine, we'll do that." As soon as your hand is off the button, Hotch is shaking his head.
"No."
"Sir, I get it, I'm the new guy, but I know what I'm doin'." You said strongly. "Just let me prove myself."
Hotch studied you for a moment before nodding. "You have five minutes."
"Thank you, sir," With that, you placed your gun in Hotch’s hand before making your way into the building (after they fit a wire).
When you get in, the hostages run out. At the very least you would be the only casualty if this went south.
"Hey kid," You said softly, sliding in one of the booths, Jackson hesitantly sat opposite you, his gun firmly aimed at you.
"This has to be some kind of trick."
"I want to help you."
"Do you have a wire?"
"Yes." You answer honestly, Jackson looks at you for a moment before nodding.
"You weren't supposed to tell me that, was you?"
You shook your head, "Nope." You answered, "But I did - for two reasons, I need you to feel like you trust me - and that requires my honesty - and I honestly think at this rate I might get fired, so it don't matter all that much anyway."
"That's ballsy," Jackson commented and you gave a small laugh.
"N what? Bein' an FBI agent isn't?"
Jackson laughed before sobering up, "Why are you being nice to me?"
"Because you're a kid." You shrugged, "You've had it tough, but if you work hard, and face the consequences of your actions, you can come out the other end of this better."
"How? Everyone already treats me like I'm some lowlife. How can I possibly change that if no one is willing to give me a chance?"
"I'm willin' to give you a chance. I'm willin' to help." You said, "All you need to do to show me that you're willin' to change is to give me the gun n walk out there with me n show me that you're willin' to put in the time."
Jackson studies you for a moment before he nods, placing the gun on the table and sliding it towards you. You take it, emptying it of bullets - placing the gun in one pocket and the bullets in another. "Okay." He whispers softly. "I want to change. I want to be better."
"Then that's all that matters kid, fuck everyone else." You said, "Come on, let's go set things right, yeah?"
"Yeah... Okay..." He says hesitantly as he stands from the booth.
"Facin' the consequences of your actions are never easy," You said as you also stood, "But it's how you react to realisin' you made a mistake that determines the type of person you are."
Jackson nods, squaring his shoulders before leading the way out of the building with his hands raised. You give him a nod of encouragement as he gets into the police car.
You turn to Hotch, "Sorted." You answer before climbing into the SUV.
"He's good, I'll give him that..." Rossi mumbles before joining you in the car. "Good job, Kid."
"Thanks."
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