Jumanji kind of AU where Steve and Eddie are frenemies (aka they would like each other if they weren't both dumb) but they're stuck together helping Dustin's mum to clean up her attic. Or better, Steve is cleaning and Eddie is snooping around, despite Steve's scolding. In his snooping, Eddie finds a worn-out notebook and a set of two dice he has no intention to put back in the box he has found them, no matter what Steve says to him.
They argue about it, then fight, and finally wrestle for the items, making the dice fall on the ground and land on a 2 and a 3.
Suddenly the room around them shakes, and before they realize what is going on, they find themselves catapulted into a fantasy land where creatures like trolls and dragons are very much real and alive, and every step of their journey seems to be described inside the mysterious notebook.
Eddie's thrill about being stuck inside a D&D campaign goes away quickly once he realizes that only Steve has the physical abilities to do the heroic acts he has always dreamed of. Steve, on his part, has difficulties relying on other people, not even when Eddie is the only one with the knowledge that can get them out safely.
Will they learn to work together or are these two idiots destined to be stuck forever?
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the Sully kids' reaction to Jake saying Spider "knew everything" breaks my heart.
they knew him better than anyone else, better than their parents. they knew his love for Eywa, for Pandora, for The People, for the clan, for their family. they knew he would never tell the RDA anything... not willingly at least.
they knew they were leaving because Spider would be tortured for information, he'd be forced to reveal their home, their plans, their numbers, their weaknesses. their brother would be tortured and they were being forced to leave him behind.
they knew they were being forced to find a new home, without their brother, because their dad knew he would be tortured.
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My issue with Thor not ‘realizing’ why Loki was acting off in Avengers 1 isn’t that Thor didn’t recognise Loki was acting unlike himself—Thor did note that—or that Thor didn’t figure out what was wrong—he did try asking—it’s more along the lines of Thor giving up, and that he accepted Loki was bad now within two days while knowing something was off when Thor himself behaved just as bad for much longer before without any specific compromising event.
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i'm mourning the loss of purgatory's Government Assigned Team Dynamics (because i'm a sucker for shaking up dynamics and the forced interactions of people who may not otherwise have spoken) so please indulge me with your dream egg parenting group i'll start, bagi tina and rivers [i'm right]
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I should make a post about how insane Diana being chosen as champion is at one point. Like yes ik in most versions it was an anonymous competition but like the sheer level of trust and hope and desire for reconciliation and peace that comes with that gesture is a so insane to me. Hippolyta the woman that you are...
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another thing I do wish had at least come up in ds9 while talking about the bajoran faith is the idea of just like. secular bajorans. I think the way they’re written that’s kind of ‘everyone just believes in the religion and that’s it’ is honestly a little flat? but I think there would be people who have a very complicated relationship with the prophets, who maybe didn’t believe in them before the events of the show and now maybe they have to but they think of them more as the wormhole aliens rather than gods, or just don’t believe (anymore, if they once did) that they should be worshipped because they allowed the events of the occupation to happen. but that wouldn’t mean entirely disengaging from the practices of religion as a community thing, or as comfort in times of need bc sometimes that sense of ritual can be a good one, who still wear the earring not so much as a sign of faith but just as a sign of being bajoran and being connected to their people.
idk not to sound like I’m overexplaining secular approaches to an ethnoreligion when that’s a lot of people’s lived experience but I’m just kind of thinking about what it would look like in this context, and I don’t know that it ever would have been a whole plotline but I think a mention could have been interesting. maybe something as small as rearranging duty schedules and it’s something that would interfere with religious services, but a couple specific bajorans are willing to take that because they’re not religious, and it’s a one line mention (which is the kind of thing ds9 often did well so it would feel natural), but it makes them a little less homogenous as a species.
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it's nice that we're getting anything i guess, but, i'm gonna be what may come off as a little petty and whiny here; it'd be cool if either iteration of the gen 9 anime so far was actually about gen 9's characters instead of using them as cameos to promote original stories we have no investment in yet
it's like, i dunno, like the bait and switch with sonic appearing in wreck it ralph ads, except if wreck it ralph existing meant there would never be a sonic movie, and if you were invested in those characters and recognized they weren't generic platformer mascots, sucks for you, nobody cares
maybe they're just giving the DLC space to do its thing with them first (if they do anything at all...) but idk, i was cautiously optimistic about nemona in horizons, only for her to be a character of the day that the episode wasn't about, and pretty excited by "gen 9 prequel anime" only to find out it's going to be like, four short stories about OCs who have quick brushes with them. these are like the lacroix hint of what an anime about the game could've been like and you're left to imagine the rest yourself
i shouldn't be that surprised if the gen 8 anime reduced hero of galar hop to a character of the day with a level 5 wooloo in order to let the galaxy revolve around ash battling his brother because epic charizards, but man. what if it wasn't like that that now that ash is gone.
we haven't seen penny and team star at all because they're the hardest to talk about without bringing up the trauma of school bullying and the fear of being yourself at school when you're way too young to be dealing with all that drama responsibly. she's still learning to love and forgive herself and feel wanted.
arven's story is about, like, being a latchkey kid to a self-absorbed parent, being unsure how to feel about repairing the relationship or how seriously to take them saying they love him, and struggling to make friends due to misdirected resentment toward people he's jealous of for having apparently normal families and the stubborn self-reliance he was forced into. he's still trying to process things, find himself, and let people in.
nemona is supposed to have been a directionless lonely and depressed kid who hated being called gifted when everything was hard for her, until she met the player character and gained a peer who understood and appreciated she was a little different and she didn't have to mask her true self to have friends anymore. she's happy for now, but may still be under a little too much pressure to be perfect at the expense of her own personality, and probably won't deal well with being abandoned.
as much as they resonate with adults and are a little darker than usual pokemon fare, they're also smaller scale and realer. they are all stories that are explicitly about and meant to be relatable to kids going to school! y'know, your audience! you don't need to paint over them with 3-4 new characters and new stories every time like there was nothing there, or something shameful you need to sanitize and cover up! you can just use the game the way it is!
this got a little more heated than i intended, i just feel a little ridiculous waiting anxiously for loose scraps of a sign that this story isn't over and in the trash already and nemona's life-changing attachment to the player character isn't going to go totally ignored, as we are bombarded with what is supposed to be followup material that almost all seems eager to talk about literally anything else like they think the main story was a mistake they need to run away from
now, i'm not one to complain about original stories being told, but this was already a story that had room to grow. imagine a world where the gen 9 anime was actually about nemona, arven, penny, and the friend who brought them together. or what their lives were like before that friend came along. every episode. that would get me to watch the anime again and whatever movie came out for it. ask yourself why we don't have that, or even the traditional, like, 1-2 characters tagging along with the MCs per region thing that would leave us knowing them better than we know some irl friends
how was starting over with 100% original characters and new lore that might conflict hard with the upcoming DLC the safer bet? why is a 44 minute miniseries specifically for fans of the game making up OCs for them to get invested in and scrambling to tell their stories as quickly as possible before throwing them in the trash instead of being about the damn game?
sigh. i shouldn't get invested in a series that's about selling monster plushies just because it had one story that stuck with me
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Just finished I feel you linger in the air. Definitely liked this show more than usual
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Me: Hey I'm trans.
People: Read The Bible
Me: only finding affirming things in bible study ... Yeah I'm doing that. I'm trans.
People: >:[
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Lego Monkie Kid Top Tier Chart: except im being brutally honest
🏆S: you gave it your all- Lady bone demon.
🥇A: your given potential led to your position- Posessed wukong, Mei, Mayor.
🥈B: you had potential, but your a fucking pussy- Nezha, Macaque, (Samadhi fire) Mei.
🥉C: you’re only here cause you’re hot- Spider queen, princess iron fan, Syntax.
💎D: you spend more time on talking than fighting/you’re annoying as shit- sun wukong, red son.
💰E: You’re pretty useless/very little potential- little girl, mk.
🪙F: just throw the whole damn character away/below useless- Tang.
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now that i know it's definitely not just a pipe dream and maybe even likely. i desperately need more carlos and kevin interactions
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Ok I thought I was gonna be making one nitpicky rant about TLoU show deaths but
I guess I’m actually making two. Because I saw another death and while I find there was nothing broadly wrong with it, there was some cinematic choices that drove me bonkers that I just wanna stress over.
So the rest will be under the cut, but for starters, this is about Sarah and Tess
Ok so Sarah isn’t really the meat of this rant, but I do want to talk about her death scene in the show because several things about it had bugged me. And please, I’m not really here to talk about the race swap. Overall I think it’s a little sus, moreso because the actress is the daughter of one of the executives of the show; so it suspiciously indicates nepotism. But the actress herself actually managed to do a pretty great job for Sarah’s death so really I couldn’t give a shit. ANYWAYS, the show’s death. What bugged me about it was the fact that there were CUTS while Joel is trying to comfort her and struggling to pick her up. The beauty of the cinematic choice in the game, where it turns into one continuous shot the moment Joel crawls over to Sarah, is that it inherently puts us in that moment with Joel, and by panning the camera over instead of cutting each time, it really shows how Sarah is right at death’s door, like you can HEAR the exact moment that she cries her last little whimper and just... goes quiet, right when the camera pans towards Tommy’s face. The problem with having scene cuts is that it drags the scene out in such an awkward way. Plus, Sarah’s still actively crying while Joel is screaming for Tommy to help him, and then the moment it cuts to Tommy the audio just cuts out very clumsily. As it cuts back to Joel Sarah’s just already dead, and additionally it makes no sense for Tommy to call to Joel to have him realize Sarah’s dead when she was still screaming and crying right as the camera cut. And then additionally, I’m not fond of the addition of Tommy saying Joel’s name, it feels almost... cold and detached. Like the tone of that line is “Joel she’s dead, it’s too late”. Whereas in the game, he’s moving towards Joel and Sarah and he’s in so much shock because he’s watching his niece dying in a crying, bloody mess.
So long story short, nothing wrong with the scene itself (though I gotta say I don’t think I’m a fan of Pedro Pascal’s line deliveries while he’s trying to stop Sarah’s bleeding. That’s less of a “one’s better than the other” and more of “that’s just my opinion that the emotion of the line delivery in the game was better”). Scene stayed true to the game.
But ohhh, OHHHH, you wanna know which death REALLY ruffled my feathers? Tess. Tess’ death was done so damn dirty in the show compared to the game (and side note, I hate the change to Tess’s character design. I loved the short hair held up by the headband, and I loved the short sleeves that showed her arms). I think by changing the entire death in the show, you take away from the character herself, and let me explain how.
In the game, they get to the Firefly meeting place, the Fireflies have been wiped out, and we find out Tess has been bitten. The military shows up, and Tess tells Joel that she’ll buy them some time and convinces both him and Ellie to leave. And the IMPORTANCE of her line “I WILL NOT turn into one of those things!”, which I’ll talk about. Joel and Ellie leave, Tess composes herself and gets ready to fight the soldiers. As you leave, you hear gunshots and hear Tess scream, and you find out she took out two soldiers; there was six guys and Tess took down two of them. This death is a perfect encapsulation of Tess’ character: resilient, stubborn, tough-as-nails, takes matters into her own hands. That is a death that treats the character with respect and actually plays into the character’s personality. It FITS. Tess is a woman whose life, her choices, it’s all in her hands and she will do what SHE wants to do.
In the TV show, they get to the Firefly meeting place, the Fireflies were killed by infected, and everything still plays out the same with Tess’ infection reveal (and I gotta say I’m not a fan of the dialogue choices nor am I a fan of the fact they tried to heavy-handedly push how Joel and Tess are a couple with the cuddling scene, whereas in the game the ambiguity of their relationship plays better into that final scene. I like the “Look, there’s enough here that you have to feel some sort of obligation to me” way more). Joel hears the infected, Tess starts tipping over some gasoline and grenades, and Joel and Ellie leave. Tess is panicking and frightened as the infected approach and flood in while trying to light the lighter, and then the BULLSHIT. The FUCKING KISS from the infected. And no I don’t wanna hear any ‘bUT it’S NoT A kISS, iT’S INfeCTiNg HEr’ excuses. It’s a fucking kiss disguised under the thin veneer of being some cool new infected lore, and it changes the entire death from a defiant last stance to a creepy, voyeuristic scene that’s going for a cringe-out factor. Like... Sure, you COULD explore that method of infection, it COULD be a neat behavior that we haven’t seen before.
But you don’t do that for Tess. She’s the wrong character to explore that with, and the show better actually try to stay consistent and show that again if people are gonna use the excuse of that scene being necessary. And the reason why it bugs me so much is because Tess, despite her short time in the story, is such a poignant character. She’s Joel’s partner, she’s OUR first partner. Taking that power out of her hands, putting her in this freaky powerless position where it’s like she’s being taken advantage of, does not compliment the character, especially when the death is a very easy to pull off trick that only solely relied on the lighter not working for cheap tension. If you wanted to give us a tense action scene, they could have actually shown us the Tess gunfight scene from her perspective, maybe give her one or two more kills than she had in the game. But this death was really insulting to the character.
TL;DR I’m incredibly autistic about all this dumb shit and it really just boils down to a difference of opinion.
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okay so i got accepted into my top college ed and everyone was really happy and IM really happy i agree but my brain sees an achievement and just thinks of the catastrophes that will follow said achievement so now i'm thinking about how i'm going to be in debilitating, crippling debt and IM NOT EVEN SURE WHAT I WANT TO DO. WHAT IF THE MONEY IS WASTED AND I FAIL (LEISTER)
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Hi! Could you explain your thoughts more on Klaine, I believe you said they’re (your thoughts) are complicated?
Hey anon! I’ll be honest, I don’t want to get too into the specifics, but I can explain my feelings a bit broadly, and hopefully this will answer your question.
I want to start off by saying that Klaine is a very well-developed relationship, especially for Glee, so there is a lot to consider there. I really like their story, I think they’re both interesting as individual characters, and their relationship with each other is also interesting. They’re in my top 3 ships, I’ve written fic and made gifsets about them, I just generally have a lot of love for them.
All that being said, because they have so much development and screen time, that also leaves more opportunities to find problems with their individual characters and their relationship. And I think we all know that the writing on Glee wasn’t always the best, so there were issues there, but there were also issues between Kurt and Blaine just by virtue of them being human and having flaws and those flaws sometimes clashing. That actually makes them more interesting to me, because complex and nuanced characters and relationships just give you so much more to think about, so I’m certainly not saying that I wanted their relationship to be picture perfect, nor am I saying that any relationship should be picture perfect, because everybody is going to have issues sometimes.
However. With Klaine in particular, I personally think that they were different enough to be ultimately incompatible – or at least, not compatible enough to make it worth being with each other. I think the effort they would need to put in to make their relationship work isn’t worth what they’d get out of it after all that time, they would spend most of their time being unhappy, and I don’t think they should have been endgame. And to be clear I think that this is on both sides; it’s no secret that Kurt is my favourite, but I’m not trying to put all the blame on Blaine here, I think there are reasons on both sides that make it ultimately not the best relationship for either of them.
Now, obviously canon disagrees with me, because they got therapy and they grew and learned to be happy together and got married and were having a child together five years later. They love each other and that is, canonically, enough for them to be able to make it work and it’s worth it. I’m not really interested in that argument because this isn’t about what is or isn’t canon, this is about my personal interpretation of and feelings about what’s presented on screen. I’m not here to tell people they’re wrong for thinking Klaine are meant for each other or anything, and like I said earlier, I love the ship, I’m a content creator and Klaine is the focus of a lot of the things I’ve made, so I’m not trying to say they’re a terrible ship. I just have complicated feelings about them because of how much screen time they have and what was shown to us of their relationship, and that’s not something that really becomes and issue for any of my other main ships since they aren’t canon and don’t have anywhere near the amount of screen time.
Another thing I suppose is that in general I’m not a huge fan of the “high school sweethearts” trope. I find it unrealistic. Obviously it does happen sometimes in real life, but I just think it would have been a more interesting story (to me personally, not necessarily objectively) for them to be each others’ first in so many ways, but then as they grow up they aren’t a good match anymore, and they move on to new people who are a good match. But at the same time, I also recognize that this is not real life, it is a television show, and sometimes you want to keep your characters together and have a happy ending, or you just plain don’t want to bring in new characters for something like that, or whatever other million reasons they could have for ending it the way they did. So, again, I’m not trying to tell anybody that I’m correct, it’s just how I personally feel about it.
I just have really strong, really conflicting feelings about them, and if I started getting into all of the details I would never post this answer, and even if I did I’d probably get hate for it and I don’t really want to deal with that. It’s actually the reason I got into fandom; I finished watching Glee, and I was so pissed off about Klaine that I started reading Klaine fanfiction to try to fix the issues that I had with them. And of course that led me to the larger fandom community, and I started writing, and well, here we are. So, maybe that will give you a hint as to just how strong those complicated feelings I have are!
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The absolute last way I want the finale to shake out:
The entire group gets Vecna’d. We see about 10 seconds of everyone else going thru it before focusing on El for another ten minutes straight. She breaks free on her own and confronts Vecna irl by herself. She holds her hand up and screams really loud and he dissolves into flakes. She has a nose bleed. Everyone is free. Epilogue
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I could preface this by saying I hate drama, or I usually keep my mouth shut but like. Nah. I just want to say that y’all need to stop plucking people’s posts out of their very limited and isolated contexts to make rallying cries. Some people are dead serious about their takes of questionable nature, and other people are likely posting it with the intent to joke around. Just because you’re annoyed by it doesn’t entitle you to air people out who are otherwise minding their business and doing their own thing.
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